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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D958DE it is the complementary color #26A721. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D958DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D958DE shade: #DE58D9, #EF6AEC, #FF7CFF, #FF8EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D958DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D958DE shade: #D958DE, #C846CB, #B734B8, #A622A5 and #951092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D958DE shade: #D958DE, #DE58BF, #DE589B, #DE5877 and #DE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D958DE shade: #D958DE, #B558DE, #9158DE, #6D58DE and #5858DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D958DE shade matches the following richer shades: #D958DE, #E848EE and #F638FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D958DE shade: #D958DE, #CA69CE, #BB79BD, #AC89AD and #9D999D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D958DE shade: #9058DE, #B358DE, #D758DE, #DE58C1 and #DE589D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D958DE shade: #B925BE, #D136D7, #D958DE, #E17BE4 and #E89DEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D958DE shade: #D958DE, #DE6C58 and #58DEA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D958DE shade: #D958DE, #DED758 and #58DED7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D958DE shade: #D958DE, #DE6C58, #5FDE58 and #58CADE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D958DE shade: #D958DE, #DE9458, #5FDE58 and #58A2DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

Complementary color

CMYK 77 / 0 / 80 / 35

HEX #26A721

RGB 38 167 33

HSL 117.76, 0.67%, 0.39%

LAB 60.03, -58.17, 54.61

 

CMYK 0 / 60 / 2 / 13

HEX #DE58D9

RGB 222 88 217

HSL 302.24, 0.67%, 0.61%

LAB 59.45, 67.73, -41.3

 

CMYK 0 / 56 / 1 / 6

HEX #EF6AEC

RGB 239 106 236

HSL 301.35, 0.81%, 0.68%

LAB 65.53, 67.49, -42.22

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 44 / 0 / 0

HEX #FF8EFF

RGB 255 142 255

HSL 300, 1%, 0.78%

LAB 74.72, 58.28, -38.13

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 1 / 66 / 0 / 20

HEX #C846CB

RGB 200 70 203

HSL 298.65, 0.56%, 0.54%

LAB 52.92, 67.33, -43.87

 

CMYK 1 / 72 / 0 / 28

HEX #B734B8

RGB 183 52 184

HSL 299.55, 0.56%, 0.46%

LAB 46.95, 66.83, -42.48

 

CMYK 0 / 80 / 1 / 35

HEX #A622A5

RGB 166 34 165

HSL 300.45, 0.66%, 0.39%

LAB 41.16, 65.58, -40.62

 

CMYK 0 / 89 / 2 / 42

HEX #951092

RGB 149 16 146

HSL 301.35, 0.81%, 0.32%

LAB 35.67, 63.2, -38.05

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 0 / 60 / 14 / 13

HEX #DE58BF

RGB 222 88 191

HSL 313.88, 0.67%, 0.61%

LAB 58.29, 63.66, -28.33

 

CMYK 0 / 60 / 30 / 13

HEX #DE589B

RGB 222 88 155

HSL 330, 0.67%, 0.61%

LAB 56.95, 58.77, -9.54

 

CMYK 0 / 60 / 46 / 13

HEX #DE5877

RGB 222 88 119

HSL 346.12, 0.67%, 0.61%

LAB 55.93, 54.86, 10.12

 

CMYK 0 / 60 / 60 / 13

HEX #DE5858

RGB 222 88 88

HSL 0, 0.67%, 0.61%

LAB 55.29, 52.37, 27.43

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 18 / 60 / 0 / 13

HEX #B558DE

RGB 181 88 222

HSL 281.64, 0.67%, 0.61%

LAB 54.11, 58.67, -52.95

 

CMYK 35 / 60 / 0 / 13

HEX #9158DE

RGB 145 88 222

HSL 265.52, 0.67%, 0.61%

LAB 49.83, 50.35, -60.05

 

CMYK 51 / 60 / 0 / 13

HEX #6D58DE

RGB 109 88 222

HSL 249.4, 0.67%, 0.61%

LAB 46.32, 42.88, -65.9

 

CMYK 60 / 60 / 0 / 13

HEX #5858DE

RGB 88 88 222

HSL 240, 0.67%, 0.61%

LAB 44.7, 39.18, -68.6

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 3 / 70 / 0 / 7

HEX #E848EE

RGB 232 72 238

HSL 297.83, 0.83%, 0.61%

LAB 59.86, 79.41, -52.35

 

CMYK 3 / 78 / 0 / 0

HEX #F638FE

RGB 246 56 254

HSL 297.58, 0.99%, 0.61%

LAB 61.29, 89.27, -58.83

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 2 / 49 / 0 / 19

HEX #CA69CE

RGB 202 105 206

HSL 297.62, 0.51%, 0.61%

LAB 59.08, 52.77, -35.86

 

