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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5EABB it is the complementary color #5A1544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5EABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5EABB shade: #AAEAB6, #BBFCC9, #CCFFDC, #DDFFEF and #EEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5EABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5EABB shade: #A5EABB, #94D8A8, #83C695, #72B482 and #61A26F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5EABB shade: #A4E9BA, #A4E9A7, #B3E9A4, #C6E9A4 and #D8E9A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5EABB shade: #A4E9BA, #A4E9CD, #A4E9DF, #A4E0E9 and #A4CEE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5EABB shade matches the following richer shades: #A4E9BA, #9BF2B7 and #91FBB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5EABB shade: #A4E9BA, #ADE0BD, #B6D7C0, #BFCEC4 and #C8C5C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5EABB shade: #B3E9A4, #A4E9A7, #A4E9BA, #A4E9CC and #A4E9DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5EABB shade: #61DA87, #82E1A1, #A4E9BA, #C5F1D3 and #E6F9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5EABB shade: #A5EABB, #A4C5E9 and #E9A4A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5EABB shade: #A5EABB, #BAA4E9 and #E9BAA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5EABB shade: #A5EABB, #A4C5E9, #E9A4D3 and #E9C8A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5EABB shade: #A5EABB, #A4B0E9, #E9A4D3 and #E9DCA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 20 / 8

HEX #A5EABB

RGB 165 234 187

HSL 139.13, 0.62%, 0.78%

LAB 87.21, -30.98, 16.04

 

Complementary color

CMYK 0 / 77 / 24 / 65

HEX #5A1544

RGB 90 21 68

HSL 319.13, 0.62%, 0.22%

LAB 20.55, 36.19, -12.16

 

CMYK 27 / 0 / 22 / 8

HEX #AAEAB6

RGB 170 234 182

HSL 131.25, 0.6%, 0.79%

LAB 87.37, -30.32, 18.9

 

CMYK 26 / 0 / 20 / 1

HEX #BBFCC9

RGB 187 252 201

HSL 132.92, 0.92%, 0.86%

LAB 93.63, -30.1, 17.99

 

CMYK 20 / 0 / 14 / 0

HEX #CCFFDC

RGB 204 255 220

HSL 138.82, 1%, 0.9%

LAB 95.8, -22.79, 11.45

 

CMYK 13 / 0 / 6 / 0

HEX #DDFFEF

RGB 221 255 239

HSL 151.76, 1%, 0.93%

LAB 97.28, -13.91, 3.96

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 29 / 0 / 20 / 8

HEX #A5EABB

RGB 165 234 187

HSL 139.13, 0.62%, 0.78%

LAB 87.21, -30.98, 16.04

 

CMYK 31 / 0 / 22 / 15

HEX #94D8A8

RGB 148 216 168

HSL 137.65, 0.47%, 0.71%

LAB 80.87, -31.23, 16.97

 

CMYK 34 / 0 / 25 / 22

HEX #83C695

RGB 131 198 149

HSL 136.12, 0.37%, 0.65%

LAB 74.43, -31.49, 17.96

 

CMYK 37 / 0 / 28 / 29

HEX #72B482

RGB 114 180 130

HSL 134.55, 0.31%, 0.58%

LAB 67.9, -31.77, 19.02

 

CMYK 40 / 0 / 31 / 36

HEX #61A26F

RGB 97 162 111

HSL 132.92, 0.26%, 0.51%

LAB 61.25, -32.04, 20.17

 

CMYK 30 / 0 / 20 / 9

HEX #A4E9BA

RGB 164 233 186

HSL 139.13, 0.61%, 0.78%

LAB 86.86, -31, 16.06

 

CMYK 30 / 0 / 28 / 9

HEX #A4E9A7

RGB 164 233 167

HSL 122.61, 0.61%, 0.78%

LAB 86.48, -34.32, 25.38

 

CMYK 23 / 0 / 30 / 9

HEX #B3E9A4

RGB 179 233 164

HSL 106.96, 0.61%, 0.78%

LAB 87.26, -29.88, 28.11

 

