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Color name
HEX #2D2B6D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2D2B6D it is the complementary color #D2D492. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2D2B6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2D2B6D shade: #322B68, #433D7B, #544F8E, #6561A1 and #7673B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2D2B6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2D2B6D shade: #2D2B6D, #1C195A, #0B0747, #000034 and #000021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2D2B6D shade: #2D2B6D, #3F2B6D, #512B6D, #622B6D and #6D2B66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2D2B6D shade: #2D2B6D and #2B2B6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2D2B6D shade matches the following richer shades: #2D2B6D, #211F79, #161286 and #0A0692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2D2B6D shade: #2D2B6D, #393761, #444454, #505048 and #5C5D3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2D2B6D shade: #2B4D6D, #2B3C6D, #2C2B6D, #3E2B6D and #4F2B6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2D2B6D shade: #151432, #211F4F, #2D2B6D, #39378A and #4643A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2D2B6D shade: #2D2B6D, #6D2B5F and #446D2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2D2B6D shade: #2D2B6D, #6D2C2B and #2B6D2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2D2B6D shade: #2D2B6D, #6D2B5F, #6C6D2B and #2B6D39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2D2B6D shade: #2D2B6D, #6D2B4B, #6C6D2B and #2B6D4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

Complementary color

CMYK 1 / 0 / 31 / 17

HEX #D2D492

RGB 210 212 146

HSL 61.82, 0.43%, 0.7%

LAB 83.37, -10.88, 32.51

 

CMYK 52 / 59 / 0 / 59

HEX #322B68

RGB 50 43 104

HSL 246.89, 0.41%, 0.29%

LAB 21.6, 21.17, -34.92

 

CMYK 46 / 50 / 0 / 52

HEX #433D7B

RGB 67 61 123

HSL 245.81, 0.34%, 0.36%

LAB 29.31, 19.7, -34.59

 

CMYK 41 / 44 / 0 / 44

HEX #544F8E

RGB 84 79 142

HSL 244.76, 0.29%, 0.43%

LAB 36.8, 18.53, -34.33

 

CMYK 37 / 40 / 0 / 37

HEX #6561A1

RGB 101 97 161

HSL 243.75, 0.25%, 0.51%

LAB 44.07, 17.57, -34.14

 

CMYK 34 / 36 / 0 / 29

HEX #7673B4

RGB 118 115 180

HSL 242.77, 0.3%, 0.58%

LAB 51.16, 16.76, -34.03

 

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

CMYK 69 / 72 / 0 / 65

HEX #1C195A

RGB 28 25 90

HSL 242.77, 0.57%, 0.23%

LAB 13.71, 23.97, -38.57

 

CMYK 85 / 90 / 0 / 72

HEX #0B0747

RGB 11 7 71

HSL 243.75, 0.82%, 0.15%

LAB 6.12, 25.76, -38.05

 

CMYK 100 / 100 / 0 / 80

HEX #000034

RGB 0 0 52

HSL 240, 1%, 0.1%

LAB 2.24, 15.74, -30.68

 

CMYK 100 / 100 / 0 / 87

HEX #000021

RGB 0 0 33

HSL 240, 1%, 0.06%

LAB 0.99, 6.97, -18.06

 

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

CMYK 42 / 61 / 0 / 57

HEX #3F2B6D

RGB 63 43 109

HSL 258.18, 0.43%, 0.3%

LAB 23.3, 26.02, -35.35

 

CMYK 26 / 61 / 0 / 57

HEX #512B6D

RGB 81 43 109

HSL 274.55, 0.43%, 0.3%

LAB 25.51, 30.85, -31.69

 

CMYK 10 / 61 / 0 / 57

HEX #622B6D

RGB 98 43 109

HSL 290, 0.43%, 0.3%

LAB 27.92, 35.68, -27.7

 

CMYK 0 / 61 / 6 / 57

HEX #6D2B66

RGB 109 43 102

HSL 306.36, 0.43%, 0.3%

LAB 29.26, 37.53, -20.99

 

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

CMYK 61 / 61 / 0 / 57

HEX #2B2B6D

RGB 43 43 109

HSL 240, 0.43%, 0.3%

LAB 21.38, 21.37, -38.55

 

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

CMYK 73 / 74 / 0 / 53

HEX #211F79

RGB 33 31 121

HSL 241.33, 0.59%, 0.3%

LAB 18.73, 32.09, -50.63

 

CMYK 84 / 87 / 0 / 47

HEX #161286

RGB 22 18 134

HSL 242.07, 0.76%, 0.3%

LAB 17.11, 42.76, -61.6

 

CMYK 93 / 96 / 0 / 43

HEX #0A0692

RGB 10 6 146

HSL 241.71, 0.92%, 0.3%

LAB 16.85, 50.39, -69.56

 

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

CMYK 41 / 43 / 0 / 62

HEX #393761

RGB 57 55 97

HSL 242.86, 0.28%, 0.3%

LAB 25.15, 12.56, -24.66

 

