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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #622B6D it is the complementary color #9DD492. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #622B6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #622B6D shade: #672B68, #783D7B, #894F8E, #9A61A1 and #AB73B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #622B6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #622B6D shade: #622B6D, #51195A, #400747, #2F0034 and #1E0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #622B6D shade: #622B6D, #6D2B66, #6D2B54, #6D2B43 and #6D2B31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #622B6D shade: #622B6D, #502B6D, #3E2B6D, #2D2B6D and #2B2B6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #622B6D shade matches the following richer shades: #622B6D, #6A1F79, #721286 and #7B0692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #622B6D shade: #622B6D, #5A3761, #514454, #495048 and #415D3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #622B6D shade: #3F2B6D, #502B6D, #622B6D, #6D2B66 and #6D2B55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #622B6D shade: #2D1432, #471F4F, #622B6D, #7C378A and #9743A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #622B6D shade: #622B6D, #6D2D2B and #2B6D48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #622B6D shade: #622B6D, #6D622B and #2B6D62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #622B6D shade: #622B6D, #6D2D2B, #366D2B and #2B6B6D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #622B6D shade: #622B6D, #6D412B, #366D2B and #2B576D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

Complementary color

CMYK 26 / 0 / 31 / 17

HEX #9DD492

RGB 157 212 146

HSL 110, 0.43%, 0.7%

LAB 79.8, -30.19, 27.11

 

CMYK 1 / 59 / 0 / 59

HEX #672B68

RGB 103 43 104

HSL 299.02, 0.41%, 0.29%

LAB 28.41, 36.11, -23.67

 

CMYK 2 / 50 / 0 / 52

HEX #783D7B

RGB 120 61 123

HSL 297.1, 0.34%, 0.36%

LAB 35.52, 35.48, -24.38

 

CMYK 4 / 44 / 0 / 44

HEX #894F8E

RGB 137 79 142

HSL 295.24, 0.29%, 0.43%

LAB 42.56, 34.71, -24.89

 

CMYK 4 / 40 / 0 / 37

HEX #9A61A1

RGB 154 97 161

HSL 293.44, 0.25%, 0.51%

LAB 49.49, 33.91, -25.29

 

CMYK 5 / 36 / 0 / 29

HEX #AB73B4

RGB 171 115 180

HSL 291.69, 0.3%, 0.58%

LAB 56.3, 33.13, -25.64

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 10 / 72 / 0 / 65

HEX #51195A

RGB 81 25 90

HSL 291.69, 0.57%, 0.23%

LAB 20.76, 35.95, -26.83

 

CMYK 10 / 90 / 0 / 72

HEX #400747

RGB 64 7 71

HSL 293.44, 0.82%, 0.15%

LAB 13.81, 35.08, -25.19

 

CMYK 10 / 100 / 0 / 80

HEX #2F0034

RGB 47 0 52

HSL 294.23, 1%, 0.1%

LAB 7.7, 30.93, -21.62

 

CMYK 9 / 100 / 0 / 87

HEX #1E0021

RGB 30 0 33

HSL 294.55, 1%, 0.06%

LAB 3.49, 18.16, -14.03

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 0 / 61 / 6 / 57

HEX #6D2B66

RGB 109 43 102

HSL 306.36, 0.43%, 0.3%

LAB 29.26, 37.53, -20.99

 

CMYK 0 / 61 / 23 / 57

HEX #6D2B54

RGB 109 43 84

HSL 322.73, 0.43%, 0.3%

LAB 28.43, 34.44, -10.55

 

CMYK 0 / 61 / 39 / 57

HEX #6D2B43

RGB 109 43 67

HSL 338.18, 0.43%, 0.3%

LAB 27.8, 31.98, -0.24

 

CMYK 0 / 61 / 55 / 57

HEX #6D2B31

RGB 109 43 49

HSL 354.55, 0.43%, 0.3%

LAB 27.3, 29.95, 11.05

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 27 / 61 / 0 / 57

HEX #502B6D

RGB 80 43 109

HSL 273.64, 0.43%, 0.3%

LAB 25.37, 30.57, -31.91

 

CMYK 43 / 61 / 0 / 57

HEX #3E2B6D

RGB 62 43 109

HSL 257.27, 0.43%, 0.3%

LAB 23.19, 25.76, -35.53

 

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

CMYK 61 / 61 / 0 / 57

HEX #2B2B6D

RGB 43 43 109

HSL 240, 0.43%, 0.3%

LAB 21.38, 21.37, -38.55

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 12 / 74 / 0 / 53

HEX #6A1F79

RGB 106 31 121

HSL 290, 0.59%, 0.3%

LAB 27.91, 45.86, -35.29

 

