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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58EE4A it is the complementary color #A711B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58EE4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58EE4A shade: #5DEE45, #6EFF58, #7FFF6B, #90FF7E and #A1FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58EE4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58EE4A shade: #58EE4A, #47DC37, #36CA24, #25B811 and #14A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58EE4A shade: #57EE49, #83EE49, #B0EE49, #DCEE49 and #EED349

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58EE4A shade: #57EE49, #49EE67, #49EE93, #49EEC0 and #49EEEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58EE4A shade matches the following richer shades: #57EE49 and #49FE38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58EE4A shade: #57EE49, #64DE59, #71CD69, #7FBD79 and #8CAD89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58EE4A shade: #B1EE49, #85EE49, #59EE49, #49EE64 and #49EE90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58EE4A shade: #23D113, #34EA23, #57EE49, #79F16E and #9CF594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58EE4A shade: #58EE4A, #49DDEE and #EE499B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58EE4A shade: #58EE4A, #4959EE and #EE4959

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58EE4A shade: #58EE4A, #49DDEE, #DD49EE and #EE5949

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58EE4A shade: #58EE4A, #49ACEE, #DD49EE and #EE8B49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 69 / 7

HEX #58EE4A

RGB 88 238 74

HSL 114.88, 0.83%, 0.61%

LAB 83.82, -69.04, 64.64

 

Complementary color

CMYK 8 / 91 / 0 / 29

HEX #A711B5

RGB 167 17 181

HSL 294.88, 0.83%, 0.39%

LAB 41.14, 71.81, -50.16

 

CMYK 61 / 0 / 71 / 7

HEX #5DEE45

RGB 93 238 69

HSL 111.48, 0.83%, 0.6%

LAB 83.92, -68.37, 66.6

 

CMYK 57 / 0 / 65 / 0

HEX #6EFF58

RGB 110 255 88

HSL 112.1, 1%, 0.67%

LAB 89.65, -68.72, 65.69

 

CMYK 50 / 0 / 58 / 0

HEX #7FFF6B

RGB 127 255 107

HSL 111.89, 1%, 0.71%

LAB 90.36, -62.62, 58.82

 

CMYK 44 / 0 / 51 / 0

HEX #90FF7E

RGB 144 255 126

HSL 111.63, 1%, 0.75%

LAB 91.21, -55.76, 51.48

 

CMYK 37 / 0 / 43 / 0

HEX #A1FF91

RGB 161 255 145

HSL 111.27, 1%, 0.78%

LAB 92.19, -48.27, 43.88

 

CMYK 63 / 0 / 69 / 7

HEX #58EE4A

RGB 88 238 74

HSL 114.88, 0.83%, 0.61%

LAB 83.82, -69.04, 64.64

 

CMYK 68 / 0 / 75 / 14

HEX #47DC37

RGB 71 220 55

HSL 114.18, 0.7%, 0.54%

LAB 77.76, -67.98, 65.01

 

CMYK 73 / 0 / 82 / 21

HEX #36CA24

RGB 54 202 36

HSL 113.49, 0.7%, 0.47%

LAB 71.66, -66.44, 64.7

 

CMYK 80 / 0 / 91 / 28

HEX #25B811

RGB 37 184 17

HSL 112.81, 0.83%, 0.39%

LAB 65.53, -64.25, 63.28

 

CMYK 88 / 0 / 100 / 35

HEX #14A600

RGB 20 166 0

HSL 112.77, 1%, 0.33%

LAB 59.36, -61.25, 60.49

 

CMYK 63 / 0 / 69 / 7

HEX #57EE49

RGB 87 238 73

HSL 114.91, 0.83%, 0.61%

LAB 83.79, -69.33, 64.97

 

CMYK 45 / 0 / 69 / 7

HEX #83EE49

RGB 131 238 73

HSL 98.91, 0.83%, 0.61%

LAB 85.23, -58.12, 66.92

 

CMYK 26 / 0 / 69 / 7

HEX #B0EE49

RGB 176 238 73

HSL 82.55, 0.83%, 0.61%

LAB 87.42, -42.99, 69.85

 

CMYK 8 / 0 / 69 / 7

HEX #DCEE49

RGB 220 238 73

HSL 66.55, 0.83%, 0.61%

LAB 90.25, -26, 73.62

 

CMYK 0 / 11 / 69 / 7

HEX #EED349

RGB 238 211 73

HSL 50.18, 0.83%, 0.61%

LAB 84.61, -5.33, 68.48

 

CMYK 63 / 0 / 69 / 7

HEX #57EE49

RGB 87 238 73

HSL 114.91, 0.83%, 0.61%

LAB 83.79, -69.33, 64.97

 

CMYK 69 / 0 / 57 / 7

HEX #49EE67

RGB 73 238 103

HSL 130.91, 0.83%, 0.61%

LAB 83.73, -68.87, 52.47

 

CMYK 69 / 0 / 38 / 7

HEX #49EE93

RGB 73 238 147

HSL 146.91, 0.83%, 0.61%

LAB 84.31, -62.16, 32.08

 

CMYK 69 / 0 / 19 / 7

HEX #49EEC0

RGB 73 238 192

HSL 163.27, 0.83%, 0.61%

LAB 85.19, -52.79, 10.11

 

CMYK 69 / 0 / 1 / 7

HEX #49EEEC

RGB 73 238 236

HSL 179.27, 0.83%, 0.61%

LAB 86.32, -41.57, -11.32

 

CMYK 63 / 0 / 69 / 7

HEX #57EE49

RGB 87 238 73

HSL 114.91, 0.83%, 0.61%

LAB 83.79, -69.33, 64.97

 

