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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63E15A it is the complementary color #9C1EA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63E15A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63E15A shade: #68E155, #79F368, #8AFF7B, #9BFF8E and #ACFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63E15A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63E15A shade: #63E15A, #52CF47, #41BD34, #30AB21 and #1F990E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63E15A shade: #64E05B, #88E05B, #ACE05B, #D0E05B and #E0CD5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63E15A shade: #64E05B, #5BE076, #5BE09A, #5BE0BE and #5BDFE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63E15A shade matches the following richer shades: #64E05B and #56F04B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63E15A shade: #64E05B, #71D16A, #7FC17A, #8CB18A and #9AA299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63E15A shade: #ABE05B, #87E05B, #64E05B, #5BE075 and #5BE099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63E15A shade: #2EC524, #43DA38, #64E05B, #85E77E and #A6EDA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63E15A shade: #63E15A, #5BCFE0 and #E05B99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63E15A shade: #63E15A, #5B64E0 and #E05B64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63E15A shade: #63E15A, #5BCFE0, #D85BE0 and #E06D5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63E15A shade: #63E15A, #5BA7E0, #D85BE0 and #E0955B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 60 / 12

HEX #63E15A

RGB 99 225 90

HSL 116, 0.69%, 0.62%

LAB 80.32, -60.51, 54.43

 

Complementary color

CMYK 5 / 82 / 0 / 35

HEX #9C1EA5

RGB 156 30 165

HSL 296, 0.69%, 0.38%

LAB 39.09, 64.64, -44.02

 

CMYK 54 / 0 / 62 / 12

HEX #68E155

RGB 104 225 85

HSL 111.86, 0.7%, 0.61%

LAB 80.43, -59.77, 56.75

 

CMYK 50 / 0 / 57 / 5

HEX #79F368

RGB 121 243 104

HSL 112.66, 0.85%, 0.68%

LAB 86.59, -60.03, 55.71

 

CMYK 46 / 0 / 52 / 0

HEX #8AFF7B

RGB 138 255 123

HSL 113.18, 1%, 0.74%

LAB 90.94, -57.82, 52.47

 

CMYK 39 / 0 / 44 / 0

HEX #9BFF8E

RGB 155 255 142

HSL 113.1, 1%, 0.78%

LAB 91.88, -50.49, 44.87

 

CMYK 33 / 0 / 37 / 0

HEX #ACFFA1

RGB 172 255 161

HSL 112.98, 1%, 0.82%

LAB 92.95, -42.61, 37.14

 

CMYK 56 / 0 / 60 / 12

HEX #63E15A

RGB 99 225 90

HSL 116, 0.69%, 0.62%

LAB 80.32, -60.51, 54.43

 

CMYK 60 / 0 / 66 / 19

HEX #52CF47

RGB 82 207 71

HSL 115.15, 0.59%, 0.55%

LAB 74.11, -60, 55.41

 

CMYK 66 / 0 / 72 / 26

HEX #41BD34

RGB 65 189 52

HSL 114.31, 0.57%, 0.47%

LAB 67.85, -59.16, 56.07

 

CMYK 72 / 0 / 81 / 33

HEX #30AB21

RGB 48 171 33

HSL 113.48, 0.68%, 0.4%

LAB 61.54, -57.81, 56.1

 

CMYK 80 / 0 / 91 / 40

HEX #1F990E

RGB 31 153 14

HSL 112.66, 0.83%, 0.33%

LAB 55.18, -55.73, 54.93

 

CMYK 55 / 0 / 59 / 12

HEX #64E05B

RGB 100 224 91

HSL 115.94, 0.68%, 0.62%

LAB 80.05, -59.79, 53.7

 

CMYK 39 / 0 / 59 / 12

HEX #88E05B

RGB 136 224 91

HSL 99.7, 0.68%, 0.62%

LAB 81.46, -49.49, 55.67

 

