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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #606916 it is the complementary color #9F96E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #606916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #606916 shade: #656911, #767B24, #878D37, #989F4A and #A9B15D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #606916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #606916 shade: #606916, #4F5703, #3E4500, #2D3300 and #1C2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #606916 shade: #606916, #695B16, #694516, #692F16 and #691816

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #606916 shade: #606916, #496916, #336916, #1D6916 and #166925

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #606916 shade matches the following richer shades: #606916, #68730B and #707D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #606916 shade: #606916, #585E20, #50542A, #474A35 and #3F3F3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #606916 shade: #694516, #695B16, #606916, #4A6916 and #346916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #606916 shade: #212507, #41470F, #606916, #7F8B1D and #9EAD24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #606916 shade: #606916, #16692F and #501669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #606916 shade: #606916, #166069 and #691660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #606916 shade: #606916, #16692F, #1E1669 and #691650

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #606916 shade: #606916, #166948, #1E1669 and #691637

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

Complementary color

CMYK 32 / 36 / 0 / 9

HEX #9F96E9

RGB 159 150 233

HSL 246.51, 0.65%, 0.75%

LAB 65.8, 21.83, -40.75

 

CMYK 4 / 0 / 84 / 59

HEX #656911

RGB 101 105 17

HSL 62.73, 0.72%, 0.24%

LAB 42.63, -12.64, 44.48

 

CMYK 4 / 0 / 71 / 52

HEX #767B24

RGB 118 123 36

HSL 63.45, 0.55%, 0.31%

LAB 49.67, -13.63, 44.66

 

CMYK 4 / 0 / 61 / 45

HEX #878D37

RGB 135 141 55

HSL 64.19, 0.44%, 0.38%

LAB 56.56, -14.35, 43.95

 

CMYK 4 / 0 / 53 / 38

HEX #989F4A

RGB 152 159 74

HSL 64.94, 0.36%, 0.46%

LAB 63.31, -14.89, 42.91

 

CMYK 5 / 0 / 47 / 31

HEX #A9B15D

RGB 169 177 93

HSL 65.71, 0.35%, 0.53%

LAB 69.94, -15.3, 41.74

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 9 / 0 / 97 / 66

HEX #4F5703

RGB 79 87 3

HSL 65.71, 0.93%, 0.18%

LAB 34.97, -13.69, 41.33

 

CMYK 10 / 0 / 100 / 73

HEX #3E4500

RGB 62 69 0

HSL 66.09, 1%, 0.14%

LAB 27.52, -12.02, 35.97

 

CMYK 12 / 0 / 100 / 80

HEX #2D3300

RGB 45 51 0

HSL 67.06, 1%, 0.1%

LAB 19.74, -10.16, 27.67

 

CMYK 15 / 0 / 100 / 87

HEX #1C2100

RGB 28 33 0

HSL 69.09, 1%, 0.06%

LAB 11.52, -8.21, 16.94

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 0 / 13 / 79 / 59

HEX #695B16

RGB 105 91 22

HSL 49.88, 0.65%, 0.25%

LAB 38.8, -2.46, 39.34

 

CMYK 0 / 34 / 79 / 59

HEX #694516

RGB 105 69 22

HSL 33.98, 0.65%, 0.25%

LAB 32.52, 10.89, 33.23

 

CMYK 0 / 55 / 79 / 59

HEX #692F16

RGB 105 47 22

HSL 18.07, 0.65%, 0.25%

LAB 27, 24.1, 27.58

 

CMYK 0 / 77 / 79 / 59

HEX #691816

RGB 105 24 22

HSL 1.45, 0.65%, 0.25%

LAB 22.7, 35.49, 22.93

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 30 / 0 / 79 / 59

HEX #496916

RGB 73 105 22

HSL 83.13, 0.65%, 0.25%

LAB 40.54, -25.08, 40.07

 

CMYK 51 / 0 / 79 / 59

HEX #336916

RGB 51 105 22

HSL 99.04, 0.65%, 0.25%

LAB 39.35, -33.47, 38.51

 

CMYK 72 / 0 / 79 / 59

HEX #1D6916

RGB 29 105 22

HSL 114.94, 0.65%, 0.25%

LAB 38.59, -39.55, 37.5

 

CMYK 79 / 0 / 65 / 59

HEX #166925

RGB 22 105 37

HSL 130.84, 0.65%, 0.25%

LAB 38.56, -39.29, 30.74

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 10 / 0 / 90 / 55

HEX #68730B

RGB 104 115 11

HSL 66.35, 0.83%, 0.25%

LAB 45.95, -16.87, 49

 

