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Color name
HEX #5A9812

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A9812 it is the complementary color #A567ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A9812. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A9812 shade: #5F980D, #70AA20, #81BC33, #92CE46 and #A3E059

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A9812. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A9812 shade: #5A9812, #498600, #387400, #276200 and #165000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A9812 shade: #599611, #7C9611, #968C11, #966811 and #964411

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A9812 shade: #599611, #359611, #119611, #119635 and #119659

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A9812 shade matches the following richer shades: #599611 and #5AA404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A9812 shade: #599611, #58891F, #577B2C, #566D3A and #556048

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A9812 shade: #968B11, #7E9611, #5A9611, #379611 and #139611

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A9812 shade: #2D4C09, #43710D, #599611, #6EBB16 and #84E01A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A9812 shade: #5A9812, #119668 and #96118F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A9812 shade: #5A9812, #115A96 and #96115A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A9812 shade: #5A9812, #119668, #4D1196 and #961140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A9812 shade: #5A9812, #11968F, #4D1196 and #961118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 88 / 40

HEX #5A9812

RGB 90 152 18

HSL 87.76, 0.79%, 0.33%

LAB 56.76, -40.12, 56.22

 

Complementary color

CMYK 30 / 57 / 0 / 7

HEX #A567ED

RGB 165 103 237

HSL 267.76, 0.79%, 0.67%

LAB 55.9, 50.68, -58.61

 

CMYK 38 / 0 / 91 / 40

HEX #5F980D

RGB 95 152 13

HSL 84.6, 0.84%, 0.32%

LAB 57, -38.44, 57.5

 

CMYK 34 / 0 / 81 / 33

HEX #70AA20

RGB 112 170 32

HSL 85.22, 0.68%, 0.4%

LAB 63.59, -39.27, 59.15

 

CMYK 31 / 0 / 73 / 26

HEX #81BC33

RGB 129 188 51

HSL 85.84, 0.57%, 0.47%

LAB 70.09, -39.83, 59.52

 

CMYK 29 / 0 / 66 / 19

HEX #92CE46

RGB 146 206 70

HSL 86.47, 0.58%, 0.54%

LAB 76.49, -40.2, 59.17

 

CMYK 27 / 0 / 60 / 12

HEX #A3E059

RGB 163 224 89

HSL 87.11, 0.69%, 0.61%

LAB 82.82, -40.43, 58.44

 

CMYK 41 / 0 / 88 / 40

HEX #5A9812

RGB 90 152 18

HSL 87.76, 0.79%, 0.33%

LAB 56.76, -40.12, 56.22

 

CMYK 46 / 0 / 100 / 47

HEX #498600

RGB 73 134 0

HSL 87.31, 1%, 0.26%

LAB 50.06, -39.07, 53.69

 

CMYK 52 / 0 / 100 / 55

HEX #387400

RGB 56 116 0

HSL 91.03, 1%, 0.23%

LAB 43.26, -37.44, 48.04

 

CMYK 60 / 0 / 100 / 62

HEX #276200

RGB 39 98 0

HSL 96.12, 1%, 0.19%

LAB 36.3, -35.58, 42.29

 

CMYK 73 / 0 / 100 / 69

HEX #165000

RGB 22 80 0

HSL 103.5, 1%, 0.16%

LAB 29.18, -33.29, 36.41

 

CMYK 41 / 0 / 89 / 41

HEX #599611

RGB 89 150 17

HSL 87.52, 0.8%, 0.33%

LAB 56.06, -39.66, 55.82

 

CMYK 17 / 0 / 89 / 41

HEX #7C9611

RGB 124 150 17

HSL 71.73, 0.8%, 0.33%

LAB 58.17, -25.71, 58.44

 

CMYK 0 / 7 / 89 / 41

HEX #968C11

RGB 150 140 17

HSL 55.49, 0.8%, 0.33%

LAB 57.35, -8.89, 58.63

 

CMYK 0 / 31 / 89 / 41

HEX #966811

RGB 150 104 17

HSL 39.25, 0.8%, 0.33%

LAB 47.53, 11.32, 50.7

 

CMYK 0 / 55 / 89 / 41

HEX #964411

RGB 150 68 17

HSL 23.01, 0.8%, 0.33%

LAB 39, 31.6, 43.78

 

CMYK 41 / 0 / 89 / 41

HEX #599611

RGB 89 150 17

HSL 87.52, 0.8%, 0.33%

LAB 56.06, -39.66, 55.82

 

CMYK 65 / 0 / 89 / 41

HEX #359611

RGB 53 150 17

HSL 103.76, 0.8%, 0.33%

LAB 54.67, -50.5, 54.07

 

CMYK 89 / 0 / 89 / 41

HEX #119611

RGB 17 150 17

HSL 120, 0.8%, 0.33%

LAB 54, -56.3, 53.22

 

CMYK 89 / 0 / 65 / 41

HEX #119635

RGB 17 150 53

HSL 136.24, 0.8%, 0.33%

LAB 54.23, -53.41, 40.85

 

CMYK 89 / 0 / 41 / 41

HEX #119659

RGB 17 150 89

HSL 152.48, 0.8%, 0.33%

LAB 54.71, -47.58, 23.08

 

CMYK 41 / 0 / 89 / 41

HEX #599611

RGB 89 150 17

HSL 87.52, 0.8%, 0.33%

LAB 56.06, -39.66, 55.82

 

CMYK 45 / 0 / 98 / 36

HEX #5AA404

RGB 90 164 4

HSL 87.75, 0.95%, 0.33%

LAB 60.55, -45.41, 61.63

 

