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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62B0CA it is the complementary color #9D4F35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62B0CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62B0CA shade: #67B0C5, #78C2D8, #89D4EB, #9AE6FE and #ABF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62B0CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62B0CA shade: #62B0CA, #519EB7, #408CA4, #2F7A91 and #1E687E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62B0CA shade: #62B0CA, #6294CA, #6278CA, #6862CA and #8462CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62B0CA shade: #62B0CA, #6294CA, #6278CA and #6262CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62B0CA shade matches the following richer shades: #62B0CA, #51B9DB, #40C1EC and #2FC9FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62B0CA shade: #62B0CA, #73A8B9, #849FA8, #949797 and #A58E87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62B0CA shade: #62CAAD, #62CAC8, #62B0CA, #6294CA and #6278CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62B0CA shade: #3688A3, #43A1C0, #62B0CA, #81C0D5 and #A0CFDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62B0CA shade: #62B0CA, #9162CA and #CABB62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62B0CA shade: #62B0CA, #CA62B0 and #B0CA62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62B0CA shade: #62B0CA, #9162CA, #CA7C62 and #9BCA62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62B0CA shade: #62B0CA, #B062CA, #CA7C62 and #7CCA62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

Complementary color

CMYK 0 / 50 / 66 / 38

HEX #9D4F35

RGB 157 79 53

HSL 15, 0.5%, 0.41%

LAB 42.79, 30.2, 29.9

 

CMYK 48 / 11 / 0 / 23

HEX #67B0C5

RGB 103 176 197

HSL 193.4, 0.45%, 0.59%

LAB 68, -17.15, -17.78

 

CMYK 44 / 10 / 0 / 15

HEX #78C2D8

RGB 120 194 216

HSL 193.75, 0.55%, 0.66%

LAB 74.53, -17.3, -18.21

 

CMYK 42 / 10 / 0 / 8

HEX #89D4EB

RGB 137 212 235

HSL 194.08, 0.71%, 0.73%

LAB 80.96, -17.42, -18.62

 

CMYK 39 / 9 / 0 / 0

HEX #9AE6FE

RGB 154 230 254

HSL 194.4, 0.98%, 0.8%

LAB 87.3, -17.5, -19.03

 

CMYK 33 / 3 / 0 / 0

HEX #ABF8FF

RGB 171 248 255

HSL 185, 1%, 0.84%

LAB 93.02, -21.82, -10.89

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 56 / 14 / 0 / 28

HEX #519EB7

RGB 81 158 183

HSL 194.71, 0.41%, 0.52%

LAB 61.33, -16.54, -20.2

 

CMYK 61 / 15 / 0 / 36

HEX #408CA4

RGB 64 140 164

HSL 194.4, 0.44%, 0.45%

LAB 54.58, -16.07, -19.75

 

CMYK 68 / 16 / 0 / 43

HEX #2F7A91

RGB 47 122 145

HSL 194.08, 0.51%, 0.38%

LAB 47.71, -15.41, -19.26

 

CMYK 76 / 17 / 0 / 51

HEX #1E687E

RGB 30 104 126

HSL 193.75, 0.62%, 0.31%

LAB 40.71, -14.43, -18.7

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 51 / 27 / 0 / 21

HEX #6294CA

RGB 98 148 202

HSL 211.15, 0.5%, 0.59%

LAB 59.93, -1.5, -32.97

 

CMYK 51 / 41 / 0 / 21

HEX #6278CA

RGB 98 120 202

HSL 227.31, 0.5%, 0.59%

LAB 52.17, 15.08, -45.16

 

CMYK 49 / 51 / 0 / 21

HEX #6862CA

RGB 104 98 202

HSL 243.46, 0.5%, 0.59%

LAB 46.9, 29.89, -53.55

 

CMYK 35 / 51 / 0 / 21

HEX #8462CA

RGB 132 98 202

HSL 259.62, 0.5%, 0.59%

LAB 49.38, 36.59, -49.44

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 51 / 27 / 0 / 21

HEX #6294CA

RGB 98 148 202

HSL 211.15, 0.5%, 0.59%

LAB 59.93, -1.5, -32.97

 

CMYK 51 / 41 / 0 / 21

HEX #6278CA

RGB 98 120 202

HSL 227.31, 0.5%, 0.59%

LAB 52.17, 15.08, -45.16

 

CMYK 51 / 51 / 0 / 21

HEX #6262CA

RGB 98 98 202

HSL 240, 0.5%, 0.59%

LAB 46.44, 28.58, -54.31

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 63 / 16 / 0 / 14

HEX #51B9DB

RGB 81 185 219

HSL 194.78, 0.66%, 0.59%

LAB 70.57, -19.85, -26.01

 

CMYK 73 / 18 / 0 / 7

HEX #40C1EC

RGB 64 193 236

HSL 195, 0.82%, 0.59%

LAB 73.08, -21.12, -31.42

 