CMYK 15 / 87 / 0 / 47

HEX #721286

RGB 114 18 134

HSL 289.66, 0.76%, 0.3%

LAB 28.72, 54.23, -42.1

 

CMYK 16 / 96 / 0 / 43

HEX #7B0692

RGB 123 6 146

HSL 290.14, 0.92%, 0.3%

LAB 30.44, 60.2, -46.7

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 7 / 43 / 0 / 62

HEX #5A3761

RGB 90 55 97

HSL 290, 0.28%, 0.3%

LAB 28.82, 23.53, -18.65

 

CMYK 4 / 19 / 0 / 67

HEX #514454

RGB 81 68 84

HSL 288.75, 0.11%, 0.3%

LAB 30.7, 8.91, -7.49

 

CMYK 9 / 0 / 10 / 69

HEX #495048

RGB 73 80 72

HSL 112.5, 0.05%, 0.3%

LAB 33.18, -4.57, 3.75

 

CMYK 30 / 0 / 37 / 64

HEX #415D3B

RGB 65 93 59

HSL 109.41, 0.22%, 0.3%

LAB 36.5, -17.86, 16.29

 

CMYK 42 / 61 / 0 / 57

HEX #3F2B6D

RGB 63 43 109

HSL 258.18, 0.43%, 0.3%

LAB 23.3, 26.02, -35.35

 

CMYK 27 / 61 / 0 / 57

HEX #502B6D

RGB 80 43 109

HSL 273.64, 0.43%, 0.3%

LAB 25.37, 30.57, -31.91

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 0 / 61 / 6 / 57

HEX #6D2B66

RGB 109 43 102

HSL 306.36, 0.43%, 0.3%

LAB 29.26, 37.53, -20.99

 

CMYK 0 / 61 / 22 / 57

HEX #6D2B55

RGB 109 43 85

HSL 321.82, 0.43%, 0.3%

LAB 28.47, 34.59, -11.14

 

CMYK 10 / 60 / 0 / 80

HEX #2D1432

RGB 45 20 50

HSL 290, 0.43%, 0.14%

LAB 11.19, 18.67, -14.61

 

CMYK 10 / 61 / 0 / 69

HEX #471F4F

RGB 71 31 79

HSL 290, 0.44%, 0.22%

LAB 19.57, 27.54, -21.43

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 10 / 60 / 0 / 46

HEX #7C378A

RGB 124 55 138

HSL 289.88, 0.43%, 0.38%

LAB 35.7, 42.88, -33.34

 

CMYK 10 / 60 / 0 / 34

HEX #9743A8

RGB 151 67 168

HSL 289.9, 0.43%, 0.46%

LAB 43.39, 50.24, -39.01

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 0 / 59 / 61 / 57

HEX #6D2D2B

RGB 109 45 43

HSL 1.82, 0.43%, 0.3%

LAB 27.58, 28.33, 15.38

 

CMYK 61 / 0 / 34 / 57

HEX #2B6D48

RGB 43 109 72

HSL 146.36, 0.43%, 0.3%

LAB 41.09, -30.33, 14.56

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 0 / 10 / 61 / 57

HEX #6D622B

RGB 109 98 43

HSL 50, 0.43%, 0.3%

LAB 41.47, -3.24, 32.34

 

CMYK 61 / 0 / 10 / 57

HEX #2B6D62

RGB 43 109 98

HSL 170, 0.43%, 0.3%

LAB 41.74, -23.81, -0.12

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 0 / 59 / 61 / 57

HEX #6D2D2B

RGB 109 45 43

HSL 1.82, 0.43%, 0.3%

LAB 27.58, 28.33, 15.38

 

CMYK 50 / 0 / 61 / 57

HEX #366D2B

RGB 54 109 43

HSL 110, 0.43%, 0.3%

LAB 41.05, -32.16, 30.84

 

CMYK 61 / 2 / 0 / 57

HEX #2B6B6D

RGB 43 107 109

HSL 181.82, 0.43%, 0.3%

LAB 41.43, -19.51, -7.26

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 0 / 40 / 61 / 57

HEX #6D412B

RGB 109 65 43

HSL 20, 0.43%, 0.3%

LAB 32.27, 16.69, 21.37

 

CMYK 50 / 0 / 61 / 57

HEX #366D2B

RGB 54 109 43

HSL 110, 0.43%, 0.3%

LAB 41.05, -32.16, 30.84

 

CMYK 61 / 20 / 0 / 57

HEX #2B576D

RGB 43 87 109

HSL 200, 0.43%, 0.3%

LAB 34.87, -8.06, -17.21

 

Description

Color code: HEX #622B6D | qconv.com Color code: HEX #622B6D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 43 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 43 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 61 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 61% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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