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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59DEDA it is the complementary color #A62125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59DEDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59DEDA shade: #5EDED5, #6FF0E8, #80FFFB, #91FFFF and #A2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59DEDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59DEDA shade: #59DEDA, #48CCC7, #37BAB4, #26A8A1 and #15968E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59DEDA shade: #58DEDA, #58DEB6, #58DE92, #58DE6E and #67DE58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59DEDA shade: #58DEDA, #58BEDE, #589ADE, #5876DE and #5858DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59DEDA shade matches the following richer shades: #58DEDA, #48EEE9 and #38FEF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59DEDA shade: #58DEDA, #69CECB, #79BDBB, #89ADAC and #999D9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59DEDA shade: #58DE92, #58DEB6, #58DED9, #58BFDE and #589BDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59DEDA shade: #25BEBA, #36D7D2, #58DEDA, #7BE4E1 and #9DEBE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59DEDA shade: #59DEDA, #6F58DE and #DEA458

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59DEDA shade: #59DEDA, #D958DE and #DED958

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59DEDA shade: #59DEDA, #6F58DE, #DE585D and #C7DE58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59DEDA shade: #59DEDA, #9758DE, #DE585D and #9FDE58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 2 / 13

HEX #59DEDA

RGB 89 222 218

HSL 178.2, 0.67%, 0.61%

LAB 81.53, -36.85, -8.9

 

Complementary color

CMYK 0 / 80 / 78 / 35

HEX #A62125

RGB 166 33 37

HSL 358.2, 0.67%, 0.39%

LAB 36.61, 52.74, 32.56

 

CMYK 58 / 0 / 4 / 13

HEX #5EDED5

RGB 94 222 213

HSL 175.78, 0.66%, 0.62%

LAB 81.53, -37.28, -6.23

 

CMYK 54 / 0 / 3 / 6

HEX #6FF0E8

RGB 111 240 232

HSL 176.28, 0.81%, 0.69%

LAB 87.74, -37.48, -7.01

 

CMYK 50 / 0 / 2 / 0

HEX #80FFFB

RGB 128 255 251

HSL 178.11, 1%, 0.75%

LAB 93.05, -36.22, -8.97

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 60 / 0 / 2 / 13

HEX #59DEDA

RGB 89 222 218

HSL 178.2, 0.67%, 0.61%

LAB 81.53, -36.85, -8.9

 

CMYK 65 / 0 / 2 / 20

HEX #48CCC7

RGB 72 204 199

HSL 177.73, 0.56%, 0.54%

LAB 75.26, -36.42, -8.08

 

CMYK 70 / 0 / 3 / 27

HEX #37BAB4

RGB 55 186 180

HSL 177.25, 0.54%, 0.47%

LAB 68.91, -35.82, -7.18

 

CMYK 77 / 0 / 4 / 34

HEX #26A8A1

RGB 38 168 161

HSL 176.77, 0.63%, 0.4%

LAB 62.5, -34.97, -6.18

 

CMYK 86 / 0 / 5 / 41

HEX #15968E

RGB 21 150 142

HSL 176.28, 0.75%, 0.34%

LAB 56.01, -33.76, -5.05

 

CMYK 60 / 0 / 2 / 13

HEX #58DEDA

RGB 88 222 218

HSL 178.21, 0.67%, 0.61%

LAB 81.5, -37.01, -8.95

 

CMYK 60 / 0 / 18 / 13

HEX #58DEB6

RGB 88 222 182

HSL 162.09, 0.67%, 0.61%

LAB 80.57, -46.01, 8.82

 

CMYK 60 / 0 / 34 / 13

HEX #58DE92

RGB 88 222 146

HSL 145.97, 0.67%, 0.61%

LAB 79.84, -53.57, 26.66

 

CMYK 60 / 0 / 50 / 13

HEX #58DE6E

RGB 88 222 110

HSL 129.85, 0.67%, 0.61%

LAB 79.3, -59.48, 43.97

 

CMYK 54 / 0 / 60 / 13

HEX #67DE58

RGB 103 222 88

HSL 113.28, 0.67%, 0.61%

LAB 79.52, -58.61, 54.42

 

CMYK 60 / 0 / 2 / 13

HEX #58DEDA

RGB 88 222 218

HSL 178.21, 0.67%, 0.61%

LAB 81.5, -37.01, -8.95

 

CMYK 60 / 14 / 0 / 13

HEX #58BEDE

RGB 88 190 222

HSL 194.33, 0.67%, 0.61%

LAB 72.35, -20.3, -24.9

 

CMYK 60 / 31 / 0 / 13

HEX #589ADE

RGB 88 154 222

HSL 210.45, 0.67%, 0.61%

LAB 62.05, -0.72, -40.85

 

CMYK 60 / 47 / 0 / 13

HEX #5876DE

RGB 88 118 222

HSL 226.57, 0.67%, 0.61%

LAB 52.18, 20.77, -56.51

 

CMYK 60 / 60 / 0 / 13

HEX #5858DE

RGB 88 88 222

HSL 240, 0.67%, 0.61%

LAB 44.7, 39.18, -68.6

 

CMYK 60 / 0 / 2 / 13

HEX #58DEDA

RGB 88 222 218

HSL 178.21, 0.67%, 0.61%

LAB 81.5, -37.01, -8.95

 

CMYK 70 / 0 / 2 / 7

HEX #48EEE9

RGB 72 238 233

HSL 178.19, 0.83%, 0.61%

LAB 86.21, -42.52, -9.91

 

CMYK 78 / 0 / 2 / 0

HEX #38FEF8

RGB 56 254 248

HSL 178.18, 0.99%, 0.61%

LAB 91.01, -47.09, -10.63

 

