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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD5F6D it is the complementary color #42A092. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD5F6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD5F6D shade: #C25F68, #D3717B, #E4838E, #F595A1 and #FFA7B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD5F6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD5F6D shade: #BD5F6D, #AC4D5A, #9B3B47, #8A2934 and #791721

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD5F6D shade: #BD5F6D and #BD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD5F6D shade: #BD5F6D, #BD5F87, #BD5FA0, #BD5FB9 and #A85FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD5F6D shade matches the following richer shades: #BD5F6D, #D04D60, #E23B54 and #F42947

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD5F6D shade: #BD5F6D, #AB717A, #998387, #879693 and #75A8A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD5F6D shade: #BD5FA0, #BD5F86, #BD5F6D, #BD6A5F and #BD835F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD5F6D shade: #903A47, #AD4656, #BD5F6D, #C97C88 and #D59AA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD5F6D shade: #BD5F6D, #B9BD5F and #5F93BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD5F6D shade: #BD5F6D, #6DBD5F and #5F6DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD5F6D shade: #BD5F6D, #B9BD5F, #5FBDAF and #645FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD5F6D shade: #BD5F6D, #9CBD5F, #5FBDAF and #805FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

Complementary color

CMYK 59 / 0 / 9 / 37

HEX #42A092

RGB 66 160 146

HSL 171.06, 0.42%, 0.44%

LAB 60.23, -31.14, -1.01

 

CMYK 0 / 51 / 46 / 24

HEX #C25F68

RGB 194 95 104

HSL 354.55, 0.45%, 0.57%

LAB 52.57, 40.43, 13.65

 

CMYK 0 / 46 / 42 / 17

HEX #D3717B

RGB 211 113 123

HSL 353.88, 0.53%, 0.64%

LAB 59.06, 39.39, 11.96

 

CMYK 0 / 43 / 38 / 11

HEX #E4838E

RGB 228 131 142

HSL 353.2, 0.64%, 0.7%

LAB 65.5, 38.39, 10.5

 

CMYK 0 / 39 / 34 / 4

HEX #F595A1

RGB 245 149 161

HSL 352.5, 0.83%, 0.77%

LAB 71.88, 37.45, 9.21

 

CMYK 0 / 35 / 29 / 0

HEX #FFA7B4

RGB 255 167 180

HSL 351.14, 1%, 0.83%

LAB 77.4, 34.07, 6.81

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 0 / 55 / 48 / 33

HEX #AC4D5A

RGB 172 77 90

HSL 351.79, 0.38%, 0.49%

LAB 45.38, 40.13, 11.57

 

CMYK 0 / 62 / 54 / 39

HEX #9B3B47

RGB 155 59 71

HSL 352.5, 0.45%, 0.42%

LAB 38.81, 41.06, 13.85

 

CMYK 0 / 70 / 62 / 46

HEX #8A2934

RGB 138 41 52

HSL 353.2, 0.54%, 0.35%

LAB 32.34, 41.73, 16.76

 

CMYK 0 / 81 / 73 / 53

HEX #791721

RGB 121 23 33

HSL 353.88, 0.68%, 0.28%

LAB 26.12, 41.74, 20.59

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 0 / 50 / 50 / 26

HEX #BD5F5F

RGB 189 95 95

HSL 0, 0.42%, 0.56%

LAB 51.64, 37.7, 17.58

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F87

RGB 189 95 135

HSL 334.47, 0.42%, 0.56%

LAB 52.68, 42.32, -4.67

 

CMYK 0 / 50 / 15 / 26

HEX #BD5FA0

RGB 189 95 160

HSL 318.51, 0.42%, 0.56%

LAB 53.54, 46.01, -18.1

 

CMYK 0 / 50 / 2 / 26

HEX #BD5FB9

RGB 189 95 185

HSL 302.55, 0.42%, 0.56%

LAB 54.56, 50.23, -31.04

 

CMYK 11 / 50 / 0 / 26

HEX #A85FBD

RGB 168 95 189

HSL 286.6, 0.42%, 0.56%

LAB 52.04, 44.95, -37.48

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 0 / 63 / 54 / 18

HEX #D04D60

RGB 208 77 96

HSL 351.3, 0.58%, 0.56%

LAB 51.34, 53.1, 17.07

 

CMYK 0 / 74 / 63 / 11

HEX #E23B54

RGB 226 59 84

HSL 351.02, 0.74%, 0.56%

LAB 51.77, 64.67, 25.37

 

