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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #619FAD it is the complementary color #9E6052. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #619FAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #619FAD shade: #669FA8, #77B1BB, #88C3CE, #99D5E1 and #AAE7F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #619FAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #619FAD shade: #619FAD, #508D9A, #3F7B87, #2E6974 and #1D5761

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #619FAD shade: #609FAD, #608AAD, #6076AD, #6061AD and #7460AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #619FAD shade: #609FAD, #608AAD, #6076AD, #6061AD and #6060AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #619FAD shade matches the following richer shades: #609FAD, #4DABC0, #3AB7D4, #26C4E7 and #13D0FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #619FAD shade: #609FAD, #74939A, #878686, #9A7A73 and #AE6E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #619FAD shade: #60AD92, #60ADA7, #609FAD, #608AAD and #6076AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #619FAD shade: #3F707B, #4D8997, #609FAD, #7CAFBB and #97C0C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #619FAD shade: #619FAD, #7E60AD and #AD9C60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #619FAD shade: #619FAD, #AD609F and #9FAD60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #619FAD shade: #619FAD, #7E60AD, #AD6E60 and #90AD60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #619FAD shade: #619FAD, #9560AD, #AD6E60 and #79AD60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 8 / 0 / 32

HEX #619FAD

RGB 97 159 173

HSL 191.05, 0.32%, 0.53%

LAB 61.96, -16.22, -13.54

 

Complementary color

CMYK 0 / 39 / 48 / 38

HEX #9E6052

RGB 158 96 82

HSL 11.05, 0.32%, 0.47%

LAB 47.29, 23.62, 18.67

 

CMYK 39 / 5 / 0 / 34

HEX #669FA8

RGB 102 159 168

HSL 188.18, 0.28%, 0.53%

LAB 62.04, -16.25, -10.58

 

CMYK 36 / 5 / 0 / 27

HEX #77B1BB

RGB 119 177 187

HSL 188.82, 0.33%, 0.6%

LAB 68.72, -16.25, -11.09

 

CMYK 34 / 5 / 0 / 19

HEX #88C3CE

RGB 136 195 206

HSL 189.43, 0.42%, 0.67%

LAB 75.28, -16.23, -11.58

 

CMYK 32 / 5 / 0 / 12

HEX #99D5E1

RGB 153 213 225

HSL 190, 0.55%, 0.74%

LAB 81.73, -16.21, -12.06

 

CMYK 30 / 5 / 0 / 4

HEX #AAE7F4

RGB 170 231 244

HSL 190.54, 0.77%, 0.81%

LAB 88.08, -16.19, -12.52

 

CMYK 44 / 8 / 0 / 32

HEX #619FAD

RGB 97 159 173

HSL 191.05, 0.32%, 0.53%

LAB 61.96, -16.22, -13.54

 

CMYK 48 / 8 / 0 / 40

HEX #508D9A

RGB 80 141 154

HSL 190.54, 0.32%, 0.46%

LAB 55.16, -16.11, -13.05

 

CMYK 53 / 9 / 0 / 47

HEX #3F7B87

RGB 63 123 135

HSL 190, 0.36%, 0.39%

LAB 48.22, -15.92, -12.52

 

CMYK 60 / 9 / 0 / 55

HEX #2E6974

RGB 46 105 116

HSL 189.43, 0.43%, 0.32%

LAB 41.13, -15.59, -11.95

 

CMYK 70 / 10 / 0 / 62

HEX #1D5761

RGB 29 87 97

HSL 188.82, 0.54%, 0.25%

LAB 33.86, -15.02, -11.3

 

CMYK 45 / 8 / 0 / 32

HEX #609FAD

RGB 96 159 173

HSL 190.91, 0.32%, 0.53%

LAB 61.91, -16.48, -13.62

 