CMYK 23 / 0 / 59 / 12

HEX #ACE05B

RGB 172 224 91

HSL 83.46, 0.68%, 0.62%

LAB 83.36, -36.96, 58.33

 

CMYK 7 / 0 / 59 / 12

HEX #D0E05B

RGB 208 224 91

HSL 67.22, 0.68%, 0.62%

LAB 85.74, -23.02, 61.64

 

CMYK 0 / 8 / 59 / 12

HEX #E0CD5B

RGB 224 205 91

HSL 51.43, 0.68%, 0.62%

LAB 81.98, -7.05, 57.84

 

CMYK 55 / 0 / 59 / 12

HEX #64E05B

RGB 100 224 91

HSL 115.94, 0.68%, 0.62%

LAB 80.05, -59.79, 53.7

 

CMYK 59 / 0 / 47 / 12

HEX #5BE076

RGB 91 224 118

HSL 132.18, 0.68%, 0.62%

LAB 80.09, -58.42, 41.11

 

CMYK 59 / 0 / 31 / 12

HEX #5BE09A

RGB 91 224 154

HSL 148.42, 0.68%, 0.62%

LAB 80.67, -52.23, 23.66

 

CMYK 59 / 0 / 15 / 12

HEX #5BE0BE

RGB 91 224 190

HSL 164.66, 0.68%, 0.62%

LAB 81.43, -44.44, 5.83

 

CMYK 59 / 0 / 0 / 12

HEX #5BDFE0

RGB 91 223 224

HSL 180.45, 0.68%, 0.62%

LAB 82.05, -35.36, -11.31

 

CMYK 55 / 0 / 59 / 12

HEX #64E05B

RGB 100 224 91

HSL 115.94, 0.68%, 0.62%

LAB 80.05, -59.79, 53.7

 

CMYK 64 / 0 / 69 / 6

HEX #56F04B

RGB 86 240 75

HSL 116, 0.85%, 0.62%

LAB 84.38, -70.03, 64.85

 

CMYK 55 / 0 / 59 / 12

HEX #64E05B

RGB 100 224 91

HSL 115.94, 0.68%, 0.62%

LAB 80.05, -59.79, 53.7

 

CMYK 46 / 0 / 49 / 18

HEX #71D16A

RGB 113 209 106

HSL 115.92, 0.53%, 0.62%

LAB 76.16, -48.65, 42.22

 

CMYK 34 / 0 / 37 / 24

HEX #7FC17A

RGB 127 193 122

HSL 115.77, 0.36%, 0.62%

LAB 72.27, -35.05, 29.28

 

CMYK 21 / 0 / 22 / 31

HEX #8CB18A

RGB 140 177 138

HSL 116.92, 0.2%, 0.62%

LAB 68.65, -20.22, 15.94

 

CMYK 5 / 0 / 6 / 36

HEX #9AA299

RGB 154 162 153

HSL 113.33, 0.05%, 0.62%

LAB 65.76, -4.58, 3.69

 

CMYK 24 / 0 / 59 / 12

HEX #ABE05B

RGB 171 224 91

HSL 83.91, 0.68%, 0.62%

LAB 83.3, -37.33, 58.25

 

CMYK 40 / 0 / 59 / 12

HEX #87E05B

RGB 135 224 91

HSL 100.15, 0.68%, 0.62%

LAB 81.41, -49.81, 55.61

 

CMYK 55 / 0 / 59 / 12

HEX #64E05B

RGB 100 224 91

HSL 115.94, 0.68%, 0.62%

LAB 80.05, -59.79, 53.7

 

CMYK 59 / 0 / 48 / 12

HEX #5BE075

RGB 91 224 117

HSL 131.73, 0.68%, 0.62%

LAB 80.08, -58.57, 41.58

 

CMYK 59 / 0 / 32 / 12

HEX #5BE099

RGB 91 224 153

HSL 147.97, 0.68%, 0.62%

LAB 80.65, -52.42, 24.16

 

