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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59B96A it is the complementary color #A64695. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59B96A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59B96A shade: #5EB965, #6FCB78, #80DD8B, #91EF9E and #A2FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59B96A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59B96A shade: #59B96A, #48A757, #379544, #268331 and #15711E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59B96A shade: #59B96A, #62B959, #7CB959, #96B959 and #B0B959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59B96A shade: #59B96A, #59B984, #59B99E, #59B9B8 and #59A1B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59B96A shade matches the following richer shades: #59B96A, #46CC5E, #33DF52 and #20F245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59B96A shade: #59B96A, #6CA676, #7F9383, #92808F and #A56D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59B96A shade: #7CB959, #63B959, #59B969, #59B983 and #59B99C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59B96A shade: #388746, #45A556, #59B96A, #76C584 and #93D29E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59B96A shade: #59B96A, #5996B9 and #B95970

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59B96A shade: #59B96A, #6959B9 and #B96959

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59B96A shade: #59B96A, #5996B9, #B959A9 and #B97C59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59B96A shade: #59B96A, #5979B9, #B959A9 and #B99959

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 43 / 27

HEX #59B96A

RGB 89 185 106

HSL 130.63, 0.41%, 0.54%

LAB 67.92, -45.38, 31.62

 

Complementary color

CMYK 0 / 58 / 10 / 35

HEX #A64695

RGB 166 70 149

HSL 310.63, 0.41%, 0.46%

LAB 45.16, 49.48, -24.74

 

CMYK 49 / 0 / 45 / 27

HEX #5EB965

RGB 94 185 101

HSL 124.62, 0.39%, 0.55%

LAB 68.03, -44.81, 34.38

 

CMYK 45 / 0 / 41 / 20

HEX #6FCB78

RGB 111 203 120

HSL 125.87, 0.47%, 0.62%

LAB 74.48, -44.69, 33.07

 

CMYK 42 / 0 / 37 / 13

HEX #80DD8B

RGB 128 221 139

HSL 127.1, 0.58%, 0.68%

LAB 80.83, -44.5, 31.83

 

CMYK 39 / 0 / 34 / 6

HEX #91EF9E

RGB 145 239 158

HSL 128.3, 0.75%, 0.75%

LAB 87.11, -44.28, 30.65

 

CMYK 36 / 0 / 31 / 0

HEX #A2FFB1

RGB 162 255 177

HSL 129.68, 1%, 0.82%

LAB 92.74, -43.16, 28.78

 

CMYK 52 / 0 / 43 / 27

HEX #59B96A

RGB 89 185 106

HSL 130.63, 0.41%, 0.54%

LAB 67.92, -45.38, 31.62

 

CMYK 57 / 0 / 48 / 35

HEX #48A757

RGB 72 167 87

HSL 129.47, 0.4%, 0.47%

LAB 61.4, -45.36, 33.01

 

CMYK 63 / 0 / 54 / 42

HEX #379544

RGB 55 149 68

HSL 128.3, 0.46%, 0.4%

LAB 54.79, -45.11, 34.44

 

CMYK 71 / 0 / 63 / 49

HEX #268331

RGB 38 131 49

HSL 127.1, 0.55%, 0.33%

LAB 48.09, -44.46, 35.85

 

CMYK 81 / 0 / 73 / 56

HEX #15711E

RGB 21 113 30

HSL 125.87, 0.69%, 0.26%

LAB 41.32, -43.12, 36.99

 

CMYK 52 / 0 / 43 / 27

HEX #59B96A

RGB 89 185 106

HSL 130.63, 0.41%, 0.54%

LAB 67.92, -45.38, 31.62

 

CMYK 47 / 0 / 52 / 27

HEX #62B959

RGB 98 185 89

HSL 114.38, 0.41%, 0.54%

LAB 68.03, -45.35, 40.42

 

