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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59EC67 it is the complementary color #A61398. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59EC67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59EC67 shade: #5EEC62, #6FFE75, #80FF88, #91FF9B and #A2FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59EC67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59EC67 shade: #59EC67, #48DA54, #37C841, #26B62E and #15A41B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59EC67 shade: #5AEB68, #73EB5A, #9BEB5A, #C2EB5A and #E9EB5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59EC67 shade: #5AEB68, #5AEB8F, #5AEBB6, #5AEBDD and #5AD2EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59EC67 shade matches the following richer shades: #5AEB68 and #4BFA5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59EC67 shade: #5AEB68, #69DC74, #78CE80, #87BF8C and #96B098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59EC67 shade: #9BEB5A, #75EB5A, #5AEB66, #5AEB8D and #5AEBB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59EC67 shade: #19DA2B, #35E746, #5AEB68, #7FF08A and #A4F4AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59EC67 shade: #59EC67, #5AC2EB and #EB5A88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59EC67 shade: #59EC67, #665AEB and #EB665A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59EC67 shade: #59EC67, #5AC2EB, #EB5ADF and #EB835A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59EC67 shade: #59EC67, #5A97EB, #EB5ADF and #EBAF5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 56 / 7

HEX #59EC67

RGB 89 236 103

HSL 125.71, 0.79%, 0.64%

LAB 83.49, -65.2, 52.28

 

Complementary color

CMYK 0 / 89 / 8 / 35

HEX #A61398

RGB 166 19 152

HSL 305.71, 0.79%, 0.36%

LAB 39.31, 66.84, -35.73

 

CMYK 60 / 0 / 58 / 7

HEX #5EEC62

RGB 94 236 98

HSL 121.69, 0.79%, 0.65%

LAB 83.58, -64.73, 54.64

 

CMYK 56 / 0 / 54 / 0

HEX #6FFE75

RGB 111 254 117

HSL 122.52, 0.99%, 0.72%

LAB 89.65, -65.08, 53.43

 

CMYK 50 / 0 / 47 / 0

HEX #80FF88

RGB 128 255 136

HSL 123.78, 1%, 0.75%

LAB 90.73, -58.83, 46.05

 

CMYK 43 / 0 / 39 / 0

HEX #91FF9B

RGB 145 255 155

HSL 125.45, 1%, 0.78%

LAB 91.64, -51.52, 38.15

 

CMYK 36 / 0 / 32 / 0

HEX #A2FFAE

RGB 162 255 174

HSL 127.74, 1%, 0.82%

LAB 92.69, -43.66, 30.22

 

CMYK 62 / 0 / 56 / 7

HEX #59EC67

RGB 89 236 103

HSL 125.71, 0.79%, 0.64%

LAB 83.49, -65.2, 52.28

 

CMYK 67 / 0 / 61 / 15

HEX #48DA54

RGB 72 218 84

HSL 124.93, 0.66%, 0.57%

LAB 77.38, -64.55, 53.49

 

CMYK 73 / 0 / 68 / 22

HEX #37C841

RGB 55 200 65

HSL 124.14, 0.57%, 0.5%

LAB 71.22, -63.52, 54.53

 

CMYK 79 / 0 / 75 / 29

HEX #26B62E

RGB 38 182 46

HSL 123.33, 0.65%, 0.43%

LAB 65.01, -61.96, 55.19

 

CMYK 87 / 0 / 84 / 36

HEX #15A41B

RGB 21 164 27

HSL 122.52, 0.77%, 0.36%

LAB 58.78, -59.64, 55.08

 

CMYK 62 / 0 / 56 / 8

HEX #5AEB68

RGB 90 235 104

HSL 125.79, 0.78%, 0.64%

LAB 83.23, -64.52, 51.52

 

CMYK 51 / 0 / 62 / 8

HEX #73EB5A

RGB 115 235 90

HSL 109.66, 0.78%, 0.64%

LAB 83.86, -60.09, 58.58

 

