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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #60EBAB it is the complementary color #9F1454. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #60EBAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #60EBAB shade: #65EBA6, #76FDB9, #87FFCC, #98FFDF and #A9FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #60EBAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #60EBAB shade: #60EBAB, #4FD998, #3EC785, #2DB572 and #1CA35F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #60EBAB shade: #60EBAB, #60EB85, #60EB60, #85EB60 and #ABEB60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #60EBAB shade: #60EBAB, #60EBD0, #60E0EB, #60BAEB and #6095EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #60EBAB shade matches the following richer shades: #60EBAB and #51F9AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #60EBAB shade: #60EBAB, #6EDCAA, #7DCEA8, #8BC0A7 and #99B1A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #60EBAB shade: #60EB60, #60EB85, #60EBAA, #60EBCF and #60E2EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #60EBAB shade: #1BDD84, #3BE697, #60EBAB, #84EFBE and #A9F4D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #60EBAB shade: #60EBAB, #6085EB and #EB7260

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #60EBAB shade: #60EBAB, #AA60EB and #EBAA60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #60EBAB shade: #60EBAB, #6085EB, #EB60A1 and #EBC660

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #60EBAB shade: #60EBAB, #6460EB, #EB60A1 and #E6EB60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

Complementary color

CMYK 0 / 87 / 47 / 38

HEX #9F1454

RGB 159 20 84

HSL 332.37, 0.78%, 0.35%

LAB 35.03, 56.99, 0.28

 

CMYK 57 / 0 / 29 / 8

HEX #65EBA6

RGB 101 235 166

HSL 149.1, 0.77%, 0.66%

LAB 84.45, -52.27, 22.69

 

CMYK 53 / 0 / 27 / 1

HEX #76FDB9

RGB 118 253 185

HSL 149.78, 0.97%, 0.73%

LAB 90.6, -52.24, 21.51

 

CMYK 47 / 0 / 20 / 0

HEX #87FFCC

RGB 135 255 204

HSL 154.5, 1%, 0.76%

LAB 92.15, -45.36, 14.02

 

CMYK 40 / 0 / 13 / 0

HEX #98FFDF

RGB 152 255 223

HSL 161.36, 1%, 0.8%

LAB 93.24, -37.18, 5.9

 

CMYK 34 / 0 / 5 / 0

HEX #A9FFF2

RGB 169 255 242

HSL 170.93, 1%, 0.83%

LAB 94.47, -28.64, -2.03

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 64 / 0 / 30 / 15

HEX #4FD998

RGB 79 217 152

HSL 151.74, 0.64%, 0.58%

LAB 78.2, -52.14, 21.28

 

CMYK 69 / 0 / 33 / 22

HEX #3EC785

RGB 62 199 133

HSL 151.09, 0.55%, 0.51%

LAB 71.94, -51.8, 22.65

 

CMYK 75 / 0 / 37 / 29

HEX #2DB572

RGB 45 181 114

HSL 150.44, 0.6%, 0.44%

LAB 65.61, -51.21, 24.15

 

CMYK 83 / 0 / 42 / 36

HEX #1CA35F

RGB 28 163 95

HSL 149.78, 0.71%, 0.37%

LAB 59.22, -50.23, 25.79

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 59 / 0 / 43 / 8

HEX #60EB85

RGB 96 235 133

HSL 135.97, 0.78%, 0.65%

LAB 83.76, -59.18, 38.44

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 43 / 0 / 59 / 8

HEX #85EB60

RGB 133 235 96

HSL 104.03, 0.78%, 0.65%

LAB 84.61, -54.37, 57.05

 

CMYK 27 / 0 / 59 / 8

HEX #ABEB60

RGB 171 235 96

HSL 87.63, 0.78%, 0.65%

LAB 86.46, -41.79, 59.65

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD0

RGB 96 235 208

HSL 168.35, 0.78%, 0.65%

LAB 85.23, -44, 1.85

 

CMYK 59 / 5 / 0 / 8

HEX #60E0EB

RGB 96 224 235

HSL 184.75, 0.78%, 0.65%

LAB 82.8, -31.97, -16

 

CMYK 59 / 21 / 0 / 8

HEX #60BAEB

RGB 96 186 235

HSL 201.15, 0.78%, 0.65%

LAB 71.96, -12.83, -32.53

 

