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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6341A4 it is the complementary color #9CBE5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6341A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6341A4 shade: #68419F, #7953B2, #8A65C5, #9B77D8 and #AC89EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6341A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6341A4 shade: #6341A4, #522F91, #411D7E, #300B6B and #1F0058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6341A4 shade: #6341A4, #7D41A4, #9841A4, #A44195 and #A4417A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6341A4 shade: #6341A4, #4841A4 and #4141A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6341A4 shade matches the following richer shades: #6341A4, #5D2EB6, #571CC9 and #5109DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6341A4 shade: #6341A4, #695391, #6E667E, #74796C and #7A8B59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6341A4 shade: #4155A4, #4741A4, #6241A4, #7C41A4 and #9641A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6341A4 shade: #3F2969, #513586, #6341A4, #7753BA and #8E71C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6341A4 shade: #6341A4, #A4416F and #47A441

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6341A4 shade: #6341A4, #A46241 and #41A462

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6341A4 shade: #6341A4, #A4416F, #83A441 and #41A476

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6341A4 shade: #6341A4, #A44151, #83A441 and #41A493

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 60 / 0 / 36

HEX #6341A4

RGB 99 65 164

HSL 260.61, 0.43%, 0.45%

LAB 36.2, 37.38, -48.49

 

Complementary color

CMYK 18 / 0 / 52 / 25

HEX #9CBE5B

RGB 156 190 91

HSL 80.61, 0.43%, 0.55%

LAB 72.66, -27.18, 45.76

 

CMYK 35 / 59 / 0 / 38

HEX #68419F

RGB 104 65 159

HSL 264.89, 0.42%, 0.44%

LAB 36.42, 37.22, -45.11

 

CMYK 32 / 53 / 0 / 30

HEX #7953B2

RGB 121 83 178

HSL 264, 0.38%, 0.51%

LAB 43.46, 36.15, -45.03

 

CMYK 30 / 49 / 0 / 23

HEX #8A65C5

RGB 138 101 197

HSL 263.13, 0.45%, 0.58%

LAB 50.38, 35.13, -44.93

 

CMYK 28 / 45 / 0 / 15

HEX #9B77D8

RGB 155 119 216

HSL 262.27, 0.55%, 0.66%

LAB 57.19, 34.19, -44.85

 

CMYK 27 / 42 / 0 / 8

HEX #AC89EB

RGB 172 137 235

HSL 261.43, 0.71%, 0.73%

LAB 63.88, 33.32, -44.78

 

CMYK 40 / 60 / 0 / 36

HEX #6341A4

RGB 99 65 164

HSL 260.61, 0.43%, 0.45%

LAB 36.2, 37.38, -48.49

 

CMYK 43 / 68 / 0 / 43

HEX #522F91

RGB 82 47 145

HSL 261.43, 0.51%, 0.38%

LAB 29.09, 38.58, -48.56

 

CMYK 48 / 77 / 0 / 51

HEX #411D7E

RGB 65 29 126

HSL 262.27, 0.63%, 0.3%

LAB 21.98, 39.57, -48.36

 

CMYK 55 / 90 / 0 / 58

HEX #300B6B

RGB 48 11 107

HSL 263.13, 0.81%, 0.23%

LAB 15.11, 39.71, -47.48

 

CMYK 65 / 100 / 0 / 65

HEX #1F0058

RGB 31 0 88

HSL 261.14, 1%, 0.17%

LAB 8.96, 37.6, -45.06

 

CMYK 40 / 60 / 0 / 36

HEX #6341A4

RGB 99 65 164

HSL 260.61, 0.43%, 0.45%

LAB 36.2, 37.38, -48.49

 

CMYK 24 / 60 / 0 / 36

HEX #7D41A4

RGB 125 65 164

HSL 276.36, 0.43%, 0.45%

LAB 39.28, 43.72, -43.39

 

CMYK 7 / 60 / 0 / 36

HEX #9841A4

RGB 152 65 164

HSL 292.73, 0.43%, 0.45%

LAB 42.97, 50.67, -37.29

 

CMYK 0 / 60 / 9 / 36

HEX #A44195

RGB 164 65 149

HSL 309.09, 0.43%, 0.45%

LAB 44.01, 51.22, -26.56

 

CMYK 0 / 60 / 26 / 36

HEX #A4417A

RGB 164 65 122

HSL 325.45, 0.43%, 0.45%

LAB 42.88, 47.09, -11.88

 

CMYK 40 / 60 / 0 / 36

HEX #6341A4

RGB 99 65 164

HSL 260.61, 0.43%, 0.45%

LAB 36.2, 37.38, -48.49

 

CMYK 56 / 60 / 0 / 36

HEX #4841A4

RGB 72 65 164

HSL 244.24, 0.43%, 0.45%

LAB 33.64, 31.61, -52.76

 

CMYK 60 / 60 / 0 / 36

HEX #4141A4

RGB 65 65 164

HSL 240, 0.43%, 0.45%

LAB 33.1, 30.31, -53.66

 

CMYK 40 / 60 / 0 / 36

HEX #6341A4

RGB 99 65 164

HSL 260.61, 0.43%, 0.45%

LAB 36.2, 37.38, -48.49

 

CMYK 49 / 75 / 0 / 29

HEX #5D2EB6

RGB 93 46 182

HSL 260.74, 0.6%, 0.45%

LAB 33.26, 51.31, -64.04

 

CMYK 57 / 86 / 0 / 21

HEX #571CC9

RGB 87 28 201

HSL 260.46, 0.76%, 0.45%

LAB 31.97, 62.74, -77.37

 

CMYK 63 / 96 / 0 / 14

HEX #5109DB

RGB 81 9 219

HSL 260.57, 0.92%, 0.45%

LAB 31.94, 71.02, -87.9

 

