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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5E66 it is the complementary color #A4A199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5E66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5E66 shade: #605E61, #717074, #828287, #93949A and #A4A6AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5E66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5E66 shade: #5B5E66, #4A4C53, #393A40, #28282D and #17161A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5E66 shade: #5B5E66, #5B5B66, #5E5B66, #615B66 and #645B66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5E66 shade: #5B5E66, #5B5B66 and #5B5B66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5E66 shade matches the following richer shades: #5B5E66, #4B5776, #3B4F86, #2C4895 and #1C41A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5E66 shade: #5B5E66, #6A6557, #7A6C47, #8A7337 and #997A28

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5E66 shade: #5B6466, #5B6166, #5B5E66, #5B5B66 and #5D5B66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5E66 shade: #34363A, #474A50, #5B5E66, #6E727C and #838691

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5E66 shade: #5B5E66, #655B66 and #63665B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5E66 shade: #5B5E66, #665B5E and #5E665B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5E66 shade: #5B5E66, #655B66, #66635B and #5C665B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5E66 shade: #5B5E66, #665B64, #66635B and #5B665D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

Complementary color

CMYK 0 / 2 / 7 / 36

HEX #A4A199

RGB 164 161 153

HSL 43.64, 0.06%, 0.62%

LAB 66.28, -0.39, 4.54

 

CMYK 1 / 3 / 0 / 62

HEX #605E61

RGB 96 94 97

HSL 280, 0.02%, 0.37%

LAB 40.17, 1.42, -1.44

 

CMYK 3 / 3 / 0 / 55

HEX #717074

RGB 113 112 116

HSL 255, 0.02%, 0.45%

LAB 47.44, 1.21, -2.08

 

CMYK 4 / 4 / 0 / 47

HEX #828287

RGB 130 130 135

HSL 240, 0.02%, 0.52%

LAB 54.51, 1.01, -2.7

 

CMYK 5 / 4 / 0 / 40

HEX #93949A

RGB 147 148 154

HSL 231.43, 0.03%, 0.59%

LAB 61.41, 0.83, -3.29

 

CMYK 5 / 4 / 0 / 32

HEX #A4A6AD

RGB 164 166 173

HSL 226.67, 0.05%, 0.66%

LAB 68.15, 0.66, -3.86

 

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

CMYK 11 / 8 / 0 / 67

HEX #4A4C53

RGB 74 76 83

HSL 226.67, 0.06%, 0.31%

LAB 32.37, 0.8, -4.42

 

CMYK 11 / 9 / 0 / 75

HEX #393A40

RGB 57 58 64

HSL 231.43, 0.06%, 0.24%

LAB 24.53, 1.01, -3.85

 

CMYK 11 / 11 / 0 / 82

HEX #28282D

RGB 40 40 45

HSL 240, 0.06%, 0.17%

LAB 16.3, 1.26, -3.27

 

CMYK 12 / 15 / 0 / 90

HEX #17161A

RGB 23 22 26

HSL 255, 0.08%, 0.09%

LAB 7.5, 1.53, -2.64

 

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

CMYK 11 / 11 / 0 / 60

HEX #5B5B66

RGB 91 91 102

HSL 240, 0.06%, 0.38%

LAB 39.01, 2.44, -6.29

 

CMYK 8 / 11 / 0 / 60

HEX #5E5B66

RGB 94 91 102

HSL 256.36, 0.06%, 0.38%

LAB 39.28, 3.58, -5.86

 

CMYK 5 / 11 / 0 / 60

HEX #615B66

RGB 97 91 102

HSL 272.73, 0.06%, 0.38%

LAB 39.55, 4.72, -5.42

 

CMYK 2 / 11 / 0 / 60

HEX #645B66

RGB 100 91 102

HSL 289.09, 0.06%, 0.38%

LAB 39.83, 5.88, -4.97

 

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

CMYK 11 / 11 / 0 / 60

HEX #5B5B66

RGB 91 91 102

HSL 240, 0.06%, 0.38%

LAB 39.01, 2.44, -6.29

 

CMYK 11 / 11 / 0 / 60

HEX #5B5B66

RGB 91 91 102

HSL 240, 0.06%, 0.38%

LAB 39.01, 2.44, -6.29

 

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

CMYK 36 / 26 / 0 / 54

HEX #4B5776

RGB 75 87 118

HSL 223.26, 0.22%, 0.38%

LAB 37.15, 3.59, -19.11

 

CMYK 56 / 41 / 0 / 47

HEX #3B4F86

RGB 59 79 134

HSL 224, 0.39%, 0.38%

LAB 34.48, 9.47, -33.23

 

CMYK 70 / 52 / 0 / 42

HEX #2C4895

RGB 44 72 149

HSL 224, 0.54%, 0.38%

LAB 32.57, 16.68, -45.51

 

