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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FFA6F it is the complementary color #A00590. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FFA6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FFA6F shade: #64FA6A, #75FF7D, #86FF90, #97FFA3 and #A8FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FFA6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FFA6F shade: #5FFA6F, #4EE85C, #3DD649, #2CC436 and #1BB223

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FFA6F shade: #60FA70, #7AFA60, #A3FA60, #CCFA60 and #F6FA60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FFA6F shade: #60FA70, #60FA99, #60FAC3, #60FAEC and #60DEFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FFA6F shade matches the following richer shades: #60FA70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FFA6F shade: #60FA70, #6DEC7B, #7BDF85, #88D28F and #95C59A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FFA6F shade: #A3FA60, #7AFA60, #60FA70, #60FA98 and #60FAC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FFA6F shade: #10F728, #38F84C, #60FA70, #88FB94 and #B0FCB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FFA6F shade: #5FFA6F, #60CCFA and #FA608E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FFA6F shade: #5FFA6F, #7060FA and #FA7060

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FFA6F shade: #5FFA6F, #60CCFA, #FA60EA and #FA8E60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FFA6F shade: #5FFA6F, #609EFA, #FA60EA and #FABC60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 56 / 2

HEX #5FFA6F

RGB 95 250 111

HSL 126.19, 0.94%, 0.68%

LAB 87.95, -67.89, 53.99

 

Complementary color

CMYK 0 / 97 / 10 / 37

HEX #A00590

RGB 160 5 144

HSL 306.19, 0.94%, 0.32%

LAB 37.11, 66.42, -34.4

 

CMYK 60 / 0 / 58 / 2

HEX #64FA6A

RGB 100 250 106

HSL 122.4, 0.94%, 0.69%

LAB 88.03, -67.42, 56.33

 

CMYK 54 / 0 / 51 / 0

HEX #75FF7D

RGB 117 255 125

HSL 123.48, 1%, 0.73%

LAB 90.22, -63.03, 50.51

 

CMYK 47 / 0 / 44 / 0

HEX #86FF90

RGB 134 255 144

HSL 124.96, 1%, 0.76%

LAB 91.05, -56.14, 42.67

 

CMYK 41 / 0 / 36 / 0

HEX #97FFA3

RGB 151 255 163

HSL 126.92, 1%, 0.8%

LAB 92.02, -48.6, 34.73

 

CMYK 34 / 0 / 29 / 0

HEX #A8FFB6

RGB 168 255 182

HSL 129.66, 1%, 0.83%

LAB 93.11, -40.55, 26.8

 

CMYK 62 / 0 / 56 / 2

HEX #5FFA6F

RGB 95 250 111

HSL 126.19, 0.94%, 0.68%

LAB 87.95, -67.89, 53.99

 

CMYK 66 / 0 / 60 / 9

HEX #4EE85C

RGB 78 232 92

HSL 125.45, 0.77%, 0.61%

LAB 81.9, -67.27, 55.21

 

CMYK 71 / 0 / 66 / 16

HEX #3DD649

RGB 61 214 73

HSL 124.71, 0.65%, 0.54%

LAB 75.8, -66.31, 56.29

 

CMYK 78 / 0 / 72 / 23

HEX #2CC436

RGB 44 196 54

HSL 123.95, 0.63%, 0.47%

LAB 69.67, -64.88, 57.07

 

CMYK 85 / 0 / 80 / 30

HEX #1BB223

RGB 27 178 35

HSL 123.18, 0.74%, 0.4%

LAB 63.5, -62.78, 57.24

 

CMYK 62 / 0 / 55 / 2

HEX #60FA70

RGB 96 250 112

HSL 126.23, 0.94%, 0.68%

LAB 87.98, -67.56, 53.59

 

CMYK 51 / 0 / 62 / 2

HEX #7AFA60

RGB 122 250 96

HSL 109.87, 0.94%, 0.68%

LAB 88.62, -63.2, 61.45

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 18 / 0 / 62 / 2

HEX #CCFA60

RGB 204 250 96

HSL 77.92, 0.94%, 0.68%

LAB 92.6, -36.34, 66.97

 

CMYK 2 / 0 / 62 / 2

HEX #F6FA60

RGB 246 250 96

HSL 61.56, 0.94%, 0.68%

LAB 95.5, -20, 70.94

 

CMYK 62 / 0 / 55 / 2

HEX #60FA70

RGB 96 250 112

HSL 126.23, 0.94%, 0.68%

LAB 87.98, -67.56, 53.59

 

CMYK 62 / 0 / 39 / 2

HEX #60FA99

RGB 96 250 153

HSL 142.21, 0.94%, 0.68%

LAB 88.52, -61.53, 34.74

 

CMYK 62 / 0 / 22 / 2

HEX #60FAC3

RGB 96 250 195

HSL 158.57, 0.94%, 0.68%

LAB 89.3, -53.34, 14.46

 

CMYK 62 / 0 / 6 / 2

HEX #60FAEC

RGB 96 250 236

HSL 174.55, 0.94%, 0.68%

LAB 90.28, -43.61, -5.39

 

CMYK 62 / 11 / 0 / 2

HEX #60DEFA

RGB 96 222 250

HSL 190.91, 0.94%, 0.68%

LAB 82.72, -26.78, -24.07

 

CMYK 62 / 0 / 55 / 2

HEX #60FA70

RGB 96 250 112

HSL 126.23, 0.94%, 0.68%

LAB 87.98, -67.56, 53.59

 

CMYK 62 / 0 / 55 / 2

HEX #60FA70

RGB 96 250 112

HSL 126.23, 0.94%, 0.68%

LAB 87.98, -67.56, 53.59

 