CMYK 45 / 20 / 0 / 32

HEX #608AAD

RGB 96 138 173

HSL 207.27, 0.32%, 0.53%

LAB 55.77, -4.9, -22.97

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 45 / 44 / 0 / 32

HEX #6061AD

RGB 96 97 173

HSL 239.22, 0.32%, 0.53%

LAB 44.31, 19.76, -40.88

 

CMYK 33 / 45 / 0 / 32

HEX #7460AD

RGB 116 96 173

HSL 255.58, 0.32%, 0.53%

LAB 45.77, 25.76, -38.46

 

CMYK 45 / 8 / 0 / 32

HEX #609FAD

RGB 96 159 173

HSL 190.91, 0.32%, 0.53%

LAB 61.91, -16.48, -13.62

 

CMYK 45 / 20 / 0 / 32

HEX #608AAD

RGB 96 138 173

HSL 207.27, 0.32%, 0.53%

LAB 55.77, -4.9, -22.97

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 45 / 44 / 0 / 32

HEX #6061AD

RGB 96 97 173

HSL 239.22, 0.32%, 0.53%

LAB 44.31, 19.76, -40.88

 

CMYK 45 / 45 / 0 / 32

HEX #6060AD

RGB 96 96 173

HSL 240, 0.32%, 0.53%

LAB 44.05, 20.39, -41.3

 

CMYK 45 / 8 / 0 / 32

HEX #609FAD

RGB 96 159 173

HSL 190.91, 0.32%, 0.53%

LAB 61.91, -16.48, -13.62

 

CMYK 60 / 11 / 0 / 25

HEX #4DABC0

RGB 77 171 192

HSL 190.96, 0.48%, 0.53%

LAB 65.36, -21.47, -19.09

 

CMYK 73 / 14 / 0 / 17

HEX #3AB7D4

RGB 58 183 212

HSL 191.3, 0.64%, 0.53%

LAB 69.13, -24.38, -24.44

 

CMYK 84 / 15 / 0 / 9

HEX #26C4E7

RGB 38 196 231

HSL 190.88, 0.8%, 0.53%

LAB 73.33, -26.77, -28.38

 

CMYK 92 / 17 / 0 / 2

HEX #13D0FB

RGB 19 208 251

HSL 191.12, 0.97%, 0.53%

LAB 77.41, -27.19, -32.85

 

CMYK 45 / 8 / 0 / 32

HEX #609FAD

RGB 96 159 173

HSL 190.91, 0.32%, 0.53%

LAB 61.91, -16.48, -13.62

 

CMYK 25 / 5 / 0 / 40

HEX #74939A

RGB 116 147 154

HSL 191.05, 0.16%, 0.53%

LAB 58.89, -9.14, -7.26

 

CMYK 0 / 1 / 1 / 47

HEX #878686

RGB 135 134 134

HSL 0, 0%, 0.53%

LAB 56.01, 0.37, 0.12

 

CMYK 0 / 21 / 25 / 40

HEX #9A7A73

RGB 154 122 115

HSL 10.77, 0.16%, 0.53%

LAB 54.06, 11.32, 8.56

 

CMYK 0 / 37 / 45 / 32

HEX #AE6E5F

RGB 174 110 95

HSL 11.39, 0.33%, 0.53%

LAB 52.92, 23.69, 18.98

 

CMYK 45 / 0 / 16 / 32

HEX #60AD92

RGB 96 173 146

HSL 158.96, 0.32%, 0.53%

LAB 65.32, -30.34, 6.5

 

CMYK 45 / 0 / 3 / 32

HEX #60ADA7

RGB 96 173 167

HSL 175.32, 0.32%, 0.53%

LAB 65.88, -25.28, -4.35

 

CMYK 45 / 8 / 0 / 32

HEX #609FAD

RGB 96 159 173

HSL 190.91, 0.32%, 0.53%

LAB 61.91, -16.48, -13.62

 

