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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6235DB it is the complementary color #9DCA24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6235DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6235DB shade: #6735D6, #7847E9, #8959FC, #9A6BFF and #AB7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6235DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6235DB shade: #6235DB, #5123C8, #4011B5, #2F00A2 and #1E008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6235DB shade: #6033DB, #8E33DB, #BB33DB, #DB33CD and #DB33A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6235DB shade: #6033DB, #3333DB and #3333DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6235DB shade matches the following richer shades: #6033DB and #571FEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6235DB shade: #6033DB, #6946C7, #725AB4, #7B6DA0 and #84808D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6235DB shade: #335FDB, #3333DB, #5F33DB, #8C33DB and #B933DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6235DB shade: #3F1C9F, #4D22C2, #6033DB, #7B56E1 and #9779E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6235DB shade: #6235DB, #DB338C and #49DB33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6235DB shade: #6235DB, #DB5F33 and #33DB5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6235DB shade: #6235DB, #DB338C, #AEDB33 and #33DB81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6235DB shade: #6235DB, #DB335A, #AEDB33 and #33DBB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 76 / 0 / 14

HEX #6235DB

RGB 98 53 219

HSL 256.27, 0.7%, 0.53%

LAB 38.3, 58.79, -77.33

 

Complementary color

CMYK 22 / 0 / 82 / 21

HEX #9DCA24

RGB 157 202 36

HSL 76.27, 0.7%, 0.47%

LAB 75.78, -36.07, 69.96

 

CMYK 52 / 75 / 0 / 16

HEX #6735D6

RGB 103 53 214

HSL 258.63, 0.66%, 0.52%

LAB 38.35, 58.11, -74.35

 

CMYK 48 / 70 / 0 / 9

HEX #7847E9

RGB 120 71 233

HSL 258.15, 0.79%, 0.6%

LAB 44.78, 57.13, -74.6

 

CMYK 46 / 65 / 0 / 1

HEX #8959FC

RGB 137 89 252

HSL 257.67, 0.96%, 0.67%

LAB 51.26, 55.96, -74.61

 

CMYK 40 / 58 / 0 / 0

HEX #9A6BFF

RGB 154 107 255

HSL 259.05, 1%, 0.71%

LAB 56.69, 50.56, -67.4

 

CMYK 33 / 51 / 0 / 0

HEX #AB7DFF

RGB 171 125 255

HSL 261.23, 1%, 0.75%

LAB 62.12, 44.64, -58.59

 

CMYK 55 / 76 / 0 / 14

HEX #6235DB

RGB 98 53 219

HSL 256.27, 0.7%, 0.53%

LAB 38.3, 58.79, -77.33

 

CMYK 60 / 83 / 0 / 22

HEX #5123C8

RGB 81 35 200

HSL 256.73, 0.7%, 0.46%

LAB 32.08, 59.42, -76.63

 

CMYK 65 / 91 / 0 / 29

HEX #4011B5

RGB 64 17 181

HSL 257.2, 0.83%, 0.39%

LAB 26.24, 59.04, -75.14

 

CMYK 71 / 100 / 0 / 36

HEX #2F00A2

RGB 47 0 162

HSL 257.41, 1%, 0.32%

LAB 20.88, 57.34, -72.63

 

CMYK 79 / 100 / 0 / 44

HEX #1E008F

RGB 30 0 143

HSL 252.59, 1%, 0.28%

LAB 16.79, 51.97, -67.75

 

CMYK 56 / 77 / 0 / 14

HEX #6033DB

RGB 96 51 219

HSL 256.07, 0.7%, 0.53%

LAB 37.79, 59.45, -78.18

 

CMYK 35 / 77 / 0 / 14

HEX #8E33DB

RGB 142 51 219

HSL 272.5, 0.7%, 0.53%

LAB 43.11, 66.1, -69.24

 

CMYK 15 / 77 / 0 / 14

HEX #BB33DB

RGB 187 51 219

HSL 288.57, 0.7%, 0.53%

LAB 49.55, 73.99, -58.5

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 0 / 77 / 27 / 14

HEX #DB33A0

RGB 219 51 160

HSL 321.07, 0.7%, 0.53%

LAB 51.8, 72, -20.34

 

CMYK 56 / 77 / 0 / 14

HEX #6033DB

RGB 96 51 219

HSL 256.07, 0.7%, 0.53%

LAB 37.79, 59.45, -78.18

 

CMYK 77 / 77 / 0 / 14

HEX #3333DB

RGB 51 51 219

HSL 240, 0.7%, 0.53%

LAB 34.37, 55.1, -83.94

 

CMYK 77 / 77 / 0 / 14

HEX #3333DB

RGB 51 51 219

HSL 240, 0.7%, 0.53%

LAB 34.37, 55.1, -83.94

 

CMYK 56 / 77 / 0 / 14

HEX #6033DB

RGB 96 51 219

HSL 256.07, 0.7%, 0.53%

LAB 37.79, 59.45, -78.18

 

CMYK 63 / 87 / 0 / 7

HEX #571FEE

RGB 87 31 238

HSL 256.23, 0.86%, 0.53%

LAB 36.33, 71.12, -91.46

 

CMYK 56 / 77 / 0 / 14

HEX #6033DB

RGB 96 51 219

HSL 256.07, 0.7%, 0.53%

LAB 37.79, 59.45, -78.18

 

CMYK 47 / 65 / 0 / 22

HEX #6946C7

RGB 105 70 199

HSL 256.28, 0.54%, 0.53%

LAB 40.42, 45.65, -62.28

 

