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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #622FDD it is the complementary color #9DD022. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #622FDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #622FDD shade: #672FD8, #7841EB, #8953FE, #9A65FF and #AB77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #622FDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #622FDD shade: #622FDD, #511DCA, #400BB7, #2F00A4 and #1E0091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #622FDD shade: #6330DD, #9130DD, #C030DD, #DD30CB and #DD309D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #622FDD shade: #6330DD, #3430DD and #3030DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #622FDD shade matches the following richer shades: #6330DD and #5B1DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #622FDD shade: #6330DD, #6B44CA, #7357B6, #7B6BA3 and #837E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #622FDD shade: #305CDD, #3330DD, #6130DD, #8F30DD and #BD30DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #622FDD shade: #411AA1, #5020C4, #6330DD, #7E54E3 and #9977E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #622FDD shade: #622FDD, #DD308A and #44DD30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #622FDD shade: #622FDD, #DD6130 and #30DD61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #622FDD shade: #622FDD, #DD308A, #ACDD30 and #30DD84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #622FDD shade: #622FDD, #DD3056, #ACDD30 and #30DDB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 79 / 0 / 13

HEX #622FDD

RGB 98 47 221

HSL 257.59, 0.72%, 0.53%

LAB 37.57, 61.97, -79.67

 

Complementary color

CMYK 25 / 0 / 84 / 18

HEX #9DD022

RGB 157 208 34

HSL 77.59, 0.72%, 0.47%

LAB 77.52, -38.83, 71.94

 

CMYK 52 / 78 / 0 / 15

HEX #672FD8

RGB 103 47 216

HSL 259.88, 0.68%, 0.52%

LAB 37.62, 61.27, -76.71

 

CMYK 49 / 72 / 0 / 8

HEX #7841EB

RGB 120 65 235

HSL 259.41, 0.81%, 0.59%

LAB 43.9, 60.57, -77.16

 

CMYK 46 / 67 / 0 / 0

HEX #8953FE

RGB 137 83 254

HSL 258.95, 0.99%, 0.66%

LAB 50.29, 59.55, -77.3

 

CMYK 40 / 60 / 0 / 0

HEX #9A65FF

RGB 154 101 255

HSL 260.65, 1%, 0.7%

LAB 55.48, 53.76, -69.35

 

CMYK 33 / 53 / 0 / 0

HEX #AB77FF

RGB 171 119 255

HSL 262.94, 1%, 0.73%

LAB 60.84, 47.91, -60.63

 

CMYK 56 / 79 / 0 / 13

HEX #622FDD

RGB 98 47 221

HSL 257.59, 0.72%, 0.53%

LAB 37.57, 61.97, -79.67

 

CMYK 60 / 86 / 0 / 21

HEX #511DCA

RGB 81 29 202

HSL 258.03, 0.75%, 0.45%

LAB 31.56, 62.12, -78.66

 

CMYK 65 / 94 / 0 / 28

HEX #400BB7

RGB 64 11 183

HSL 258.49, 0.89%, 0.38%

LAB 26.01, 60.98, -76.72

 

CMYK 71 / 100 / 0 / 36

HEX #2F00A4

RGB 47 0 164

HSL 257.2, 1%, 0.32%

LAB 21.15, 57.83, -73.4

 

CMYK 79 / 100 / 0 / 43

HEX #1E0091

RGB 30 0 145

HSL 252.41, 1%, 0.28%

LAB 17.09, 52.48, -68.51

 

CMYK 55 / 78 / 0 / 13

HEX #6330DD

RGB 99 48 221

HSL 257.69, 0.72%, 0.53%

LAB 37.82, 61.67, -79.26

 

CMYK 34 / 78 / 0 / 13

HEX #9130DD

RGB 145 48 221

HSL 273.64, 0.72%, 0.53%

LAB 43.29, 68.11, -70.08

 

CMYK 13 / 78 / 0 / 13

HEX #C030DD

RGB 192 48 221

HSL 289.94, 0.72%, 0.53%

LAB 50.15, 76.14, -58.65

 

CMYK 0 / 78 / 8 / 13

HEX #DD30CB

RGB 221 48 203

HSL 306.24, 0.72%, 0.53%

LAB 53.81, 78.88, -42.24

 

CMYK 0 / 78 / 29 / 13

HEX #DD309D

RGB 221 48 157

HSL 322.2, 0.72%, 0.53%

LAB 51.75, 72.94, -18.61

 

CMYK 55 / 78 / 0 / 13

HEX #6330DD

RGB 99 48 221

HSL 257.69, 0.72%, 0.53%

LAB 37.82, 61.67, -79.26

 

CMYK 76 / 78 / 0 / 13

HEX #3430DD

RGB 52 48 221

HSL 241.39, 0.72%, 0.53%

LAB 34.12, 57.29, -85.5

 

CMYK 78 / 78 / 0 / 13

HEX #3030DD

RGB 48 48 221

HSL 240, 0.72%, 0.53%

LAB 33.91, 57.04, -85.86

 

CMYK 55 / 78 / 0 / 13

HEX #6330DD

RGB 99 48 221

HSL 257.69, 0.72%, 0.53%

LAB 37.82, 61.67, -79.26

 

CMYK 62 / 88 / 0 / 6

HEX #5B1DF0

RGB 91 29 240

HSL 257.63, 0.88%, 0.53%

LAB 36.73, 72.47, -91.91

 

CMYK 55 / 78 / 0 / 13

HEX #6330DD

RGB 99 48 221

HSL 257.69, 0.72%, 0.53%

LAB 37.82, 61.67, -79.26

 

