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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #630AB2 it is the complementary color #9CF54D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #630AB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #630AB2 shade: #680AAD, #791CC0, #8A2ED3, #9B40E6 and #AC52F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #630AB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #630AB2 shade: #630AB2, #52009F, #41008C, #300079 and #1F0066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #630AB2 shade: #630AB2, #900AB2, #B20AA6, #B20A79 and #B20A4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #630AB2 shade: #630AB2, #360AB2 and #0A0AB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #630AB2 shade matches the following richer shades: #630AB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #630AB2 shade: #630AB2, #6219A3, #612893, #603884 and #5F4775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #630AB2 shade: #0A0DB2, #340AB2, #610AB2, #8D0AB2 and #B20AA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #630AB2 shade: #370564, #4D088B, #630AB2, #790CD9 and #8D1DF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #630AB2 shade: #630AB2, #B20A39 and #0AB21D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #630AB2 shade: #630AB2, #B2610A and #0AB261

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #630AB2 shade: #630AB2, #B20A39, #5BB20A and #0AB282

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #630AB2 shade: #630AB2, #B20D0A, #5BB20A and #0AAFB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 94 / 0 / 30

HEX #630AB2

RGB 99 10 178

HSL 271.79, 0.89%, 0.37%

LAB 29.62, 62.86, -67.61

 

Complementary color

CMYK 36 / 0 / 69 / 4

HEX #9CF54D

RGB 156 245 77

HSL 91.79, 0.89%, 0.63%

LAB 88.4, -52.67, 69.08

 

CMYK 40 / 94 / 0 / 32

HEX #680AAD

RGB 104 10 173

HSL 274.6, 0.89%, 0.36%

LAB 29.86, 62.32, -64.21

 

CMYK 37 / 85 / 0 / 25

HEX #791CC0

RGB 121 28 192

HSL 274.02, 0.75%, 0.43%

LAB 35.4, 64.58, -66.3

 

CMYK 35 / 78 / 0 / 17

HEX #8A2ED3

RGB 138 46 211

HSL 273.45, 0.65%, 0.5%

LAB 41.31, 65.52, -67.61

 

CMYK 33 / 72 / 0 / 10

HEX #9B40E6

RGB 155 64 230

HSL 272.89, 0.77%, 0.58%

LAB 47.43, 65.64, -68.41

 

CMYK 31 / 67 / 0 / 2

HEX #AC52F9

RGB 172 82 249

HSL 272.34, 0.93%, 0.65%

LAB 53.65, 65.3, -68.89

 

CMYK 44 / 94 / 0 / 30

HEX #630AB2

RGB 99 10 178

HSL 271.79, 0.89%, 0.37%

LAB 29.62, 62.86, -67.61

 

CMYK 48 / 100 / 0 / 38

HEX #52009F

RGB 82 0 159

HSL 270.94, 1%, 0.31%

LAB 24.63, 58.83, -64.45

 

CMYK 54 / 100 / 0 / 45

HEX #41008C

RGB 65 0 140

HSL 267.86, 1%, 0.27%

LAB 20.11, 53.06, -60.25

 

CMYK 60 / 100 / 0 / 53

HEX #300079

RGB 48 0 121

HSL 263.8, 1%, 0.24%

LAB 15.53, 47.21, -55.86

 

CMYK 70 / 100 / 0 / 60

HEX #1F0066

RGB 31 0 102

HSL 258.24, 1%, 0.2%

LAB 10.93, 41.31, -51.18

 

CMYK 44 / 94 / 0 / 30

HEX #630AB2

RGB 99 10 178

HSL 271.79, 0.89%, 0.37%

LAB 29.62, 62.86, -67.61

 

CMYK 19 / 94 / 0 / 30

HEX #900AB2

RGB 144 10 178

HSL 287.86, 0.89%, 0.37%

LAB 36.67, 68.61, -55.8

 

CMYK 0 / 94 / 7 / 30

HEX #B20AA6

RGB 178 10 166

HSL 304.29, 0.89%, 0.37%

LAB 41.9, 72.29, -39.91

 

CMYK 0 / 94 / 32 / 30

HEX #B20A79

RGB 178 10 121

HSL 320.36, 0.89%, 0.37%

LAB 39.69, 66.6, -15.89

 

CMYK 0 / 94 / 57 / 30

HEX #B20A4C

RGB 178 10 76

HSL 336.43, 0.89%, 0.37%

LAB 38.21, 62.62, 10.52

 

CMYK 44 / 94 / 0 / 30

HEX #630AB2

RGB 99 10 178

HSL 271.79, 0.89%, 0.37%

LAB 29.62, 62.86, -67.61

 

CMYK 70 / 94 / 0 / 30

HEX #360AB2

RGB 54 10 178

HSL 255.71, 0.89%, 0.37%

LAB 24.37, 59.37, -76.47

 

CMYK 94 / 94 / 0 / 30

HEX #0A0AB2

RGB 10 10 178

HSL 240, 0.89%, 0.37%

LAB 21.93, 58.07, -80.61

 

CMYK 44 / 94 / 0 / 30

HEX #630AB2

RGB 99 10 178

HSL 271.79, 0.89%, 0.37%

LAB 29.62, 62.86, -67.61

 

CMYK 44 / 94 / 0 / 30

HEX #630AB2

RGB 99 10 178

HSL 271.79, 0.89%, 0.37%

LAB 29.62, 62.86, -67.61

 