CMYK 37 / 50 / 0 / 29

HEX #725AB4

RGB 114 90 180

HSL 256, 0.38%, 0.53%

LAB 44.5, 30.74, -44.59

 

CMYK 23 / 32 / 0 / 37

HEX #7B6DA0

RGB 123 109 160

HSL 256.47, 0.21%, 0.53%

LAB 49.11, 16.65, -25.54

 

CMYK 6 / 9 / 0 / 45

HEX #84808D

RGB 132 128 141

HSL 258.46, 0.05%, 0.53%

LAB 54.31, 4.14, -6.47

 

CMYK 77 / 57 / 0 / 14

HEX #335FDB

RGB 51 95 219

HSL 224.29, 0.7%, 0.53%

LAB 44.24, 28.78, -67.73

 

CMYK 77 / 77 / 0 / 14

HEX #3333DB

RGB 51 51 219

HSL 240, 0.7%, 0.53%

LAB 34.37, 55.1, -83.94

 

CMYK 57 / 77 / 0 / 14

HEX #5F33DB

RGB 95 51 219

HSL 255.71, 0.7%, 0.53%

LAB 37.69, 59.33, -78.34

 

CMYK 36 / 77 / 0 / 14

HEX #8C33DB

RGB 140 51 219

HSL 271.79, 0.7%, 0.53%

LAB 42.85, 65.78, -69.68

 

CMYK 16 / 77 / 0 / 14

HEX #B933DB

RGB 185 51 219

HSL 287.86, 0.7%, 0.53%

LAB 49.25, 73.62, -59.01

 

CMYK 60 / 82 / 0 / 38

HEX #3F1C9F

RGB 63 28 159

HSL 256.03, 0.7%, 0.37%

LAB 24.92, 49.15, -64.04

 

CMYK 60 / 82 / 0 / 24

HEX #4D22C2

RGB 77 34 194

HSL 256.13, 0.7%, 0.45%

LAB 30.92, 57.8, -75.05

 

CMYK 56 / 77 / 0 / 14

HEX #6033DB

RGB 96 51 219

HSL 256.07, 0.7%, 0.53%

LAB 37.79, 59.45, -78.18

 

CMYK 45 / 62 / 0 / 12

HEX #7B56E1

RGB 123 86 225

HSL 255.97, 0.7%, 0.61%

LAB 47.37, 47.59, -65.84

 

CMYK 35 / 48 / 0 / 9

HEX #9779E7

RGB 151 121 231

HSL 256.36, 0.7%, 0.69%

LAB 58.06, 35.8, -51.9

 

CMYK 55 / 76 / 0 / 14

HEX #6235DB

RGB 98 53 219

HSL 256.27, 0.7%, 0.53%

LAB 38.3, 58.79, -77.33

 

CMYK 0 / 77 / 36 / 14

HEX #DB338C

RGB 219 51 140

HSL 328.21, 0.7%, 0.53%

LAB 51.06, 69.77, -9.54

 

CMYK 67 / 0 / 77 / 14

HEX #49DB33

RGB 73 219 51

HSL 112.14, 0.7%, 0.53%

LAB 77.47, -67.54, 66.02

 

CMYK 55 / 76 / 0 / 14

HEX #6235DB

RGB 98 53 219

HSL 256.27, 0.7%, 0.53%

LAB 38.3, 58.79, -77.33

 

CMYK 0 / 57 / 77 / 14

HEX #DB5F33

RGB 219 95 51

HSL 15.71, 0.7%, 0.53%

LAB 55.57, 46.12, 47.8

 

CMYK 77 / 0 / 57 / 14

HEX #33DB5F

RGB 51 219 95

HSL 135.71, 0.7%, 0.53%

LAB 77.4, -66.88, 48.52

 

CMYK 55 / 76 / 0 / 14

HEX #6235DB

RGB 98 53 219

HSL 256.27, 0.7%, 0.53%

LAB 38.3, 58.79, -77.33

 

CMYK 0 / 77 / 36 / 14

HEX #DB338C

RGB 219 51 140

HSL 328.21, 0.7%, 0.53%

LAB 51.06, 69.77, -9.54

 

CMYK 21 / 0 / 77 / 14

HEX #AEDB33

RGB 174 219 51

HSL 76.07, 0.7%, 0.53%

LAB 81.78, -36.51, 71.63

 

CMYK 77 / 0 / 41 / 14

HEX #33DB81

RGB 51 219 129

HSL 147.86, 0.7%, 0.53%

LAB 77.85, -61.6, 32.57

 

CMYK 55 / 76 / 0 / 14

HEX #6235DB

RGB 98 53 219

HSL 256.27, 0.7%, 0.53%

LAB 38.3, 58.79, -77.33

 

CMYK 0 / 77 / 59 / 14

HEX #DB335A

RGB 219 51 90

HSL 346.07, 0.7%, 0.53%

LAB 49.7, 65.54, 18.79

 

CMYK 21 / 0 / 77 / 14

HEX #AEDB33

RGB 174 219 51

HSL 76.07, 0.7%, 0.53%

LAB 81.78, -36.51, 71.63

 

CMYK 77 / 0 / 18 / 14

HEX #33DBB3

RGB 51 219 179

HSL 165.71, 0.7%, 0.53%

LAB 78.82, -50.91, 7.81

 

Description

Color code: HEX #6235DB | qconv.com Color code: HEX #6235DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 53 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 53 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 76 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 76% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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