CMYK 59 / 37 / 0 / 8

HEX #6095EB

RGB 96 149 235

HSL 217.12, 0.78%, 0.65%

LAB 61.64, 7.92, -48.68

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 67 / 0 / 31 / 2

HEX #51F9AC

RGB 81 249 172

HSL 152.5, 0.93%, 0.65%

LAB 88.2, -60.26, 24.67

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 50 / 0 / 23 / 14

HEX #6EDCAA

RGB 110 220 170

HSL 152.73, 0.61%, 0.65%

LAB 80.41, -43.11, 15.02

 

CMYK 39 / 0 / 18 / 19

HEX #7DCEA8

RGB 125 206 168

HSL 151.85, 0.45%, 0.65%

LAB 76.88, -33.3, 11.19

 

CMYK 28 / 0 / 13 / 25

HEX #8BC0A7

RGB 139 192 167

HSL 151.7, 0.3%, 0.65%

LAB 73.53, -22.57, 7.05

 

CMYK 14 / 0 / 6 / 31

HEX #99B1A6

RGB 153 177 166

HSL 152.5, 0.13%, 0.65%

LAB 70.15, -10.46, 2.84

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 59 / 0 / 43 / 8

HEX #60EB85

RGB 96 235 133

HSL 135.97, 0.78%, 0.65%

LAB 83.76, -59.18, 38.44

 

CMYK 59 / 0 / 28 / 8

HEX #60EBAA

RGB 96 235 170

HSL 151.94, 0.78%, 0.65%

LAB 84.38, -52.49, 20.51

 

CMYK 59 / 0 / 12 / 8

HEX #60EBCF

RGB 96 235 207

HSL 167.91, 0.78%, 0.65%

LAB 85.2, -44.25, 2.34

 

CMYK 59 / 4 / 0 / 8

HEX #60E2EB

RGB 96 226 235

HSL 183.88, 0.78%, 0.65%

LAB 83.38, -32.92, -15.14

 

CMYK 88 / 0 / 40 / 13

HEX #1BDD84

RGB 27 221 132

HSL 152.47, 0.78%, 0.49%

LAB 78.23, -63.97, 31.51

 

CMYK 74 / 0 / 34 / 10

HEX #3BE697

RGB 59 230 151

HSL 152.28, 0.77%, 0.57%

LAB 81.71, -60.44, 26.51

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 45 / 0 / 21 / 6

HEX #84EFBE

RGB 132 239 190

HSL 152.52, 0.77%, 0.73%

LAB 87.17, -41.95, 14.21

 

CMYK 31 / 0 / 14 / 4

HEX #A9F4D1

RGB 169 244 209

HSL 152, 0.77%, 0.81%

LAB 90.66, -30.3, 9.53

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 59 / 43 / 0 / 8

HEX #6085EB

RGB 96 133 235

HSL 224.03, 0.78%, 0.65%

LAB 57.33, 17.44, -55.52

 

CMYK 0 / 51 / 59 / 8

HEX #EB7260

RGB 235 114 96

HSL 7.77, 0.78%, 0.65%

LAB 62.12, 45.29, 32.02

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 28 / 59 / 0 / 8

HEX #AA60EB

RGB 170 96 235

HSL 271.94, 0.78%, 0.65%

LAB 54.98, 55, -58.94

 

CMYK 0 / 28 / 59 / 8

HEX #EBAA60

RGB 235 170 96

HSL 31.94, 0.78%, 0.65%

LAB 74.35, 16.17, 47.01

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 59 / 43 / 0 / 8

HEX #6085EB

RGB 96 133 235

HSL 224.03, 0.78%, 0.65%

LAB 57.33, 17.44, -55.52

 

CMYK 0 / 59 / 31 / 8

HEX #EB60A1

RGB 235 96 161

HSL 331.94, 0.78%, 0.65%

LAB 60.43, 59.91, -7.63

 

CMYK 0 / 16 / 59 / 8

HEX #EBC660

RGB 235 198 96

HSL 44.03, 0.78%, 0.65%

LAB 81.23, 1.46, 55

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 57 / 59 / 0 / 8

HEX #6460EB

RGB 100 96 235

HSL 241.73, 0.78%, 0.65%

LAB 48.35, 40.54, -69.97

 

CMYK 0 / 59 / 31 / 8

HEX #EB60A1

RGB 235 96 161

HSL 331.94, 0.78%, 0.65%

LAB 60.43, 59.91, -7.63

 

CMYK 2 / 0 / 59 / 8

HEX #E6EB60

RGB 230 235 96

HSL 62.16, 0.78%, 0.65%

LAB 90.36, -19.17, 65.05

 

Description

Color code: HEX #60EBAB | qconv.com Color code: HEX #60EBAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 235 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 235 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 27 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 27% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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