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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #608EC7 it is the complementary color #9F7138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #608EC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #608EC7 shade: #658EC2, #76A0D5, #87B2E8, #98C4FB and #A9D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #608EC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #608EC7 shade: #608EC7, #4F7CB4, #3E6AA1, #2D588E and #1C467B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #608EC7 shade: #608EC7, #6072C7, #6A60C7, #8560C7 and #A160C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #608EC7 shade: #608EC7, #6072C7 and #6060C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #608EC7 shade matches the following richer shades: #608EC7, #4F8CD8, #3D8AE9 and #2C88FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #608EC7 shade: #608EC7, #7190B5, #8392A4, #949393 and #A59581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #608EC7 shade: #60C5C7, #60AAC7, #608EC7, #6073C7 and #6960C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #608EC7 shade: #37659D, #4278BC, #608EC7, #7FA4D2 and #9DB9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #608EC7 shade: #608EC7, #AD60C7 and #B7C760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #608EC7 shade: #608EC7, #C7608E and #8EC760

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #608EC7 shade: #608EC7, #AD60C7, #C79960 and #7AC760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #608EC7 shade: #608EC7, #C760C2, #C79960 and #60C765

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

Complementary color

CMYK 0 / 29 / 65 / 38

HEX #9F7138

RGB 159 113 56

HSL 33.2, 0.48%, 0.42%

LAB 51.23, 12.09, 38.16

 

CMYK 48 / 27 / 0 / 24

HEX #658EC2

RGB 101 142 194

HSL 213.55, 0.43%, 0.58%

LAB 58.04, 0.25, -31.38

 

CMYK 45 / 25 / 0 / 16

HEX #76A0D5

RGB 118 160 213

HSL 213.47, 0.53%, 0.65%

LAB 64.8, -0.26, -31.46

 

CMYK 42 / 23 / 0 / 9

HEX #87B2E8

RGB 135 178 232

HSL 213.4, 0.68%, 0.72%

LAB 71.43, -0.68, -31.57

 

CMYK 39 / 22 / 0 / 2

HEX #98C4FB

RGB 152 196 251

HSL 213.33, 0.93%, 0.79%

LAB 77.95, -1.04, -31.7

 

CMYK 34 / 16 / 0 / 0

HEX #A9D6FF

RGB 169 214 255

HSL 208.6, 1%, 0.83%

LAB 83.83, -5.11, -24.73

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 56 / 31 / 0 / 29

HEX #4F7CB4

RGB 79 124 180

HSL 213.27, 0.4%, 0.51%

LAB 51.12, 1.34, -34.28

 

CMYK 61 / 34 / 0 / 37

HEX #3E6AA1

RGB 62 106 161

HSL 213.33, 0.44%, 0.44%

LAB 44.1, 2.31, -34.28

 

CMYK 68 / 38 / 0 / 44

HEX #2D588E

RGB 45 88 142

HSL 213.4, 0.52%, 0.37%

LAB 36.91, 3.6, -34.31

 

CMYK 77 / 43 / 0 / 52

HEX #1C467B

RGB 28 70 123

HSL 213.47, 0.63%, 0.3%

LAB 29.56, 5.39, -34.34

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 52 / 43 / 0 / 22

HEX #6072C7

RGB 96 114 199

HSL 229.51, 0.48%, 0.58%

LAB 50.27, 17.35, -46.47

 

CMYK 47 / 52 / 0 / 22

HEX #6A60C7

RGB 106 96 199

HSL 245.83, 0.48%, 0.58%

LAB 46.38, 30.65, -52.64

 

CMYK 33 / 52 / 0 / 22

HEX #8560C7

RGB 133 96 199

HSL 261.55, 0.48%, 0.58%

LAB 48.85, 37.21, -48.55

 

CMYK 19 / 52 / 0 / 22

HEX #A160C7

RGB 161 96 199

HSL 277.86, 0.48%, 0.58%

LAB 51.91, 44.61, -43.5

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 52 / 43 / 0 / 22

HEX #6072C7

RGB 96 114 199

HSL 229.51, 0.48%, 0.58%

LAB 50.27, 17.35, -46.47

 

CMYK 52 / 52 / 0 / 22

HEX #6060C7

RGB 96 96 199

HSL 240, 0.48%, 0.58%

LAB 45.6, 28.44, -53.94

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 63 / 35 / 0 / 15

HEX #4F8CD8

RGB 79 140 216

HSL 213.28, 0.64%, 0.58%

LAB 57.44, 3.79, -44.79

 

CMYK 74 / 41 / 0 / 9

HEX #3D8AE9

RGB 61 138 233

HSL 213.14, 0.8%, 0.58%

LAB 57.13, 8.21, -54.82

 