CMYK 10 / 0 / 99 / 51

HEX #707D01

RGB 112 125 1

HSL 66.29, 0.98%, 0.25%

LAB 49.63, -18.71, 54.23

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 6 / 0 / 66 / 63

HEX #585E20

RGB 88 94 32

HSL 65.81, 0.49%, 0.25%

LAB 38.17, -11.78, 33.7

 

CMYK 5 / 0 / 50 / 67

HEX #50542A

RGB 80 84 42

HSL 65.71, 0.33%, 0.25%

LAB 34.42, -8.8, 23.88

 

CMYK 4 / 0 / 28 / 71

HEX #474A35

RGB 71 74 53

HSL 68.57, 0.17%, 0.25%

LAB 30.63, -5.38, 12.17

 

CMYK 0 / 0 / 0 / 75

HEX #3F3F3F

RGB 63 63 63

HSL 0, 0%, 0.25%

LAB 26.65, 0, -0

 

CMYK 0 / 34 / 79 / 59

HEX #694516

RGB 105 69 22

HSL 33.98, 0.65%, 0.25%

LAB 32.52, 10.89, 33.23

 

CMYK 0 / 13 / 79 / 59

HEX #695B16

RGB 105 91 22

HSL 49.88, 0.65%, 0.25%

LAB 38.8, -2.46, 39.34

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 30 / 0 / 79 / 59

HEX #4A6916

RGB 74 105 22

HSL 82.41, 0.65%, 0.25%

LAB 40.6, -24.66, 40.15

 

CMYK 50 / 0 / 79 / 59

HEX #346916

RGB 52 105 22

HSL 98.31, 0.65%, 0.25%

LAB 39.4, -33.14, 38.57

 

CMYK 11 / 0 / 81 / 85

HEX #212507

RGB 33 37 7

HSL 68, 0.68%, 0.09%

LAB 13.6, -7.19, 16.99

 

CMYK 8 / 0 / 79 / 72

HEX #41470F

RGB 65 71 15

HSL 66.43, 0.65%, 0.17%

LAB 28.55, -10.89, 31.02

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 9 / 0 / 79 / 45

HEX #7F8B1D

RGB 127 139 29

HSL 66.55, 0.65%, 0.33%

LAB 55.14, -18.41, 52.72

 

CMYK 9 / 0 / 79 / 32

HEX #9EAD24

RGB 158 173 36

HSL 66.57, 0.66%, 0.41%

LAB 67.49, -21.86, 62.63

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 79 / 0 / 55 / 59

HEX #16692F

RGB 22 105 47

HSL 138.07, 0.65%, 0.25%

LAB 38.69, -37.8, 25.65

 

CMYK 24 / 79 / 0 / 59

HEX #501669

RGB 80 22 105

HSL 281.93, 0.65%, 0.25%

LAB 21.2, 40.31, -36.02

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 79 / 9 / 0 / 59

HEX #166069

RGB 22 96 105

HSL 186.51, 0.65%, 0.25%

LAB 37.03, -18.38, -11.48

 

CMYK 0 / 79 / 9 / 59

HEX #691660

RGB 105 22 96

HSL 306.51, 0.65%, 0.25%

LAB 25.02, 44.34, -23.78

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 79 / 0 / 55 / 59

HEX #16692F

RGB 22 105 47

HSL 138.07, 0.65%, 0.25%

LAB 38.69, -37.8, 25.65

 

CMYK 71 / 79 / 0 / 59

HEX #1E1669

RGB 30 22 105

HSL 245.78, 0.65%, 0.25%

LAB 14.79, 31.59, -46.76

 

CMYK 0 / 79 / 24 / 59

HEX #691650

RGB 105 22 80

HSL 318.07, 0.65%, 0.25%

LAB 24.18, 41.84, -14.46

 

CMYK 9 / 0 / 79 / 59

HEX #606916

RGB 96 105 22

HSL 66.51, 0.65%, 0.25%

LAB 42.23, -14.78, 42.27

 

CMYK 79 / 0 / 31 / 59

HEX #166948

RGB 22 105 72

HSL 156.14, 0.65%, 0.25%

LAB 39.14, -32.67, 11.8

 

CMYK 71 / 79 / 0 / 59

HEX #1E1669

RGB 30 22 105

HSL 245.78, 0.65%, 0.25%

LAB 14.79, 31.59, -46.76

 

CMYK 0 / 79 / 48 / 59

HEX #691637

RGB 105 22 55

HSL 336.14, 0.65%, 0.25%

LAB 23.18, 38.71, 1.07

 

Description

Color code: HEX #606916 | qconv.com Color code: HEX #606916 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 105 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 105 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 79 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 79% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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