CMYK 45 / 20 / 0 / 32

HEX #608AAD

RGB 96 138 173

HSL 207.27, 0.32%, 0.53%

LAB 55.77, -4.9, -22.97

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 49 / 9 / 0 / 52

HEX #3F707B

RGB 63 112 123

HSL 191, 0.32%, 0.36%

LAB 44.34, -13.37, -11.25

 

CMYK 49 / 9 / 0 / 41

HEX #4D8997

RGB 77 137 151

HSL 191.35, 0.32%, 0.45%

LAB 53.71, -15.53, -13.52

 

CMYK 45 / 8 / 0 / 32

HEX #609FAD

RGB 96 159 173

HSL 190.91, 0.32%, 0.53%

LAB 61.91, -16.48, -13.62

 

CMYK 34 / 6 / 0 / 27

HEX #7CAFBB

RGB 124 175 187

HSL 191.43, 0.32%, 0.61%

LAB 68.41, -13.8, -11.52

 

CMYK 25 / 4 / 0 / 21

HEX #97C0C9

RGB 151 192 201

HSL 190.8, 0.32%, 0.69%

LAB 75.14, -11.52, -8.99

 

CMYK 44 / 8 / 0 / 32

HEX #619FAD

RGB 97 159 173

HSL 191.05, 0.32%, 0.53%

LAB 61.96, -16.22, -13.54

 

CMYK 27 / 45 / 0 / 32

HEX #7E60AD

RGB 126 96 173

HSL 263.38, 0.32%, 0.53%

LAB 46.74, 28.61, -36.86

 

CMYK 0 / 10 / 45 / 32

HEX #AD9C60

RGB 173 156 96

HSL 46.75, 0.32%, 0.53%

LAB 64.57, -2.24, 33.62

 

CMYK 44 / 8 / 0 / 32

HEX #619FAD

RGB 97 159 173

HSL 191.05, 0.32%, 0.53%

LAB 61.96, -16.22, -13.54

 

CMYK 0 / 45 / 8 / 32

HEX #AD609F

RGB 173 96 159

HSL 310.91, 0.32%, 0.53%

LAB 51.56, 40.2, -20.73

 

CMYK 8 / 0 / 45 / 32

HEX #9FAD60

RGB 159 173 96

HSL 70.91, 0.32%, 0.53%

LAB 68.1, -17.01, 37.79

 

CMYK 44 / 8 / 0 / 32

HEX #619FAD

RGB 97 159 173

HSL 191.05, 0.32%, 0.53%

LAB 61.96, -16.22, -13.54

 

CMYK 27 / 45 / 0 / 32

HEX #7E60AD

RGB 126 96 173

HSL 263.38, 0.32%, 0.53%

LAB 46.74, 28.61, -36.86

 

CMYK 0 / 36 / 45 / 32

HEX #AD6E60

RGB 173 110 96

HSL 10.91, 0.32%, 0.53%

LAB 52.82, 23.39, 18.23

 

CMYK 17 / 0 / 45 / 32

HEX #90AD60

RGB 144 173 96

HSL 82.6, 0.32%, 0.53%

LAB 67.02, -22.97, 36.22

 

CMYK 44 / 8 / 0 / 32

HEX #619FAD

RGB 97 159 173

HSL 191.05, 0.32%, 0.53%

LAB 61.96, -16.22, -13.54

 

CMYK 14 / 45 / 0 / 32

HEX #9560AD

RGB 149 96 173

HSL 281.3, 0.32%, 0.53%

LAB 49.22, 35.44, -32.79

 

CMYK 0 / 36 / 45 / 32

HEX #AD6E60

RGB 173 110 96

HSL 10.91, 0.32%, 0.53%

LAB 52.82, 23.39, 18.23

 

CMYK 30 / 0 / 45 / 32

HEX #79AD60

RGB 121 173 96

HSL 100.52, 0.32%, 0.53%

LAB 65.59, -31.58, 34.11

 

Description

Color code: HEX #619FAD | qconv.com Color code: HEX #619FAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 159 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 159 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 8 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 8% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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