CMYK 82 / 46 / 0 / 2

HEX #2C88FB

RGB 44 136 251

HSL 213.33, 0.96%, 0.58%

LAB 57.18, 14.28, -64.72

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 38 / 20 / 0 / 29

HEX #7190B5

RGB 113 144 181

HSL 212.65, 0.31%, 0.58%

LAB 58.78, -1.45, -22.82

 

CMYK 20 / 11 / 0 / 36

HEX #8392A4

RGB 131 146 164

HSL 212.73, 0.15%, 0.58%

LAB 59.95, -1.37, -11.28

 

CMYK 0 / 1 / 1 / 42

HEX #949393

RGB 148 147 147

HSL 0, 0%, 0.58%

LAB 61.02, 0.37, 0.12

 

CMYK 0 / 10 / 22 / 35

HEX #A59581

RGB 165 149 129

HSL 33.33, 0.17%, 0.58%

LAB 62.57, 2.61, 12.72

 

CMYK 52 / 1 / 0 / 22

HEX #60C5C7

RGB 96 197 199

HSL 181.17, 0.48%, 0.58%

LAB 73.9, -28.76, -10.03

 

CMYK 52 / 15 / 0 / 22

HEX #60AAC7

RGB 96 170 199

HSL 196.89, 0.48%, 0.58%

LAB 66.03, -15.01, -21.9

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 52 / 42 / 0 / 22

HEX #6073C7

RGB 96 115 199

HSL 228.93, 0.48%, 0.58%

LAB 50.54, 16.73, -46.05

 

CMYK 47 / 52 / 0 / 22

HEX #6960C7

RGB 105 96 199

HSL 245.24, 0.48%, 0.58%

LAB 46.3, 30.42, -52.78

 

CMYK 65 / 36 / 0 / 38

HEX #37659D

RGB 55 101 157

HSL 212.94, 0.48%, 0.42%

LAB 42.08, 2.65, -35.11

 

CMYK 65 / 36 / 0 / 26

HEX #4278BC

RGB 66 120 188

HSL 213.44, 0.48%, 0.5%

LAB 49.76, 3.88, -41.06

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 40 / 22 / 0 / 18

HEX #7FA4D2

RGB 127 164 210

HSL 213.25, 0.48%, 0.66%

LAB 66.3, -1, -27.44

 

CMYK 29 / 16 / 0 / 14

HEX #9DB9DC

RGB 157 185 220

HSL 213.33, 0.47%, 0.74%

LAB 74.21, -1.55, -20.67

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 13 / 52 / 0 / 22

HEX #AD60C7

RGB 173 96 199

HSL 284.85, 0.48%, 0.58%

LAB 53.36, 47.89, -41.12

 

CMYK 8 / 0 / 52 / 22

HEX #B7C760

RGB 183 199 96

HSL 69.32, 0.48%, 0.58%

LAB 77.14, -20.42, 49.13

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 0 / 52 / 29 / 22

HEX #C7608E

RGB 199 96 142

HSL 333.2, 0.48%, 0.58%

LAB 54.51, 46.13, -5.92

 

CMYK 29 / 0 / 52 / 22

HEX #8EC760

RGB 142 199 96

HSL 93.2, 0.48%, 0.58%

LAB 74.47, -36.11, 45.32

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 13 / 52 / 0 / 22

HEX #AD60C7

RGB 173 96 199

HSL 284.85, 0.48%, 0.58%

LAB 53.36, 47.89, -41.12

 

CMYK 0 / 23 / 52 / 22

HEX #C79960

RGB 199 153 96

HSL 33.2, 0.48%, 0.58%

LAB 66.34, 10.34, 36.39

 

CMYK 39 / 0 / 52 / 22

HEX #7AC760

RGB 122 199 96

HSL 104.85, 0.48%, 0.58%

LAB 73.43, -42.95, 43.82

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 0 / 52 / 3 / 22

HEX #C760C2

RGB 199 96 194

HSL 302.91, 0.48%, 0.58%

LAB 56.49, 54.18, -33.11

 

CMYK 0 / 23 / 52 / 22

HEX #C79960

RGB 199 153 96

HSL 33.2, 0.48%, 0.58%

LAB 66.34, 10.34, 36.39

 

CMYK 52 / 0 / 49 / 22

HEX #60C765

RGB 96 199 101

HSL 122.91, 0.48%, 0.58%

LAB 72.41, -49.99, 39.89

 

Description

Color code: HEX #608EC7 | qconv.com Color code: HEX #608EC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 142 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 142 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 29 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 29% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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