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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6087BE it is the complementary color #9F7841. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6087BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6087BE shade: #6587B9, #7699CC, #87ABDF, #98BDF2 and #A9CFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6087BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6087BE shade: #6087BE, #4F75AB, #3E6398, #2D5185 and #1C3F72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6087BE shade: #5F86BD, #5F6DBD, #6B5FBD, #845FBD and #9E5FBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6087BE shade: #5F86BD, #5F6DBD and #5F5FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6087BE shade matches the following richer shades: #5F86BD, #4D83D0, #3B80E2 and #297DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6087BE shade: #5F86BD, #7189AB, #838C99, #969087 and #A89375

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6087BE shade: #5FB9BD, #5FA0BD, #5F86BD, #5F6DBD and #6A5FBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6087BE shade: #3A5E90, #4671AD, #5F86BD, #7C9CC9 and #9AB2D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6087BE shade: #6087BE, #A95FBD and #ACBD5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6087BE shade: #6087BE, #BD5F86 and #86BD5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6087BE shade: #6087BE, #A95FBD, #BD965F and #74BD5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6087BE shade: #6087BE, #BD5FB6, #BD965F and #5FBD67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 29 / 0 / 25

HEX #6087BE

RGB 96 135 190

HSL 215.11, 0.42%, 0.56%

LAB 55.62, 1.9, -32.91

 

Complementary color

CMYK 0 / 25 / 59 / 38

HEX #9F7841

RGB 159 120 65

HSL 35.11, 0.42%, 0.44%

LAB 53.15, 8.78, 35.7

 

CMYK 45 / 27 / 0 / 27

HEX #6587B9

RGB 101 135 185

HSL 215.71, 0.38%, 0.56%

LAB 55.68, 1.64, -29.94

 

CMYK 42 / 25 / 0 / 20

HEX #7699CC

RGB 118 153 204

HSL 215.58, 0.46%, 0.63%

LAB 62.5, 1.16, -30.01

 

CMYK 39 / 23 / 0 / 13

HEX #87ABDF

RGB 135 171 223

HSL 215.45, 0.58%, 0.7%

LAB 69.19, 0.75, -30.12

 

CMYK 37 / 22 / 0 / 5

HEX #98BDF2

RGB 152 189 242

HSL 215.33, 0.78%, 0.77%

LAB 75.75, 0.4, -30.25

 

CMYK 34 / 19 / 0 / 0

HEX #A9CFFF

RGB 169 207 255

HSL 213.49, 1%, 0.83%

LAB 81.99, -1.41, -27.54

 

CMYK 49 / 29 / 0 / 25

HEX #6087BE

RGB 96 135 190

HSL 215.11, 0.42%, 0.56%

LAB 55.62, 1.9, -32.91

 

CMYK 54 / 32 / 0 / 33

HEX #4F75AB

RGB 79 117 171

HSL 215.22, 0.37%, 0.49%

LAB 48.67, 2.62, -32.9

 

CMYK 59 / 35 / 0 / 40

HEX #3E6398

RGB 62 99 152

HSL 215.33, 0.42%, 0.42%

LAB 41.56, 3.55, -32.94

 

CMYK 66 / 39 / 0 / 48

HEX #2D5185

RGB 45 81 133

HSL 215.45, 0.49%, 0.35%

LAB 34.26, 4.8, -33.01

 

CMYK 75 / 45 / 0 / 55

HEX #1C3F72

RGB 28 63 114

HSL 215.58, 0.61%, 0.28%

LAB 26.78, 6.54, -33.1

 

CMYK 50 / 29 / 0 / 26

HEX #5F86BD

RGB 95 134 189

HSL 215.11, 0.42%, 0.56%

LAB 55.23, 1.94, -32.94

 

CMYK 50 / 42 / 0 / 26

HEX #5F6DBD

RGB 95 109 189

HSL 231.06, 0.42%, 0.56%

LAB 48.32, 17.03, -43.83

 

CMYK 43 / 50 / 0 / 26

HEX #6B5FBD

RGB 107 95 189

HSL 247.66, 0.42%, 0.56%

LAB 45.61, 28.52, -48.09

 

CMYK 30 / 50 / 0 / 26

HEX #845FBD

RGB 132 95 189

HSL 263.62, 0.42%, 0.56%

LAB 47.96, 34.95, -44.21

 

CMYK 16 / 50 / 0 / 26

HEX #9E5FBD

RGB 158 95 189

HSL 280.21, 0.42%, 0.56%

LAB 50.84, 42.12, -39.47

 

CMYK 50 / 29 / 0 / 26

HEX #5F86BD

RGB 95 134 189

HSL 215.11, 0.42%, 0.56%

LAB 55.23, 1.94, -32.94

 

CMYK 50 / 42 / 0 / 26

HEX #5F6DBD

RGB 95 109 189

HSL 231.06, 0.42%, 0.56%

LAB 48.32, 17.03, -43.83

 

CMYK 50 / 50 / 0 / 26

HEX #5F5FBD

RGB 95 95 189

HSL 240, 0.42%, 0.56%

LAB 44.65, 25.7, -49.69

 

CMYK 50 / 29 / 0 / 26

HEX #5F86BD

RGB 95 134 189

HSL 215.11, 0.42%, 0.56%

LAB 55.23, 1.94, -32.94

 

CMYK 63 / 37 / 0 / 18

HEX #4D83D0

RGB 77 131 208

HSL 215.27, 0.58%, 0.56%

LAB 54.41, 6.09, -45.08

 

CMYK 74 / 43 / 0 / 11

HEX #3B80E2

RGB 59 128 226

HSL 215.21, 0.74%, 0.56%

LAB 53.88, 11.51, -56.11

 

