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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5CCAB3 it is the complementary color #A3354C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5CCAB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5CCAB3 shade: #61CAAE, #72DCC1, #83EED4, #94FFE7 and #A5FFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5CCAB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5CCAB3 shade: #5CCAB3, #4BB8A0, #3AA68D, #29947A and #188267

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5CCAB3 shade: #5DCAB3, #5DCA96, #5DCA78, #5FCA5D and #7CCA5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5CCAB3 shade: #5DCAB3, #5DC3CA, #5DA6CA, #5D88CA and #5D6BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5CCAB3 shade matches the following richer shades: #5DCAB3, #4BDBBD, #3AEDC7 and #29FED1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5CCAB3 shade: #5DCAB3, #6EB9A9, #7FA79F, #919695 and #A2858B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5CCAB3 shade: #5DCA78, #5DCA95, #5DCAB2, #5DC5CA and #5DA7CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5CCAB3 shade: #34A18A, #3EC0A5, #5DCAB3, #7CD4C2 and #9BDED0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5CCAB3 shade: #5CCAB3, #5D5FCA and #CA875D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5CCAB3 shade: #5CCAB3, #B25DCA and #CAB25D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5CCAB3 shade: #5CCAB3, #5D5FCA, #CA5D74 and #CAC85D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5CCAB3 shade: #5CCAB3, #7C5DCA, #CA5D74 and #ABCA5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 11 / 21

HEX #5CCAB3

RGB 92 202 179

HSL 167.45, 0.51%, 0.58%

LAB 74.68, -37.08, 1.95

 

Complementary color

CMYK 0 / 67 / 53 / 36

HEX #A3354C

RGB 163 53 76

HSL 347.45, 0.51%, 0.42%

LAB 39.33, 46.92, 11.63

 

CMYK 52 / 0 / 14 / 21

HEX #61CAAE

RGB 97 202 174

HSL 164, 0.5%, 0.59%

LAB 74.72, -37.19, 4.73

 

CMYK 48 / 0 / 12 / 14

HEX #72DCC1

RGB 114 220 193

HSL 164.72, 0.6%, 0.65%

LAB 81.08, -37.13, 3.83

 

CMYK 45 / 0 / 11 / 7

HEX #83EED4

RGB 131 238 212

HSL 165.42, 0.76%, 0.72%

LAB 87.35, -37.02, 2.98

 

CMYK 42 / 0 / 9 / 0

HEX #94FFE7

RGB 148 255 231

HSL 166.54, 1%, 0.79%

LAB 93.27, -36.44, 1.79

 

CMYK 35 / 0 / 2 / 0

HEX #A5FFFA

RGB 165 255 250

HSL 176.67, 1%, 0.82%

LAB 94.49, -27.9, -6.15

 

CMYK 54 / 0 / 11 / 21

HEX #5CCAB3

RGB 92 202 179

HSL 167.45, 0.51%, 0.58%

LAB 74.68, -37.08, 1.95

 

CMYK 59 / 0 / 13 / 28

HEX #4BB8A0

RGB 75 184 160

HSL 166.79, 0.43%, 0.51%

LAB 68.25, -36.98, 2.91

 

CMYK 65 / 0 / 15 / 35

HEX #3AA68D

RGB 58 166 141

HSL 166.11, 0.48%, 0.44%

LAB 61.74, -36.74, 3.97

 

CMYK 72 / 0 / 18 / 42

HEX #29947A

RGB 41 148 122

HSL 165.42, 0.57%, 0.37%

LAB 55.13, -36.29, 5.15

 

CMYK 82 / 0 / 21 / 49

HEX #188267

RGB 24 130 103

HSL 164.72, 0.69%, 0.3%

LAB 48.43, -35.5, 6.51

 

CMYK 54 / 0 / 11 / 21

HEX #5DCAB3

RGB 93 202 179

HSL 167.34, 0.51%, 0.58%

LAB 74.71, -36.87, 2

 

CMYK 54 / 0 / 26 / 21

HEX #5DCA96

RGB 93 202 150

HSL 151.38, 0.51%, 0.58%

LAB 74.04, -43.42, 16.64

 

