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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61CB35 it is the complementary color #9E34CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61CB35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61CB35 shade: #66CB30, #77DD43, #88EF56, #99FF69 and #AAFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61CB35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61CB35 shade: #61CB35, #50B922, #3FA70F, #2E9500 and #1D8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61CB35 shade: #60CA34, #88CA34, #B1CA34, #CABB34 and #CA9234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61CB35 shade: #60CA34, #37CA34, #34CA59, #34CA81 and #34CAAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61CB35 shade matches the following richer shades: #60CA34, #57DF1F and #4FF30B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61CB35 shade: #60CA34, #68B648, #71A15D, #798C72 and #827886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61CB35 shade: #B1CA34, #89CA34, #61CA34, #39CA34 and #34CA57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61CB35 shade: #418923, #50A92B, #60CA34, #7AD355 and #93DB75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61CB35 shade: #61CB35, #34CABB and #CA349D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61CB35 shade: #61CB35, #3461CA and #CA3461

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61CB35 shade: #61CB35, #34CABB, #9D34CA and #CA3443

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61CB35 shade: #61CB35, #34ACCA, #9D34CA and #CA5234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 74 / 20

HEX #61CB35

RGB 97 203 53

HSL 102.4, 0.59%, 0.5%

LAB 73.23, -56.2, 61.45

 

Complementary color

CMYK 22 / 74 / 0 / 21

HEX #9E34CA

RGB 158 52 202

HSL 282.4, 0.59%, 0.5%

LAB 44.22, 64.97, -57.56

 

CMYK 50 / 0 / 76 / 20

HEX #66CB30

RGB 102 203 48

HSL 99.1, 0.62%, 0.49%

LAB 73.38, -55.1, 63.32

 

CMYK 46 / 0 / 70 / 13

HEX #77DD43

RGB 119 221 67

HSL 99.74, 0.69%, 0.56%

LAB 79.64, -55.64, 63.21

 

CMYK 43 / 0 / 64 / 6

HEX #88EF56

RGB 136 239 86

HSL 100.39, 0.83%, 0.64%

LAB 85.83, -55.96, 62.62

 

CMYK 40 / 0 / 59 / 0

HEX #99FF69

RGB 153 255 105

HSL 100.8, 1%, 0.71%

LAB 91.38, -55.34, 61.11

 

CMYK 33 / 0 / 51 / 0

HEX #AAFF7C

RGB 170 255 124

HSL 98.93, 1%, 0.74%

LAB 92.36, -47.98, 54.06

 

CMYK 52 / 0 / 74 / 20

HEX #61CB35

RGB 97 203 53

HSL 102.4, 0.59%, 0.5%

LAB 73.23, -56.2, 61.45

 

CMYK 57 / 0 / 82 / 27

HEX #50B922

RGB 80 185 34

HSL 101.72, 0.69%, 0.43%

LAB 66.91, -55.38, 61.12

 

CMYK 62 / 0 / 91 / 35

HEX #3FA70F

RGB 63 167 15

HSL 101.05, 0.84%, 0.36%

LAB 60.54, -54.1, 59.61

 

CMYK 69 / 0 / 100 / 42

HEX #2E9500

RGB 46 149 0

HSL 101.48, 1%, 0.29%

LAB 54.11, -52.23, 56.47

 

CMYK 78 / 0 / 100 / 49

HEX #1D8300

RGB 29 131 0

HSL 106.72, 1%, 0.26%

LAB 47.62, -49.54, 51.15

 

CMYK 52 / 0 / 74 / 21

HEX #60CA34

RGB 96 202 52

HSL 102.4, 0.59%, 0.5%

LAB 72.88, -56.18, 61.43

 

CMYK 33 / 0 / 74 / 21

HEX #88CA34

RGB 136 202 52

HSL 86.4, 0.59%, 0.5%

LAB 74.65, -43.28, 63.77

 

CMYK 12 / 0 / 74 / 21

HEX #B1CA34

RGB 177 202 52

HSL 70, 0.59%, 0.5%

LAB 77.18, -27.36, 67.08

 

CMYK 0 / 7 / 74 / 21

HEX #CABB34

RGB 202 187 52

HSL 54, 0.59%, 0.5%

LAB 75.04, -9.34, 65.76

 

CMYK 0 / 28 / 74 / 21

HEX #CA9234

RGB 202 146 52

HSL 37.6, 0.59%, 0.5%

LAB 64.45, 12.47, 55.54

 

CMYK 52 / 0 / 74 / 21

HEX #60CA34

RGB 96 202 52

HSL 102.4, 0.59%, 0.5%

LAB 72.88, -56.18, 61.43

 

CMYK 73 / 0 / 74 / 21

HEX #37CA34

RGB 55 202 52

HSL 118.8, 0.59%, 0.5%

LAB 71.76, -65.27, 59.95

 

CMYK 74 / 0 / 56 / 21

HEX #34CA59

RGB 52 202 89

HSL 134.8, 0.59%, 0.5%

LAB 72.02, -61.89, 44.92

 

CMYK 74 / 0 / 36 / 21

HEX #34CA81

RGB 52 202 129

HSL 150.8, 0.59%, 0.5%

LAB 72.6, -55.25, 25.61

 

CMYK 74 / 0 / 16 / 21

HEX #34CAAA

RGB 52 202 170

HSL 167.2, 0.59%, 0.5%

LAB 73.46, -45.97, 4.93

 

CMYK 52 / 0 / 74 / 21

HEX #60CA34

RGB 96 202 52

HSL 102.4, 0.59%, 0.5%

LAB 72.88, -56.18, 61.43

 

CMYK 61 / 0 / 86 / 13

HEX #57DF1F

RGB 87 223 31

HSL 102.5, 0.76%, 0.5%

LAB 78.98, -66.86, 72.69

 

