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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #628426 it is the complementary color #9D7BD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #628426. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #628426 shade: #678421, #789634, #89A847, #9ABA5A and #ABCC6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #628426. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #628426 shade: #628426, #517213, #406000, #2F4E00 and #1E3C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #628426 shade: #608225, #798225, #827125, #825925 and #824025

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #628426 shade: #608225, #478225, #2F8225, #258235 and #25824E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #628426 shade matches the following richer shades: #608225, #649018 and #689D0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #628426 shade: #608225, #5D7433, #596741, #55594E and #514B5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #628426 shade: #827125, #7A8225, #628225, #498225 and #308225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #628426 shade: #314213, #49621C, #608225, #78A22F and #90C238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #628426 shade: #628426, #258258 and #7D2582

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #628426 shade: #628426, #256282 and #822562

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #628426 shade: #628426, #258258, #462582 and #82254F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #628426 shade: #628426, #258274, #462582 and #822533

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 71 / 48

HEX #628426

RGB 98 132 38

HSL 81.7, 0.55%, 0.33%

LAB 50.97, -26.88, 44.67

 

Complementary color

CMYK 28 / 43 / 0 / 15

HEX #9D7BD9

RGB 157 123 217

HSL 261.7, 0.55%, 0.67%

LAB 58.36, 32.7, -43.55

 

CMYK 22 / 0 / 75 / 48

HEX #678421

RGB 103 132 33

HSL 77.58, 0.6%, 0.32%

LAB 51.26, -25.12, 47.04

 

CMYK 20 / 0 / 65 / 41

HEX #789634

RGB 120 150 52

HSL 78.37, 0.49%, 0.4%

LAB 58.09, -25.6, 46.63

 

CMYK 18 / 0 / 58 / 34

HEX #89A847

RGB 137 168 71

HSL 79.18, 0.41%, 0.47%

LAB 64.79, -25.92, 45.75

 

CMYK 17 / 0 / 52 / 27

HEX #9ABA5A

RGB 154 186 90

HSL 80, 0.41%, 0.54%

LAB 71.37, -26.13, 44.67

 

CMYK 16 / 0 / 47 / 20

HEX #ABCC6D

RGB 171 204 109

HSL 80.84, 0.48%, 0.61%

LAB 77.84, -26.26, 43.52

 

CMYK 26 / 0 / 71 / 48

HEX #628426

RGB 98 132 38

HSL 81.7, 0.55%, 0.33%

LAB 50.97, -26.88, 44.67

 

CMYK 29 / 0 / 83 / 55

HEX #517213

RGB 81 114 19

HSL 80.84, 0.71%, 0.26%

LAB 43.99, -26.31, 44.51

 

CMYK 33 / 0 / 100 / 62

HEX #406000

RGB 64 96 0

HSL 80, 1%, 0.19%

LAB 36.85, -25.47, 43.24

 

CMYK 40 / 0 / 100 / 69

HEX #2F4E00

RGB 47 78 0

HSL 83.85, 1%, 0.15%

LAB 29.55, -23.91, 37.17

 

CMYK 50 / 0 / 100 / 76

HEX #1E3C00

RGB 30 60 0

HSL 90, 1%, 0.12%

LAB 21.97, -22.24, 29.82

 

CMYK 26 / 0 / 72 / 49

HEX #608225

RGB 96 130 37

HSL 81.94, 0.56%, 0.33%

LAB 50.2, -26.8, 44.25

 

CMYK 7 / 0 / 72 / 49

HEX #798225

RGB 121 130 37

HSL 65.81, 0.56%, 0.33%

LAB 52.02, -15.97, 46.68

 

CMYK 0 / 13 / 72 / 49

HEX #827125

RGB 130 113 37

HSL 49.03, 0.56%, 0.33%

LAB 47.87, -2.44, 42.77

 

CMYK 0 / 32 / 72 / 49

HEX #825925

RGB 130 89 37

HSL 33.55, 0.56%, 0.33%

LAB 41.25, 11.57, 35.86

 

CMYK 0 / 51 / 72 / 49

HEX #824025

RGB 130 64 37

HSL 17.42, 0.56%, 0.33%

LAB 35.1, 26.15, 29.06

 

CMYK 26 / 0 / 72 / 49

HEX #608225

RGB 96 130 37

HSL 81.94, 0.56%, 0.33%

LAB 50.2, -26.8, 44.25

 

CMYK 45 / 0 / 72 / 49

HEX #478225

RGB 71 130 37

HSL 98.06, 0.56%, 0.33%

LAB 48.81, -36.31, 42.38

 

CMYK 64 / 0 / 72 / 49

HEX #2F8225

RGB 47 130 37

HSL 113.55, 0.56%, 0.33%

LAB 47.88, -43.41, 41.13

 

CMYK 72 / 0 / 59 / 49

HEX #258235

RGB 37 130 53

HSL 130.32, 0.56%, 0.33%

LAB 47.77, -43.75, 33.51

 

CMYK 72 / 0 / 40 / 49

HEX #25824E

RGB 37 130 78

HSL 146.45, 0.56%, 0.33%

LAB 48.14, -39.5, 20.55

 

CMYK 26 / 0 / 72 / 49

HEX #608225

RGB 96 130 37

HSL 81.94, 0.56%, 0.33%

LAB 50.2, -26.8, 44.25

 

CMYK 31 / 0 / 83 / 44

HEX #649018

RGB 100 144 24

HSL 82, 0.71%, 0.33%

LAB 54.78, -32.56, 53.21

 

CMYK 34 / 0 / 94 / 38

HEX #689D0A

RGB 104 157 10

HSL 81.63, 0.88%, 0.33%

LAB 59.05, -37.3, 59.86

 

