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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 96 235 96 it is the complementary color RGB 159 20 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 96 235 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 96 235 96 shade: RGB 101 235 91, RGB 118 253 110, RGB 135 255 129, RGB 152 255 148 and RGB 169 255 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 96 235 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 96 235 96 shade: RGB 96 235 96, RGB 79 217 77, RGB 62 199 58, RGB 45 181 39 and RGB 28 163 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 96 235 96 shade: RGB 96 235 96, RGB 133 235 96, RGB 171 235 96, RGB 208 235 96 and RGB 235 224 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 96 235 96 shade: RGB 96 235 96, RGB 96 235 133, RGB 96 235 171, RGB 96 235 208 and RGB 96 224 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 96 235 96 shade matches the following richer shades: RGB 96 235 96 and RGB 81 249 81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 96 235 96 shade: RGB 96 235 96, RGB 110 220 110, RGB 125 206 125, RGB 139 192 139 and RGB 153 177 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 96 235 96 shade: RGB 170 235 96, RGB 133 235 96, RGB 96 235 96, RGB 96 235 133 and RGB 96 235 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 96 235 96 shade: RGB 27 221 27, RGB 59 230 59, RGB 96 235 96, RGB 132 239 132 and RGB 169 244 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 96 235 96 shade: RGB 96 235 96, RGB 96 207 235 and RGB 235 96 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 96 235 96 shade: RGB 96 235 96, RGB 96 96 235 and RGB 235 96 96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 96 235 96 shade: RGB 96 235 96, RGB 96 207 235, RGB 235 96 235 and RGB 235 123 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 96 235 96 shade: RGB 96 235 96, RGB 96 165 235, RGB 235 96 235 and RGB 235 165 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

Complementary color

CMYK 0 / 87 / 0 / 38

HEX #9F149F

RGB 159 20 159

HSL 300, 0.78%, 0.35%

LAB 38.51, 66.4, -41.32

 

CMYK 57 / 0 / 61 / 8

HEX #65EB5B

RGB 101 235 91

HSL 115.83, 0.78%, 0.64%

LAB 83.41, -63.53, 57.52

 

CMYK 53 / 0 / 57 / 1

HEX #76FD6E

RGB 118 253 110

HSL 116.64, 0.97%, 0.71%

LAB 89.5, -63.86, 56.43

 

CMYK 47 / 0 / 49 / 0

HEX #87FF81

RGB 135 255 129

HSL 117.14, 1%, 0.75%

LAB 90.9, -57.9, 49.62

 

CMYK 40 / 0 / 42 / 0

HEX #98FF94

RGB 152 255 148

HSL 117.76, 1%, 0.79%

LAB 91.83, -50.55, 41.88

 

CMYK 34 / 0 / 35 / 0

HEX #A9FFA7

RGB 169 255 167

HSL 118.64, 1%, 0.83%

LAB 92.9, -42.65, 34.07

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 64 / 0 / 65 / 15

HEX #4FD94D

RGB 79 217 77

HSL 119.14, 0.65%, 0.58%

LAB 77.18, -63.56, 56.27

 

CMYK 69 / 0 / 71 / 22

HEX #3EC73A

RGB 62 199 58

HSL 118.3, 0.56%, 0.5%

LAB 70.99, -62.61, 57.06

 

CMYK 75 / 0 / 78 / 29

HEX #2DB527

RGB 45 181 39

HSL 117.46, 0.65%, 0.43%

LAB 64.77, -61.14, 57.31

 

CMYK 83 / 0 / 88 / 36

HEX #1CA314

RGB 28 163 20

HSL 116.64, 0.78%, 0.36%

LAB 58.5, -58.95, 56.58

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 43 / 0 / 59 / 8

HEX #85EB60

RGB 133 235 96

HSL 104.03, 0.78%, 0.65%

LAB 84.61, -54.37, 57.05

 

CMYK 27 / 0 / 59 / 8

HEX #ABEB60

RGB 171 235 96

HSL 87.63, 0.78%, 0.65%

LAB 86.46, -41.79, 59.65

 

CMYK 11 / 0 / 59 / 8

HEX #D0EB60

RGB 208 235 96

HSL 71.65, 0.78%, 0.65%

LAB 88.77, -27.89, 62.85

 

CMYK 0 / 5 / 59 / 8

HEX #EBE060

RGB 235 224 96

HSL 55.25, 0.78%, 0.65%

LAB 87.88, -11.75, 62.45

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 59 / 0 / 43 / 8

HEX #60EB85

RGB 96 235 133

HSL 135.97, 0.78%, 0.65%

LAB 83.76, -59.18, 38.44

 

CMYK 59 / 0 / 27 / 8

HEX #60EBAB

RGB 96 235 171

HSL 152.37, 0.78%, 0.65%

LAB 84.4, -52.29, 20.01

 

CMYK 59 / 0 / 11 / 8

HEX #60EBD0

RGB 96 235 208

HSL 168.35, 0.78%, 0.65%

LAB 85.23, -44, 1.85

 