CMYK 83 / 49 / 0 / 4

HEX #297DF4

RGB 41 125 244

HSL 215.17, 0.9%, 0.56%

LAB 53.68, 18.22, -66.5

 

CMYK 50 / 29 / 0 / 26

HEX #5F86BD

RGB 95 134 189

HSL 215.11, 0.42%, 0.56%

LAB 55.23, 1.94, -32.94

 

CMYK 34 / 20 / 0 / 33

HEX #7189AB

RGB 113 137 171

HSL 215.17, 0.26%, 0.56%

LAB 56.43, -0.14, -20.72

 

CMYK 14 / 8 / 0 / 40

HEX #838C99

RGB 131 140 153

HSL 215.45, 0.1%, 0.56%

LAB 57.92, -0.48, -8.02

 

CMYK 0 / 4 / 10 / 41

HEX #969087

RGB 150 144 135

HSL 36, 0.07%, 0.56%

LAB 60.05, 0.57, 5.56

 

CMYK 0 / 13 / 30 / 34

HEX #A89375

RGB 168 147 117

HSL 35.29, 0.23%, 0.56%

LAB 62.06, 3.17, 18.78

 

CMYK 50 / 2 / 0 / 26

HEX #5FB9BD

RGB 95 185 189

HSL 182.55, 0.42%, 0.56%

LAB 70.04, -25.75, -10.33

 

CMYK 50 / 15 / 0 / 26

HEX #5FA0BD

RGB 95 160 189

HSL 198.51, 0.42%, 0.56%

LAB 62.72, -12.76, -21.39

 

CMYK 50 / 29 / 0 / 26

HEX #5F86BD

RGB 95 134 189

HSL 215.11, 0.42%, 0.56%

LAB 55.23, 1.94, -32.94

 

CMYK 50 / 42 / 0 / 26

HEX #5F6DBD

RGB 95 109 189

HSL 231.06, 0.42%, 0.56%

LAB 48.32, 17.03, -43.83

 

CMYK 44 / 50 / 0 / 26

HEX #6A5FBD

RGB 106 95 189

HSL 247.02, 0.42%, 0.56%

LAB 45.53, 28.28, -48.23

 

CMYK 60 / 35 / 0 / 44

HEX #3A5E90

RGB 58 94 144

HSL 214.88, 0.43%, 0.4%

LAB 39.44, 3.06, -31.48

 

CMYK 60 / 35 / 0 / 32

HEX #4671AD

RGB 70 113 173

HSL 214.95, 0.42%, 0.48%

LAB 47.14, 3.75, -36.5

 

CMYK 50 / 29 / 0 / 26

HEX #5F86BD

RGB 95 134 189

HSL 215.11, 0.42%, 0.56%

LAB 55.23, 1.94, -32.94

 

CMYK 38 / 22 / 0 / 21

HEX #7C9CC9

RGB 124 156 201

HSL 215.06, 0.42%, 0.64%

LAB 63.57, 0.23, -26.65

 

CMYK 28 / 16 / 0 / 16

HEX #9AB2D5

RGB 154 178 213

HSL 215.59, 0.41%, 0.72%

LAB 71.9, -0.31, -20.38

 

CMYK 49 / 29 / 0 / 25

HEX #6087BE

RGB 96 135 190

HSL 215.11, 0.42%, 0.56%

LAB 55.62, 1.9, -32.91

 

CMYK 11 / 50 / 0 / 26

HEX #A95FBD

RGB 169 95 189

HSL 287.23, 0.42%, 0.56%

LAB 52.17, 45.24, -37.28

 

CMYK 9 / 0 / 50 / 26

HEX #ACBD5F

RGB 172 189 95

HSL 70.85, 0.42%, 0.56%

LAB 73.54, -19.96, 45.15

 

CMYK 49 / 29 / 0 / 25

HEX #6087BE

RGB 96 135 190

HSL 215.11, 0.42%, 0.56%

LAB 55.62, 1.9, -32.91

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 29 / 0 / 50 / 26

HEX #86BD5F

RGB 134 189 95

HSL 95.11, 0.42%, 0.56%

LAB 71.07, -34.51, 41.58

 

CMYK 49 / 29 / 0 / 25

HEX #6087BE

RGB 96 135 190

HSL 215.11, 0.42%, 0.56%

LAB 55.62, 1.9, -32.91

 

CMYK 11 / 50 / 0 / 26

HEX #A95FBD

RGB 169 95 189

HSL 287.23, 0.42%, 0.56%

LAB 52.17, 45.24, -37.28

 

CMYK 0 / 21 / 50 / 26

HEX #BD965F

RGB 189 150 95

HSL 35.11, 0.42%, 0.56%

LAB 64.53, 7.68, 34.43

 

CMYK 39 / 0 / 50 / 26

HEX #74BD5F

RGB 116 189 95

HSL 106.6, 0.42%, 0.56%

LAB 70.13, -40.69, 40.22

 

CMYK 49 / 29 / 0 / 25

HEX #6087BE

RGB 96 135 190

HSL 215.11, 0.42%, 0.56%

LAB 55.62, 1.9, -32.91

 

CMYK 0 / 50 / 4 / 26

HEX #BD5FB6

RGB 189 95 182

HSL 304.47, 0.42%, 0.56%

LAB 54.43, 49.69, -29.52

 

CMYK 0 / 21 / 50 / 26

HEX #BD965F

RGB 189 150 95

HSL 35.11, 0.42%, 0.56%

LAB 64.53, 7.68, 34.43

 

CMYK 50 / 0 / 46 / 26

HEX #5FBD67

RGB 95 189 103

HSL 125.11, 0.42%, 0.56%

LAB 69.33, -45.9, 35.01

 

Description

Color code: HEX #6087BE | qconv.com Color code: HEX #6087BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 135 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 135 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 29 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 29% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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