CMYK 47 / 66 / 0 / 21

HEX #6B44CA

RGB 107 68 202

HSL 257.46, 0.56%, 0.53%

LAB 40.45, 47.96, -63.97

 

CMYK 37 / 52 / 0 / 29

HEX #7357B6

RGB 115 87 182

HSL 257.68, 0.39%, 0.53%

LAB 44, 33.33, -46.54

 

CMYK 25 / 34 / 0 / 36

HEX #7B6BA3

RGB 123 107 163

HSL 257.14, 0.23%, 0.53%

LAB 48.72, 18.6, -27.91

 

CMYK 8 / 12 / 0 / 44

HEX #837E8F

RGB 131 126 143

HSL 257.65, 0.07%, 0.53%

LAB 53.74, 5.36, -8.49

 

CMYK 78 / 58 / 0 / 13

HEX #305CDD

RGB 48 92 221

HSL 224.74, 0.72%, 0.53%

LAB 43.51, 31.13, -70.06

 

CMYK 77 / 78 / 0 / 13

HEX #3330DD

RGB 51 48 221

HSL 241.04, 0.72%, 0.53%

LAB 34.06, 57.23, -85.59

 

CMYK 56 / 78 / 0 / 13

HEX #6130DD

RGB 97 48 221

HSL 256.99, 0.72%, 0.53%

LAB 37.62, 61.43, -79.6

 

CMYK 35 / 78 / 0 / 13

HEX #8F30DD

RGB 143 48 221

HSL 272.95, 0.72%, 0.53%

LAB 43.02, 67.8, -70.53

 

CMYK 14 / 78 / 0 / 13

HEX #BD30DD

RGB 189 48 221

HSL 288.9, 0.72%, 0.53%

LAB 49.68, 75.59, -59.42

 

CMYK 60 / 84 / 0 / 37

HEX #411AA1

RGB 65 26 161

HSL 257.33, 0.72%, 0.37%

LAB 25.06, 50.75, -65.02

 

CMYK 59 / 84 / 0 / 23

HEX #5020C4

RGB 80 32 196

HSL 257.56, 0.72%, 0.45%

LAB 31.17, 59.4, -75.8

 

CMYK 55 / 78 / 0 / 13

HEX #6330DD

RGB 99 48 221

HSL 257.69, 0.72%, 0.53%

LAB 37.82, 61.67, -79.26

 

CMYK 44 / 63 / 0 / 11

HEX #7E54E3

RGB 126 84 227

HSL 257.62, 0.72%, 0.61%

LAB 47.39, 49.82, -66.91

 

CMYK 34 / 49 / 0 / 9

HEX #9977E8

RGB 153 119 232

HSL 258.05, 0.71%, 0.69%

LAB 57.84, 37.7, -52.8

 

CMYK 56 / 79 / 0 / 13

HEX #622FDD

RGB 98 47 221

HSL 257.59, 0.72%, 0.53%

LAB 37.57, 61.97, -79.67

 

CMYK 0 / 78 / 38 / 13

HEX #DD308A

RGB 221 48 138

HSL 328.79, 0.72%, 0.53%

LAB 51.06, 70.9, -8.31

 

CMYK 69 / 0 / 78 / 13

HEX #44DD30

RGB 68 221 48

HSL 113.06, 0.72%, 0.53%

LAB 77.97, -69.3, 67.36

 

CMYK 56 / 79 / 0 / 13

HEX #622FDD

RGB 98 47 221

HSL 257.59, 0.72%, 0.53%

LAB 37.57, 61.97, -79.67

 

CMYK 0 / 56 / 78 / 13

HEX #DD6130

RGB 221 97 48

HSL 16.99, 0.72%, 0.53%

LAB 56.22, 45.8, 50.01

 

CMYK 78 / 0 / 56 / 13

HEX #30DD61

RGB 48 221 97

HSL 136.99, 0.72%, 0.53%

LAB 78, -67.65, 48.3

 

CMYK 56 / 79 / 0 / 13

HEX #622FDD

RGB 98 47 221

HSL 257.59, 0.72%, 0.53%

LAB 37.57, 61.97, -79.67

 

CMYK 0 / 78 / 38 / 13

HEX #DD308A

RGB 221 48 138

HSL 328.79, 0.72%, 0.53%

LAB 51.06, 70.9, -8.31

 

CMYK 22 / 0 / 78 / 13

HEX #ACDD30

RGB 172 221 48

HSL 76.99, 0.72%, 0.53%

LAB 82.22, -38.31, 72.85

 

CMYK 78 / 0 / 40 / 13

HEX #30DD84

RGB 48 221 132

HSL 149.13, 0.72%, 0.53%

LAB 78.47, -62.12, 31.86

 

CMYK 56 / 79 / 0 / 13

HEX #622FDD

RGB 98 47 221

HSL 257.59, 0.72%, 0.53%

LAB 37.57, 61.97, -79.67

 

CMYK 0 / 78 / 61 / 13

HEX #DD3056

RGB 221 48 86

HSL 346.82, 0.72%, 0.53%

LAB 49.69, 66.7, 21.27

 

CMYK 22 / 0 / 78 / 13

HEX #ACDD30

RGB 172 221 48

HSL 76.99, 0.72%, 0.53%

LAB 82.22, -38.31, 72.85

 

CMYK 78 / 0 / 17 / 13

HEX #30DDB8

RGB 48 221 184

HSL 167.17, 0.72%, 0.53%

LAB 79.5, -50.8, 6.12

 

Description

Color code: HEX #622FDD | qconv.com Color code: HEX #622FDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 47 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 47 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 79 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 79% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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