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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 103 237 it is the complementary color RGB 90 152 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 103 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 103 237 shade: RGB 170 103 232, RGB 187 121 251, RGB 204 139 255, RGB 221 157 255 and RGB 238 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 103 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 103 237 shade: RGB 165 103 237, RGB 148 85 218, RGB 131 67 199, RGB 114 49 180 and RGB 97 31 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 103 237 shade: RGB 165 104 237, RGB 201 104 237, RGB 237 104 237, RGB 237 104 201 and RGB 237 104 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 103 237 shade: RGB 165 104 237, RGB 130 104 237 and RGB 104 104 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 103 237 shade matches the following richer shades: RGB 165 104 237 and RGB 164 90 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 103 237 shade: RGB 165 104 237, RGB 166 117 223, RGB 167 131 210, RGB 168 145 196 and RGB 169 158 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 103 237 shade: RGB 104 115 237, RGB 128 104 237, RGB 164 104 237, RGB 199 104 237 and RGB 235 104 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 103 237 shade: RGB 122 30 228, RGB 144 67 232, RGB 165 104 237, RGB 187 141 241 and RGB 209 178 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 103 237 shade: RGB 165 103 237, RGB 237 104 150 and RGB 104 237 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 103 237 shade: RGB 165 103 237, RGB 237 164 104 and RGB 104 237 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 103 237 shade: RGB 165 103 237, RGB 237 104 150, RGB 177 237 104 and RGB 104 237 190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 103 237 shade: RGB 165 103 237, RGB 237 104 111, RGB 177 237 104 and RGB 104 237 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 57 / 0 / 7

HEX #A567ED

RGB 165 103 237

HSL 267.76, 0.79%, 0.67%

LAB 55.9, 50.68, -58.61

 

Complementary color

CMYK 41 / 0 / 88 / 40

HEX #5A9812

RGB 90 152 18

HSL 87.76, 0.79%, 0.33%

LAB 56.76, -40.12, 56.22

 

CMYK 27 / 56 / 0 / 9

HEX #AA67E8

RGB 170 103 232

HSL 271.16, 0.74%, 0.66%

LAB 56.16, 50.7, -55.37

 

CMYK 25 / 52 / 0 / 2

HEX #BB79FB

RGB 187 121 251

HSL 270.46, 0.94%, 0.73%

LAB 62.68, 49.82, -55.41

 

CMYK 20 / 45 / 0 / 0

HEX #CC8BFF

RGB 204 139 255

HSL 273.62, 1%, 0.77%

LAB 68.4, 45.61, -48.42

 

CMYK 13 / 38 / 0 / 0

HEX #DD9DFF

RGB 221 157 255

HSL 279.18, 1%, 0.81%

LAB 74, 40.8, -39.53

 

CMYK 7 / 31 / 0 / 0

HEX #EEAFFF

RGB 238 175 255

HSL 287.25, 1%, 0.84%

LAB 79.65, 36.32, -30.66

 

CMYK 30 / 57 / 0 / 7

HEX #A567ED

RGB 165 103 237

HSL 267.76, 0.79%, 0.67%

LAB 55.9, 50.68, -58.61

 

CMYK 32 / 61 / 0 / 15

HEX #9455DA

RGB 148 85 218

HSL 268.42, 0.64%, 0.59%

LAB 49.32, 51.6, -58.58

 

CMYK 34 / 66 / 0 / 22

HEX #8343C7

RGB 131 67 199

HSL 269.09, 0.54%, 0.52%

LAB 42.71, 52.43, -58.44

 

CMYK 37 / 73 / 0 / 29

HEX #7231B4

RGB 114 49 180

HSL 269.77, 0.57%, 0.45%

LAB 36.12, 53.01, -58.09

 

CMYK 40 / 81 / 0 / 37

HEX #611FA1

RGB 97 31 161

HSL 270.46, 0.68%, 0.38%

LAB 29.65, 53.04, -57.34

 