CMYK 67 / 0 / 95 / 5

HEX #4FF30B

RGB 79 243 11

HSL 102.41, 0.91%, 0.5%

LAB 84.89, -75.34, 80.37

 

CMYK 52 / 0 / 74 / 21

HEX #60CA34

RGB 96 202 52

HSL 102.4, 0.59%, 0.5%

LAB 72.88, -56.18, 61.43

 

CMYK 43 / 0 / 60 / 29

HEX #68B648

RGB 104 182 72

HSL 102.55, 0.43%, 0.5%

LAB 67.18, -44.23, 47.51

 

CMYK 30 / 0 / 42 / 37

HEX #71A15D

RGB 113 161 93

HSL 102.35, 0.27%, 0.5%

LAB 61.47, -29.14, 30.35

 

CMYK 14 / 0 / 19 / 45

HEX #798C72

RGB 121 140 114

HSL 103.85, 0.1%, 0.5%

LAB 56.12, -12, 11.64

 

CMYK 3 / 10 / 0 / 47

HEX #827886

RGB 130 120 134

HSL 282.86, 0.06%, 0.5%

LAB 51.72, 6.59, -6.24

 

CMYK 12 / 0 / 74 / 21

HEX #B1CA34

RGB 177 202 52

HSL 70, 0.59%, 0.5%

LAB 77.18, -27.36, 67.08

 

CMYK 32 / 0 / 74 / 21

HEX #89CA34

RGB 137 202 52

HSL 86, 0.59%, 0.5%

LAB 74.7, -42.92, 63.84

 

CMYK 52 / 0 / 74 / 21

HEX #61CA34

RGB 97 202 52

HSL 102, 0.59%, 0.5%

LAB 72.91, -55.9, 61.48

 

CMYK 72 / 0 / 74 / 21

HEX #39CA34

RGB 57 202 52

HSL 118, 0.59%, 0.5%

LAB 71.8, -64.94, 60

 

CMYK 74 / 0 / 57 / 21

HEX #34CA57

RGB 52 202 87

HSL 134, 0.59%, 0.5%

LAB 72, -62.16, 45.82

 

CMYK 53 / 0 / 74 / 46

HEX #418923

RGB 65 137 35

HSL 102.35, 0.59%, 0.34%

LAB 50.85, -41.34, 45.19

 

CMYK 53 / 0 / 75 / 34

HEX #50A92B

RGB 80 169 43

HSL 102.38, 0.59%, 0.42%

LAB 61.87, -48.89, 53.46

 

CMYK 52 / 0 / 74 / 21

HEX #60CA34

RGB 96 202 52

HSL 102.4, 0.59%, 0.5%

LAB 72.88, -56.18, 61.43

 

CMYK 42 / 0 / 60 / 17

HEX #7AD355

RGB 122 211 85

HSL 102.38, 0.59%, 0.58%

LAB 76.91, -49.19, 52.97

 

CMYK 33 / 0 / 47 / 14

HEX #93DB75

RGB 147 219 117

HSL 102.35, 0.59%, 0.66%

LAB 80.82, -40.86, 42.99

 

CMYK 52 / 0 / 74 / 20

HEX #61CB35

RGB 97 203 53

HSL 102.4, 0.59%, 0.5%

LAB 73.23, -56.2, 61.45

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 0 / 74 / 22 / 21

HEX #CA349D

RGB 202 52 157

HSL 318, 0.59%, 0.5%

LAB 48.82, 67.25, -23.39

 

CMYK 52 / 0 / 74 / 20

HEX #61CB35

RGB 97 203 53

HSL 102.4, 0.59%, 0.5%

LAB 73.23, -56.2, 61.45

 

CMYK 74 / 52 / 0 / 21

HEX #3461CA

RGB 52 97 202

HSL 222, 0.59%, 0.5%

LAB 43.57, 21.31, -59.07

 

CMYK 0 / 74 / 52 / 21

HEX #CA3461

RGB 202 52 97

HSL 342, 0.59%, 0.5%

LAB 46.81, 60.93, 10.04

 

CMYK 52 / 0 / 74 / 20

HEX #61CB35

RGB 97 203 53

HSL 102.4, 0.59%, 0.5%

LAB 73.23, -56.2, 61.45

 

CMYK 74 / 0 / 7 / 21

HEX #34CABB

RGB 52 202 187

HSL 174, 0.59%, 0.5%

LAB 73.91, -41.49, -3.63

 

CMYK 22 / 74 / 0 / 21

HEX #9D34CA

RGB 157 52 202

HSL 282, 0.59%, 0.5%

LAB 44.07, 64.78, -57.8

 

CMYK 0 / 74 / 67 / 21

HEX #CA3443

RGB 202 52 67

HSL 354, 0.59%, 0.5%

LAB 46.2, 58.94, 27.57

 

CMYK 52 / 0 / 74 / 20

HEX #61CB35

RGB 97 203 53

HSL 102.4, 0.59%, 0.5%

LAB 73.23, -56.2, 61.45

 

CMYK 74 / 15 / 0 / 21

HEX #34ACCA

RGB 52 172 202

HSL 192, 0.59%, 0.5%

LAB 65.36, -22.69, -24.71

 

CMYK 22 / 74 / 0 / 21

HEX #9D34CA

RGB 157 52 202

HSL 282, 0.59%, 0.5%

LAB 44.07, 64.78, -57.8

 

CMYK 0 / 59 / 74 / 21

HEX #CA5234

RGB 202 82 52

HSL 12, 0.59%, 0.5%

LAB 50.5, 46.04, 41.13

 

Description

Color code: HEX #61CB35 | qconv.com Color code: HEX #61CB35 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 203 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 203 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 74 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 74% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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