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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #635512 it is the complementary color #9CAAED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #635512. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #635512 shade: #68550D, #796720, #8A7933, #9B8B46 and #AC9D59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #635512. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #635512 shade: #635512, #524300, #413100, #301F00 and #1F0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #635512 shade: #635512, #633F12, #632912, #631312 and #631212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #635512 shade: #635512, #5B6312, #456312, #2F6312 and #196312

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #635512 shade matches the following richer shades: #635512 and #6C5B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #635512 shade: #635512, #594E1B, #504825, #46422E and #3D3C38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #635512 shade: #632912, #633E12, #635412, #5C6312 and #466312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #635512 shade: #1D1905, #40370B, #635512, #857318 and #A8911E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #635512 shade: #635512, #126313 and #331263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #635512 shade: #635512, #126354 and #541263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #635512 shade: #635512, #126313, #122163 and #631261

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #635512 shade: #635512, #12632B, #122163 and #631249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 82 / 61

HEX #635512

RGB 99 85 18

HSL 49.63, 0.69%, 0.23%

LAB 36.35, -2.04, 38.4

 

Complementary color

CMYK 34 / 28 / 0 / 7

HEX #9CAAED

RGB 156 170 237

HSL 229.63, 0.69%, 0.77%

LAB 70.82, 10.7, -35.13

 

CMYK 0 / 18 / 88 / 59

HEX #68550D

RGB 104 85 13

HSL 47.47, 0.78%, 0.23%

LAB 36.87, 0.25, 40.85

 

CMYK 0 / 15 / 74 / 53

HEX #796720

RGB 121 103 32

HSL 47.87, 0.58%, 0.3%

LAB 44.05, -1.23, 40.8

 

CMYK 0 / 12 / 63 / 46

HEX #8A7933

RGB 138 121 51

HSL 48.28, 0.46%, 0.37%

LAB 51.06, -2.35, 39.86

 

CMYK 0 / 10 / 55 / 39

HEX #9B8B46

RGB 155 139 70

HSL 48.71, 0.38%, 0.44%

LAB 57.92, -3.22, 38.64

 

CMYK 0 / 9 / 48 / 33

HEX #AC9D59

RGB 172 157 89

HSL 49.16, 0.33%, 0.51%

LAB 64.65, -3.92, 37.36

 

CMYK 0 / 14 / 82 / 61

HEX #635512

RGB 99 85 18

HSL 49.63, 0.69%, 0.23%

LAB 36.35, -2.04, 38.4

 

CMYK 0 / 18 / 100 / 68

HEX #524300

RGB 82 67 0

HSL 49.02, 1%, 0.16%

LAB 28.92, -0.39, 37.97

 

CMYK 0 / 25 / 100 / 75

HEX #413100

RGB 65 49 0

HSL 45.23, 1%, 0.13%

LAB 21.28, 2.05, 30

 

CMYK 0 / 35 / 100 / 81

HEX #301F00

RGB 48 31 0

HSL 38.75, 1%, 0.09%

LAB 13.28, 4.78, 19.75

 

CMYK 0 / 58 / 100 / 88

HEX #1F0D00

RGB 31 13 0

HSL 25.16, 1%, 0.06%

LAB 5.23, 6.49, 7.96

 

CMYK 0 / 14 / 82 / 61

HEX #635512

RGB 99 85 18

HSL 49.63, 0.69%, 0.23%

LAB 36.35, -2.04, 38.4

 

CMYK 0 / 36 / 82 / 61

HEX #633F12

RGB 99 63 18

HSL 33.33, 0.69%, 0.23%

LAB 30.04, 11.47, 32.43

 

CMYK 0 / 59 / 82 / 61

HEX #632912

RGB 99 41 18

HSL 17.04, 0.69%, 0.23%

LAB 24.58, 24.68, 27

 

CMYK 0 / 81 / 82 / 61

HEX #631312

RGB 99 19 18

HSL 0.74, 0.69%, 0.23%

LAB 20.68, 35.14, 22.88

 

CMYK 0 / 82 / 82 / 61

HEX #631212

RGB 99 18 18

HSL 0, 0.69%, 0.23%

LAB 20.55, 35.5, 22.74

 

CMYK 0 / 14 / 82 / 61

HEX #635512

RGB 99 85 18

HSL 49.63, 0.69%, 0.23%

LAB 36.35, -2.04, 38.4

 

CMYK 8 / 0 / 82 / 61

HEX #5B6312

RGB 91 99 18

HSL 65.93, 0.69%, 0.23%

LAB 39.9, -14.03, 41.38

 

CMYK 30 / 0 / 82 / 61

HEX #456312

RGB 69 99 18

HSL 82.22, 0.69%, 0.23%

LAB 38.26, -24.03, 39.26

 

CMYK 53 / 0 / 82 / 61

HEX #2F6312

RGB 47 99 18

HSL 98.52, 0.69%, 0.23%

LAB 37.06, -32.51, 37.71

 

CMYK 75 / 0 / 82 / 61

HEX #196312

RGB 25 99 18

HSL 114.81, 0.69%, 0.23%

LAB 36.32, -38.51, 36.73

 

CMYK 0 / 14 / 82 / 61

HEX #635512

RGB 99 85 18

HSL 49.63, 0.69%, 0.23%

LAB 36.35, -2.04, 38.4

 

CMYK 0 / 16 / 93 / 58

HEX #6C5B08

RGB 108 91 8

HSL 49.8, 0.86%, 0.23%

LAB 39.05, -1.48, 44.28

 