CMYK 34 / 0 / 62 / 8

HEX #9BEB5A

RGB 155 235 90

HSL 93.1, 0.78%, 0.64%

LAB 85.57, -47.88, 60.95

 

CMYK 17 / 0 / 62 / 8

HEX #C2EB5A

RGB 194 235 90

HSL 76.97, 0.78%, 0.64%

LAB 87.79, -33.75, 64.01

 

CMYK 1 / 0 / 62 / 8

HEX #E9EB5A

RGB 233 235 90

HSL 60.83, 0.78%, 0.64%

LAB 90.54, -18.36, 67.78

 

CMYK 62 / 0 / 56 / 8

HEX #5AEB68

RGB 90 235 104

HSL 125.79, 0.78%, 0.64%

LAB 83.23, -64.52, 51.52

 

CMYK 62 / 0 / 39 / 8

HEX #5AEB8F

RGB 90 235 143

HSL 141.93, 0.78%, 0.64%

LAB 83.74, -58.75, 33.41

 

CMYK 62 / 0 / 23 / 8

HEX #5AEBB6

RGB 90 235 182

HSL 158.07, 0.78%, 0.64%

LAB 84.47, -51.1, 14.36

 

CMYK 62 / 0 / 6 / 8

HEX #5AEBDD

RGB 90 235 221

HSL 174.21, 0.78%, 0.64%

LAB 85.41, -41.78, -4.74

 

CMYK 62 / 11 / 0 / 8

HEX #5AD2EB

RGB 90 210 235

HSL 190.34, 0.78%, 0.64%

LAB 78.62, -26.21, -22.35

 

CMYK 62 / 0 / 56 / 8

HEX #5AEB68

RGB 90 235 104

HSL 125.79, 0.78%, 0.64%

LAB 83.23, -64.52, 51.52

 

CMYK 70 / 0 / 63 / 2

HEX #4BFA5C

RGB 75 250 92

HSL 125.83, 0.95%, 0.64%

LAB 87.31, -73.69, 61.29

 

CMYK 62 / 0 / 56 / 8

HEX #5AEB68

RGB 90 235 104

HSL 125.79, 0.78%, 0.64%

LAB 83.23, -64.52, 51.52

 

CMYK 52 / 0 / 47 / 14

HEX #69DC74

RGB 105 220 116

HSL 125.74, 0.62%, 0.64%

LAB 79.3, -53.86, 41.19

 

CMYK 42 / 0 / 38 / 19

HEX #78CE80

RGB 120 206 128

HSL 125.58, 0.47%, 0.64%

LAB 75.88, -42.1, 30.87

 

CMYK 29 / 0 / 27 / 25

HEX #87BF8C

RGB 135 191 140

HSL 125.36, 0.3%, 0.64%

LAB 72.43, -28.49, 20.05

 

CMYK 15 / 0 / 14 / 31

HEX #96B098

RGB 150 176 152

HSL 124.62, 0.14%, 0.64%

LAB 69.33, -13.66, 9.32

 

CMYK 34 / 0 / 62 / 8

HEX #9BEB5A

RGB 155 235 90

HSL 93.1, 0.78%, 0.64%

LAB 85.57, -47.88, 60.95

 

CMYK 50 / 0 / 62 / 8

HEX #75EB5A

RGB 117 235 90

HSL 108.83, 0.78%, 0.64%

LAB 83.93, -59.55, 58.68

 

CMYK 62 / 0 / 57 / 8

HEX #5AEB66

RGB 90 235 102

HSL 124.97, 0.78%, 0.64%

LAB 83.2, -64.76, 52.4

 

CMYK 62 / 0 / 40 / 8

HEX #5AEB8D

RGB 90 235 141

HSL 141.1, 0.78%, 0.64%

LAB 83.71, -59.1, 34.37

 

CMYK 62 / 0 / 23 / 8

HEX #5AEBB4

RGB 90 235 180

HSL 157.24, 0.78%, 0.64%

LAB 84.42, -51.54, 15.34

 

