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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B4532 it is the complementary color #A4BACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B4532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B4532 shade: #60452D, #715740, #826953, #937B66 and #A48D79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B4532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B4532 shade: #5B4532, #4A331F, #39210C, #280F00 and #170000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B4532 shade: #5C4532, #5C3A32 and #5C3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B4532 shade: #5C4532, #5C5132, #5B5C32, #505C32 and #455C32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B4532 shade matches the following richer shades: #5C4532, #674527, #73441B, #7E4310 and #8A4204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B4532 shade: #5C4532, #50463E, #454749, #394855 and #2D4960

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B4532 shade: #5C3236, #5C3A32, #5C4532, #5C5032 and #5C5B32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B4532 shade: #261D15, #413124, #5C4532, #765A41 and #916E4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B4532 shade: #5B4532, #415C32 and #34325C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B4532 shade: #5B4532, #325C45 and #45325C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B4532 shade: #5B4532, #415C32, #32495C and #4D325C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B4532 shade: #5B4532, #345C32, #32495C and #5A325C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 45 / 64

HEX #5B4532

RGB 91 69 50

HSL 27.8, 0.29%, 0.28%

LAB 31.14, 6.58, 15.11

 

Complementary color

CMYK 20 / 9 / 0 / 20

HEX #A4BACD

RGB 164 186 205

HSL 207.8, 0.29%, 0.72%

LAB 74.46, -3.44, -12.09

 

CMYK 0 / 28 / 53 / 62

HEX #60452D

RGB 96 69 45

HSL 28.24, 0.36%, 0.28%

LAB 31.65, 8.35, 19

 

CMYK 0 / 23 / 43 / 56

HEX #715740

RGB 113 87 64

HSL 28.16, 0.28%, 0.35%

LAB 39.07, 7.37, 17.47

 

CMYK 0 / 19 / 36 / 49

HEX #826953

RGB 130 105 83

HSL 28.09, 0.22%, 0.42%

LAB 46.28, 6.6, 16.14

 

CMYK 0 / 16 / 31 / 42

HEX #937B66

RGB 147 123 102

HSL 28, 0.18%, 0.49%

LAB 53.31, 5.98, 14.95

 

CMYK 0 / 14 / 26 / 36

HEX #A48D79

RGB 164 141 121

HSL 27.91, 0.19%, 0.56%

LAB 60.18, 5.46, 13.87

 

CMYK 0 / 24 / 45 / 64

HEX #5B4532

RGB 91 69 50

HSL 27.8, 0.29%, 0.28%

LAB 31.14, 6.58, 15.11

 

CMYK 0 / 31 / 58 / 71

HEX #4A331F

RGB 74 51 31

HSL 27.91, 0.41%, 0.21%

LAB 23.41, 7.66, 16.73

 

CMYK 0 / 42 / 79 / 78

HEX #39210C

RGB 57 33 12

HSL 28, 0.65%, 0.14%

LAB 15.4, 9.21, 17.84

 

CMYK 0 / 63 / 100 / 84

HEX #280F00

RGB 40 15 0

HSL 22.5, 1%, 0.08%

LAB 7.16, 11.38, 10.95

 

CMYK 0 / 100 / 100 / 91

HEX #170000

RGB 23 0 0

HSL 0, 1%, 0.05%

LAB 1.65, 7.38, 2.6

 

CMYK 0 / 25 / 46 / 64

HEX #5C4532

RGB 92 69 50

HSL 27.14, 0.3%, 0.28%

LAB 31.26, 7.05, 15.29

 

CMYK 0 / 37 / 46 / 64

HEX #5C3A32

RGB 92 58 50

HSL 11.43, 0.3%, 0.28%

LAB 28.2, 13.98, 11.18

 

CMYK 0 / 46 / 46 / 64

HEX #5C3232

RGB 92 50 50

HSL 0, 0.3%, 0.28%

LAB 26.12, 18.97, 8.32

 

