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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A1544 it is the complementary color #A5EABB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A1544. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A1544 shade: #5F153F, #702752, #813965, #924B78 and #A35D8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A1544. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A1544 shade: #5A1544, #490331, #38001E, #27000B and #160000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A1544 shade: #5A1544, #5A1531, #5A151F and #5A1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A1544 shade: #5A1544, #5A1557, #4B155A, #38155A and #26155A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A1544 shade matches the following richer shades: #5A1544, #630C47 and #6D034B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A1544 shade: #5A1544, #511E41, #48273E, #3F303A and #363937

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A1544 shade: #4B155A, #5A1557, #5A1544, #5A1532 and #5A151F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A1544 shade: #180512, #390D2B, #5A1544, #7C1D5D and #9D2477

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A1544 shade: #5A1544, #5A3915 and #155A55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A1544 shade: #5A1544, #445A15 and #15445A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A1544 shade: #5A1544, #5A3915, #155A2B and #15365A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A1544 shade: #5A1544, #5A4E15, #155A2B and #15225A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

Complementary color

CMYK 29 / 0 / 20 / 8

HEX #A5EABB

RGB 165 234 187

HSL 139.13, 0.62%, 0.78%

LAB 87.21, -30.98, 16.04

 

CMYK 0 / 78 / 34 / 63

HEX #5F153F

RGB 95 21 63

HSL 325.95, 0.64%, 0.23%

LAB 21.31, 36.97, -7.45

 

CMYK 0 / 65 / 27 / 56

HEX #702752

RGB 112 39 82

HSL 324.66, 0.48%, 0.3%

LAB 28.13, 37.1, -9.64

 

CMYK 0 / 56 / 22 / 49

HEX #813965

RGB 129 57 101

HSL 323.33, 0.39%, 0.36%

LAB 35.07, 36.6, -11.14

 

CMYK 0 / 49 / 18 / 43

HEX #924B78

RGB 146 75 120

HSL 321.97, 0.32%, 0.43%

LAB 42, 35.86, -12.24

 

CMYK 0 / 43 / 15 / 36

HEX #A35D8B

RGB 163 93 139

HSL 320.57, 0.28%, 0.5%

LAB 48.86, 35.05, -13.13

 

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 0 / 96 / 33 / 71

HEX #490331

RGB 73 3 49

HSL 320.57, 0.92%, 0.15%

LAB 13.85, 35.04, -9.34

 

CMYK 0 / 100 / 46 / 78

HEX #38001E

RGB 56 0 30

HSL 327.86, 1%, 0.11%

LAB 8.43, 29.55, -3.71

 

CMYK 0 / 100 / 72 / 85

HEX #27000B

RGB 39 0 11

HSL 343.08, 1%, 0.08%

LAB 4.11, 18.97, 1.98

 

CMYK 0 / 100 / 100 / 91

HEX #160000

RGB 22 0 0

HSL 0, 1%, 0.04%

LAB 1.54, 6.91, 2.44

 

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 0 / 77 / 46 / 65

HEX #5A1531

RGB 90 21 49

HSL 335.65, 0.62%, 0.22%

LAB 19.77, 33.66, -0.09

 

CMYK 0 / 77 / 66 / 65

HEX #5A151F

RGB 90 21 31

HSL 351.3, 0.62%, 0.22%

LAB 19.26, 31.95, 11.92

 

CMYK 0 / 77 / 77 / 65

HEX #5A1515

RGB 90 21 21

HSL 0, 0.62%, 0.22%

LAB 19.07, 31.3, 18.59

 

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 0 / 77 / 3 / 65

HEX #5A1557

RGB 90 21 87

HSL 302.61, 0.62%, 0.22%

LAB 21.57, 39.38, -23.44

 

CMYK 17 / 77 / 0 / 65

HEX #4B155A

RGB 75 21 90

HSL 286.96, 0.62%, 0.22%

LAB 19.1, 36.25, -29.55

 

CMYK 38 / 77 / 0 / 65

HEX #38155A

RGB 56 21 90

HSL 270.43, 0.62%, 0.22%

LAB 16.08, 31.85, -34.57

 

CMYK 58 / 77 / 0 / 65

HEX #26155A

RGB 38 21 90

HSL 254.78, 0.62%, 0.22%

LAB 13.75, 28.25, -38.48

 

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 0 / 88 / 28 / 61

HEX #630C47

RGB 99 12 71

HSL 319.31, 0.78%, 0.22%

LAB 21.47, 42.06, -12.64

 