CMYK 40 / 85 / 0 / 36

HEX #6219A3

RGB 98 25 163

HSL 271.74, 0.73%, 0.37%

LAB 29.25, 55.75, -59.2

 

CMYK 34 / 73 / 0 / 42

HEX #612893

RGB 97 40 147

HSL 271.96, 0.57%, 0.37%

LAB 29.83, 45.8, -48.5

 

CMYK 27 / 58 / 0 / 48

HEX #603884

RGB 96 56 132

HSL 271.58, 0.4%, 0.37%

LAB 31.76, 33.29, -36.12

 

CMYK 19 / 39 / 0 / 54

HEX #5F4775

RGB 95 71 117

HSL 271.3, 0.24%, 0.37%

LAB 34.44, 20.04, -22.55

 

CMYK 94 / 93 / 0 / 30

HEX #0A0DB2

RGB 10 13 178

HSL 238.93, 0.89%, 0.37%

LAB 22.18, 57.29, -80.18

 

CMYK 71 / 94 / 0 / 30

HEX #340AB2

RGB 52 10 178

HSL 255, 0.89%, 0.37%

LAB 24.2, 59.26, -76.76

 

CMYK 46 / 94 / 0 / 30

HEX #610AB2

RGB 97 10 178

HSL 271.07, 0.89%, 0.37%

LAB 29.34, 62.66, -68.08

 

CMYK 21 / 94 / 0 / 30

HEX #8D0AB2

RGB 141 10 178

HSL 286.79, 0.89%, 0.37%

LAB 36.16, 68.16, -56.64

 

CMYK 0 / 94 / 5 / 30

HEX #B20AA9

RGB 178 10 169

HSL 303.21, 0.89%, 0.37%

LAB 42.07, 72.72, -41.43

 

CMYK 45 / 95 / 0 / 61

HEX #370564

RGB 55 5 100

HSL 271.58, 0.9%, 0.21%

LAB 14.63, 40.88, -43.62

 

CMYK 45 / 94 / 0 / 45

HEX #4D088B

RGB 77 8 139

HSL 271.6, 0.89%, 0.29%

LAB 22.36, 52.02, -55.86

 

CMYK 44 / 94 / 0 / 30

HEX #630AB2

RGB 99 10 178

HSL 271.79, 0.89%, 0.37%

LAB 29.62, 62.86, -67.61

 

CMYK 44 / 94 / 0 / 15

HEX #790CD9

RGB 121 12 217

HSL 271.9, 0.9%, 0.45%

LAB 36.63, 73.21, -78.84

 

CMYK 41 / 88 / 0 / 5

HEX #8D1DF1

RGB 141 29 241

HSL 271.7, 0.88%, 0.53%

LAB 42.6, 77.31, -82.59

 

CMYK 44 / 94 / 0 / 30

HEX #630AB2

RGB 99 10 178

HSL 271.79, 0.89%, 0.37%

LAB 29.62, 62.86, -67.61

 

CMYK 0 / 94 / 68 / 30

HEX #B20A39

RGB 178 10 57

HSL 343.21, 0.89%, 0.37%

LAB 37.8, 61.51, 22.19

 

CMYK 94 / 0 / 84 / 30

HEX #0AB21D

RGB 10 178 29

HSL 126.79, 0.89%, 0.37%

LAB 63.34, -64.37, 58.7

 

CMYK 44 / 94 / 0 / 30

HEX #630AB2

RGB 99 10 178

HSL 271.79, 0.89%, 0.37%

LAB 29.62, 62.86, -67.61

 

CMYK 0 / 46 / 94 / 30

HEX #B2610A

RGB 178 97 10

HSL 31.07, 0.89%, 0.37%

LAB 49.54, 27.67, 55.61

 

CMYK 94 / 0 / 46 / 30

HEX #0AB261

RGB 10 178 97

HSL 151.07, 0.89%, 0.37%

LAB 63.97, -56.5, 30.88

 

CMYK 44 / 94 / 0 / 30

HEX #630AB2

RGB 99 10 178

HSL 271.79, 0.89%, 0.37%

LAB 29.62, 62.86, -67.61

 

CMYK 0 / 94 / 68 / 30

HEX #B20A39

RGB 178 10 57

HSL 343.21, 0.89%, 0.37%

LAB 37.8, 61.51, 22.19

 

CMYK 49 / 0 / 94 / 30

HEX #5BB20A

RGB 91 178 10

HSL 91.07, 0.89%, 0.37%

LAB 65.03, -50.45, 64.47

 

CMYK 94 / 0 / 27 / 30

HEX #0AB282

RGB 10 178 130

HSL 162.86, 0.89%, 0.37%

LAB 64.58, -49.55, 14.01

 

CMYK 44 / 94 / 0 / 30

HEX #630AB2

RGB 99 10 178

HSL 271.79, 0.89%, 0.37%

LAB 29.62, 62.86, -67.61

 

CMYK 0 / 93 / 94 / 30

HEX #B20D0A

RGB 178 13 10

HSL 1.07, 0.89%, 0.37%

LAB 37.44, 59.75, 47.67

 

CMYK 49 / 0 / 94 / 30

HEX #5BB20A

RGB 91 178 10

HSL 91.07, 0.89%, 0.37%

LAB 65.03, -50.45, 64.47

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

Description

Color code: HEX #630AB2 | qconv.com Color code: HEX #630AB2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 10 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 10 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 94 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 94% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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