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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD5F86 it is the complementary color #42A079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD5F86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD5F86 shade: #C25F81, #D37194, #E483A7, #F595BA and #FFA7CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD5F86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD5F86 shade: #BD5F86, #AC4D73, #9B3B60, #8A294D and #79173A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD5F86 shade: #BD5F86, #BD5F6D and #BD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD5F86 shade: #BD5F86, #BD5FA0, #BD5FB9, #A85FBD and #8F5FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD5F86 shade matches the following richer shades: #BD5F86, #D04D83, #E23B80 and #F4297D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD5F86 shade: #BD5F86, #AB7189, #99838C, #879690 and #75A893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD5F86 shade: #BD5FB9, #BD5FA0, #BD5F86, #BD5F6D and #BD6A5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD5F86 shade: #903A5E, #AD4671, #BD5F86, #C97C9C and #D59AB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD5F86 shade: #BD5F86, #BDA95F and #5FACBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD5F86 shade: #BD5F86, #86BD5F and #5F86BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD5F86 shade: #BD5F86, #BDA95F, #5FBD96 and #5F74BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD5F86 shade: #BD5F86, #B6BD5F, #5FBD96 and #675FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

Complementary color

CMYK 59 / 0 / 24 / 37

HEX #42A079

RGB 66 160 121

HSL 155.11, 0.42%, 0.44%

LAB 59.6, -37.3, 12.16

 

CMYK 0 / 51 / 34 / 24

HEX #C25F81

RGB 194 95 129

HSL 339.39, 0.45%, 0.57%

LAB 53.21, 43.26, -0.25

 

CMYK 0 / 46 / 30 / 17

HEX #D37194

RGB 211 113 148

HSL 338.57, 0.53%, 0.64%

LAB 59.71, 42.4, -1.57

 

CMYK 0 / 43 / 27 / 11

HEX #E483A7

RGB 228 131 167

HSL 337.73, 0.64%, 0.7%

LAB 66.15, 41.54, -2.71

 

CMYK 0 / 39 / 24 / 4

HEX #F595BA

RGB 245 149 186

HSL 336.88, 0.83%, 0.77%

LAB 72.53, 40.71, -3.71

 

CMYK 0 / 35 / 20 / 0

HEX #FFA7CD

RGB 255 167 205

HSL 334.09, 1%, 0.83%

LAB 78.05, 37.53, -5.86

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 0 / 55 / 33 / 33

HEX #AC4D73

RGB 172 77 115

HSL 336, 0.38%, 0.49%

LAB 46.06, 42.98, -2.71

 

CMYK 0 / 62 / 38 / 39

HEX #9B3B60

RGB 155 59 96

HSL 336.88, 0.45%, 0.42%

LAB 39.48, 43.63, -0.95

 

CMYK 0 / 70 / 44 / 46

HEX #8A294D

RGB 138 41 77

HSL 337.73, 0.54%, 0.35%

LAB 32.97, 43.95, 1.34

 

CMYK 0 / 81 / 52 / 53

HEX #79173A

RGB 121 23 58

HSL 338.57, 0.68%, 0.28%

LAB 26.69, 43.52, 4.49

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 0 / 50 / 50 / 26

HEX #BD5F5F

RGB 189 95 95

HSL 0, 0.42%, 0.56%

LAB 51.64, 37.7, 17.58

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 0 / 50 / 15 / 26

HEX #BD5FA0

RGB 189 95 160

HSL 318.51, 0.42%, 0.56%

LAB 53.54, 46.01, -18.1

 

CMYK 0 / 50 / 2 / 26

HEX #BD5FB9

RGB 189 95 185

HSL 302.55, 0.42%, 0.56%

LAB 54.56, 50.23, -31.04

 

CMYK 11 / 50 / 0 / 26

HEX #A85FBD

RGB 168 95 189

HSL 286.6, 0.42%, 0.56%

LAB 52.04, 44.95, -37.48

 

CMYK 24 / 50 / 0 / 26

HEX #8F5FBD

RGB 143 95 189

HSL 270.64, 0.42%, 0.56%

LAB 49.13, 37.94, -42.28

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 0 / 63 / 37 / 18

HEX #D04D83

RGB 208 77 131

HSL 335.27, 0.58%, 0.56%

LAB 52.24, 56.45, -2.61

 

CMYK 0 / 74 / 43 / 11

HEX #E23B80

RGB 226 59 128

HSL 335.21, 0.74%, 0.56%

LAB 52.79, 67.99, 0.35

 