CMYK 1 / 36 / 0 / 26

HEX #BB79BD

RGB 187 121 189

HSL 298.24, 0.34%, 0.61%

LAB 59.81, 36.71, -25.23

 

CMYK 1 / 21 / 0 / 32

HEX #AC89AD

RGB 172 137 173

HSL 298.33, 0.18%, 0.61%

LAB 61.38, 19.67, -13.89

 

CMYK 0 / 3 / 0 / 38

HEX #9D999D

RGB 157 153 157

HSL 300, 0.02%, 0.61%

LAB 63.66, 2.22, -1.58

 

CMYK 35 / 60 / 0 / 13

HEX #9058DE

RGB 144 88 222

HSL 265.07, 0.67%, 0.61%

LAB 49.72, 50.13, -60.23

 

CMYK 19 / 60 / 0 / 13

HEX #B358DE

RGB 179 88 222

HSL 280.75, 0.67%, 0.61%

LAB 53.85, 58.19, -53.37

 

CMYK 3 / 60 / 0 / 13

HEX #D758DE

RGB 215 88 222

HSL 296.87, 0.67%, 0.61%

LAB 58.7, 66.86, -45.38

 

CMYK 0 / 60 / 13 / 13

HEX #DE58C1

RGB 222 88 193

HSL 312.99, 0.67%, 0.61%

LAB 58.38, 63.96, -29.35

 

CMYK 0 / 60 / 29 / 13

HEX #DE589D

RGB 222 88 157

HSL 329.1, 0.67%, 0.61%

LAB 57.02, 59.01, -10.61

 

CMYK 3 / 81 / 0 / 25

HEX #B925BE

RGB 185 37 190

HSL 298.04, 0.67%, 0.45%

LAB 46.12, 72.55, -47.3

 

CMYK 3 / 75 / 0 / 16

HEX #D136D7

RGB 209 54 215

HSL 297.76, 0.67%, 0.53%

LAB 53.06, 76.65, -50.42

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 1 / 46 / 0 / 11

HEX #E17BE4

RGB 225 123 228

HSL 298.29, 0.66%, 0.69%

LAB 66.35, 54.35, -36.64

 

CMYK 1 / 33 / 0 / 8

HEX #E89DEB

RGB 232 157 235

HSL 297.69, 0.66%, 0.77%

LAB 74.36, 40.22, -28.03

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 0 / 51 / 60 / 13

HEX #DE6C58

RGB 222 108 88

HSL 8.96, 0.67%, 0.61%

LAB 58.94, 42.89, 32.07

 

CMYK 60 / 0 / 27 / 13

HEX #58DEA2

RGB 88 222 162

HSL 153.13, 0.67%, 0.61%

LAB 80.14, -50.4, 18.75

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 0 / 3 / 60 / 13

HEX #DED758

RGB 222 215 88

HSL 56.87, 0.67%, 0.61%

LAB 84.4, -13.12, 61.76

 

CMYK 60 / 0 / 3 / 13

HEX #58DED7

RGB 88 222 215

HSL 176.87, 0.67%, 0.61%

LAB 81.41, -37.81, -7.48

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 0 / 51 / 60 / 13

HEX #DE6C58

RGB 222 108 88

HSL 8.96, 0.67%, 0.61%

LAB 58.94, 42.89, 32.07

 

CMYK 57 / 0 / 60 / 13

HEX #5FDE58

RGB 95 222 88

HSL 116.87, 0.67%, 0.61%

LAB 79.26, -60.6, 54.06

 

CMYK 60 / 9 / 0 / 13

HEX #58CADE

RGB 88 202 222

HSL 188.96, 0.67%, 0.61%

LAB 75.82, -26.36, -19.62

 

CMYK 2 / 60 / 0 / 13

HEX #D958DE

RGB 217 88 222

HSL 297.76, 0.67%, 0.61%

LAB 58.98, 67.35, -44.91

 

CMYK 0 / 33 / 60 / 13

HEX #DE9458

RGB 222 148 88

HSL 26.87, 0.67%, 0.61%

LAB 67.59, 21.98, 42.65

 

CMYK 57 / 0 / 60 / 13

HEX #5FDE58

RGB 95 222 88

HSL 116.87, 0.67%, 0.61%

LAB 79.26, -60.6, 54.06

 

CMYK 60 / 27 / 0 / 13

HEX #58A2DE

RGB 88 162 222

HSL 206.87, 0.67%, 0.61%

LAB 64.31, -5.26, -37.31

 

Description

Color code: HEX #D958DE | qconv.com Color code: HEX #D958DE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 88 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 88 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 60 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 60% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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