CMYK 81 / 21 / 0 / 1

HEX #2FC9FD

RGB 47 201 253

HSL 195.15, 0.98%, 0.59%

LAB 75.74, -21.41, -36.48

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 38 / 9 / 0 / 27

HEX #73A8B9

RGB 115 168 185

HSL 194.57, 0.33%, 0.59%

LAB 65.87, -13.09, -14.28

 

CMYK 21 / 5 / 0 / 34

HEX #849FA8

RGB 132 159 168

HSL 195, 0.17%, 0.59%

LAB 63.78, -7.33, -7.81

 

CMYK 2 / 0 / 0 / 41

HEX #949797

RGB 148 151 151

HSL 180, 0.01%, 0.59%

LAB 62.22, -1.08, -0.39

 

CMYK 0 / 14 / 18 / 35

HEX #A58E87

RGB 165 142 135

HSL 14, 0.14%, 0.59%

LAB 60.87, 7.46, 6.91

 

CMYK 51 / 0 / 14 / 21

HEX #62CAAD

RGB 98 202 173

HSL 163.27, 0.5%, 0.59%

LAB 74.73, -37.2, 5.29

 

CMYK 51 / 0 / 1 / 21

HEX #62CAC8

RGB 98 202 200

HSL 178.85, 0.5%, 0.59%

LAB 75.46, -30.5, -8.24

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 51 / 27 / 0 / 21

HEX #6294CA

RGB 98 148 202

HSL 211.15, 0.5%, 0.59%

LAB 59.93, -1.5, -32.97

 

CMYK 51 / 41 / 0 / 21

HEX #6278CA

RGB 98 120 202

HSL 227.31, 0.5%, 0.59%

LAB 52.17, 15.08, -45.16

 

CMYK 67 / 17 / 0 / 36

HEX #3688A3

RGB 54 136 163

HSL 194.86, 0.5%, 0.43%

LAB 52.99, -16.01, -21.64

 

CMYK 65 / 16 / 0 / 25

HEX #43A1C0

RGB 67 161 192

HSL 194.88, 0.5%, 0.51%

LAB 62.07, -18, -24.15

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 39 / 10 / 0 / 16

HEX #81C0D5

RGB 129 192 213

HSL 195, 0.5%, 0.67%

LAB 74.3, -14.8, -16.89

 

CMYK 28 / 7 / 0 / 13

HEX #A0CFDF

RGB 160 207 223

HSL 195.24, 0.5%, 0.75%

LAB 80.42, -11.62, -12.91

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 28 / 51 / 0 / 21

HEX #9162CA

RGB 145 98 202

HSL 267.12, 0.5%, 0.59%

LAB 50.71, 39.94, -47.24

 

CMYK 0 / 7 / 51 / 21

HEX #CABB62

RGB 202 187 98

HSL 51.35, 0.5%, 0.59%

LAB 75.44, -6.37, 46.54

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 0 / 51 / 13 / 21

HEX #CA62B0

RGB 202 98 176

HSL 315, 0.5%, 0.59%

LAB 56.51, 51.08, -22.69

 

CMYK 13 / 0 / 51 / 21

HEX #B0CA62

RGB 176 202 98

HSL 75, 0.5%, 0.59%

LAB 77.49, -24.49, 48.48

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 28 / 51 / 0 / 21

HEX #9162CA

RGB 145 98 202

HSL 267.12, 0.5%, 0.59%

LAB 50.71, 39.94, -47.24

 

CMYK 0 / 39 / 51 / 21

HEX #CA7C62

RGB 202 124 98

HSL 15, 0.5%, 0.59%

LAB 59.76, 27.6, 26.97

 

CMYK 23 / 0 / 51 / 21

HEX #9BCA62

RGB 155 202 98

HSL 87.12, 0.5%, 0.59%

LAB 76.13, -32.53, 46.52

 

CMYK 51 / 13 / 0 / 21

HEX #62B0CA

RGB 98 176 202

HSL 195, 0.5%, 0.59%

LAB 67.96, -16.88, -20.62

 

CMYK 13 / 51 / 0 / 21

HEX #B062CA

RGB 176 98 202

HSL 285, 0.5%, 0.59%

LAB 54.27, 48.3, -41.37

 

CMYK 0 / 39 / 51 / 21

HEX #CA7C62

RGB 202 124 98

HSL 15, 0.5%, 0.59%

LAB 59.76, 27.6, 26.97

 

CMYK 39 / 0 / 51 / 21

HEX #7CCA62

RGB 124 202 98

HSL 105, 0.5%, 0.59%

LAB 74.45, -43.35, 44.11

 

Description

Color code: HEX #62B0CA | qconv.com Color code: HEX #62B0CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 176 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 176 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 13 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 13% 0% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - 各種試験機器、検査機器の製造・販売 | ...
Link: http://kansaikiki-s.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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