CMYK 41 / 0 / 89 / 41

HEX #599611

RGB 89 150 17

HSL 87.52, 0.8%, 0.33%

LAB 56.06, -39.66, 55.82

 

CMYK 36 / 0 / 77 / 46

HEX #58891F

RGB 88 137 31

HSL 87.74, 0.63%, 0.33%

LAB 51.91, -33.67, 48.08

 

CMYK 29 / 0 / 64 / 52

HEX #577B2C

RGB 87 123 44

HSL 87.34, 0.47%, 0.33%

LAB 47.46, -26.47, 38.09

 

CMYK 21 / 0 / 47 / 57

HEX #566D3A

RGB 86 109 58

HSL 87.06, 0.31%, 0.33%

LAB 43.09, -18.13, 25.68

 

CMYK 11 / 0 / 25 / 62

HEX #556048

RGB 85 96 72

HSL 87.5, 0.14%, 0.33%

LAB 39.18, -9.12, 12.33

 

CMYK 0 / 7 / 89 / 41

HEX #968B11

RGB 150 139 17

HSL 55.04, 0.8%, 0.33%

LAB 57.07, -8.35, 58.4

 

CMYK 16 / 0 / 89 / 41

HEX #7E9611

RGB 126 150 17

HSL 70.83, 0.8%, 0.33%

LAB 58.31, -24.84, 58.61

 

CMYK 40 / 0 / 89 / 41

HEX #5A9611

RGB 90 150 17

HSL 87.07, 0.8%, 0.33%

LAB 56.11, -39.3, 55.88

 

CMYK 63 / 0 / 89 / 41

HEX #379611

RGB 55 150 17

HSL 102.86, 0.8%, 0.33%

LAB 54.73, -50.02, 54.14

 

CMYK 87 / 0 / 89 / 41

HEX #139611

RGB 19 150 17

HSL 119.1, 0.8%, 0.33%

LAB 54.02, -56.12, 53.25

 

CMYK 41 / 0 / 88 / 70

HEX #2D4C09

RGB 45 76 9

HSL 87.76, 0.79%, 0.17%

LAB 28.76, -23.25, 33.02

 

CMYK 41 / 0 / 88 / 56

HEX #43710D

RGB 67 113 13

HSL 87.6, 0.79%, 0.25%

LAB 42.81, -31.74, 44.87

 

CMYK 41 / 0 / 89 / 41

HEX #599611

RGB 89 150 17

HSL 87.52, 0.8%, 0.33%

LAB 56.06, -39.66, 55.82

 

CMYK 41 / 0 / 88 / 27

HEX #6EBB16

RGB 110 187 22

HSL 88, 0.79%, 0.41%

LAB 68.69, -47.5, 65.94

 

CMYK 41 / 0 / 88 / 12

HEX #84E01A

RGB 132 224 26

HSL 87.88, 0.79%, 0.49%

LAB 80.9, -54.72, 75.9

 

CMYK 41 / 0 / 88 / 40

HEX #5A9812

RGB 90 152 18

HSL 87.76, 0.79%, 0.33%

LAB 56.76, -40.12, 56.22

 

CMYK 89 / 0 / 31 / 41

HEX #119668

RGB 17 150 104

HSL 159.25, 0.8%, 0.33%

LAB 55, -44.29, 15.14

 

CMYK 0 / 89 / 5 / 41

HEX #96118F

RGB 150 17 143

HSL 303.16, 0.8%, 0.33%

LAB 35.73, 62.75, -36.09

 

CMYK 41 / 0 / 88 / 40

HEX #5A9812

RGB 90 152 18

HSL 87.76, 0.79%, 0.33%

LAB 56.76, -40.12, 56.22

 

CMYK 89 / 40 / 0 / 41

HEX #115A96

RGB 17 90 150

HSL 207.07, 0.8%, 0.33%

LAB 37.18, 1.95, -38.77

 

CMYK 0 / 89 / 40 / 41

HEX #96115A

RGB 150 17 90

HSL 327.07, 0.8%, 0.33%

LAB 33.19, 55.92, -6.54

 

CMYK 41 / 0 / 88 / 40

HEX #5A9812

RGB 90 152 18

HSL 87.76, 0.79%, 0.33%

LAB 56.76, -40.12, 56.22

 

CMYK 89 / 0 / 31 / 41

HEX #119668

RGB 17 150 104

HSL 159.25, 0.8%, 0.33%

LAB 55, -44.29, 15.14

 

CMYK 49 / 89 / 0 / 41

HEX #4D1196

RGB 77 17 150

HSL 267.07, 0.8%, 0.33%

LAB 24.26, 52.37, -59.56

 

CMYK 0 / 89 / 57 / 41

HEX #961140

RGB 150 17 64

HSL 338.8, 0.8%, 0.33%

LAB 32.38, 53.64, 9.36

 

CMYK 41 / 0 / 88 / 40

HEX #5A9812

RGB 90 152 18

HSL 87.76, 0.79%, 0.33%

LAB 56.76, -40.12, 56.22

 

CMYK 89 / 0 / 5 / 41

HEX #11968F

RGB 17 150 143

HSL 176.84, 0.8%, 0.33%

LAB 56, -33.73, -5.64

 

CMYK 49 / 89 / 0 / 41

HEX #4D1196

RGB 77 17 150

HSL 267.07, 0.8%, 0.33%

LAB 24.26, 52.37, -59.56

 

CMYK 0 / 89 / 84 / 41

HEX #961118

RGB 150 17 24

HSL 356.84, 0.8%, 0.33%

LAB 31.69, 51.66, 34.04

 

Description

Color code: HEX #5A9812 | qconv.com Color code: HEX #5A9812 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 152 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 152 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 88 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 88% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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