CMYK 71 / 0 / 78 / 0

HEX #49FE38

RGB 73 254 56

HSL 114.85, 0.99%, 0.61%

LAB 88.25, -78.11, 74.86

 

CMYK 63 / 0 / 69 / 7

HEX #57EE49

RGB 87 238 73

HSL 114.91, 0.83%, 0.61%

LAB 83.79, -69.33, 64.97

 

CMYK 55 / 0 / 60 / 13

HEX #64DE59

RGB 100 222 89

HSL 115.04, 0.67%, 0.61%

LAB 79.43, -59.27, 53.86

 

CMYK 45 / 0 / 49 / 20

HEX #71CD69

RGB 113 205 105

HSL 115.2, 0.5%, 0.61%

LAB 74.95, -47.13, 41.21

 

CMYK 33 / 0 / 36 / 26

HEX #7FBD79

RGB 127 189 121

HSL 114.71, 0.34%, 0.61%

LAB 71.07, -33.35, 28.23

 

CMYK 19 / 0 / 21 / 32

HEX #8CAD89

RGB 140 173 137

HSL 115, 0.18%, 0.61%

LAB 67.48, -18.35, 14.86

 

CMYK 26 / 0 / 69 / 7

HEX #B1EE49

RGB 177 238 73

HSL 82.18, 0.83%, 0.61%

LAB 87.47, -42.63, 69.93

 

CMYK 44 / 0 / 69 / 7

HEX #85EE49

RGB 133 238 73

HSL 98.18, 0.83%, 0.61%

LAB 85.31, -57.51, 67.03

 

CMYK 63 / 0 / 69 / 7

HEX #59EE49

RGB 89 238 73

HSL 114.18, 0.83%, 0.61%

LAB 83.84, -68.92, 65.04

 

CMYK 69 / 0 / 58 / 7

HEX #49EE64

RGB 73 238 100

HSL 129.82, 0.83%, 0.61%

LAB 83.7, -69.24, 53.77

 

CMYK 69 / 0 / 39 / 7

HEX #49EE90

RGB 73 238 144

HSL 145.82, 0.83%, 0.61%

LAB 84.27, -62.69, 33.52

 

CMYK 83 / 0 / 91 / 18

HEX #23D113

RGB 35 209 19

HSL 114.95, 0.83%, 0.45%

LAB 73.55, -71.67, 69.76

 

CMYK 78 / 0 / 85 / 8

HEX #34EA23

RGB 52 234 35

HSL 114.87, 0.83%, 0.53%

LAB 81.67, -76.31, 73.94

 

CMYK 63 / 0 / 69 / 7

HEX #57EE49

RGB 87 238 73

HSL 114.91, 0.83%, 0.61%

LAB 83.79, -69.33, 64.97

 

CMYK 50 / 0 / 54 / 5

HEX #79F16E

RGB 121 241 110

HSL 114.96, 0.82%, 0.69%

LAB 86.06, -58.6, 52.4

 

CMYK 36 / 0 / 40 / 4

HEX #9CF594

RGB 156 245 148

HSL 115.05, 0.83%, 0.77%

LAB 89.16, -45.12, 38.47

 

CMYK 63 / 0 / 69 / 7

HEX #58EE4A

RGB 88 238 74

HSL 114.88, 0.83%, 0.61%

LAB 83.82, -69.04, 64.64

 

CMYK 69 / 7 / 0 / 7

HEX #49DDEE

RGB 73 221 238

HSL 186.18, 0.83%, 0.61%

LAB 81.46, -33.18, -19.68

 

CMYK 0 / 69 / 35 / 7

HEX #EE499B

RGB 238 73 155

HSL 330.18, 0.83%, 0.61%

LAB 57.38, 69.22, -8.64

 

CMYK 63 / 0 / 69 / 7

HEX #58EE4A

RGB 88 238 74

HSL 114.88, 0.83%, 0.61%

LAB 83.82, -69.04, 64.64

 

CMYK 69 / 63 / 0 / 7

HEX #4959EE

RGB 73 89 238

HSL 234.18, 0.83%, 0.61%

LAB 45.27, 41.75, -76.76

 

CMYK 0 / 69 / 63 / 7

HEX #EE4959

RGB 238 73 89

HSL 354.18, 0.83%, 0.61%

LAB 55.75, 63.69, 27.98

 

CMYK 63 / 0 / 69 / 7

HEX #58EE4A

RGB 88 238 74

HSL 114.88, 0.83%, 0.61%

LAB 83.82, -69.04, 64.64

 

CMYK 69 / 7 / 0 / 7

HEX #49DDEE

RGB 73 221 238

HSL 186.18, 0.83%, 0.61%

LAB 81.46, -33.18, -19.68

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 0 / 63 / 69 / 7

HEX #EE5949

RGB 238 89 73

HSL 5.82, 0.83%, 0.61%

LAB 57.85, 56.49, 39.65

 

CMYK 63 / 0 / 69 / 7

HEX #58EE4A

RGB 88 238 74

HSL 114.88, 0.83%, 0.61%

LAB 83.82, -69.04, 64.64

 

CMYK 69 / 28 / 0 / 7

HEX #49ACEE

RGB 73 172 238

HSL 204, 0.83%, 0.61%

LAB 67.35, -8.08, -41.39

 

CMYK 7 / 69 / 0 / 7

HEX #DD49EE

RGB 221 73 238

HSL 293.82, 0.83%, 0.61%

LAB 58.33, 76.77, -54.88

 

CMYK 0 / 42 / 69 / 7

HEX #EE8B49

RGB 238 139 73

HSL 24, 0.83%, 0.61%

LAB 67.37, 32.34, 50.42

 

Description

Color code: HEX #58EE4A | qconv.com Color code: HEX #58EE4A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 238 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 238 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 69 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 69% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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