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Color name
HEX #60A41D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60A41D it is the complementary color #9F5BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60A41D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60A41D shade: #65A418, #76B62B, #87C83E, #98DA51 and #A9EC64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60A41D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60A41D shade: #60A41D, #4F920A, #3E8000, #2D6E00 and #1C5C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60A41D shade: #60A41D, #84A41D, #A49F1D, #A47B1D and #A4561D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60A41D shade: #60A41D, #3BA41D, #1DA422, #1DA447 and #1DA46C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60A41D shade matches the following richer shades: #60A41D and #60B40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60A41D shade: #60A41D, #60952C, #60853C, #60754C and #60665B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60A41D shade: #A4A01D, #85A41D, #60A41D, #3CA41D and #1DA421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60A41D shade: #375E10, #4B8116, #60A41D, #74C723 and #89DB38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60A41D shade: #60A41D, #1DA47C and #A41D97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60A41D shade: #60A41D, #1D60A4 and #A41D60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60A41D shade: #60A41D, #1DA47C, #601DA4 and #A41D45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60A41D shade: #60A41D, #1DA4A4, #601DA4 and #A41D1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

Complementary color

CMYK 30 / 60 / 0 / 11

HEX #9F5BE2

RGB 159 91 226

HSL 270.22, 0.7%, 0.62%

LAB 52.22, 52.92, -58.37

 

CMYK 38 / 0 / 85 / 36

HEX #65A418

RGB 101 164 24

HSL 87, 0.74%, 0.37%

LAB 61.12, -41.05, 58.83

 

CMYK 35 / 0 / 76 / 29

HEX #76B62B

RGB 118 182 43

HSL 87.63, 0.62%, 0.44%

LAB 67.64, -41.71, 59.67

 

CMYK 33 / 0 / 69 / 22

HEX #87C83E

RGB 135 200 62

HSL 88.26, 0.56%, 0.51%

LAB 74.07, -42.15, 59.58

 

CMYK 30 / 0 / 63 / 15

HEX #98DA51

RGB 152 218 81

HSL 88.91, 0.65%, 0.59%

LAB 80.41, -42.42, 58.99

 

CMYK 28 / 0 / 58 / 7

HEX #A9EC64

RGB 169 236 100

HSL 89.56, 0.78%, 0.66%

LAB 86.68, -42.58, 58.13

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 46 / 0 / 93 / 43

HEX #4F920A

RGB 79 146 10

HSL 89.56, 0.87%, 0.31%

LAB 54.28, -41.69, 55.44

 

CMYK 52 / 0 / 100 / 50

HEX #3E8000

RGB 62 128 0

HSL 90.94, 1%, 0.25%

LAB 47.58, -40.33, 51.54

 

CMYK 59 / 0 / 100 / 57

HEX #2D6E00

RGB 45 110 0

HSL 95.45, 1%, 0.22%

LAB 40.75, -38.5, 45.89

 

CMYK 70 / 0 / 100 / 64

HEX #1C5C00

RGB 28 92 0

HSL 101.74, 1%, 0.18%

LAB 33.78, -36.31, 40.13

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 20 / 0 / 82 / 36

HEX #84A41D

RGB 132 164 29

HSL 74.22, 0.7%, 0.38%

LAB 62.97, -28.73, 59.88

 

CMYK 0 / 3 / 82 / 36

HEX #A49F1D

RGB 164 159 29

HSL 57.78, 0.7%, 0.38%

LAB 63.98, -12.33, 61.72

 

CMYK 0 / 25 / 82 / 36

HEX #A47B1D

RGB 164 123 29

HSL 41.78, 0.7%, 0.38%

LAB 54.18, 7.32, 53.19

 

CMYK 0 / 48 / 82 / 36

HEX #A4561D

RGB 164 86 29

HSL 25.33, 0.7%, 0.38%

LAB 45.13, 28.13, 45.04

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 64 / 0 / 82 / 36

HEX #3BA41D

RGB 59 164 29

HSL 106.67, 0.7%, 0.38%

LAB 59.5, -53.43, 55.45

 

CMYK 82 / 0 / 79 / 36

HEX #1DA422

RGB 29 164 34

HSL 122.22, 0.7%, 0.38%

LAB 58.91, -58.37, 53.17

 

CMYK 82 / 0 / 57 / 36

HEX #1DA447

RGB 29 164 71

HSL 138.67, 0.7%, 0.38%

LAB 59.22, -54.51, 38.16

 