CMYK 0 / 25 / 46 / 64

HEX #5C4532

RGB 92 69 50

HSL 27.14, 0.3%, 0.28%

LAB 31.26, 7.05, 15.29

 

CMYK 0 / 12 / 46 / 64

HEX #5C5132

RGB 92 81 50

HSL 44.29, 0.3%, 0.28%

LAB 34.78, -0.39, 19.88

 

CMYK 1 / 0 / 46 / 64

HEX #5B5C32

RGB 91 92 50

HSL 61.43, 0.3%, 0.28%

LAB 38.04, -7.43, 23.97

 

CMYK 13 / 0 / 46 / 64

HEX #505C32

RGB 80 92 50

HSL 77.14, 0.3%, 0.28%

LAB 37.1, -12.41, 22.59

 

CMYK 25 / 0 / 46 / 64

HEX #455C32

RGB 69 92 50

HSL 92.86, 0.3%, 0.28%

LAB 36.27, -17.16, 21.37

 

CMYK 0 / 25 / 46 / 64

HEX #5C4532

RGB 92 69 50

HSL 27.14, 0.3%, 0.28%

LAB 31.26, 7.05, 15.29

 

CMYK 0 / 33 / 62 / 60

HEX #674527

RGB 103 69 39

HSL 28.13, 0.45%, 0.28%

LAB 32.45, 11.09, 23.81

 

CMYK 0 / 41 / 77 / 55

HEX #73441B

RGB 115 68 27

HSL 27.95, 0.62%, 0.28%

LAB 33.69, 16.53, 32.36

 

CMYK 0 / 47 / 87 / 51

HEX #7E4310

RGB 126 67 16

HSL 27.82, 0.77%, 0.28%

LAB 34.98, 21.73, 39.27

 

CMYK 0 / 52 / 97 / 46

HEX #8A4204

RGB 138 66 4

HSL 27.76, 0.94%, 0.28%

LAB 36.57, 27.34, 45.46

 

CMYK 0 / 25 / 46 / 64

HEX #5C4532

RGB 92 69 50

HSL 27.14, 0.3%, 0.28%

LAB 31.26, 7.05, 15.29

 

CMYK 0 / 13 / 23 / 69

HEX #50463E

RGB 80 70 62

HSL 26.67, 0.13%, 0.28%

LAB 30.48, 2.73, 6.37

 

CMYK 5 / 3 / 0 / 71

HEX #454749

RGB 69 71 73

HSL 210, 0.03%, 0.28%

LAB 30.04, -0.37, -1.49

 

CMYK 33 / 15 / 0 / 67

HEX #394855

RGB 57 72 85

HSL 207.86, 0.2%, 0.28%

LAB 29.81, -2.4, -9.67

 

CMYK 53 / 24 / 0 / 62

HEX #2D4960

RGB 45 73 96

HSL 207.06, 0.36%, 0.28%

LAB 29.83, -3.27, -16.77

 

CMYK 0 / 46 / 41 / 64

HEX #5C3236

RGB 92 50 54

HSL 354.29, 0.3%, 0.28%

LAB 26.22, 19.49, 5.8

 

CMYK 0 / 37 / 46 / 64

HEX #5C3A32

RGB 92 58 50

HSL 11.43, 0.3%, 0.28%

LAB 28.2, 13.98, 11.18

 

CMYK 0 / 25 / 46 / 64

HEX #5C4532

RGB 92 69 50

HSL 27.14, 0.3%, 0.28%

LAB 31.26, 7.05, 15.29

 

CMYK 0 / 13 / 46 / 64

HEX #5C5032

RGB 92 80 50

HSL 42.86, 0.3%, 0.28%

LAB 34.48, 0.22, 19.49

 

CMYK 0 / 1 / 46 / 64

HEX #5C5B32

RGB 92 91 50

HSL 58.57, 0.3%, 0.28%

LAB 37.82, -6.39, 23.72

 