CMYK 77 / 0 / 82 / 23

HEX #2EC524

RGB 46 197 36

HSL 116.27, 0.69%, 0.46%

LAB 69.92, -66.13, 63.05

 

CMYK 69 / 0 / 74 / 15

HEX #43DA38

RGB 67 218 56

HSL 115.93, 0.69%, 0.54%

LAB 77.05, -68.01, 63.95

 

CMYK 55 / 0 / 59 / 12

HEX #64E05B

RGB 100 224 91

HSL 115.94, 0.68%, 0.62%

LAB 80.05, -59.79, 53.7

 

CMYK 42 / 0 / 45 / 9

HEX #85E77E

RGB 133 231 126

HSL 116, 0.69%, 0.7%

LAB 83.78, -49.21, 42.17

 

CMYK 30 / 0 / 32 / 7

HEX #A6EDA0

RGB 166 237 160

HSL 115.32, 0.68%, 0.78%

LAB 87.59, -36.63, 30.46

 

CMYK 56 / 0 / 60 / 12

HEX #63E15A

RGB 99 225 90

HSL 116, 0.69%, 0.62%

LAB 80.32, -60.51, 54.43

 

CMYK 59 / 8 / 0 / 12

HEX #5BCFE0

RGB 91 207 224

HSL 187.67, 0.68%, 0.62%

LAB 77.42, -27.72, -18.26

 

CMYK 0 / 59 / 32 / 12

HEX #E05B99

RGB 224 91 153

HSL 332.03, 0.68%, 0.62%

LAB 57.68, 57.81, -7.25

 

CMYK 56 / 0 / 60 / 12

HEX #63E15A

RGB 99 225 90

HSL 116, 0.69%, 0.62%

LAB 80.32, -60.51, 54.43

 

CMYK 59 / 55 / 0 / 12

HEX #5B64E0

RGB 91 100 224

HSL 235.94, 0.68%, 0.62%

LAB 47.91, 33.05, -64.52

 

CMYK 0 / 59 / 55 / 12

HEX #E05B64

RGB 224 91 100

HSL 355.94, 0.68%, 0.62%

LAB 56.34, 52.57, 21.89

 

CMYK 56 / 0 / 60 / 12

HEX #63E15A

RGB 99 225 90

HSL 116, 0.69%, 0.62%

LAB 80.32, -60.51, 54.43

 

CMYK 59 / 8 / 0 / 12

HEX #5BCFE0

RGB 91 207 224

HSL 187.67, 0.68%, 0.62%

LAB 77.42, -27.72, -18.26

 

CMYK 4 / 59 / 0 / 12

HEX #D85BE0

RGB 216 91 224

HSL 296.39, 0.68%, 0.62%

LAB 59.4, 66.18, -45.38

 

CMYK 0 / 51 / 59 / 12

HEX #E06D5B

RGB 224 109 91

HSL 8.12, 0.68%, 0.62%

LAB 59.47, 43.35, 31.12

 

CMYK 56 / 0 / 60 / 12

HEX #63E15A

RGB 99 225 90

HSL 116, 0.69%, 0.62%

LAB 80.32, -60.51, 54.43

 

CMYK 59 / 25 / 0 / 12

HEX #5BA7E0

RGB 91 167 224

HSL 205.71, 0.68%, 0.62%

LAB 65.94, -6.84, -35.87

 

CMYK 4 / 59 / 0 / 12

HEX #D85BE0

RGB 216 91 224

HSL 296.39, 0.68%, 0.62%

LAB 59.4, 66.18, -45.38

 

CMYK 0 / 33 / 59 / 12

HEX #E0955B

RGB 224 149 91

HSL 26.17, 0.68%, 0.62%

LAB 68.09, 22.49, 41.77

 

Description

Color code: HEX #63E15A | qconv.com Color code: HEX #63E15A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 225 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 225 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 60% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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