CMYK 0 / 83 / 49 / 4

HEX #F4297D

RGB 244 41 125

HSL 335.17, 0.9%, 0.56%

LAB 54.34, 77.04, 4.81

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 0 / 34 / 20 / 33

HEX #AB7189

RGB 171 113 137

HSL 335.17, 0.26%, 0.56%

LAB 54.32, 26.46, -3.68

 

CMYK 0 / 14 / 8 / 40

HEX #99838C

RGB 153 131 140

HSL 335.45, 0.1%, 0.56%

LAB 56.98, 9.97, -1.74

 

CMYK 10 / 0 / 4 / 41

HEX #879690

RGB 135 150 144

HSL 156, 0.07%, 0.56%

LAB 60.76, -6.58, 1.33

 

CMYK 30 / 0 / 13 / 34

HEX #75A893

RGB 117 168 147

HSL 155.29, 0.23%, 0.56%

LAB 64.88, -21.54, 5.45

 

CMYK 0 / 50 / 2 / 26

HEX #BD5FB9

RGB 189 95 185

HSL 302.55, 0.42%, 0.56%

LAB 54.56, 50.23, -31.04

 

CMYK 0 / 50 / 15 / 26

HEX #BD5FA0

RGB 189 95 160

HSL 318.51, 0.42%, 0.56%

LAB 53.54, 46.01, -18.1

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 0 / 44 / 50 / 26

HEX #BD6A5F

RGB 189 106 95

HSL 7.02, 0.42%, 0.56%

LAB 53.98, 31.88, 20.73

 

CMYK 0 / 60 / 35 / 44

HEX #903A5E

RGB 144 58 94

HSL 334.88, 0.43%, 0.4%

LAB 37.41, 40.18, -2.94

 

CMYK 0 / 60 / 35 / 32

HEX #AD4671

RGB 173 70 113

HSL 334.95, 0.42%, 0.48%

LAB 44.88, 46.45, -3.22

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 0 / 38 / 22 / 21

HEX #C97C9C

RGB 201 124 156

HSL 335.06, 0.42%, 0.64%

LAB 60.99, 34.21, -4.44

 

CMYK 0 / 28 / 16 / 16

HEX #D59AB2

RGB 213 154 178

HSL 335.59, 0.41%, 0.72%

LAB 69.8, 25.63, -3.7

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 0 / 11 / 50 / 26

HEX #BDA95F

RGB 189 169 95

HSL 47.23, 0.42%, 0.56%

LAB 69.48, -2.6, 40.57

 

CMYK 50 / 9 / 0 / 26

HEX #5FACBD

RGB 95 172 189

HSL 190.85, 0.42%, 0.56%

LAB 66.22, -19.13, -16.06

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 29 / 0 / 50 / 26

HEX #86BD5F

RGB 134 189 95

HSL 95.11, 0.42%, 0.56%

LAB 71.07, -34.51, 41.58

 

CMYK 50 / 29 / 0 / 26

HEX #5F86BD

RGB 95 134 189

HSL 215.11, 0.42%, 0.56%

LAB 55.23, 1.94, -32.94

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 0 / 11 / 50 / 26

HEX #BDA95F

RGB 189 169 95

HSL 47.23, 0.42%, 0.56%

LAB 69.48, -2.6, 40.57

 

CMYK 50 / 0 / 21 / 26

HEX #5FBD96

RGB 95 189 150

HSL 155.11, 0.42%, 0.56%

LAB 70.2, -37.18, 11.25

 

CMYK 50 / 39 / 0 / 26

HEX #5F74BD

RGB 95 116 189

HSL 226.6, 0.42%, 0.56%

LAB 50.21, 12.73, -40.83

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 4 / 0 / 50 / 26

HEX #B6BD5F

RGB 182 189 95

HSL 64.47, 0.42%, 0.56%

LAB 74.3, -15.91, 46.23

 

CMYK 50 / 0 / 21 / 26

HEX #5FBD96

RGB 95 189 150

HSL 155.11, 0.42%, 0.56%

LAB 70.2, -37.18, 11.25

 

CMYK 46 / 50 / 0 / 26

HEX #675FBD

RGB 103 95 189

HSL 245.11, 0.42%, 0.56%

LAB 45.28, 27.56, -48.64

 

Description

Color code: HEX #BD5F86 | qconv.com Color code: HEX #BD5F86 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 95 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 95 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 29 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 29% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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