CMYK 15 / 0 / 30 / 9

HEX #C6E9A4

RGB 198 233 164

HSL 90.43, 0.61%, 0.78%

LAB 88.43, -23.3, 29.89

 

CMYK 7 / 0 / 30 / 9

HEX #D8E9A4

RGB 216 233 164

HSL 74.78, 0.61%, 0.78%

LAB 89.65, -16.8, 31.74

 

CMYK 30 / 0 / 20 / 9

HEX #A4E9BA

RGB 164 233 186

HSL 139.13, 0.61%, 0.78%

LAB 86.86, -31, 16.06

 

CMYK 30 / 0 / 12 / 9

HEX #A4E9CD

RGB 164 233 205

HSL 155.65, 0.61%, 0.78%

LAB 87.28, -27.34, 6.73

 

CMYK 30 / 0 / 4 / 9

HEX #A4E9DF

RGB 164 233 223

HSL 171.3, 0.61%, 0.78%

LAB 87.73, -23.56, -2.06

 

CMYK 30 / 4 / 0 / 9

HEX #A4E0E9

RGB 164 224 233

HSL 187.83, 0.61%, 0.78%

LAB 85.55, -16.87, -10.54

 

CMYK 30 / 12 / 0 / 9

HEX #A4CEE9

RGB 164 206 233

HSL 203.48, 0.61%, 0.78%

LAB 80.69, -7.61, -17.82

 

CMYK 30 / 0 / 20 / 9

HEX #A4E9BA

RGB 164 233 186

HSL 139.13, 0.61%, 0.78%

LAB 86.86, -31, 16.06

 

CMYK 36 / 0 / 24 / 5

HEX #9BF2B7

RGB 155 242 183

HSL 139.31, 0.77%, 0.78%

LAB 88.87, -38.38, 20.36

 

CMYK 42 / 0 / 29 / 2

HEX #91FBB3

RGB 145 251 179

HSL 139.25, 0.93%, 0.78%

LAB 90.9, -45.88, 25.14

 

CMYK 30 / 0 / 20 / 9

HEX #A4E9BA

RGB 164 233 186

HSL 139.13, 0.61%, 0.78%

LAB 86.86, -31, 16.06

 

CMYK 23 / 0 / 16 / 12

HEX #ADE0BD

RGB 173 224 189

HSL 138.82, 0.45%, 0.78%

LAB 84.93, -23.31, 11.83

 

CMYK 15 / 0 / 11 / 16

HEX #B6D7C0

RGB 182 215 192

HSL 138.18, 0.29%, 0.78%

LAB 83.1, -15.34, 7.71

 

CMYK 7 / 0 / 5 / 19

HEX #BFCEC4

RGB 191 206 196

HSL 140, 0.13%, 0.78%

LAB 81.4, -6.96, 3.22

 

CMYK 0 / 1 / 0 / 22

HEX #C8C5C7

RGB 200 197 199

HSL 320, 0.03%, 0.78%

LAB 79.8, 1.41, -0.64

 

CMYK 23 / 0 / 30 / 9

HEX #B3E9A4

RGB 179 233 164

HSL 106.96, 0.61%, 0.78%

LAB 87.26, -29.88, 28.11

 

CMYK 30 / 0 / 28 / 9

HEX #A4E9A7

RGB 164 233 167

HSL 122.61, 0.61%, 0.78%

LAB 86.48, -34.32, 25.38

 

CMYK 30 / 0 / 20 / 9

HEX #A4E9BA

RGB 164 233 186

HSL 139.13, 0.61%, 0.78%

LAB 86.86, -31, 16.06

 

CMYK 30 / 0 / 12 / 9

HEX #A4E9CC

RGB 164 233 204

HSL 154.78, 0.61%, 0.78%

LAB 87.26, -27.54, 7.22

 

CMYK 30 / 0 / 4 / 9

HEX #A4E9DF

RGB 164 233 223

HSL 171.3, 0.61%, 0.78%

LAB 87.73, -23.56, -2.06

 