CMYK 54 / 0 / 41 / 21

HEX #5DCA78

RGB 93 202 120

HSL 134.86, 0.51%, 0.58%

LAB 73.5, -49.06, 31.67

 

CMYK 53 / 0 / 54 / 21

HEX #5FCA5D

RGB 95 202 93

HSL 118.9, 0.51%, 0.58%

LAB 73.2, -52.51, 44.71

 

CMYK 39 / 0 / 54 / 21

HEX #7CCA5D

RGB 124 202 93

HSL 102.94, 0.51%, 0.58%

LAB 74.39, -43.94, 46.42

 

CMYK 54 / 0 / 11 / 21

HEX #5DCAB3

RGB 93 202 179

HSL 167.34, 0.51%, 0.58%

LAB 74.71, -36.87, 2

 

CMYK 54 / 3 / 0 / 21

HEX #5DC3CA

RGB 93 195 202

HSL 183.85, 0.51%, 0.58%

LAB 73.3, -27.59, -12.56

 

CMYK 54 / 18 / 0 / 21

HEX #5DA6CA

RGB 93 166 202

HSL 199.82, 0.51%, 0.58%

LAB 64.85, -12.64, -25.38

 

CMYK 54 / 33 / 0 / 21

HEX #5D88CA

RGB 93 136 202

HSL 216.33, 0.51%, 0.58%

LAB 56.29, 4.35, -38.68

 

CMYK 54 / 47 / 0 / 21

HEX #5D6BCA

RGB 93 107 202

HSL 232.29, 0.51%, 0.58%

LAB 48.39, 21.96, -51.2

 

CMYK 54 / 0 / 11 / 21

HEX #5DCAB3

RGB 93 202 179

HSL 167.34, 0.51%, 0.58%

LAB 74.71, -36.87, 2

 

CMYK 66 / 0 / 14 / 14

HEX #4BDBBD

RGB 75 219 189

HSL 167.5, 0.67%, 0.58%

LAB 79.52, -45.26, 3.55

 

CMYK 76 / 0 / 16 / 7

HEX #3AEDC7

RGB 58 237 199

HSL 167.26, 0.83%, 0.58%

LAB 84.79, -52.57, 5.84

 

CMYK 84 / 0 / 18 / 0

HEX #29FED1

RGB 41 254 209

HSL 167.32, 0.99%, 0.58%

LAB 89.84, -58.41, 7.87

 

CMYK 54 / 0 / 11 / 21

HEX #5DCAB3

RGB 93 202 179

HSL 167.34, 0.51%, 0.58%

LAB 74.71, -36.87, 2

 

CMYK 41 / 0 / 9 / 27

HEX #6EB9A9

RGB 110 185 169

HSL 167.2, 0.35%, 0.58%

LAB 70.09, -27.12, 0.8

 

CMYK 24 / 0 / 5 / 35

HEX #7FA79F

RGB 127 167 159

HSL 168, 0.19%, 0.58%

LAB 65.48, -15.25, -0.3

 

CMYK 3 / 0 / 1 / 41

HEX #919695

RGB 145 150 149

HSL 168, 0.02%, 0.58%

LAB 61.66, -2, -0.11

 

CMYK 0 / 18 / 14 / 36

HEX #A2858B

RGB 162 133 139

HSL 347.59, 0.13%, 0.58%

LAB 58.34, 12.06, 0.94

 

CMYK 54 / 0 / 41 / 21

HEX #5DCA78

RGB 93 202 120

HSL 134.86, 0.51%, 0.58%

LAB 73.5, -49.06, 31.67

 

CMYK 54 / 0 / 26 / 21

HEX #5DCA95

RGB 93 202 149

HSL 150.83, 0.51%, 0.58%

LAB 74.02, -43.63, 17.15

 

CMYK 54 / 0 / 12 / 21

HEX #5DCAB2

RGB 93 202 178

HSL 166.79, 0.51%, 0.58%

LAB 74.69, -37.11, 2.5

 

CMYK 54 / 2 / 0 / 21

HEX #5DC5CA

RGB 93 197 202

HSL 182.75, 0.51%, 0.58%

LAB 73.88, -28.57, -11.69

 

