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Color name
HEX #5A9C19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A9C19 it is the complementary color #A563E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A9C19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A9C19 shade: #5F9C14, #70AE27, #81C03A, #92D24D and #A3E460

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A9C19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A9C19 shade: #5A9C19, #498A06, #387800, #276600 and #165400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A9C19 shade: #589918, #7B9918, #999418, #997218 and #994F18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A9C19 shade: #589918, #369918, #18991E, #189941 and #189963

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A9C19 shade matches the following richer shades: #589918 and #58A70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A9C19 shade: #589918, #588B27, #587C35, #596E44 and #595F52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A9C19 shade: #999518, #7B9918, #599918, #369918 and #18991D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A9C19 shade: #2F520D, #447613, #589918, #6DBC1E and #81DC28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A9C19 shade: #5A9C19, #189972 and #99188C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A9C19 shade: #5A9C19, #185999 and #991859

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A9C19 shade: #5A9C19, #189972, #591899 and #99183F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A9C19 shade: #5A9C19, #189999, #591899 and #991818

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 84 / 39

HEX #5A9C19

RGB 90 156 25

HSL 90.23, 0.72%, 0.35%

LAB 58.06, -41.53, 55.66

 

Complementary color

CMYK 28 / 57 / 0 / 10

HEX #A563E6

RGB 165 99 230

HSL 270.23, 0.72%, 0.65%

LAB 54.7, 51.12, -56.63

 

CMYK 39 / 0 / 87 / 39

HEX #5F9C14

RGB 95 156 20

HSL 86.91, 0.77%, 0.35%

LAB 58.28, -39.95, 57.19

 

CMYK 36 / 0 / 78 / 32

HEX #70AE27

RGB 112 174 39

HSL 87.56, 0.63%, 0.42%

LAB 64.85, -40.66, 58.2

 

CMYK 33 / 0 / 70 / 25

HEX #81C03A

RGB 129 192 58

HSL 88.21, 0.54%, 0.49%

LAB 71.33, -41.12, 58.2

 

CMYK 30 / 0 / 63 / 18

HEX #92D24D

RGB 146 210 77

HSL 88.87, 0.6%, 0.56%

LAB 77.72, -41.4, 57.63

 

CMYK 29 / 0 / 58 / 11

HEX #A3E460

RGB 163 228 96

HSL 89.55, 0.71%, 0.64%

LAB 84.03, -41.57, 56.77

 

CMYK 42 / 0 / 84 / 39

HEX #5A9C19

RGB 90 156 25

HSL 90.23, 0.72%, 0.35%

LAB 58.06, -41.53, 55.66

 

CMYK 47 / 0 / 96 / 46

HEX #498A06

RGB 73 138 6

HSL 89.55, 0.92%, 0.28%

LAB 51.39, -40.56, 53.64

 

CMYK 53 / 0 / 100 / 53

HEX #387800

RGB 56 120 0

HSL 92, 1%, 0.24%

LAB 44.62, -39.06, 49.11

 

CMYK 62 / 0 / 100 / 60

HEX #276600

RGB 39 102 0

HSL 97.06, 1%, 0.2%

LAB 37.72, -37.15, 43.41

 

CMYK 74 / 0 / 100 / 67

HEX #165400

RGB 22 84 0

HSL 104.29, 1%, 0.16%

LAB 30.67, -34.79, 37.59

 

CMYK 42 / 0 / 84 / 40

HEX #589918

RGB 88 153 24

HSL 90.23, 0.73%, 0.35%

LAB 57, -41.01, 54.95

 

CMYK 20 / 0 / 84 / 40

HEX #7B9918

RGB 123 153 24

HSL 73.95, 0.73%, 0.35%

LAB 59.03, -27.38, 57.51

 

CMYK 0 / 3 / 84 / 40

HEX #999418

RGB 153 148 24

HSL 57.67, 0.73%, 0.35%

LAB 59.91, -11.62, 59.19

 

CMYK 0 / 25 / 84 / 40

HEX #997218

RGB 153 114 24

HSL 41.86, 0.73%, 0.35%

LAB 50.54, 7.18, 51.2

 

CMYK 0 / 48 / 84 / 40

HEX #994F18

RGB 153 79 24

HSL 25.58, 0.73%, 0.35%

LAB 41.89, 27.1, 43.62

 

CMYK 42 / 0 / 84 / 40

HEX #589918

RGB 88 153 24

HSL 90.23, 0.73%, 0.35%

LAB 57, -41.01, 54.95

 

CMYK 65 / 0 / 84 / 40

HEX #369918

RGB 54 153 24

HSL 106.05, 0.73%, 0.35%

LAB 55.72, -51, 53.31

 

CMYK 84 / 0 / 80 / 40

HEX #18991E

RGB 24 153 30

HSL 122.79, 0.73%, 0.35%

LAB 55.14, -55.81, 50.81

 

CMYK 84 / 0 / 58 / 40

HEX #189941

RGB 24 153 65

HSL 139.07, 0.73%, 0.35%

LAB 55.44, -52.16, 36.57

 

CMYK 84 / 0 / 35 / 40

HEX #189963

RGB 24 153 99

HSL 154.88, 0.73%, 0.35%

LAB 55.96, -46.01, 19.26

 

CMYK 42 / 0 / 84 / 40

HEX #589918

RGB 88 153 24

HSL 90.23, 0.73%, 0.35%

LAB 57, -41.01, 54.95

 

CMYK 47 / 0 / 94 / 35

HEX #58A70A

RGB 88 167 10

HSL 90.19, 0.89%, 0.35%

LAB 61.42, -47.14, 61.48

 