CMYK 0 / 24 / 45 / 85

HEX #261D15

RGB 38 29 21

HSL 28.24, 0.29%, 0.12%

LAB 11.59, 2.9, 7.15

 

CMYK 0 / 25 / 45 / 75

HEX #413124

RGB 65 49 36

HSL 26.9, 0.29%, 0.2%

LAB 21.75, 5.13, 11.08

 

CMYK 0 / 25 / 46 / 64

HEX #5C4532

RGB 92 69 50

HSL 27.14, 0.3%, 0.28%

LAB 31.26, 7.05, 15.29

 

CMYK 0 / 24 / 45 / 54

HEX #765A41

RGB 118 90 65

HSL 28.3, 0.29%, 0.36%

LAB 40.48, 7.93, 18.85

 

CMYK 0 / 24 / 46 / 43

HEX #916E4F

RGB 145 110 79

HSL 28.18, 0.29%, 0.44%

LAB 49.17, 9.7, 22.63

 

CMYK 0 / 24 / 45 / 64

HEX #5B4532

RGB 91 69 50

HSL 27.8, 0.29%, 0.28%

LAB 31.14, 6.58, 15.11

 

CMYK 29 / 0 / 46 / 64

HEX #415C32

RGB 65 92 50

HSL 98.57, 0.3%, 0.28%

LAB 36, -18.81, 20.97

 

CMYK 43 / 46 / 0 / 64

HEX #34325C

RGB 52 50 92

HSL 242.86, 0.3%, 0.28%

LAB 22.94, 12.87, -24.92

 

CMYK 0 / 24 / 45 / 64

HEX #5B4532

RGB 91 69 50

HSL 27.8, 0.29%, 0.28%

LAB 31.14, 6.58, 15.11

 

CMYK 46 / 0 / 25 / 64

HEX #325C45

RGB 50 92 69

HSL 147.14, 0.3%, 0.28%

LAB 35.52, -20.62, 8.73

 

CMYK 25 / 46 / 0 / 64

HEX #45325C

RGB 69 50 92

HSL 267.14, 0.3%, 0.28%

LAB 24.7, 18.28, -22.03

 

CMYK 0 / 24 / 45 / 64

HEX #5B4532

RGB 91 69 50

HSL 27.8, 0.29%, 0.28%

LAB 31.14, 6.58, 15.11

 

CMYK 29 / 0 / 46 / 64

HEX #415C32

RGB 65 92 50

HSL 98.57, 0.3%, 0.28%

LAB 36, -18.81, 20.97

 

CMYK 46 / 21 / 0 / 64

HEX #32495C

RGB 50 73 92

HSL 207.14, 0.3%, 0.28%

LAB 29.95, -3.16, -14

 

CMYK 16 / 46 / 0 / 64

HEX #4D325C

RGB 77 50 92

HSL 278.57, 0.3%, 0.28%

LAB 25.66, 20.98, -20.46

 

CMYK 0 / 24 / 45 / 64

HEX #5B4532

RGB 91 69 50

HSL 27.8, 0.29%, 0.28%

LAB 31.14, 6.58, 15.11

 

CMYK 43 / 0 / 46 / 64

HEX #345C32

RGB 52 92 50

HSL 117.14, 0.3%, 0.28%

LAB 35.23, -23.76, 19.84

 

CMYK 46 / 21 / 0 / 64

HEX #32495C

RGB 50 73 92

HSL 207.14, 0.3%, 0.28%

LAB 29.95, -3.16, -14

 

CMYK 2 / 46 / 0 / 64

HEX #5A325C

RGB 90 50 92

HSL 297.14, 0.3%, 0.28%

LAB 27.37, 25.47, -17.66

 

Description

Color code: HEX #5B4532 | qconv.com Color code: HEX #5B4532 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 69 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 69 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 45 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 45% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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