CMYK 54 / 17 / 0 / 21

HEX #5DA7CA

RGB 93 167 202

HSL 199.27, 0.51%, 0.58%

LAB 65.14, -13.18, -24.93

 

CMYK 68 / 0 / 14 / 37

HEX #34A18A

RGB 52 161 138

HSL 167.34, 0.51%, 0.42%

LAB 59.94, -36.26, 3.03

 

CMYK 68 / 0 / 14 / 25

HEX #3EC0A5

RGB 62 192 165

HSL 167.54, 0.51%, 0.5%

LAB 70.48, -41.56, 3.36

 

CMYK 54 / 0 / 11 / 21

HEX #5DCAB3

RGB 93 202 179

HSL 167.34, 0.51%, 0.58%

LAB 74.71, -36.87, 2

 

CMYK 42 / 0 / 8 / 17

HEX #7CD4C2

RGB 124 212 194

HSL 167.73, 0.51%, 0.66%

LAB 79.19, -30.72, 0.6

 

CMYK 30 / 0 / 6 / 13

HEX #9BDED0

RGB 155 222 208

HSL 167.46, 0.5%, 0.74%

LAB 83.84, -24, 0.11

 

CMYK 54 / 0 / 11 / 21

HEX #5CCAB3

RGB 92 202 179

HSL 167.45, 0.51%, 0.58%

LAB 74.68, -37.08, 1.95

 

CMYK 54 / 53 / 0 / 21

HEX #5D5FCA

RGB 93 95 202

HSL 238.9, 0.51%, 0.58%

LAB 45.33, 29.38, -56.12

 

CMYK 0 / 33 / 54 / 21

HEX #CA875D

RGB 202 135 93

HSL 23.12, 0.51%, 0.58%

LAB 62.23, 21.16, 32.91

 

CMYK 54 / 0 / 11 / 21

HEX #5CCAB3

RGB 92 202 179

HSL 167.45, 0.51%, 0.58%

LAB 74.68, -37.08, 1.95

 

CMYK 12 / 54 / 0 / 21

HEX #B25DCA

RGB 178 93 202

HSL 286.79, 0.51%, 0.58%

LAB 53.55, 51.39, -42.49

 

CMYK 0 / 12 / 54 / 21

HEX #CAB25D

RGB 202 178 93

HSL 46.79, 0.51%, 0.58%

LAB 73.02, -2.08, 46.1

 

CMYK 54 / 0 / 11 / 21

HEX #5CCAB3

RGB 92 202 179

HSL 167.45, 0.51%, 0.58%

LAB 74.68, -37.08, 1.95

 

CMYK 54 / 53 / 0 / 21

HEX #5D5FCA

RGB 93 95 202

HSL 238.9, 0.51%, 0.58%

LAB 45.33, 29.38, -56.12

 

CMYK 0 / 54 / 43 / 21

HEX #CA5D74

RGB 202 93 116

HSL 347.34, 0.51%, 0.58%

LAB 53.65, 45.52, 8.24

 

CMYK 0 / 1 / 54 / 21

HEX #CAC85D

RGB 202 200 93

HSL 58.9, 0.51%, 0.58%

LAB 78.84, -13.45, 52.89

 

CMYK 54 / 0 / 11 / 21

HEX #5CCAB3

RGB 92 202 179

HSL 167.45, 0.51%, 0.58%

LAB 74.68, -37.08, 1.95

 

CMYK 39 / 54 / 0 / 21

HEX #7C5DCA

RGB 124 93 202

HSL 257.06, 0.51%, 0.58%

LAB 47.47, 37.5, -52.54

 

CMYK 0 / 54 / 43 / 21

HEX #CA5D74

RGB 202 93 116

HSL 347.34, 0.51%, 0.58%

LAB 53.65, 45.52, 8.24

 

CMYK 15 / 0 / 54 / 21

HEX #ABCA5D

RGB 171 202 93

HSL 77.06, 0.51%, 0.58%

LAB 77.09, -26.92, 50.28

 

Description

Color code: HEX #5CCAB3 | qconv.com Color code: HEX #5CCAB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 202 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 202 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 11 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 11% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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