CMYK 0 / 83 / 71 / 4

HEX #F42947

RGB 244 41 71

HSL 351.13, 0.9%, 0.56%

LAB 53.25, 73.82, 35.63

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 0 / 34 / 29 / 33

HEX #AB717A

RGB 171 113 122

HSL 350.69, 0.26%, 0.56%

LAB 53.89, 24.2, 4.49

 

CMYK 0 / 14 / 12 / 40

HEX #998387

RGB 153 131 135

HSL 349.09, 0.1%, 0.56%

LAB 56.84, 9.07, 0.95

 

CMYK 10 / 0 / 2 / 41

HEX #879693

RGB 135 150 147

HSL 168, 0.07%, 0.56%

LAB 60.84, -5.96, -0.26

 

CMYK 30 / 0 / 5 / 34

HEX #75A8A0

RGB 117 168 160

HSL 170.59, 0.23%, 0.56%

LAB 65.22, -18.65, -1.3

 

CMYK 0 / 50 / 15 / 26

HEX #BD5FA0

RGB 189 95 160

HSL 318.51, 0.42%, 0.56%

LAB 53.54, 46.01, -18.1

 

CMYK 0 / 50 / 29 / 26

HEX #BD5F86

RGB 189 95 134

HSL 335.11, 0.42%, 0.56%

LAB 52.65, 42.19, -4.12

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 0 / 44 / 50 / 26

HEX #BD6A5F

RGB 189 106 95

HSL 7.02, 0.42%, 0.56%

LAB 53.98, 31.88, 20.73

 

CMYK 0 / 31 / 50 / 26

HEX #BD835F

RGB 189 131 95

HSL 22.98, 0.42%, 0.56%

LAB 59.78, 18.17, 28.37

 

CMYK 0 / 60 / 51 / 44

HEX #903A47

RGB 144 58 71

HSL 350.93, 0.43%, 0.4%

LAB 36.76, 37.59, 10.73

 

CMYK 0 / 60 / 50 / 32

HEX #AD4656

RGB 173 70 86

HSL 350.68, 0.42%, 0.48%

LAB 44.14, 43.54, 12.32

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 0 / 38 / 32 / 21

HEX #C97C88

RGB 201 124 136

HSL 350.65, 0.42%, 0.64%

LAB 60.44, 31.42, 6.24

 

CMYK 0 / 28 / 23 / 16

HEX #D59AA3

RGB 213 154 163

HSL 350.85, 0.41%, 0.72%

LAB 69.4, 23.34, 4.06

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 2 / 0 / 50 / 26

HEX #B9BD5F

RGB 185 189 95

HSL 62.55, 0.42%, 0.56%

LAB 74.53, -14.68, 46.57

 

CMYK 50 / 22 / 0 / 26

HEX #5F93BD

RGB 95 147 189

HSL 206.81, 0.42%, 0.56%

LAB 58.95, -5.56, -27.17

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 42 / 0 / 50 / 26

HEX #6DBD5F

RGB 109 189 95

HSL 111.06, 0.42%, 0.56%

LAB 69.8, -42.92, 39.74

 

CMYK 50 / 42 / 0 / 26

HEX #5F6DBD

RGB 95 109 189

HSL 231.06, 0.42%, 0.56%

LAB 48.32, 17.03, -43.83

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 2 / 0 / 50 / 26

HEX #B9BD5F

RGB 185 189 95

HSL 62.55, 0.42%, 0.56%

LAB 74.53, -14.68, 46.57

 

CMYK 50 / 0 / 7 / 26

HEX #5FBDAF

RGB 95 189 175

HSL 171.06, 0.42%, 0.56%

LAB 70.82, -31.32, -1.5

 

CMYK 47 / 50 / 0 / 26

HEX #645FBD

RGB 100 95 189

HSL 243.19, 0.42%, 0.56%

LAB 45.04, 26.85, -49.04

 

CMYK 0 / 50 / 42 / 26

HEX #BD5F6D

RGB 189 95 109

HSL 351.06, 0.42%, 0.56%

LAB 51.96, 39.13, 9.73

 

CMYK 17 / 0 / 50 / 26

HEX #9CBD5F

RGB 156 189 95

HSL 81.06, 0.42%, 0.56%

LAB 72.42, -26.28, 43.54

 

CMYK 50 / 0 / 7 / 26

HEX #5FBDAF

RGB 95 189 175

HSL 171.06, 0.42%, 0.56%

LAB 70.82, -31.32, -1.5

 

CMYK 32 / 50 / 0 / 26

HEX #805FBD

RGB 128 95 189

HSL 261.06, 0.42%, 0.56%

LAB 47.56, 33.88, -44.87

 

Description

Color code: HEX #BD5F6D | qconv.com Color code: HEX #BD5F6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 95 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 95 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 42 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 42% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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