CMYK 33 / 0 / 52 / 27

HEX #7CB959

RGB 124 185 89

HSL 98.13, 0.41%, 0.54%

LAB 69.26, -36.94, 42.19

 

CMYK 19 / 0 / 52 / 27

HEX #96B959

RGB 150 185 89

HSL 81.88, 0.41%, 0.54%

LAB 70.8, -27.3, 44.42

 

CMYK 5 / 0 / 52 / 27

HEX #B0B959

RGB 176 185 89

HSL 65.63, 0.41%, 0.54%

LAB 72.66, -16.89, 47.07

 

CMYK 52 / 0 / 43 / 27

HEX #59B96A

RGB 89 185 106

HSL 130.63, 0.41%, 0.54%

LAB 67.92, -45.38, 31.62

 

CMYK 52 / 0 / 29 / 27

HEX #59B984

RGB 89 185 132

HSL 146.88, 0.41%, 0.54%

LAB 68.38, -40.66, 18.44

 

CMYK 52 / 0 / 15 / 27

HEX #59B99E

RGB 89 185 158

HSL 163.13, 0.41%, 0.54%

LAB 68.96, -34.95, 5.09

 

CMYK 52 / 0 / 1 / 27

HEX #59B9B8

RGB 89 185 184

HSL 179.38, 0.41%, 0.54%

LAB 69.67, -28.38, -8.16

 

CMYK 52 / 13 / 0 / 27

HEX #59A1B9

RGB 89 161 185

HSL 195, 0.41%, 0.54%

LAB 62.61, -15.83, -19.34

 

CMYK 52 / 0 / 43 / 27

HEX #59B96A

RGB 89 185 106

HSL 130.63, 0.41%, 0.54%

LAB 67.92, -45.38, 31.62

 

CMYK 66 / 0 / 54 / 20

HEX #46CC5E

RGB 70 204 94

HSL 130.75, 0.57%, 0.54%

LAB 73.09, -58.84, 43.92

 

CMYK 77 / 0 / 63 / 13

HEX #33DF52

RGB 51 223 82

HSL 130.81, 0.73%, 0.54%

LAB 78.51, -69.71, 55.51

 

CMYK 87 / 0 / 71 / 5

HEX #20F245

RGB 32 242 69

HSL 130.57, 0.89%, 0.54%

LAB 84.09, -78.51, 66.44

 

CMYK 52 / 0 / 43 / 27

HEX #59B96A

RGB 89 185 106

HSL 130.63, 0.41%, 0.54%

LAB 67.92, -45.38, 31.62

 

CMYK 35 / 0 / 29 / 35

HEX #6CA676

RGB 108 166 118

HSL 130.34, 0.25%, 0.54%

LAB 63.15, -29.18, 19.01

 

CMYK 14 / 0 / 11 / 42

HEX #7F9383

RGB 127 147 131

HSL 132, 0.08%, 0.54%

LAB 58.99, -10.39, 6.08

 

CMYK 0 / 12 / 2 / 43

HEX #92808F

RGB 146 128 143

HSL 310, 0.08%, 0.54%

LAB 55.62, 9.65, -5.55

 

CMYK 0 / 34 / 6 / 35

HEX #A56D9B

RGB 165 109 155

HSL 310.71, 0.24%, 0.54%

LAB 53.28, 29.67, -15.84

 

CMYK 33 / 0 / 52 / 27

HEX #7CB959

RGB 124 185 89

HSL 98.13, 0.41%, 0.54%

LAB 69.26, -36.94, 42.19

 

CMYK 46 / 0 / 52 / 27

HEX #63B959

RGB 99 185 89

HSL 113.75, 0.41%, 0.54%

LAB 68.07, -45.05, 40.48

 

CMYK 52 / 0 / 43 / 27

HEX #59B969

RGB 89 185 105

HSL 130, 0.41%, 0.54%

LAB 67.9, -45.54, 32.12

 

CMYK 52 / 0 / 29 / 27

HEX #59B983

RGB 89 185 131

HSL 146.25, 0.41%, 0.54%

LAB 68.36, -40.86, 18.95

 

