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Color name
HEX #85A41D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #85A41D it is the complementary color #7A5BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #85A41D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #85A41D shade: #8AA418, #9BB62B, #ACC83E, #BDDA51 and #CEEC64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #85A41D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #85A41D shade: #85A41D, #74920A, #638000, #526E00 and #415C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #85A41D shade: #85A41D, #A49F1D, #A47A1D, #A4561D and #A4311D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #85A41D shade: #85A41D, #60A41D, #3CA41D, #1DA422 and #1DA446

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #85A41D shade matches the following richer shades: #85A41D and #8EB40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #85A41D shade: #85A41D, #7D952C, #74853C, #6C754C and #63665B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #85A41D shade: #A4791D, #A49D1D, #87A41D, #63A41D and #3EA41D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #85A41D shade: #4C5E10, #698116, #85A41D, #A2C723 and #B6DB38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #85A41D shade: #85A41D, #1DA455 and #8B1DA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #85A41D shade: #85A41D, #1D87A4 and #A41D87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #85A41D shade: #85A41D, #1DA455, #3A1DA4 and #A41D6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #85A41D shade: #85A41D, #1DA47E, #3A1DA4 and #A41D43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

Complementary color

CMYK 46 / 60 / 0 / 11

HEX #7A5BE2

RGB 122 91 226

HSL 253.78, 0.7%, 0.62%

LAB 48.4, 44.88, -64.74

 

CMYK 16 / 0 / 85 / 36

HEX #8AA418

RGB 138 164 24

HSL 71.14, 0.74%, 0.37%

LAB 63.36, -26.38, 61.64

 

CMYK 15 / 0 / 76 / 29

HEX #9BB62B

RGB 155 182 43

HSL 71.65, 0.62%, 0.44%

LAB 69.89, -27.24, 62.6

 

CMYK 14 / 0 / 69 / 22

HEX #ACC83E

RGB 172 200 62

HSL 72.17, 0.56%, 0.51%

LAB 76.33, -27.91, 62.61

 

CMYK 13 / 0 / 63 / 15

HEX #BDDA51

RGB 189 218 81

HSL 72.7, 0.65%, 0.59%

LAB 82.68, -28.43, 62.1

 

CMYK 13 / 0 / 58 / 7

HEX #CEEC64

RGB 206 236 100

HSL 73.24, 0.78%, 0.66%

LAB 88.94, -28.83, 61.3

 

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

CMYK 21 / 0 / 93 / 43

HEX #74920A

RGB 116 146 10

HSL 73.24, 0.87%, 0.31%

LAB 56.38, -27.34, 58.02

 

CMYK 23 / 0 / 100 / 50

HEX #638000

RGB 99 128 0

HSL 73.59, 1%, 0.25%

LAB 49.61, -26.07, 53.98

 

CMYK 25 / 0 / 100 / 57

HEX #526E00

RGB 82 110 0

HSL 75.27, 1%, 0.22%

LAB 42.68, -24.57, 48.22

 

CMYK 29 / 0 / 100 / 64

HEX #415C00

RGB 65 92 0

HSL 77.61, 1%, 0.18%

LAB 35.55, -23.05, 42.28

 

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

CMYK 0 / 3 / 82 / 36

HEX #A49F1D

RGB 164 159 29

HSL 57.78, 0.7%, 0.38%

LAB 63.98, -12.33, 61.72

 

CMYK 0 / 26 / 82 / 36

HEX #A47A1D

RGB 164 122 29

HSL 41.33, 0.7%, 0.38%

LAB 53.92, 7.88, 52.96

 

CMYK 0 / 48 / 82 / 36

HEX #A4561D

RGB 164 86 29

HSL 25.33, 0.7%, 0.38%

LAB 45.13, 28.13, 45.04

 

CMYK 0 / 70 / 82 / 36

HEX #A4311D

RGB 164 49 29

HSL 8.89, 0.7%, 0.38%

LAB 38.16, 46.21, 38.49

 

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

CMYK 41 / 0 / 82 / 36

HEX #60A41D

RGB 96 164 29

HSL 90.22, 0.7%, 0.38%

LAB 60.89, -42.61, 57.24

 

CMYK 63 / 0 / 82 / 36

HEX #3CA41D

RGB 60 164 29

HSL 106.22, 0.7%, 0.38%

LAB 59.53, -53.19, 55.49

 

CMYK 82 / 0 / 79 / 36

HEX #1DA422

RGB 29 164 34

HSL 122.22, 0.7%, 0.38%

LAB 58.91, -58.37, 53.17

 

CMYK 82 / 0 / 57 / 36

HEX #1DA446

RGB 29 164 70

HSL 138.22, 0.7%, 0.38%

LAB 59.21, -54.65, 38.63

 

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

CMYK 21 / 0 / 93 / 29

HEX #8EB40D

RGB 142 180 13

HSL 73.65, 0.87%, 0.38%

LAB 68.33, -32.6, 67.86

 

