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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #617725 it is the complementary color #9E88DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #617725. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #617725 shade: #667720, #778933, #889B46, #99AD59 and #AABF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #617725. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #617725 shade: #617725, #506512, #3F5300, #2E4100 and #1D2F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #617725 shade: #627825, #787825, #786225, #784B25 and #783525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #617725 shade: #627825, #4B7825, #357825, #25782B and #257842

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #617725 shade matches the following richer shades: #627825, #688518 and #6E920B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #617725 shade: #627825, #5C6C31, #565F3E, #50524B and #4A4558

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #617725 shade: #786225, #787825, #627825, #4C7825 and #357825

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #617725 shade: #2F3911, #48591B, #627825, #7C982E and #95B838

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #617725 shade: #617725, #25784C and #6D2578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #617725 shade: #617725, #256278 and #782562

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #617725 shade: #617725, #25784C, #3B2578 and #782551

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #617725 shade: #617725, #257865, #3B2578 and #782538

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 69 / 53

HEX #617725

RGB 97 119 37

HSL 76.1, 0.53%, 0.31%

LAB 46.8, -20.84, 40.77

 

Complementary color

CMYK 28 / 38 / 0 / 15

HEX #9E88DA

RGB 158 136 218

HSL 256.1, 0.53%, 0.69%

LAB 61.6, 25.79, -39.01

 

CMYK 14 / 0 / 73 / 53

HEX #667720

RGB 102 119 32

HSL 71.72, 0.58%, 0.3%

LAB 47.14, -18.97, 43.33

 

CMYK 13 / 0 / 63 / 46

HEX #778933

RGB 119 137 51

HSL 72.56, 0.46%, 0.37%

LAB 54.08, -19.54, 42.73

 

CMYK 12 / 0 / 55 / 39

HEX #889B46

RGB 136 155 70

HSL 73.41, 0.38%, 0.44%

LAB 60.89, -19.92, 41.72

 

CMYK 12 / 0 / 49 / 32

HEX #99AD59

RGB 153 173 89

HSL 74.29, 0.34%, 0.51%

LAB 67.56, -20.19, 40.57

 

CMYK 11 / 0 / 43 / 25

HEX #AABF6C

RGB 170 191 108

HSL 75.18, 0.39%, 0.59%

LAB 74.12, -20.38, 39.39

 

CMYK 18 / 0 / 69 / 53

HEX #617725

RGB 97 119 37

HSL 76.1, 0.53%, 0.31%

LAB 46.8, -20.84, 40.77

 

CMYK 21 / 0 / 82 / 60

HEX #506512

RGB 80 101 18

HSL 75.18, 0.7%, 0.23%

LAB 39.68, -20.21, 40.86

 

CMYK 24 / 0 / 100 / 67

HEX #3F5300

RGB 63 83 0

HSL 74.46, 1%, 0.16%

LAB 32.35, -19.31, 39.78

 

CMYK 29 / 0 / 100 / 75

HEX #2E4100

RGB 46 65 0

HSL 77.54, 1%, 0.13%

LAB 24.83, -17.69, 33.05

 

CMYK 38 / 0 / 100 / 82

HEX #1D2F00

RGB 29 47 0

HSL 82.98, 1%, 0.09%

LAB 16.96, -16.01, 24.06

 

CMYK 18 / 0 / 69 / 53

HEX #627825

RGB 98 120 37

HSL 75.9, 0.53%, 0.31%

LAB 47.19, -20.92, 41.19

 

CMYK 0 / 0 / 69 / 53

HEX #787825

RGB 120 120 37

HSL 60, 0.53%, 0.31%

LAB 48.96, -11.02, 43.57

 

CMYK 0 / 18 / 69 / 53

HEX #786225

RGB 120 98 37

HSL 44.1, 0.53%, 0.31%

LAB 42.55, 1.52, 36.9

 

CMYK 0 / 38 / 69 / 53

HEX #784B25

RGB 120 75 37

HSL 27.47, 0.53%, 0.31%

LAB 36.29, 15.26, 30.02

 

CMYK 0 / 56 / 69 / 53

HEX #783525

RGB 120 53 37

HSL 11.57, 0.53%, 0.31%

LAB 31.05, 28.03, 23.94

 

CMYK 18 / 0 / 69 / 53

HEX #627825

RGB 98 120 37

HSL 75.9, 0.53%, 0.31%

LAB 47.19, -20.92, 41.19

 

CMYK 38 / 0 / 69 / 53

HEX #4B7825

RGB 75 120 37

HSL 92.53, 0.53%, 0.31%

LAB 45.72, -30.37, 39.2

 

CMYK 56 / 0 / 69 / 53

HEX #357825

RGB 53 120 37

HSL 108.43, 0.53%, 0.31%

LAB 44.69, -37.85, 37.79

 

CMYK 69 / 0 / 64 / 53

HEX #25782B

RGB 37 120 43

HSL 124.34, 0.53%, 0.31%

LAB 44.23, -41.28, 34.34

 

CMYK 69 / 0 / 45 / 53

HEX #257842

RGB 37 120 66

HSL 140.96, 0.53%, 0.31%

LAB 44.55, -37.71, 22.58

 

CMYK 18 / 0 / 69 / 53

HEX #627825

RGB 98 120 37

HSL 75.9, 0.53%, 0.31%

LAB 47.19, -20.92, 41.19

 

CMYK 22 / 0 / 82 / 48

HEX #688518

RGB 104 133 24

HSL 75.96, 0.69%, 0.31%

LAB 51.59, -25.65, 50.44

 

CMYK 25 / 0 / 92 / 43

HEX #6E920B

RGB 110 146 11

HSL 76, 0.86%, 0.31%

LAB 55.98, -29.84, 57.37

 