CMYK 83 / 61 / 0 / 35

HEX #1C41A5

RGB 28 65 165

HSL 223.8, 0.71%, 0.38%

LAB 31.22, 25.72, -57.42

 

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

CMYK 0 / 5 / 18 / 58

HEX #6A6557

RGB 106 101 87

HSL 44.21, 0.1%, 0.38%

LAB 42.85, -0.65, 8.64

 

CMYK 0 / 11 / 42 / 52

HEX #7A6C47

RGB 122 108 71

HSL 43.53, 0.26%, 0.38%

LAB 46.07, -0.2, 22.72

 

CMYK 0 / 17 / 60 / 46

HEX #8A7337

RGB 138 115 55

HSL 43.37, 0.43%, 0.38%

LAB 49.42, 1.37, 36

 

CMYK 0 / 20 / 74 / 40

HEX #997A28

RGB 153 122 40

HSL 43.54, 0.59%, 0.38%

LAB 52.78, 3.29, 47.2

 

CMYK 11 / 2 / 0 / 60

HEX #5B6466

RGB 91 100 102

HSL 190.91, 0.06%, 0.38%

LAB 41.69, -3.01, -2.32

 

CMYK 11 / 5 / 0 / 60

HEX #5B6166

RGB 91 97 102

HSL 207.27, 0.06%, 0.38%

LAB 40.79, -1.21, -3.65

 

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

CMYK 11 / 11 / 0 / 60

HEX #5B5B66

RGB 91 91 102

HSL 240, 0.06%, 0.38%

LAB 39.01, 2.44, -6.29

 

CMYK 9 / 11 / 0 / 60

HEX #5D5B66

RGB 93 91 102

HSL 250.91, 0.06%, 0.38%

LAB 39.19, 3.2, -6

 

CMYK 10 / 7 / 0 / 77

HEX #34363A

RGB 52 54 58

HSL 220, 0.05%, 0.22%

LAB 22.56, 0.11, -2.8

 

CMYK 11 / 7 / 0 / 69

HEX #474A50

RGB 71 74 80

HSL 220, 0.06%, 0.3%

LAB 31.39, 0.17, -3.99

 

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

CMYK 11 / 8 / 0 / 51

HEX #6E727C

RGB 110 114 124

HSL 222.86, 0.06%, 0.46%

LAB 48.01, 0.65, -6.03

 

CMYK 10 / 8 / 0 / 43

HEX #838691

RGB 131 134 145

HSL 227.14, 0.06%, 0.54%

LAB 56.01, 1.18, -6.27

 

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

CMYK 1 / 11 / 0 / 60

HEX #655B66

RGB 101 91 102

HSL 294.55, 0.06%, 0.38%

LAB 39.93, 6.27, -4.82

 

CMYK 3 / 0 / 11 / 60

HEX #63665B

RGB 99 102 91

HSL 76.36, 0.06%, 0.38%

LAB 42.63, -3.38, 5.82

 

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

CMYK 0 / 11 / 8 / 60

HEX #665B5E

RGB 102 91 94

HSL 343.64, 0.06%, 0.38%

LAB 39.77, 5.02, -0.11

 

CMYK 8 / 0 / 11 / 60

HEX #5E665B

RGB 94 102 91

HSL 103.64, 0.06%, 0.38%

LAB 42.21, -5.38, 5.16

 

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

CMYK 1 / 11 / 0 / 60

HEX #655B66

RGB 101 91 102

HSL 294.55, 0.06%, 0.38%

LAB 39.93, 6.27, -4.82

 

CMYK 0 / 3 / 11 / 60

HEX #66635B

RGB 102 99 91

HSL 43.64, 0.06%, 0.38%

LAB 42.01, -0.39, 4.96

 

CMYK 10 / 0 / 11 / 60

HEX #5C665B

RGB 92 102 91

HSL 114.55, 0.06%, 0.38%

LAB 42.05, -6.17, 4.91

 

CMYK 11 / 8 / 0 / 60

HEX #5B5E66

RGB 91 94 102

HSL 223.64, 0.06%, 0.38%

LAB 39.9, 0.61, -4.97

 

CMYK 0 / 11 / 2 / 60

HEX #665B64

RGB 102 91 100

HSL 310.91, 0.06%, 0.38%

LAB 39.96, 6.24, -3.53

 

CMYK 0 / 3 / 11 / 60

HEX #66635B

RGB 102 99 91

HSL 43.64, 0.06%, 0.38%

LAB 42.01, -0.39, 4.96

 

CMYK 11 / 0 / 9 / 60

HEX #5B665D

RGB 91 102 93

HSL 130.91, 0.06%, 0.38%

LAB 42.03, -6.15, 3.65

 

Description

Color code: HEX #5B5E66 | qconv.com Color code: HEX #5B5E66 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 94 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 94 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 8 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 8% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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