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

CMYK 16 / 0 / 70 / 42

HEX #7D952C

RGB 125 149 44

HSL 73.71, 0.54%, 0.38%

LAB 58.07, -23.58, 50.06

 

CMYK 13 / 0 / 55 / 48

HEX #74853C

RGB 116 133 60

HSL 73.97, 0.38%, 0.38%

LAB 52.75, -17.93, 36.81

 

CMYK 8 / 0 / 35 / 54

HEX #6C754C

RGB 108 117 76

HSL 73.17, 0.21%, 0.38%

LAB 47.54, -10.75, 21.53

 

CMYK 3 / 0 / 11 / 60

HEX #63665B

RGB 99 102 91

HSL 76.36, 0.06%, 0.38%

LAB 42.63, -3.38, 5.82

 

CMYK 0 / 26 / 82 / 36

HEX #A4791D

RGB 164 121 29

HSL 40.89, 0.7%, 0.38%

LAB 53.66, 8.44, 52.72

 

CMYK 0 / 4 / 82 / 36

HEX #A49D1D

RGB 164 157 29

HSL 56.89, 0.7%, 0.38%

LAB 63.42, -11.28, 61.24

 

CMYK 18 / 0 / 82 / 36

HEX #87A41D

RGB 135 164 29

HSL 72.89, 0.7%, 0.38%

LAB 63.17, -27.48, 60.14

 

CMYK 40 / 0 / 82 / 36

HEX #63A41D

RGB 99 164 29

HSL 88.89, 0.7%, 0.38%

LAB 61.04, -41.55, 57.43

 

CMYK 62 / 0 / 82 / 36

HEX #3EA41D

RGB 62 164 29

HSL 105.33, 0.7%, 0.38%

LAB 59.58, -52.72, 55.56

 

CMYK 19 / 0 / 83 / 63

HEX #4C5E10

RGB 76 94 16

HSL 73.85, 0.71%, 0.22%

LAB 37.08, -18.43, 39.04

 

CMYK 19 / 0 / 83 / 49

HEX #698116

RGB 105 129 22

HSL 73.46, 0.71%, 0.3%

LAB 50.41, -23.31, 50

 

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

CMYK 19 / 0 / 82 / 22

HEX #A2C723

RGB 162 199 35

HSL 73.54, 0.7%, 0.46%

LAB 75.23, -32.73, 69.85

 

CMYK 17 / 0 / 74 / 14

HEX #B6DB38

RGB 182 219 56

HSL 73.62, 0.69%, 0.54%

LAB 82.32, -33.13, 70.77

 

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

CMYK 82 / 0 / 48 / 36

HEX #1DA455

RGB 29 164 85

HSL 144.89, 0.7%, 0.38%

LAB 59.41, -52.31, 31.32

 

CMYK 15 / 82 / 0 / 36

HEX #8B1DA4

RGB 139 29 164

HSL 288.89, 0.7%, 0.38%

LAB 36.08, 61.53, -48.42

 

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

CMYK 82 / 18 / 0 / 36

HEX #1D87A4

RGB 29 135 164

HSL 192.89, 0.7%, 0.38%

LAB 52.14, -18.37, -23.57

 

CMYK 0 / 82 / 18 / 36

HEX #A41D87

RGB 164 29 135

HSL 312.89, 0.7%, 0.38%

LAB 38.76, 61.96, -26.22

 

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

CMYK 82 / 0 / 48 / 36

HEX #1DA455

RGB 29 164 85

HSL 144.89, 0.7%, 0.38%

LAB 59.41, -52.31, 31.32

 

CMYK 65 / 82 / 0 / 36

HEX #3A1DA4

RGB 58 29 164

HSL 252.89, 0.7%, 0.38%

LAB 25.13, 49.63, -66.75

 

CMYK 0 / 82 / 34 / 36

HEX #A41D6C

RGB 164 29 108

HSL 324.89, 0.7%, 0.38%

LAB 37.58, 58.59, -11.18

 

CMYK 19 / 0 / 82 / 36

HEX #85A41D

RGB 133 164 29

HSL 73.78, 0.7%, 0.38%

LAB 63.03, -28.31, 59.96

 

CMYK 82 / 0 / 23 / 36

HEX #1DA47E

RGB 29 164 126

HSL 163.11, 0.7%, 0.38%

LAB 60.18, -43.63, 10.06

 

CMYK 65 / 82 / 0 / 36

HEX #3A1DA4

RGB 58 29 164

HSL 252.89, 0.7%, 0.38%

LAB 25.13, 49.63, -66.75

 

CMYK 0 / 82 / 59 / 36

HEX #A41D43

RGB 164 29 67

HSL 343.11, 0.7%, 0.38%

LAB 36.32, 54.87, 13.27

 

Description

Color code: HEX #85A41D | qconv.com Color code: HEX #85A41D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 164 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 164 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 82% 36% C M Y K

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Provide designers and agencies with accurate color values.

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