CMYK 30 / 56 / 0 / 7

HEX #A568ED

RGB 165 104 237

HSL 267.52, 0.79%, 0.67%

LAB 56.1, 50.15, -58.29

 

CMYK 15 / 56 / 0 / 7

HEX #C968ED

RGB 201 104 237

HSL 283.76, 0.79%, 0.67%

LAB 60.28, 58.95, -51.39

 

CMYK 0 / 56 / 0 / 7

HEX #ED68ED

RGB 237 104 237

HSL 300, 0.79%, 0.67%

LAB 64.98, 68.02, -43.65

 

CMYK 0 / 56 / 15 / 7

HEX #ED68C9

RGB 237 104 201

HSL 316.24, 0.79%, 0.67%

LAB 63.44, 62.32, -25.9

 

CMYK 0 / 56 / 30 / 7

HEX #ED68A5

RGB 237 104 165

HSL 332.48, 0.79%, 0.67%

LAB 62.19, 57.44, -7.29

 

CMYK 30 / 56 / 0 / 7

HEX #A568ED

RGB 165 104 237

HSL 267.52, 0.79%, 0.67%

LAB 56.1, 50.15, -58.29

 

CMYK 45 / 56 / 0 / 7

HEX #8268ED

RGB 130 104 237

HSL 251.73, 0.79%, 0.67%

LAB 52.69, 42.25, -63.96

 

CMYK 56 / 56 / 0 / 7

HEX #6868ED

RGB 104 104 237

HSL 240, 0.79%, 0.67%

LAB 50.64, 37.11, -67.37

 

CMYK 30 / 56 / 0 / 7

HEX #A568ED

RGB 165 104 237

HSL 267.52, 0.79%, 0.67%

LAB 56.1, 50.15, -58.29

 

CMYK 34 / 64 / 0 / 2

HEX #A45AFA

RGB 164 90 250

HSL 267.75, 0.94%, 0.67%

LAB 54.14, 60.17, -68.69

 

CMYK 30 / 56 / 0 / 7

HEX #A568ED

RGB 165 104 237

HSL 267.52, 0.79%, 0.67%

LAB 56.1, 50.15, -58.29

 

CMYK 26 / 48 / 0 / 13

HEX #A675DF

RGB 166 117 223

HSL 267.74, 0.62%, 0.67%

LAB 58.19, 40, -47.13

 

CMYK 20 / 38 / 0 / 18

HEX #A783D2

RGB 167 131 210

HSL 267.34, 0.47%, 0.67%

LAB 60.87, 29.37, -35.61

 

CMYK 14 / 26 / 0 / 23

HEX #A891C4

RGB 168 145 196

HSL 267.06, 0.3%, 0.67%

LAB 63.8, 18.58, -23.22

 

CMYK 7 / 13 / 0 / 29

HEX #A99EB6

RGB 169 158 182

HSL 267.5, 0.14%, 0.67%

LAB 66.72, 8.63, -10.96

 

CMYK 56 / 51 / 0 / 7

HEX #6873ED

RGB 104 115 237

HSL 235.04, 0.79%, 0.67%

LAB 53.3, 30.5, -63.08

 

CMYK 46 / 56 / 0 / 7

HEX #8068ED

RGB 128 104 237

HSL 250.83, 0.79%, 0.67%

LAB 52.51, 41.82, -64.25

 

CMYK 31 / 56 / 0 / 7

HEX #A468ED

RGB 164 104 237

HSL 267.07, 0.79%, 0.67%

LAB 56, 49.91, -58.47

 

CMYK 16 / 56 / 0 / 7

HEX #C768ED

RGB 199 104 237

HSL 282.86, 0.79%, 0.67%

LAB 60.03, 58.45, -51.79

 

CMYK 1 / 56 / 0 / 7

HEX #EB68ED

RGB 235 104 237

HSL 299.1, 0.79%, 0.67%

LAB 64.71, 67.51, -44.1

 