CMYK 40 / 60 / 0 / 36

HEX #6341A4

RGB 99 65 164

HSL 260.61, 0.43%, 0.45%

LAB 36.2, 37.38, -48.49

 

CMYK 28 / 43 / 0 / 43

HEX #695391

RGB 105 83 145

HSL 261.29, 0.27%, 0.45%

LAB 39.97, 22.99, -31.01

 

CMYK 13 / 19 / 0 / 51

HEX #6E667E

RGB 110 102 126

HSL 260, 0.11%, 0.45%

LAB 44.69, 8.27, -12.21

 

CMYK 4 / 0 / 11 / 53

HEX #74796C

RGB 116 121 108

HSL 83.08, 0.06%, 0.45%

LAB 50.06, -4.44, 6.48

 

CMYK 12 / 0 / 36 / 45

HEX #7A8B59

RGB 122 139 89

HSL 80.4, 0.22%, 0.45%

LAB 55.4, -15.11, 24.76

 

CMYK 60 / 48 / 0 / 36

HEX #4155A4

RGB 65 85 164

HSL 227.88, 0.43%, 0.45%

LAB 38.38, 17.34, -45.14

 

CMYK 57 / 60 / 0 / 36

HEX #4741A4

RGB 71 65 164

HSL 243.64, 0.43%, 0.45%

LAB 33.56, 31.42, -52.89

 

CMYK 40 / 60 / 0 / 36

HEX #6241A4

RGB 98 65 164

HSL 260, 0.43%, 0.45%

LAB 36.09, 37.15, -48.67

 

CMYK 24 / 60 / 0 / 36

HEX #7C41A4

RGB 124 65 164

HSL 275.76, 0.43%, 0.45%

LAB 39.15, 43.47, -43.6

 

CMYK 9 / 60 / 0 / 36

HEX #9641A4

RGB 150 65 164

HSL 291.52, 0.43%, 0.45%

LAB 42.68, 50.15, -37.77

 

CMYK 40 / 61 / 0 / 59

HEX #3F2969

RGB 63 41 105

HSL 260.63, 0.44%, 0.29%

LAB 22.52, 26.08, -34.01

 

CMYK 40 / 60 / 0 / 47

HEX #513586

RGB 81 53 134

HSL 260.74, 0.43%, 0.37%

LAB 29.45, 31.71, -41.16

 

CMYK 40 / 60 / 0 / 36

HEX #6341A4

RGB 99 65 164

HSL 260.61, 0.43%, 0.45%

LAB 36.2, 37.38, -48.49

 

CMYK 36 / 55 / 0 / 27

HEX #7753BA

RGB 119 83 186

HSL 260.97, 0.43%, 0.53%

LAB 43.73, 37.75, -49.29

 

CMYK 28 / 43 / 0 / 22

HEX #8E71C6

RGB 142 113 198

HSL 260.47, 0.43%, 0.61%

LAB 53.64, 29.53, -40.33

 

CMYK 40 / 60 / 0 / 36

HEX #6341A4

RGB 99 65 164

HSL 260.61, 0.43%, 0.45%

LAB 36.2, 37.38, -48.49

 

CMYK 0 / 60 / 32 / 36

HEX #A4416F

RGB 164 65 111

HSL 332.12, 0.43%, 0.45%

LAB 42.49, 45.62, -5.68

 

CMYK 57 / 0 / 60 / 36

HEX #47A441

RGB 71 164 65

HSL 116.36, 0.43%, 0.45%

LAB 60.13, -47.4, 42.34

 

CMYK 40 / 60 / 0 / 36

HEX #6341A4

RGB 99 65 164

HSL 260.61, 0.43%, 0.45%

LAB 36.2, 37.38, -48.49

 

CMYK 0 / 40 / 60 / 36

HEX #A46241

RGB 164 98 65

HSL 20, 0.43%, 0.45%

LAB 48.27, 23.46, 29.95

 

CMYK 60 / 0 / 40 / 36

HEX #41A462

RGB 65 164 98

HSL 140, 0.43%, 0.45%

LAB 60.39, -43.95, 25.86

 

CMYK 40 / 60 / 0 / 36

HEX #6341A4

RGB 99 65 164

HSL 260.61, 0.43%, 0.45%

LAB 36.2, 37.38, -48.49

 

CMYK 0 / 60 / 32 / 36

HEX #A4416F

RGB 164 65 111

HSL 332.12, 0.43%, 0.45%

LAB 42.49, 45.62, -5.68

 

CMYK 20 / 0 / 60 / 36

HEX #83A441

RGB 131 164 65

HSL 80, 0.43%, 0.45%

LAB 63.14, -26.91, 46.56

 

CMYK 60 / 0 / 28 / 36

HEX #41A476

RGB 65 164 118

HSL 152.12, 0.43%, 0.45%

LAB 60.77, -39.95, 15.45

 

CMYK 40 / 60 / 0 / 36

HEX #6341A4

RGB 99 65 164

HSL 260.61, 0.43%, 0.45%

LAB 36.2, 37.38, -48.49

 

CMYK 0 / 60 / 51 / 36

HEX #A44151

RGB 164 65 81

HSL 350.3, 0.43%, 0.45%

LAB 41.64, 42.29, 11.72

 

CMYK 20 / 0 / 60 / 36

HEX #83A441

RGB 131 164 65

HSL 80, 0.43%, 0.45%

LAB 63.14, -26.91, 46.56

 

CMYK 60 / 0 / 10 / 36

HEX #41A493

RGB 65 164 147

HSL 169.7, 0.43%, 0.45%

LAB 61.47, -32.97, 0.23

 

Description

Color code: HEX #6341A4 | qconv.com Color code: HEX #6341A4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 65 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 65 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 60 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 60% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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