CMYK 59 / 5 / 0 / 8

HEX #60E0EB

RGB 96 224 235

HSL 184.75, 0.78%, 0.65%

LAB 82.8, -31.97, -16

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 67 / 0 / 67 / 2

HEX #51F951

RGB 81 249 81

HSL 120, 0.93%, 0.65%

LAB 87.04, -73.39, 65.37

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 50 / 0 / 50 / 14

HEX #6EDC6E

RGB 110 220 110

HSL 120, 0.61%, 0.65%

LAB 79.4, -53.38, 44.26

 

CMYK 39 / 0 / 39 / 19

HEX #7DCE7D

RGB 125 206 125

HSL 120, 0.45%, 0.65%

LAB 76.06, -41.07, 32.69

 

CMYK 28 / 0 / 28 / 25

HEX #8BC08B

RGB 139 192 139

HSL 120, 0.3%, 0.65%

LAB 72.93, -27.82, 21.3

 

CMYK 14 / 0 / 14 / 31

HEX #99B199

RGB 153 177 153

HSL 120, 0.13%, 0.65%

LAB 69.84, -12.94, 9.53

 

CMYK 28 / 0 / 59 / 8

HEX #AAEB60

RGB 170 235 96

HSL 88.06, 0.78%, 0.65%

LAB 86.41, -42.15, 59.57

 

CMYK 43 / 0 / 59 / 8

HEX #85EB60

RGB 133 235 96

HSL 104.03, 0.78%, 0.65%

LAB 84.61, -54.37, 57.05

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 59 / 0 / 43 / 8

HEX #60EB85

RGB 96 235 133

HSL 135.97, 0.78%, 0.65%

LAB 83.76, -59.18, 38.44

 

CMYK 59 / 0 / 28 / 8

HEX #60EBAA

RGB 96 235 170

HSL 151.94, 0.78%, 0.65%

LAB 84.38, -52.49, 20.51

 

CMYK 88 / 0 / 88 / 13

HEX #1BDD1B

RGB 27 221 27

HSL 120, 0.78%, 0.49%

LAB 77.3, -75.47, 71.59

 

CMYK 74 / 0 / 74 / 10

HEX #3BE63B

RGB 59 230 59

HSL 120, 0.77%, 0.57%

LAB 80.65, -72.83, 66.48

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 45 / 0 / 45 / 6

HEX #84EF84

RGB 132 239 132

HSL 120, 0.77%, 0.73%

LAB 86.16, -51.95, 42.25

 

CMYK 31 / 0 / 31 / 4

HEX #A9F4A9

RGB 169 244 169

HSL 120, 0.77%, 0.81%

LAB 89.86, -37.44, 28.98

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 59 / 12 / 0 / 8

HEX #60CFEB

RGB 96 207 235

HSL 192.09, 0.78%, 0.65%

LAB 77.94, -23.68, -23.36

 

CMYK 0 / 59 / 36 / 8

HEX #EB6097

RGB 235 96 151

HSL 336.26, 0.78%, 0.65%

LAB 60.12, 58.75, -2.29

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 59 / 59 / 0 / 8

HEX #6060EB

RGB 96 96 235

HSL 240, 0.78%, 0.65%

LAB 48.07, 39.87, -70.44

 

CMYK 0 / 59 / 59 / 8

HEX #EB6060

RGB 235 96 96

HSL 0, 0.78%, 0.65%

LAB 58.86, 53.76, 27.84

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 59 / 12 / 0 / 8

HEX #60CFEB

RGB 96 207 235

HSL 192.09, 0.78%, 0.65%

LAB 77.94, -23.68, -23.36

 

CMYK 0 / 59 / 0 / 8

HEX #EB60EB

RGB 235 96 235

HSL 300, 0.78%, 0.65%

LAB 63.36, 70.59, -45.1

 

CMYK 0 / 48 / 59 / 8

HEX #EB7B60

RGB 235 123 96

HSL 11.65, 0.78%, 0.65%

LAB 63.89, 40.81, 34.27

 

CMYK 59 / 0 / 59 / 8

HEX #60EB60

RGB 96 235 96

HSL 120, 0.78%, 0.65%

LAB 83.31, -64.15, 55.22

 

CMYK 59 / 30 / 0 / 8

HEX #60A5EB

RGB 96 165 235

HSL 210.22, 0.78%, 0.65%

LAB 66.06, -1.29, -41.72

 

CMYK 0 / 59 / 0 / 8

HEX #EB60EB

RGB 235 96 235

HSL 300, 0.78%, 0.65%

LAB 63.36, 70.59, -45.1

 

CMYK 0 / 30 / 59 / 8

HEX #EBA560

RGB 235 165 96

HSL 29.78, 0.78%, 0.65%

LAB 73.17, 18.83, 45.61

 

Description

Color code: RGB 96 235 96 | qconv.com Color code: RGB 96 235 96 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 96 red, 235 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
96 235 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 59 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 59% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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