CMYK 46 / 87 / 0 / 11

HEX #7A1EE4

RGB 122 30 228

HSL 267.88, 0.79%, 0.51%

LAB 39.01, 72.14, -81.2

 

CMYK 38 / 71 / 0 / 9

HEX #9043E8

RGB 144 67 232

HSL 268, 0.78%, 0.59%

LAB 46.67, 62.85, -70.83

 

CMYK 30 / 56 / 0 / 7

HEX #A568ED

RGB 165 104 237

HSL 267.52, 0.79%, 0.67%

LAB 56.1, 50.15, -58.29

 

CMYK 22 / 41 / 0 / 5

HEX #BB8DF1

RGB 187 141 241

HSL 267.6, 0.78%, 0.75%

LAB 66.49, 36.69, -43.88

 

CMYK 15 / 27 / 0 / 4

HEX #D1B2F5

RGB 209 178 245

HSL 267.76, 0.77%, 0.83%

LAB 77.27, 23.75, -29.16

 

CMYK 30 / 57 / 0 / 7

HEX #A567ED

RGB 165 103 237

HSL 267.76, 0.79%, 0.67%

LAB 55.9, 50.68, -58.61

 

CMYK 0 / 56 / 37 / 7

HEX #ED6896

RGB 237 104 150

HSL 339.25, 0.79%, 0.67%

LAB 61.75, 55.68, 0.7

 

CMYK 56 / 0 / 53 / 7

HEX #68ED6F

RGB 104 237 111

HSL 123.16, 0.79%, 0.67%

LAB 84.31, -61.25, 49.71

 

CMYK 30 / 57 / 0 / 7

HEX #A567ED

RGB 165 103 237

HSL 267.76, 0.79%, 0.67%

LAB 55.9, 50.68, -58.61

 

CMYK 0 / 31 / 56 / 7

HEX #EDA468

RGB 237 164 104

HSL 27.07, 0.79%, 0.67%

LAB 73.26, 20.78, 41.7

 

CMYK 56 / 0 / 31 / 7

HEX #68EDA4

RGB 104 237 164

HSL 147.07, 0.79%, 0.67%

LAB 85.09, -52.83, 24.61

 

CMYK 30 / 57 / 0 / 7

HEX #A567ED

RGB 165 103 237

HSL 267.76, 0.79%, 0.67%

LAB 55.9, 50.68, -58.61

 

CMYK 0 / 56 / 37 / 7

HEX #ED6896

RGB 237 104 150

HSL 339.25, 0.79%, 0.67%

LAB 61.75, 55.68, 0.7

 

CMYK 25 / 0 / 56 / 7

HEX #B1ED68

RGB 177 237 104

HSL 87.07, 0.79%, 0.67%

LAB 87.44, -39.81, 57.37

 

CMYK 56 / 0 / 20 / 7

HEX #68EDBE

RGB 104 237 190

HSL 158.8, 0.79%, 0.67%

LAB 85.62, -47.49, 11.87

 

CMYK 30 / 57 / 0 / 7

HEX #A567ED

RGB 165 103 237

HSL 267.76, 0.79%, 0.67%

LAB 55.9, 50.68, -58.61

 

CMYK 0 / 56 / 53 / 7

HEX #ED686F

RGB 237 104 111

HSL 356.84, 0.79%, 0.67%

LAB 60.83, 51.92, 21.9

 

CMYK 25 / 0 / 56 / 7

HEX #B1ED68

RGB 177 237 104

HSL 87.07, 0.79%, 0.67%

LAB 87.44, -39.81, 57.37

 

CMYK 56 / 0 / 3 / 7

HEX #68EDE6

RGB 104 237 230

HSL 176.84, 0.79%, 0.67%

LAB 86.62, -37.94, -7.65

 

Description

Color code: RGB 165 103 237 | qconv.com Color code: RGB 165 103 237 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 103 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 103 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 57 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 57% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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