CMYK 56 / 0 / 38 / 15

HEX #61DA87

RGB 97 218 135

HSL 138.84, 0.62%, 0.62%

LAB 78.71, -52.02, 30.86

 

CMYK 42 / 0 / 28 / 12

HEX #82E1A1

RGB 130 225 161

HSL 139.58, 0.61%, 0.7%

LAB 82.47, -41.9, 22.72

 

CMYK 30 / 0 / 20 / 9

HEX #A4E9BA

RGB 164 233 186

HSL 139.13, 0.61%, 0.78%

LAB 86.86, -31, 16.06

 

CMYK 18 / 0 / 12 / 5

HEX #C5F1D3

RGB 197 241 211

HSL 139.09, 0.61%, 0.86%

LAB 91.45, -19.86, 9.84

 

CMYK 8 / 0 / 5 / 2

HEX #E6F9EC

RGB 230 249 236

HSL 138.95, 0.61%, 0.94%

LAB 96.26, -8.56, 4.1

 

CMYK 29 / 0 / 20 / 8

HEX #A5EABB

RGB 165 234 187

HSL 139.13, 0.62%, 0.78%

LAB 87.21, -30.98, 16.04

 

CMYK 30 / 15 / 0 / 9

HEX #A4C5E9

RGB 164 197 233

HSL 211.3, 0.61%, 0.78%

LAB 78.29, -2.84, -21.46

 

CMYK 0 / 30 / 27 / 9

HEX #E9A4A9

RGB 233 164 169

HSL 355.65, 0.61%, 0.78%

LAB 74.02, 26.19, 7.67

 

CMYK 29 / 0 / 20 / 8

HEX #A5EABB

RGB 165 234 187

HSL 139.13, 0.62%, 0.78%

LAB 87.21, -30.98, 16.04

 

CMYK 20 / 30 / 0 / 9

HEX #BAA4E9

RGB 186 164 233

HSL 259.13, 0.61%, 0.78%

LAB 71.47, 21.79, -31.76

 

CMYK 0 / 20 / 30 / 9

HEX #E9BAA4

RGB 233 186 164

HSL 19.13, 0.61%, 0.78%

LAB 79.11, 13.8, 17.58

 

CMYK 29 / 0 / 20 / 8

HEX #A5EABB

RGB 165 234 187

HSL 139.13, 0.62%, 0.78%

LAB 87.21, -30.98, 16.04

 

CMYK 30 / 15 / 0 / 9

HEX #A4C5E9

RGB 164 197 233

HSL 211.3, 0.61%, 0.78%

LAB 78.29, -2.84, -21.46

 

CMYK 0 / 30 / 9 / 9

HEX #E9A4D3

RGB 233 164 211

HSL 319.13, 0.61%, 0.78%

LAB 75.19, 32.6, -13.66

 

CMYK 0 / 14 / 30 / 9

HEX #E9C8A4

RGB 233 200 164

HSL 31.3, 0.61%, 0.78%

LAB 82.55, 6.42, 22.33

 

CMYK 29 / 0 / 20 / 8

HEX #A5EABB

RGB 165 234 187

HSL 139.13, 0.62%, 0.78%

LAB 87.21, -30.98, 16.04

 

CMYK 30 / 24 / 0 / 9

HEX #A4B0E9

RGB 164 176 233

HSL 229.57, 0.61%, 0.78%

LAB 72.78, 8.6, -29.89

 

CMYK 0 / 30 / 9 / 9

HEX #E9A4D3

RGB 233 164 211

HSL 319.13, 0.61%, 0.78%

LAB 75.19, 32.6, -13.66

 

CMYK 0 / 6 / 30 / 9

HEX #E9DCA4

RGB 233 220 164

HSL 48.7, 0.61%, 0.78%

LAB 87.58, -3.92, 29.18

 

Description

Color code: HEX #A5EABB | qconv.com Color code: HEX #A5EABB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 234 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 234 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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