CMYK 89 / 0 / 80 / 15

HEX #19DA2B

RGB 25 218 43

HSL 125.6, 0.79%, 0.48%

LAB 76.39, -74.04, 67.08

 

CMYK 77 / 0 / 70 / 9

HEX #35E746

RGB 53 231 70

HSL 125.73, 0.79%, 0.56%

LAB 80.93, -73.09, 62.89

 

CMYK 62 / 0 / 56 / 8

HEX #5AEB68

RGB 90 235 104

HSL 125.79, 0.78%, 0.64%

LAB 83.23, -64.52, 51.52

 

CMYK 47 / 0 / 43 / 6

HEX #7FF08A

RGB 127 240 138

HSL 125.84, 0.79%, 0.72%

LAB 86.34, -52.87, 39.5

 

CMYK 33 / 0 / 30 / 4

HEX #A4F4AC

RGB 164 244 172

HSL 126, 0.78%, 0.8%

LAB 89.66, -38.51, 27.14

 

CMYK 62 / 0 / 56 / 7

HEX #59EC67

RGB 89 236 103

HSL 125.71, 0.79%, 0.64%

LAB 83.49, -65.2, 52.28

 

CMYK 62 / 17 / 0 / 8

HEX #5AC2EB

RGB 90 194 235

HSL 196.97, 0.78%, 0.64%

LAB 74.03, -18.11, -29.35

 

CMYK 0 / 62 / 42 / 8

HEX #EB5A88

RGB 235 90 136

HSL 340.97, 0.78%, 0.64%

LAB 58.74, 59.75, 4.43

 

CMYK 62 / 0 / 56 / 7

HEX #59EC67

RGB 89 236 103

HSL 125.71, 0.79%, 0.64%

LAB 83.49, -65.2, 52.28

 

CMYK 57 / 62 / 0 / 8

HEX #665AEB

RGB 102 90 235

HSL 244.97, 0.78%, 0.64%

LAB 47.15, 44.4, -71.92

 

CMYK 0 / 57 / 62 / 8

HEX #EB665A

RGB 235 102 90

HSL 4.97, 0.78%, 0.64%

LAB 59.8, 50.63, 32.45

 

CMYK 62 / 0 / 56 / 7

HEX #59EC67

RGB 89 236 103

HSL 125.71, 0.79%, 0.64%

LAB 83.49, -65.2, 52.28

 

CMYK 62 / 17 / 0 / 8

HEX #5AC2EB

RGB 90 194 235

HSL 196.97, 0.78%, 0.64%

LAB 74.03, -18.11, -29.35

 

CMYK 0 / 62 / 5 / 8

HEX #EB5ADF

RGB 235 90 223

HSL 304.97, 0.78%, 0.64%

LAB 61.91, 71.09, -40.68

 

CMYK 0 / 44 / 62 / 8

HEX #EB835A

RGB 235 131 90

HSL 16.97, 0.78%, 0.64%

LAB 65.46, 36.31, 39.44

 

CMYK 62 / 0 / 56 / 7

HEX #59EC67

RGB 89 236 103

HSL 125.71, 0.79%, 0.64%

LAB 83.49, -65.2, 52.28

 

CMYK 62 / 36 / 0 / 8

HEX #5A97EB

RGB 90 151 235

HSL 214.76, 0.78%, 0.64%

LAB 61.92, 5.64, -48.25

 

CMYK 0 / 62 / 5 / 8

HEX #EB5ADF

RGB 235 90 223

HSL 304.97, 0.78%, 0.64%

LAB 61.91, 71.09, -40.68

 

CMYK 0 / 26 / 62 / 8

HEX #EBAF5A

RGB 235 175 90

HSL 35.17, 0.78%, 0.64%

LAB 75.49, 13.11, 51.26

 

Description

Color code: HEX #59EC67 | qconv.com Color code: HEX #59EC67 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 236 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 236 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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