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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #625581 it is the complementary color #9DAA7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #625581. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #625581 shade: #67557C, #78678F, #8979A2, #9A8BB5 and #AB9DC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #625581. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #625581 shade: #625581, #51436E, #40315B, #2F1F48 and #1E0D35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #625581 shade: #615481, #6E5481, #7A5481, #81547C and #815470

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #625581 shade: #615481, #555481 and #545481

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #625581 shade matches the following richer shades: #615481, #5A4392, #5331A4, #4C20B5 and #450FC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #625581 shade: #615481, #686570, #70775E, #77884D and #7E993C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #625581 shade: #545F81, #555481, #615481, #6D5481 and #795481

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #625581 shade: #3C344F, #4F4468, #615481, #74659A and #8B7DAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #625581 shade: #625581, #81546B and #598154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #625581 shade: #625581, #816154 and #548161

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #625581 shade: #625581, #81546B, #748154 and #54816A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #625581 shade: #625581, #81545E, #748154 and #548177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 34 / 0 / 49

HEX #625581

RGB 98 85 129

HSL 257.73, 0.21%, 0.42%

LAB 39.03, 15.33, -22.8

 

Complementary color

CMYK 8 / 0 / 26 / 33

HEX #9DAA7E

RGB 157 170 126

HSL 77.73, 0.21%, 0.58%

LAB 67.59, -12.32, 21.21

 

CMYK 17 / 31 / 0 / 51

HEX #67557C

RGB 103 85 124

HSL 267.69, 0.19%, 0.41%

LAB 39.3, 15.76, -19.28

 

CMYK 16 / 28 / 0 / 44

HEX #78678F

RGB 120 103 143

HSL 265.5, 0.16%, 0.48%

LAB 46.55, 15.14, -19.47

 

CMYK 15 / 25 / 0 / 36

HEX #8979A2

RGB 137 121 162

HSL 263.41, 0.18%, 0.55%

LAB 53.6, 14.59, -19.69

 

CMYK 15 / 23 / 0 / 29

HEX #9A8BB5

RGB 154 139 181

HSL 261.43, 0.22%, 0.63%

LAB 60.49, 14.1, -19.93

 

CMYK 15 / 22 / 0 / 22

HEX #AB9DC8

RGB 171 157 200

HSL 259.53, 0.28%, 0.7%

LAB 67.23, 13.66, -20.19

 

CMYK 24 / 34 / 0 / 49

HEX #625581

RGB 98 85 129

HSL 257.73, 0.21%, 0.42%

LAB 39.03, 15.33, -22.8

 

CMYK 26 / 39 / 0 / 57

HEX #51436E

RGB 81 67 110

HSL 259.53, 0.24%, 0.35%

LAB 31.55, 16.09, -22.77

 

CMYK 30 / 46 / 0 / 64

HEX #40315B

RGB 64 49 91

HSL 261.43, 0.3%, 0.27%

LAB 23.81, 17.01, -22.81

 

CMYK 35 / 57 / 0 / 72

HEX #2F1F48

RGB 47 31 72

HSL 263.41, 0.4%, 0.2%

LAB 15.76, 18.12, -22.92

 

CMYK 43 / 75 / 0 / 79

HEX #1E0D35

RGB 30 13 53

HSL 265.5, 0.61%, 0.13%

LAB 7.42, 19.32, -22.96

 

CMYK 25 / 35 / 0 / 49

HEX #615481

RGB 97 84 129

HSL 257.33, 0.21%, 0.42%

LAB 38.67, 15.63, -23.38

 

CMYK 15 / 35 / 0 / 49

HEX #6E5481

RGB 110 84 129

HSL 274.67, 0.21%, 0.42%

LAB 39.98, 19.98, -21.23

 

CMYK 5 / 35 / 0 / 49

HEX #7A5481

RGB 122 84 129

HSL 290.67, 0.21%, 0.42%

LAB 41.32, 24.1, -19.07

 

CMYK 0 / 35 / 4 / 49

HEX #81547C

RGB 129 84 124

HSL 306.67, 0.21%, 0.42%

LAB 41.94, 25.53, -14.99

 

CMYK 0 / 35 / 13 / 49

HEX #815470

RGB 129 84 112

HSL 322.67, 0.21%, 0.42%

LAB 41.5, 23.26, -8.31

 

CMYK 25 / 35 / 0 / 49

HEX #615481

RGB 97 84 129

HSL 257.33, 0.21%, 0.42%

LAB 38.67, 15.63, -23.38

 

CMYK 34 / 35 / 0 / 49

HEX #555481

RGB 85 84 129

HSL 241.33, 0.21%, 0.42%

LAB 37.58, 11.8, -25.15

 

CMYK 35 / 35 / 0 / 49

HEX #545481

RGB 84 84 129

HSL 240, 0.21%, 0.42%

LAB 37.5, 11.49, -25.28

 

CMYK 25 / 35 / 0 / 49

HEX #615481

RGB 97 84 129

HSL 257.33, 0.21%, 0.42%

LAB 38.67, 15.63, -23.38

 

CMYK 38 / 54 / 0 / 43

HEX #5A4392

RGB 90 67 146

HSL 257.47, 0.37%, 0.42%

LAB 34.53, 28.88, -40.35

 

CMYK 49 / 70 / 0 / 36

HEX #5331A4

RGB 83 49 164

HSL 257.74, 0.54%, 0.42%

LAB 31.15, 43.1, -56.77

 

CMYK 58 / 82 / 0 / 29

HEX #4C20B5

RGB 76 32 181

HSL 257.72, 0.7%, 0.42%

LAB 29.17, 54.98, -70.24

 

CMYK 65 / 92 / 0 / 22

HEX #450FC6

RGB 69 15 198

HSL 257.7, 0.86%, 0.42%

LAB 28.6, 64.16, -81.26

 