CMYK 19 / 19 / 0 / 67

HEX #444454

RGB 68 68 84

HSL 240, 0.11%, 0.3%

LAB 29.42, 3.87, -9.54

 

CMYK 0 / 0 / 10 / 69

HEX #505048

RGB 80 80 72

HSL 60, 0.05%, 0.3%

LAB 33.8, -1.65, 4.72

 

CMYK 1 / 0 / 37 / 64

HEX #5C5D3B

RGB 92 93 59

HSL 61.76, 0.22%, 0.3%

LAB 38.59, -6.4, 19.43

 

CMYK 61 / 29 / 0 / 57

HEX #2B4D6D

RGB 43 77 109

HSL 209.09, 0.43%, 0.3%

LAB 31.64, -1.8, -22.22

 

CMYK 61 / 45 / 0 / 57

HEX #2B3C6D

RGB 43 60 109

HSL 224.55, 0.43%, 0.3%

LAB 26.3, 9.55, -30.64

 

CMYK 60 / 61 / 0 / 57

HEX #2C2B6D

RGB 44 43 109

HSL 240.91, 0.43%, 0.3%

LAB 21.46, 21.58, -38.42

 

CMYK 43 / 61 / 0 / 57

HEX #3E2B6D

RGB 62 43 109

HSL 257.27, 0.43%, 0.3%

LAB 23.19, 25.76, -35.53

 

CMYK 28 / 61 / 0 / 57

HEX #4F2B6D

RGB 79 43 109

HSL 272.73, 0.43%, 0.3%

LAB 25.24, 30.29, -32.13

 

CMYK 58 / 60 / 0 / 80

HEX #151432

RGB 21 20 50

HSL 242, 0.43%, 0.14%

LAB 8.04, 10.67, -19.82

 

CMYK 58 / 61 / 0 / 69

HEX #211F4F

RGB 33 31 79

HSL 242.5, 0.44%, 0.22%

LAB 14.78, 16.6, -29.37

 

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

CMYK 59 / 60 / 0 / 46

HEX #39378A

RGB 57 55 138

HSL 241.45, 0.43%, 0.38%

LAB 27.95, 26.37, -46.19

 

CMYK 58 / 60 / 0 / 34

HEX #4643A8

RGB 70 67 168

HSL 241.78, 0.43%, 0.46%

LAB 34.28, 31.3, -54.13

 

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

CMYK 0 / 61 / 13 / 57

HEX #6D2B5F

RGB 109 43 95

HSL 312.73, 0.43%, 0.3%

LAB 28.92, 36.27, -16.99

 

CMYK 38 / 0 / 61 / 57

HEX #446D2B

RGB 68 109 43

HSL 97.27, 0.43%, 0.3%

LAB 41.75, -27.21, 31.83

 

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

CMYK 0 / 60 / 61 / 57

HEX #6D2C2B

RGB 109 44 43

HSL 0.91, 0.43%, 0.3%

LAB 27.37, 28.87, 15.11

 

CMYK 61 / 0 / 60 / 57

HEX #2B6D2C

RGB 43 109 44

HSL 120.91, 0.43%, 0.3%

LAB 40.63, -35.3, 29.72

 

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

CMYK 0 / 61 / 13 / 57

HEX #6D2B5F

RGB 109 43 95

HSL 312.73, 0.43%, 0.3%

LAB 28.92, 36.27, -16.99

 

CMYK 1 / 0 / 61 / 57

HEX #6C6D2B

RGB 108 109 43

HSL 60.91, 0.43%, 0.3%

LAB 44.66, -10.01, 35.91

 

CMYK 61 / 0 / 48 / 57

HEX #2B6D39

RGB 43 109 57

HSL 132.73, 0.43%, 0.3%

LAB 40.81, -33.28, 22.88

 

CMYK 59 / 61 / 0 / 57

HEX #2D2B6D

RGB 45 43 109

HSL 241.82, 0.43%, 0.3%

LAB 21.54, 21.79, -38.28

 

CMYK 0 / 61 / 31 / 57

HEX #6D2B4B

RGB 109 43 75

HSL 330.91, 0.43%, 0.3%

LAB 28.08, 33.08, -5.14

 

CMYK 1 / 0 / 61 / 57

HEX #6C6D2B

RGB 108 109 43

HSL 60.91, 0.43%, 0.3%

LAB 44.66, -10.01, 35.91

 

CMYK 61 / 0 / 29 / 57

HEX #2B6D4D

RGB 43 109 77

HSL 150.91, 0.43%, 0.3%

LAB 41.19, -29.21, 11.74

 

Description

Color code: HEX #2D2B6D | qconv.com Color code: HEX #2D2B6D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 43 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 43 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 61 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 61% 0% 57% C M Y K

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Provide designers and agencies with accurate color values.

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