CMYK 0 / 97 / 31 / 57

HEX #6D034B

RGB 109 3 75

HSL 319.25, 0.95%, 0.22%

LAB 23.08, 47.04, -12.71

 

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 0 / 63 / 20 / 68

HEX #511E41

RGB 81 30 65

HSL 318.82, 0.46%, 0.22%

LAB 20.28, 28.58, -10.65

 

CMYK 0 / 46 / 14 / 72

HEX #48273E

RGB 72 39 62

HSL 318.18, 0.3%, 0.22%

LAB 20.74, 19.36, -8.02

 

CMYK 0 / 24 / 8 / 75

HEX #3F303A

RGB 63 48 58

HSL 320, 0.14%, 0.22%

LAB 21.86, 8.84, -3.72

 

CMYK 5 / 0 / 4 / 78

HEX #363937

RGB 54 57 55

HSL 140, 0.03%, 0.22%

LAB 23.63, -1.74, 0.8

 

CMYK 17 / 77 / 0 / 65

HEX #4B155A

RGB 75 21 90

HSL 286.96, 0.62%, 0.22%

LAB 19.1, 36.25, -29.55

 

CMYK 0 / 77 / 3 / 65

HEX #5A1557

RGB 90 21 87

HSL 302.61, 0.62%, 0.22%

LAB 21.57, 39.38, -23.44

 

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 0 / 77 / 44 / 65

HEX #5A1532

RGB 90 21 50

HSL 334.78, 0.62%, 0.22%

LAB 19.8, 33.77, -0.74

 

CMYK 0 / 77 / 66 / 65

HEX #5A151F

RGB 90 21 31

HSL 351.3, 0.62%, 0.22%

LAB 19.26, 31.95, 11.92

 

CMYK 0 / 79 / 25 / 91

HEX #180512

RGB 24 5 18

HSL 318.95, 0.66%, 0.06%

LAB 3.13, 8.64, -3.34

 

CMYK 0 / 77 / 25 / 78

HEX #390D2B

RGB 57 13 43

HSL 319.09, 0.63%, 0.14%

LAB 11.5, 25.41, -8.85

 

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 0 / 77 / 25 / 51

HEX #7C1D5D

RGB 124 29 93

HSL 319.58, 0.62%, 0.3%

LAB 29.3, 46.39, -14.88

 

CMYK 0 / 77 / 24 / 38

HEX #9D2477

RGB 157 36 119

HSL 318.84, 0.63%, 0.38%

LAB 37.41, 56.19, -18.48

 

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 0 / 37 / 77 / 65

HEX #5A3915

RGB 90 57 21

HSL 31.3, 0.62%, 0.22%

LAB 27.17, 10.94, 27.6

 

CMYK 77 / 0 / 6 / 65

HEX #155A55

RGB 21 90 85

HSL 175.65, 0.62%, 0.22%

LAB 34.25, -21.96, -3.2

 

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 24 / 0 / 77 / 65

HEX #445A15

RGB 68 90 21

HSL 79.13, 0.62%, 0.22%

LAB 35.19, -19.65, 35.12

 

CMYK 77 / 24 / 0 / 65

HEX #15445A

RGB 21 68 90

HSL 199.13, 0.62%, 0.22%

LAB 26.83, -7.52, -17.65

 

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 0 / 37 / 77 / 65

HEX #5A3915

RGB 90 57 21

HSL 31.3, 0.62%, 0.22%

LAB 27.17, 10.94, 27.6

 

CMYK 77 / 0 / 52 / 65

HEX #155A2B

RGB 21 90 43

HSL 139.13, 0.62%, 0.22%

LAB 33.23, -32.67, 21.12

 

CMYK 77 / 40 / 0 / 65

HEX #15365A

RGB 21 54 90

HSL 211.3, 0.62%, 0.22%

LAB 22.07, 1.82, -25.11

 

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 0 / 13 / 77 / 65

HEX #5A4E15

RGB 90 78 21

HSL 49.57, 0.62%, 0.22%

LAB 33.3, -2.16, 33.88

 

CMYK 77 / 0 / 52 / 65

HEX #155A2B

RGB 21 90 43

HSL 139.13, 0.62%, 0.22%

LAB 33.23, -32.67, 21.12

 

CMYK 77 / 62 / 0 / 65

HEX #15225A

RGB 21 34 90

HSL 228.7, 0.62%, 0.22%

LAB 15.7, 16.41, -35.34

 

Description

Color code: HEX #5A1544 | qconv.com Color code: HEX #5A1544 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 21 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 21 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 24 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 24% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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