CMYK 18 / 0 / 69 / 53

HEX #627825

RGB 98 120 37

HSL 75.9, 0.53%, 0.31%

LAB 47.19, -20.92, 41.19

 

CMYK 15 / 0 / 55 / 58

HEX #5C6C31

RGB 92 108 49

HSL 76.27, 0.38%, 0.31%

LAB 43.1, -16.11, 30.69

 

CMYK 9 / 0 / 35 / 63

HEX #565F3E

RGB 86 95 62

HSL 76.36, 0.21%, 0.31%

LAB 38.74, -9.77, 17.76

 

CMYK 2 / 0 / 9 / 68

HEX #50524B

RGB 80 82 75

HSL 77.14, 0.04%, 0.31%

LAB 34.49, -2.28, 3.82

 

CMYK 16 / 22 / 0 / 65

HEX #4A4558

RGB 74 69 88

HSL 255.79, 0.12%, 0.31%

LAB 30.44, 6.51, -10.52

 

CMYK 0 / 18 / 69 / 53

HEX #786225

RGB 120 98 37

HSL 44.1, 0.53%, 0.31%

LAB 42.55, 1.52, 36.9

 

CMYK 0 / 0 / 69 / 53

HEX #787825

RGB 120 120 37

HSL 60, 0.53%, 0.31%

LAB 48.96, -11.02, 43.57

 

CMYK 18 / 0 / 69 / 53

HEX #627825

RGB 98 120 37

HSL 75.9, 0.53%, 0.31%

LAB 47.19, -20.92, 41.19

 

CMYK 37 / 0 / 69 / 53

HEX #4C7825

RGB 76 120 37

HSL 91.81, 0.53%, 0.31%

LAB 45.77, -29.99, 39.27

 

CMYK 56 / 0 / 69 / 53

HEX #357825

RGB 53 120 37

HSL 108.43, 0.53%, 0.31%

LAB 44.69, -37.85, 37.79

 

CMYK 18 / 0 / 70 / 78

HEX #2F3911

RGB 47 57 17

HSL 75, 0.54%, 0.15%

LAB 22.2, -11.41, 22.95

 

CMYK 19 / 0 / 70 / 65

HEX #48591B

RGB 72 89 27

HSL 76.45, 0.53%, 0.23%

LAB 35.21, -16.85, 32.54

 

CMYK 18 / 0 / 69 / 53

HEX #627825

RGB 98 120 37

HSL 75.9, 0.53%, 0.31%

LAB 47.19, -20.92, 41.19

 

CMYK 18 / 0 / 70 / 40

HEX #7C982E

RGB 124 152 46

HSL 75.85, 0.54%, 0.39%

LAB 58.92, -25.36, 50.1

 

CMYK 19 / 0 / 70 / 28

HEX #95B838

RGB 149 184 56

HSL 76.41, 0.53%, 0.47%

LAB 70.15, -29.94, 58.13

 

CMYK 18 / 0 / 69 / 53

HEX #617725

RGB 97 119 37

HSL 76.1, 0.53%, 0.31%

LAB 46.8, -20.84, 40.77

 

CMYK 69 / 0 / 37 / 53

HEX #25784C

RGB 37 120 76

HSL 148.19, 0.53%, 0.31%

LAB 44.73, -35.7, 17.12

 

CMYK 9 / 69 / 0 / 53

HEX #6D2578

RGB 109 37 120

HSL 292.05, 0.53%, 0.31%

LAB 29.24, 43.85, -32.52

 

CMYK 18 / 0 / 69 / 53

HEX #617725

RGB 97 119 37

HSL 76.1, 0.53%, 0.31%

LAB 46.8, -20.84, 40.77

 

CMYK 69 / 18 / 0 / 53

HEX #256278

RGB 37 98 120

HSL 195.9, 0.53%, 0.31%

LAB 38.7, -11.99, -18.12

 

CMYK 0 / 69 / 18 / 53

HEX #782562

RGB 120 37 98

HSL 315.9, 0.53%, 0.31%

LAB 29.91, 42.89, -17.25

 

CMYK 18 / 0 / 69 / 53

HEX #617725

RGB 97 119 37

HSL 76.1, 0.53%, 0.31%

LAB 46.8, -20.84, 40.77

 

CMYK 69 / 0 / 37 / 53

HEX #25784C

RGB 37 120 76

HSL 148.19, 0.53%, 0.31%

LAB 44.73, -35.7, 17.12

 

CMYK 51 / 69 / 0 / 53

HEX #3B2578

RGB 59 37 120

HSL 255.9, 0.53%, 0.31%

LAB 22.33, 32.24, -43.99

 

CMYK 0 / 69 / 33 / 53

HEX #782551

RGB 120 37 81

HSL 328.19, 0.53%, 0.31%

LAB 29.18, 40.43, -7.25

 

CMYK 18 / 0 / 69 / 53

HEX #617725

RGB 97 119 37

HSL 76.1, 0.53%, 0.31%

LAB 46.8, -20.84, 40.77

 

CMYK 69 / 0 / 16 / 53

HEX #257865

RGB 37 120 101

HSL 166.27, 0.53%, 0.31%

LAB 45.31, -29.59, 3.24

 

CMYK 51 / 69 / 0 / 53

HEX #3B2578

RGB 59 37 120

HSL 255.9, 0.53%, 0.31%

LAB 22.33, 32.24, -43.99

 

CMYK 0 / 69 / 53 / 53

HEX #782538

RGB 120 37 56

HSL 346.27, 0.53%, 0.31%

LAB 28.38, 37.6, 8.2

 

Description

Color code: HEX #617725 | qconv.com Color code: HEX #617725 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 119 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 119 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 69 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 69% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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