CMYK 0 / 14 / 82 / 61

HEX #635512

RGB 99 85 18

HSL 49.63, 0.69%, 0.23%

LAB 36.35, -2.04, 38.4

 

CMYK 0 / 12 / 70 / 65

HEX #594E1B

RGB 89 78 27

HSL 49.35, 0.53%, 0.23%

LAB 33.25, -2.27, 30.91

 

CMYK 0 / 10 / 54 / 69

HEX #504825

RGB 80 72 37

HSL 48.84, 0.37%, 0.23%

LAB 30.58, -2.13, 22.09

 

CMYK 0 / 6 / 34 / 73

HEX #46422E

RGB 70 66 46

HSL 50, 0.21%, 0.23%

LAB 27.83, -2, 12.82

 

CMYK 0 / 2 / 8 / 76

HEX #3D3C38

RGB 61 60 56

HSL 48, 0.04%, 0.23%

LAB 25.29, -0.44, 2.62

 

CMYK 0 / 59 / 82 / 61

HEX #632912

RGB 99 41 18

HSL 17.04, 0.69%, 0.23%

LAB 24.58, 24.68, 27

 

CMYK 0 / 37 / 82 / 61

HEX #633E12

RGB 99 62 18

HSL 32.59, 0.69%, 0.23%

LAB 29.77, 12.09, 32.17

 

CMYK 0 / 15 / 82 / 61

HEX #635412

RGB 99 84 18

HSL 48.89, 0.69%, 0.23%

LAB 36.06, -1.44, 38.13

 

CMYK 7 / 0 / 82 / 61

HEX #5C6312

RGB 92 99 18

HSL 65.19, 0.69%, 0.23%

LAB 39.99, -13.55, 41.49

 

CMYK 29 / 0 / 82 / 61

HEX #466312

RGB 70 99 18

HSL 81.48, 0.69%, 0.23%

LAB 38.32, -23.6, 39.35

 

CMYK 0 / 14 / 83 / 89

HEX #1D1905

RGB 29 25 5

HSL 50, 0.71%, 0.07%

LAB 8.72, -1.48, 10.97

 

CMYK 0 / 14 / 83 / 75

HEX #40370B

RGB 64 55 11

HSL 49.81, 0.71%, 0.15%

LAB 23.16, -1.79, 27.45

 

CMYK 0 / 14 / 82 / 61

HEX #635512

RGB 99 85 18

HSL 49.63, 0.69%, 0.23%

LAB 36.35, -2.04, 38.4

 

CMYK 0 / 14 / 82 / 48

HEX #857318

RGB 133 115 24

HSL 50.09, 0.69%, 0.31%

LAB 48.65, -2.78, 48.71

 

CMYK 0 / 14 / 82 / 34

HEX #A8911E

RGB 168 145 30

HSL 50, 0.7%, 0.39%

LAB 60.49, -3.02, 58.56

 

CMYK 0 / 14 / 82 / 61

HEX #635512

RGB 99 85 18

HSL 49.63, 0.69%, 0.23%

LAB 36.35, -2.04, 38.4

 

CMYK 82 / 0 / 81 / 61

HEX #126313

RGB 18 99 19

HSL 120.74, 0.69%, 0.23%

LAB 36.17, -39.71, 36.17

 

CMYK 48 / 82 / 0 / 61

HEX #331263

RGB 51 18 99

HSL 264.44, 0.69%, 0.23%

LAB 15.68, 34.91, -41.25

 

CMYK 0 / 14 / 82 / 61

HEX #635512

RGB 99 85 18

HSL 49.63, 0.69%, 0.23%

LAB 36.35, -2.04, 38.4

 

CMYK 82 / 0 / 15 / 61

HEX #126354

RGB 18 99 84

HSL 168.89, 0.69%, 0.23%

LAB 37.28, -27.2, 1.86

 

CMYK 15 / 82 / 0 / 61

HEX #541263

RGB 84 18 99

HSL 288.89, 0.69%, 0.23%

LAB 20.9, 41.41, -32.55

 

CMYK 0 / 14 / 82 / 61

HEX #635512

RGB 99 85 18

HSL 49.63, 0.69%, 0.23%

LAB 36.35, -2.04, 38.4

 

CMYK 82 / 0 / 81 / 61

HEX #126313

RGB 18 99 19

HSL 120.74, 0.69%, 0.23%

LAB 36.17, -39.71, 36.17

 

CMYK 82 / 67 / 0 / 61

HEX #122163

RGB 18 33 99

HSL 228.89, 0.69%, 0.23%

LAB 16.09, 20.49, -40.7

 

CMYK 0 / 82 / 2 / 61

HEX #631261

RGB 99 18 97

HSL 301.48, 0.69%, 0.23%

LAB 23.5, 44.39, -26.91

 

CMYK 0 / 14 / 82 / 61

HEX #635512

RGB 99 85 18

HSL 49.63, 0.69%, 0.23%

LAB 36.35, -2.04, 38.4

 

CMYK 82 / 0 / 57 / 61

HEX #12632B

RGB 18 99 43

HSL 138.52, 0.69%, 0.23%

LAB 36.42, -36.77, 25.04

 

CMYK 82 / 67 / 0 / 61

HEX #122163

RGB 18 33 99

HSL 228.89, 0.69%, 0.23%

LAB 16.09, 20.49, -40.7

 

CMYK 0 / 82 / 26 / 61

HEX #631249

RGB 99 18 73

HSL 319.26, 0.69%, 0.23%

LAB 22.18, 40.56, -12.91

 

Description

Color code: HEX #635512 | qconv.com Color code: HEX #635512 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 85 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 85 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 82 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 82% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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