CMYK 42 / 0 / 84 / 40

HEX #589918

RGB 88 153 24

HSL 90.23, 0.73%, 0.35%

LAB 57, -41.01, 54.95

 

CMYK 37 / 0 / 72 / 45

HEX #588B27

RGB 88 139 39

HSL 90.6, 0.56%, 0.35%

LAB 52.6, -34.04, 45.75

 

CMYK 29 / 0 / 57 / 51

HEX #587C35

RGB 88 124 53

HSL 90.42, 0.4%, 0.35%

LAB 47.94, -25.65, 34.24

 

CMYK 19 / 0 / 38 / 57

HEX #596E44

RGB 89 110 68

HSL 90, 0.24%, 0.35%

LAB 43.79, -15.99, 20.93

 

CMYK 6 / 0 / 14 / 63

HEX #595F52

RGB 89 95 82

HSL 87.69, 0.07%, 0.35%

LAB 39.44, -5.03, 6.64

 

CMYK 0 / 3 / 84 / 40

HEX #999518

RGB 153 149 24

HSL 58.14, 0.73%, 0.35%

LAB 60.19, -12.15, 59.43

 

CMYK 20 / 0 / 84 / 40

HEX #7B9918

RGB 123 153 24

HSL 73.95, 0.73%, 0.35%

LAB 59.03, -27.38, 57.51

 

CMYK 42 / 0 / 84 / 40

HEX #599918

RGB 89 153 24

HSL 89.77, 0.73%, 0.35%

LAB 57.05, -40.66, 55.01

 

CMYK 65 / 0 / 84 / 40

HEX #369918

RGB 54 153 24

HSL 106.05, 0.73%, 0.35%

LAB 55.72, -51, 53.31

 

CMYK 84 / 0 / 81 / 40

HEX #18991D

RGB 24 153 29

HSL 122.33, 0.73%, 0.35%

LAB 55.14, -55.88, 51.12

 

CMYK 43 / 0 / 84 / 68

HEX #2F520D

RGB 47 82 13

HSL 90.43, 0.73%, 0.19%

LAB 31.04, -25.12, 33.77

 

CMYK 42 / 0 / 84 / 54

HEX #447613

RGB 68 118 19

HSL 90.3, 0.72%, 0.27%

LAB 44.56, -33.33, 44.76

 

CMYK 42 / 0 / 84 / 40

HEX #589918

RGB 88 153 24

HSL 90.23, 0.73%, 0.35%

LAB 57, -41.01, 54.95

 

CMYK 42 / 0 / 84 / 26

HEX #6DBC1E

RGB 109 188 30

HSL 90, 0.72%, 0.43%

LAB 68.98, -47.96, 64.44

 

CMYK 41 / 0 / 82 / 14

HEX #81DC28

RGB 129 220 40

HSL 90.33, 0.72%, 0.51%

LAB 79.62, -53.66, 71.79

 

CMYK 42 / 0 / 84 / 39

HEX #5A9C19

RGB 90 156 25

HSL 90.23, 0.72%, 0.35%

LAB 58.06, -41.53, 55.66

 

CMYK 84 / 0 / 25 / 40

HEX #189972

RGB 24 153 114

HSL 161.86, 0.73%, 0.35%

LAB 56.28, -42.52, 11.29

 

CMYK 0 / 84 / 8 / 40

HEX #99188C

RGB 153 24 140

HSL 306.05, 0.73%, 0.35%

LAB 36.59, 61.49, -32.85

 

CMYK 42 / 0 / 84 / 39

HEX #5A9C19

RGB 90 156 25

HSL 90.23, 0.72%, 0.35%

LAB 58.06, -41.53, 55.66

 

CMYK 84 / 42 / 0 / 40

HEX #185999

RGB 24 89 153

HSL 209.77, 0.73%, 0.35%

LAB 37.19, 4.4, -40.56

 

CMYK 0 / 84 / 42 / 40

HEX #991859

RGB 153 24 89

HSL 329.77, 0.73%, 0.35%

LAB 34.29, 55.04, -4.19

 

CMYK 42 / 0 / 84 / 39

HEX #5A9C19

RGB 90 156 25

HSL 90.23, 0.72%, 0.35%

LAB 58.06, -41.53, 55.66

 

CMYK 84 / 0 / 25 / 40

HEX #189972

RGB 24 153 114

HSL 161.86, 0.73%, 0.35%

LAB 56.28, -42.52, 11.29

 

CMYK 42 / 84 / 0 / 40

HEX #591899

RGB 89 24 153

HSL 270.23, 0.73%, 0.35%

LAB 26.95, 52.43, -56.92

 

CMYK 0 / 84 / 59 / 40

HEX #99183F

RGB 153 24 63

HSL 341.86, 0.73%, 0.35%

LAB 33.53, 52.82, 11.7

 

CMYK 42 / 0 / 84 / 39

HEX #5A9C19

RGB 90 156 25

HSL 90.23, 0.72%, 0.35%

LAB 58.06, -41.53, 55.66

 

CMYK 84 / 0 / 0 / 40

HEX #189999

RGB 24 153 153

HSL 180, 0.73%, 0.35%

LAB 57.34, -31.59, -9.35

 

CMYK 42 / 84 / 0 / 40

HEX #591899

RGB 89 24 153

HSL 270.23, 0.73%, 0.35%

LAB 26.95, 52.43, -56.92

 

CMYK 0 / 84 / 84 / 40

HEX #991818

RGB 153 24 24

HSL 0, 0.73%, 0.35%

LAB 32.9, 50.92, 35.41

 

Description

Color code: HEX #5A9C19 | qconv.com Color code: HEX #5A9C19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 156 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 156 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 84 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 84% 39% C M Y K

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Provide designers and agencies with accurate color values.

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