CMYK 25 / 35 / 0 / 49

HEX #615481

RGB 97 84 129

HSL 257.33, 0.21%, 0.42%

LAB 38.67, 15.63, -23.38

 

CMYK 7 / 10 / 0 / 56

HEX #686570

RGB 104 101 112

HSL 256.36, 0.05%, 0.42%

LAB 43.39, 3.51, -5.76

 

CMYK 6 / 0 / 21 / 53

HEX #70775E

RGB 112 119 94

HSL 76.8, 0.12%, 0.42%

LAB 48.82, -7.4, 12.89

 

CMYK 13 / 0 / 43 / 47

HEX #77884D

RGB 119 136 77

HSL 77.29, 0.28%, 0.42%

LAB 54.1, -16.34, 29.6

 

CMYK 18 / 0 / 61 / 40

HEX #7E993C

RGB 126 153 60

HSL 77.42, 0.44%, 0.42%

LAB 59.47, -23.96, 44.67

 

CMYK 35 / 26 / 0 / 49

HEX #545F81

RGB 84 95 129

HSL 225.33, 0.21%, 0.42%

LAB 40.66, 4.57, -20.38

 

CMYK 34 / 35 / 0 / 49

HEX #555481

RGB 85 84 129

HSL 241.33, 0.21%, 0.42%

LAB 37.58, 11.8, -25.15

 

CMYK 25 / 35 / 0 / 49

HEX #615481

RGB 97 84 129

HSL 257.33, 0.21%, 0.42%

LAB 38.67, 15.63, -23.38

 

CMYK 16 / 35 / 0 / 49

HEX #6D5481

RGB 109 84 129

HSL 273.33, 0.21%, 0.42%

LAB 39.88, 19.64, -21.41

 

CMYK 6 / 35 / 0 / 49

HEX #795481

RGB 121 84 129

HSL 289.33, 0.21%, 0.42%

LAB 41.2, 23.75, -19.25

 

CMYK 24 / 34 / 0 / 69

HEX #3C344F

RGB 60 52 79

HSL 257.78, 0.21%, 0.26%

LAB 23.61, 10.19, -15.22

 

CMYK 24 / 35 / 0 / 59

HEX #4F4468

RGB 79 68 104

HSL 258.33, 0.21%, 0.34%

LAB 31.34, 13.15, -19.32

 

CMYK 25 / 35 / 0 / 49

HEX #615481

RGB 97 84 129

HSL 257.33, 0.21%, 0.42%

LAB 38.67, 15.63, -23.38

 

CMYK 25 / 34 / 0 / 40

HEX #74659A

RGB 116 101 154

HSL 256.98, 0.21%, 0.5%

LAB 46.11, 17.73, -26.71

 

CMYK 18 / 26 / 0 / 33

HEX #8B7DAA

RGB 139 125 170

HSL 258.67, 0.21%, 0.58%

LAB 55.13, 14.76, -21.96

 

CMYK 24 / 34 / 0 / 49

HEX #625581

RGB 98 85 129

HSL 257.73, 0.21%, 0.42%

LAB 39.03, 15.33, -22.8

 

CMYK 0 / 35 / 17 / 49

HEX #81546B

RGB 129 84 107

HSL 329.33, 0.21%, 0.42%

LAB 41.33, 22.37, -5.49

 

CMYK 31 / 0 / 35 / 49

HEX #598154

RGB 89 129 84

HSL 113.33, 0.21%, 0.42%

LAB 50.05, -23.39, 20.08

 

CMYK 24 / 34 / 0 / 49

HEX #625581

RGB 98 85 129

HSL 257.73, 0.21%, 0.42%

LAB 39.03, 15.33, -22.8

 

CMYK 0 / 25 / 35 / 49

HEX #816154

RGB 129 97 84

HSL 17.33, 0.21%, 0.42%

LAB 44.03, 11.03, 12.44

 

CMYK 35 / 0 / 25 / 49

HEX #548161

RGB 84 129 97

HSL 137.33, 0.21%, 0.42%

LAB 50.04, -22.71, 12.55

 

CMYK 24 / 34 / 0 / 49

HEX #625581

RGB 98 85 129

HSL 257.73, 0.21%, 0.42%

LAB 39.03, 15.33, -22.8

 

CMYK 0 / 35 / 17 / 49

HEX #81546B

RGB 129 84 107

HSL 329.33, 0.21%, 0.42%

LAB 41.33, 22.37, -5.49

 

CMYK 10 / 0 / 35 / 49

HEX #748154

RGB 116 129 84

HSL 77.33, 0.21%, 0.42%

LAB 51.9, -12.88, 22.86

 

CMYK 35 / 0 / 18 / 49

HEX #54816A

RGB 84 129 106

HSL 149.33, 0.21%, 0.42%

LAB 50.25, -20.81, 7.62

 

CMYK 24 / 34 / 0 / 49

HEX #625581

RGB 98 85 129

HSL 257.73, 0.21%, 0.42%

LAB 39.03, 15.33, -22.8

 

CMYK 0 / 35 / 27 / 49

HEX #81545E

RGB 129 84 94

HSL 346.67, 0.21%, 0.42%

LAB 40.92, 20.23, 1.93

 

CMYK 10 / 0 / 35 / 49

HEX #748154

RGB 116 129 84

HSL 77.33, 0.21%, 0.42%

LAB 51.9, -12.88, 22.86

 

CMYK 35 / 0 / 8 / 49

HEX #548177

RGB 84 129 119

HSL 166.67, 0.21%, 0.42%

LAB 50.59, -17.81, 0.51

 

Description

Color code: HEX #625581 | qconv.com Color code: HEX #625581 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 85 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 85 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 34 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 34% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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