CMYK 52 / 0 / 16 / 27

HEX #59B99C

RGB 89 185 156

HSL 161.88, 0.41%, 0.54%

LAB 68.91, -35.42, 6.11

 

CMYK 59 / 0 / 48 / 47

HEX #388746

RGB 56 135 70

HSL 130.63, 0.41%, 0.37%

LAB 50.23, -38.89, 27.76

 

CMYK 58 / 0 / 48 / 35

HEX #45A556

RGB 69 165 86

HSL 130.63, 0.41%, 0.46%

LAB 60.65, -45.44, 32.56

 

CMYK 52 / 0 / 43 / 27

HEX #59B96A

RGB 89 185 106

HSL 130.63, 0.41%, 0.54%

LAB 67.92, -45.38, 31.62

 

CMYK 40 / 0 / 33 / 23

HEX #76C584

RGB 118 197 132

HSL 130.63, 0.41%, 0.62%

LAB 73.19, -38.04, 25.18

 

CMYK 30 / 0 / 25 / 18

HEX #93D29E

RGB 147 210 158

HSL 130.48, 0.41%, 0.7%

LAB 78.91, -30.52, 19.51

 

CMYK 52 / 0 / 43 / 27

HEX #59B96A

RGB 89 185 106

HSL 130.63, 0.41%, 0.54%

LAB 67.92, -45.38, 31.62

 

CMYK 52 / 19 / 0 / 27

HEX #5996B9

RGB 89 150 185

HSL 201.88, 0.41%, 0.54%

LAB 59.38, -9.83, -24.28

 

CMYK 0 / 52 / 39 / 27

HEX #B95970

RGB 185 89 112

HSL 345.63, 0.41%, 0.54%

LAB 50.25, 41.1, 5.43

 

CMYK 52 / 0 / 43 / 27

HEX #59B96A

RGB 89 185 106

HSL 130.63, 0.41%, 0.54%

LAB 67.92, -45.38, 31.62

 

CMYK 43 / 52 / 0 / 27

HEX #6959B9

RGB 105 89 185

HSL 250, 0.41%, 0.54%

LAB 43.73, 30.51, -48.79

 

CMYK 0 / 43 / 52 / 27

HEX #B96959

RGB 185 105 89

HSL 10, 0.41%, 0.54%

LAB 53.1, 30.28, 22.94

 

CMYK 52 / 0 / 43 / 27

HEX #59B96A

RGB 89 185 106

HSL 130.63, 0.41%, 0.54%

LAB 67.92, -45.38, 31.62

 

CMYK 52 / 19 / 0 / 27

HEX #5996B9

RGB 89 150 185

HSL 201.88, 0.41%, 0.54%

LAB 59.38, -9.83, -24.28

 

CMYK 0 / 52 / 9 / 27

HEX #B959A9

RGB 185 89 169

HSL 310, 0.41%, 0.54%

LAB 52.2, 49.24, -25.46

 

CMYK 0 / 33 / 52 / 27

HEX #B97C59

RGB 185 124 89

HSL 21.88, 0.41%, 0.54%

LAB 57.51, 19.82, 28.68

 

CMYK 52 / 0 / 43 / 27

HEX #59B96A

RGB 89 185 106

HSL 130.63, 0.41%, 0.54%

LAB 67.92, -45.38, 31.62

 

CMYK 52 / 35 / 0 / 27

HEX #5979B9

RGB 89 121 185

HSL 220, 0.41%, 0.54%

LAB 51.04, 7.01, -37.25

 

CMYK 0 / 52 / 9 / 27

HEX #B959A9

RGB 185 89 169

HSL 310, 0.41%, 0.54%

LAB 52.2, 49.24, -25.46

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

Description

Color code: HEX #59B96A | qconv.com Color code: HEX #59B96A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 185 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 185 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 43 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 43% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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