CMYK 82 / 0 / 34 / 36

HEX #1DA46C

RGB 29 164 108

HSL 155.11, 0.7%, 0.38%

LAB 59.79, -47.84, 19.5

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 47 / 0 / 93 / 29

HEX #60B40D

RGB 96 180 13

HSL 90.18, 0.87%, 0.38%

LAB 65.87, -49.58, 64.85

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 36 / 0 / 70 / 42

HEX #60952C

RGB 96 149 44

HSL 90.29, 0.54%, 0.38%

LAB 56.25, -35.2, 47.62

 

CMYK 28 / 0 / 55 / 48

HEX #60853C

RGB 96 133 60

HSL 90.41, 0.38%, 0.38%

LAB 51.37, -26.15, 34.84

 

CMYK 18 / 0 / 35 / 54

HEX #60754C

RGB 96 117 76

HSL 90.73, 0.21%, 0.38%

LAB 46.62, -15.71, 20.15

 

CMYK 6 / 0 / 11 / 60

HEX #60665B

RGB 96 102 91

HSL 92.73, 0.06%, 0.38%

LAB 42.38, -4.58, 5.42

 

CMYK 0 / 2 / 82 / 36

HEX #A4A01D

RGB 164 160 29

HSL 58.22, 0.7%, 0.38%

LAB 64.26, -12.85, 61.96

 

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 63 / 0 / 82 / 36

HEX #3CA41D

RGB 60 164 29

HSL 106.22, 0.7%, 0.38%

LAB 59.53, -53.19, 55.49

 

CMYK 82 / 0 / 80 / 36

HEX #1DA421

RGB 29 164 33

HSL 121.78, 0.7%, 0.38%

LAB 58.9, -58.44, 53.48

 

CMYK 41 / 0 / 83 / 63

HEX #375E10

RGB 55 94 16

HSL 90, 0.71%, 0.22%

LAB 35.7, -27.47, 37.26

 

CMYK 42 / 0 / 83 / 49

HEX #4B8116

RGB 75 129 22

HSL 90.28, 0.71%, 0.3%

LAB 48.58, -35.46, 47.66

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 42 / 0 / 82 / 22

HEX #74C723

RGB 116 199 35

HSL 90.37, 0.7%, 0.46%

LAB 72.68, -49.84, 66.62

 

CMYK 37 / 0 / 74 / 14

HEX #89DB38

RGB 137 219 56

HSL 90.18, 0.69%, 0.54%

LAB 79.77, -49.81, 67.43

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 82 / 0 / 24 / 36

HEX #1DA47C

RGB 29 164 124

HSL 162.22, 0.7%, 0.38%

LAB 60.13, -44.13, 11.11

 

CMYK 0 / 82 / 8 / 36

HEX #A41D97

RGB 164 29 151

HSL 305.78, 0.7%, 0.38%

LAB 39.59, 64.26, -34.7

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 82 / 41 / 0 / 36

HEX #1D60A4

RGB 29 96 164

HSL 210.22, 0.7%, 0.38%

LAB 40.09, 4.73, -42.48

 

CMYK 0 / 82 / 41 / 36

HEX #A41D60

RGB 164 29 96

HSL 330.22, 0.7%, 0.38%

LAB 37.14, 57.32, -4.21

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 82 / 0 / 24 / 36

HEX #1DA47C

RGB 29 164 124

HSL 162.22, 0.7%, 0.38%

LAB 60.13, -44.13, 11.11

 

CMYK 41 / 82 / 0 / 36

HEX #601DA4

RGB 96 29 164

HSL 269.78, 0.7%, 0.38%

LAB 29.53, 54.34, -59.36

 

CMYK 0 / 82 / 58 / 36

HEX #A41D45

RGB 164 29 69

HSL 342.22, 0.7%, 0.38%

LAB 36.37, 55.01, 12.05

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 82 / 0 / 0 / 36

HEX #1DA4A4

RGB 29 164 164

HSL 180, 0.7%, 0.38%

LAB 61.21, -33.05, -9.8

 

CMYK 41 / 82 / 0 / 36

HEX #601DA4

RGB 96 29 164

HSL 269.78, 0.7%, 0.38%

LAB 29.53, 54.34, -59.36

 

CMYK 0 / 82 / 82 / 36

HEX #A41D1D

RGB 164 29 29

HSL 0, 0.7%, 0.38%

LAB 35.71, 53.01, 36.12

 

Description

Color code: HEX #60A41D | qconv.com Color code: HEX #60A41D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 164 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 164 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 82% 36% C M Y K

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Provide designers and agencies with accurate color values.

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