CMYK 26 / 0 / 72 / 49

HEX #608225

RGB 96 130 37

HSL 81.94, 0.56%, 0.33%

LAB 50.2, -26.8, 44.25

 

CMYK 20 / 0 / 56 / 55

HEX #5D7433

RGB 93 116 51

HSL 81.23, 0.39%, 0.33%

LAB 45.71, -19.73, 32.74

 

CMYK 14 / 0 / 37 / 60

HEX #596741

RGB 89 103 65

HSL 82.11, 0.23%, 0.33%

LAB 41.54, -12.58, 19.73

 

CMYK 4 / 0 / 12 / 65

HEX #55594E

RGB 85 89 78

HSL 81.82, 0.07%, 0.33%

LAB 37.16, -3.87, 5.82

 

CMYK 12 / 18 / 0 / 64

HEX #514B5C

RGB 81 75 92

HSL 261.18, 0.1%, 0.33%

LAB 33.04, 6.3, -9.08

 

CMYK 0 / 13 / 72 / 49

HEX #827125

RGB 130 113 37

HSL 49.03, 0.56%, 0.33%

LAB 47.87, -2.44, 42.77

 

CMYK 6 / 0 / 72 / 49

HEX #7A8225

RGB 122 130 37

HSL 65.16, 0.56%, 0.33%

LAB 52.1, -15.52, 46.79

 

CMYK 25 / 0 / 72 / 49

HEX #628225

RGB 98 130 37

HSL 80.65, 0.56%, 0.33%

LAB 50.33, -25.97, 44.43

 

CMYK 44 / 0 / 72 / 49

HEX #498225

RGB 73 130 37

HSL 96.77, 0.56%, 0.33%

LAB 48.9, -35.62, 42.51

 

CMYK 63 / 0 / 72 / 49

HEX #308225

RGB 48 130 37

HSL 112.9, 0.56%, 0.33%

LAB 47.91, -43.16, 41.17

 

CMYK 26 / 0 / 71 / 74

HEX #314213

RGB 49 66 19

HSL 81.7, 0.55%, 0.17%

LAB 25.55, -15.46, 25.61

 

CMYK 26 / 0 / 71 / 62

HEX #49621C

RGB 73 98 28

HSL 81.43, 0.56%, 0.25%

LAB 38.26, -21.11, 35.32

 

CMYK 26 / 0 / 72 / 49

HEX #608225

RGB 96 130 37

HSL 81.94, 0.56%, 0.33%

LAB 50.2, -26.8, 44.25

 

CMYK 26 / 0 / 71 / 36

HEX #78A22F

RGB 120 162 47

HSL 81.91, 0.55%, 0.41%

LAB 61.69, -31.73, 52.43

 

CMYK 26 / 0 / 71 / 24

HEX #90C238

RGB 144 194 56

HSL 81.74, 0.55%, 0.49%

LAB 72.76, -36.54, 60.66

 

CMYK 26 / 0 / 71 / 48

HEX #628426

RGB 98 132 38

HSL 81.7, 0.55%, 0.33%

LAB 50.97, -26.88, 44.67

 

CMYK 72 / 0 / 32 / 49

HEX #258258

RGB 37 130 88

HSL 152.9, 0.56%, 0.33%

LAB 48.34, -37.36, 15.11

 

CMYK 4 / 72 / 0 / 49

HEX #7D2582

RGB 125 37 130

HSL 296.77, 0.56%, 0.33%

LAB 32.47, 49.67, -33.5

 

CMYK 26 / 0 / 71 / 48

HEX #628426

RGB 98 132 38

HSL 81.7, 0.55%, 0.33%

LAB 50.97, -26.88, 44.67

 

CMYK 72 / 25 / 0 / 49

HEX #256282

RGB 37 98 130

HSL 200.65, 0.56%, 0.33%

LAB 39.14, -8.43, -23.54

 

CMYK 0 / 72 / 25 / 49

HEX #822562

RGB 130 37 98

HSL 320.65, 0.56%, 0.33%

LAB 31.69, 45.75, -14.35

 

CMYK 26 / 0 / 71 / 48

HEX #628426

RGB 98 132 38

HSL 81.7, 0.55%, 0.33%

LAB 50.97, -26.88, 44.67

 

CMYK 72 / 0 / 32 / 49

HEX #258258

RGB 37 130 88

HSL 152.9, 0.56%, 0.33%

LAB 48.34, -37.36, 15.11

 

CMYK 46 / 72 / 0 / 49

HEX #462582

RGB 70 37 130

HSL 261.29, 0.56%, 0.33%

LAB 24.44, 37.41, -46.84

 

CMYK 0 / 72 / 39 / 49

HEX #82254F

RGB 130 37 79

HSL 332.9, 0.56%, 0.33%

LAB 30.96, 43.3, -3.09

 

CMYK 26 / 0 / 71 / 48

HEX #628426

RGB 98 132 38

HSL 81.7, 0.55%, 0.33%

LAB 50.97, -26.88, 44.67

 

CMYK 72 / 0 / 11 / 49

HEX #258274

RGB 37 130 116

HSL 170.97, 0.56%, 0.33%

LAB 49.03, -30.19, -0.22

 

CMYK 46 / 72 / 0 / 49

HEX #462582

RGB 70 37 130

HSL 261.29, 0.56%, 0.33%

LAB 24.44, 37.41, -46.84

 

CMYK 0 / 72 / 61 / 49

HEX #822533

RGB 130 37 51

HSL 350.97, 0.56%, 0.33%

LAB 30.18, 40.61, 14.27

 

Description

Color code: HEX #628426 | qconv.com Color code: HEX #628426 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 132 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 132 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 71 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 71% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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