CMYK 60 / 0 / 2 / 13

HEX #58DEDA

RGB 88 222 218

HSL 178.21, 0.67%, 0.61%

LAB 81.5, -37.01, -8.95

 

CMYK 49 / 0 / 1 / 19

HEX #69CECB

RGB 105 206 203

HSL 178.22, 0.51%, 0.61%

LAB 76.96, -30.15, -7.61

 

CMYK 36 / 0 / 1 / 26

HEX #79BDBB

RGB 121 189 187

HSL 178.24, 0.34%, 0.61%

LAB 72.26, -21.87, -5.81

 

CMYK 21 / 0 / 1 / 32

HEX #89ADAC

RGB 137 173 172

HSL 178.33, 0.18%, 0.61%

LAB 68.16, -12.36, -3.52

 

CMYK 3 / 0 / 0 / 38

HEX #999D9D

RGB 153 157 157

HSL 180, 0.02%, 0.61%

LAB 64.42, -1.43, -0.51

 

CMYK 60 / 0 / 34 / 13

HEX #58DE92

RGB 88 222 146

HSL 145.97, 0.67%, 0.61%

LAB 79.84, -53.57, 26.66

 

CMYK 60 / 0 / 18 / 13

HEX #58DEB6

RGB 88 222 182

HSL 162.09, 0.67%, 0.61%

LAB 80.57, -46.01, 8.82

 

CMYK 60 / 0 / 2 / 13

HEX #58DED9

RGB 88 222 217

HSL 177.76, 0.67%, 0.61%

LAB 81.47, -37.28, -8.46

 

CMYK 60 / 14 / 0 / 13

HEX #58BFDE

RGB 88 191 222

HSL 193.88, 0.67%, 0.61%

LAB 72.63, -20.82, -24.46

 

CMYK 60 / 30 / 0 / 13

HEX #589BDE

RGB 88 155 222

HSL 210, 0.67%, 0.61%

LAB 62.33, -1.3, -40.41

 

CMYK 81 / 0 / 2 / 25

HEX #25BEBA

RGB 37 190 186

HSL 178.43, 0.67%, 0.45%

LAB 70.01, -37.89, -8.88

 

CMYK 75 / 0 / 2 / 16

HEX #36D7D2

RGB 54 215 210

HSL 178.14, 0.67%, 0.53%

LAB 78.48, -40.69, -9.24

 

CMYK 60 / 0 / 2 / 13

HEX #58DEDA

RGB 88 222 218

HSL 178.21, 0.67%, 0.61%

LAB 81.5, -37.01, -8.95

 

CMYK 46 / 0 / 1 / 11

HEX #7BE4E1

RGB 123 228 225

HSL 178.29, 0.66%, 0.69%

LAB 84.55, -31.13, -8

 

CMYK 33 / 0 / 1 / 8

HEX #9DEBE9

RGB 157 235 233

HSL 178.46, 0.66%, 0.77%

LAB 88.19, -24.23, -6.66

 

CMYK 60 / 0 / 2 / 13

HEX #59DEDA

RGB 89 222 218

HSL 178.2, 0.67%, 0.61%

LAB 81.53, -36.85, -8.9

 

CMYK 50 / 60 / 0 / 13

HEX #6F58DE

RGB 111 88 222

HSL 250.3, 0.67%, 0.61%

LAB 46.49, 43.26, -65.61

 

CMYK 0 / 26 / 60 / 13

HEX #DEA458

RGB 222 164 88

HSL 34.03, 0.67%, 0.61%

LAB 71.41, 13.4, 47.16

 

CMYK 60 / 0 / 2 / 13

HEX #59DEDA

RGB 89 222 218

HSL 178.2, 0.67%, 0.61%

LAB 81.53, -36.85, -8.9

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 0 / 2 / 60 / 13

HEX #DED958

RGB 222 217 88

HSL 57.76, 0.67%, 0.61%

LAB 84.92, -14.12, 62.33

 

CMYK 60 / 0 / 2 / 13

HEX #59DEDA

RGB 89 222 218

HSL 178.2, 0.67%, 0.61%

LAB 81.53, -36.85, -8.9

 

CMYK 50 / 60 / 0 / 13

HEX #6F58DE

RGB 111 88 222

HSL 250.3, 0.67%, 0.61%

LAB 46.49, 43.26, -65.61

 

CMYK 0 / 60 / 58 / 13

HEX #DE585D

RGB 222 88 93

HSL 357.76, 0.67%, 0.61%

LAB 55.38, 52.71, 24.64

 

CMYK 10 / 0 / 60 / 13

HEX #C7DE58

RGB 199 222 88

HSL 70.3, 0.67%, 0.61%

LAB 84.53, -25.86, 61.4

 

CMYK 60 / 0 / 2 / 13

HEX #59DEDA

RGB 89 222 218

HSL 178.2, 0.67%, 0.61%

LAB 81.53, -36.85, -8.9

 

CMYK 32 / 60 / 0 / 13

HEX #9758DE

RGB 151 88 222

HSL 268.21, 0.67%, 0.61%

LAB 50.49, 51.69, -58.95

 

CMYK 0 / 60 / 58 / 13

HEX #DE585D

RGB 222 88 93

HSL 357.76, 0.67%, 0.61%

LAB 55.38, 52.71, 24.64

 

CMYK 28 / 0 / 60 / 13

HEX #9FDE58

RGB 159 222 88

HSL 88.21, 0.67%, 0.61%

LAB 82.01, -41.08, 57.91

 

Description

Color code: HEX #59DEDA | qconv.com Color code: HEX #59DEDA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 222 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 222 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 2% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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