CMYK 54 / 0 / 48 / 7

HEX #6DEC7B

RGB 109 236 123

HSL 126.61, 0.77%, 0.68%

LAB 84.31, -58.08, 44.1

 

CMYK 45 / 0 / 40 / 13

HEX #7BDF85

RGB 123 223 133

HSL 126, 0.61%, 0.68%

LAB 81.12, -47.72, 35.2

 

CMYK 35 / 0 / 32 / 18

HEX #88D28F

RGB 136 210 143

HSL 125.68, 0.45%, 0.68%

LAB 78.06, -36.57, 26.13

 

CMYK 24 / 0 / 22 / 23

HEX #95C59A

RGB 149 197 154

HSL 126.25, 0.29%, 0.68%

LAB 75.24, -24.29, 16.55

 

CMYK 35 / 0 / 62 / 2

HEX #A3FA60

RGB 163 250 96

HSL 93.9, 0.94%, 0.68%

LAB 90.32, -50.92, 63.82

 

CMYK 51 / 0 / 62 / 2

HEX #7AFA60

RGB 122 250 96

HSL 109.87, 0.94%, 0.68%

LAB 88.62, -63.2, 61.45

 

CMYK 62 / 0 / 55 / 2

HEX #60FA70

RGB 96 250 112

HSL 126.23, 0.94%, 0.68%

LAB 87.98, -67.56, 53.59

 

CMYK 62 / 0 / 39 / 2

HEX #60FA98

RGB 96 250 152

HSL 141.82, 0.94%, 0.68%

LAB 88.51, -61.7, 35.22

 

CMYK 62 / 0 / 23 / 2

HEX #60FAC1

RGB 96 250 193

HSL 157.79, 0.94%, 0.68%

LAB 89.26, -53.77, 15.43

 

CMYK 94 / 0 / 84 / 3

HEX #10F728

RGB 16 247 40

HSL 126.23, 0.94%, 0.52%

LAB 85.4, -82.61, 76.05

 

CMYK 77 / 0 / 69 / 3

HEX #38F84C

RGB 56 248 76

HSL 126.25, 0.93%, 0.6%

LAB 86.25, -77.31, 66.26

 

CMYK 62 / 0 / 55 / 2

HEX #60FA70

RGB 96 250 112

HSL 126.23, 0.94%, 0.68%

LAB 87.98, -67.56, 53.59

 

CMYK 46 / 0 / 41 / 2

HEX #88FB94

RGB 136 251 148

HSL 126.26, 0.93%, 0.76%

LAB 90.03, -53.41, 39.42

 

CMYK 30 / 0 / 27 / 1

HEX #B0FCB8

RGB 176 252 184

HSL 126.32, 0.93%, 0.84%

LAB 92.71, -36.44, 25.31

 

CMYK 62 / 0 / 56 / 2

HEX #5FFA6F

RGB 95 250 111

HSL 126.19, 0.94%, 0.68%

LAB 87.95, -67.89, 53.99

 

CMYK 62 / 18 / 0 / 2

HEX #60CCFA

RGB 96 204 250

HSL 197.92, 0.94%, 0.68%

LAB 77.62, -17.72, -31.87

 

CMYK 0 / 62 / 43 / 2

HEX #FA608E

RGB 250 96 142

HSL 342.08, 0.94%, 0.68%

LAB 62.2, 62.43, 6.23

 

CMYK 62 / 0 / 56 / 2

HEX #5FFA6F

RGB 95 250 111

HSL 126.19, 0.94%, 0.68%

LAB 87.95, -67.89, 53.99

 

CMYK 55 / 62 / 0 / 2

HEX #7060FA

RGB 112 96 250

HSL 246.23, 0.94%, 0.68%

LAB 50.35, 47.18, -75.07

 

CMYK 0 / 55 / 62 / 2

HEX #FA7060

RGB 250 112 96

HSL 6.23, 0.94%, 0.68%

LAB 63.96, 51.64, 34.82

 

CMYK 62 / 0 / 56 / 2

HEX #5FFA6F

RGB 95 250 111

HSL 126.19, 0.94%, 0.68%

LAB 87.95, -67.89, 53.99

 

CMYK 62 / 18 / 0 / 2

HEX #60CCFA

RGB 96 204 250

HSL 197.92, 0.94%, 0.68%

LAB 77.62, -17.72, -31.87

 

CMYK 0 / 62 / 6 / 2

HEX #FA60EA

RGB 250 96 234

HSL 306.23, 0.94%, 0.68%

LAB 65.46, 74.09, -41.1

 

CMYK 0 / 43 / 62 / 2

HEX #FA8E60

RGB 250 142 96

HSL 17.92, 0.94%, 0.68%

LAB 69.83, 36.88, 42.04

 

CMYK 62 / 0 / 56 / 2

HEX #5FFA6F

RGB 95 250 111

HSL 126.19, 0.94%, 0.68%

LAB 87.95, -67.89, 53.99

 

CMYK 62 / 37 / 0 / 2

HEX #609EFA

RGB 96 158 250

HSL 215.84, 0.94%, 0.68%

LAB 64.84, 7.56, -51.85

 

CMYK 0 / 62 / 6 / 2

HEX #FA60EA

RGB 250 96 234

HSL 306.23, 0.94%, 0.68%

LAB 65.46, 74.09, -41.1

 

CMYK 0 / 25 / 62 / 2

HEX #FABC60

RGB 250 188 96

HSL 35.84, 0.94%, 0.68%

LAB 80.26, 12.87, 54.28

 

Description

Color code: HEX #5FFA6F | qconv.com Color code: HEX #5FFA6F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 250 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 250 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 56 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 56% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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