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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #639838 it is the complementary color #9C67C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #639838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #639838 shade: #689833, #79AA46, #8ABC59, #9BCE6C and #ACE07F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #639838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #639838 shade: #639838, #528625, #417412, #306200 and #1F5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #639838 shade: #639838, #7D9838, #979838, #987F38 and #986638

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #639838 shade: #639838, #499838, #389841, #38985B and #389875

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #639838 shade matches the following richer shades: #639838, #61A927, #60BA16 and #5ECB05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #639838 shade: #639838, #658749, #67765A, #68656B and #6A547C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #639838 shade: #979838, #7D9838, #639838, #4A9838 and #389840

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #639838 shade: #3C5C22, #4F7A2D, #639838, #77B643 and #8CC45F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #639838 shade: #639838, #389880 and #98388A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #639838 shade: #639838, #386398 and #983863

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #639838 shade: #639838, #389880, #6D3898 and #983850

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #639838 shade: #639838, #389398, #6D3898 and #983D38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

Complementary color

CMYK 22 / 48 / 0 / 22

HEX #9C67C7

RGB 156 103 199

HSL 273.13, 0.46%, 0.59%

LAB 52.83, 39.42, -42.08

 

CMYK 32 / 0 / 66 / 40

HEX #689833

RGB 104 152 51

HSL 88.51, 0.5%, 0.4%

LAB 57.69, -33, 46.34

 

CMYK 29 / 0 / 59 / 33

HEX #79AA46

RGB 121 170 70

HSL 89.4, 0.42%, 0.47%

LAB 64.37, -33.2, 45.47

 

CMYK 27 / 0 / 53 / 26

HEX #8ABC59

RGB 138 188 89

HSL 90.3, 0.42%, 0.54%

LAB 70.93, -33.27, 44.39

 

CMYK 25 / 0 / 48 / 19

HEX #9BCE6C

RGB 155 206 108

HSL 91.22, 0.5%, 0.62%

LAB 77.4, -33.28, 43.24

 

CMYK 23 / 0 / 43 / 12

HEX #ACE07F

RGB 172 224 127

HSL 92.16, 0.61%, 0.69%

LAB 83.76, -33.24, 42.08

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 39 / 0 / 72 / 47

HEX #528625

RGB 82 134 37

HSL 92.16, 0.57%, 0.34%

LAB 50.66, -34.16, 44.46

 

CMYK 44 / 0 / 84 / 55

HEX #417412

RGB 65 116 18

HSL 91.22, 0.73%, 0.26%

LAB 43.74, -33.6, 44.26

 

CMYK 51 / 0 / 100 / 62

HEX #306200

RGB 48 98 0

HSL 90.61, 1%, 0.19%

LAB 36.68, -32.64, 42.74

 

CMYK 61 / 0 / 100 / 69

HEX #1F5000

RGB 31 80 0

HSL 96.75, 1%, 0.16%

LAB 29.48, -30.76, 36.78

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 18 / 0 / 63 / 40

HEX #7D9838

RGB 125 152 56

HSL 76.88, 0.46%, 0.41%

LAB 59.07, -24.21, 46.02

 

CMYK 1 / 0 / 63 / 40

HEX #979838

RGB 151 152 56

HSL 60.63, 0.46%, 0.41%

LAB 61.06, -13.08, 48.76

 

CMYK 0 / 16 / 63 / 40

HEX #987F38

RGB 152 127 56

HSL 44.38, 0.46%, 0.41%

LAB 54.17, 1, 41.27

 

CMYK 0 / 33 / 63 / 40

HEX #986638

RGB 152 102 56

HSL 28.75, 0.46%, 0.41%

LAB 47.58, 15.28, 33.73

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 52 / 0 / 63 / 40

HEX #499838

RGB 73 152 56

HSL 109.38, 0.46%, 0.41%

LAB 56.25, -43.08, 42.11

 

CMYK 63 / 0 / 57 / 40

HEX #389841

RGB 56 152 65

HSL 125.63, 0.46%, 0.41%

LAB 55.76, -46.45, 37.12

 

CMYK 63 / 0 / 40 / 40

HEX #38985B

RGB 56 152 91

HSL 141.88, 0.46%, 0.41%

LAB 56.14, -42.27, 24.01

 

CMYK 63 / 0 / 23 / 40

HEX #389875

RGB 56 152 117

HSL 158.13, 0.46%, 0.41%

LAB 56.67, -36.73, 10.23

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 43 / 0 / 77 / 34

HEX #61A927

RGB 97 169 39

HSL 93.23, 0.63%, 0.41%

LAB 62.56, -43.81, 55.76

 

CMYK 48 / 0 / 88 / 27

HEX #60BA16

RGB 96 186 22

HSL 92.93, 0.79%, 0.41%

LAB 67.77, -51.65, 64.92

 

CMYK 54 / 0 / 98 / 20

HEX #5ECB05

RGB 94 203 5

HSL 93.03, 0.95%, 0.41%

LAB 72.96, -58.87, 71.47

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 25 / 0 / 46 / 47

HEX #658749

RGB 101 135 73

HSL 92.9, 0.3%, 0.41%

LAB 52.48, -23.59, 29.45

 

CMYK 13 / 0 / 24 / 54

HEX #67765A

RGB 103 118 90

HSL 92.14, 0.13%, 0.41%

LAB 47.72, -11.14, 13.61

 

CMYK 3 / 6 / 0 / 58

HEX #68656B

RGB 104 101 107

HSL 270, 0.03%, 0.41%

LAB 43.23, 2.42, -2.96

 

CMYK 15 / 32 / 0 / 51

HEX #6A547C

RGB 106 84 124

HSL 273, 0.19%, 0.41%

LAB 39.34, 17.42, -19.2

 

CMYK 1 / 0 / 63 / 40

HEX #979838

RGB 151 152 56

HSL 60.63, 0.46%, 0.41%

LAB 61.06, -13.08, 48.76

 

CMYK 18 / 0 / 63 / 40

HEX #7D9838

RGB 125 152 56

HSL 76.88, 0.46%, 0.41%

LAB 59.07, -24.21, 46.02

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 51 / 0 / 63 / 40

HEX #4A9838

RGB 74 152 56

HSL 108.75, 0.46%, 0.41%

LAB 56.29, -42.79, 42.16

 

CMYK 63 / 0 / 58 / 40

HEX #389840

RGB 56 152 64

HSL 125, 0.46%, 0.41%

LAB 55.75, -46.58, 37.6

 

CMYK 35 / 0 / 63 / 64

HEX #3C5C22

RGB 60 92 34

HSL 93.1, 0.46%, 0.25%

LAB 35.46, -22.95, 29.11

 

CMYK 35 / 0 / 63 / 52

HEX #4F7A2D

RGB 79 122 45

HSL 93.51, 0.46%, 0.33%

LAB 46.67, -29.03, 36.6

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 35 / 0 / 63 / 29

HEX #77B643

RGB 119 182 67

HSL 92.87, 0.46%, 0.49%

LAB 67.86, -39.63, 50.69

 

CMYK 29 / 0 / 52 / 23

HEX #8CC45F

RGB 140 196 95

HSL 93.27, 0.46%, 0.57%

LAB 73.47, -35.57, 44.57

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 63 / 0 / 16 / 40

HEX #389880

RGB 56 152 128

HSL 165, 0.46%, 0.41%

LAB 56.93, -34.02, 4.37

 

CMYK 0 / 63 / 9 / 40

HEX #98388A

RGB 152 56 138

HSL 308.75, 0.46%, 0.41%

LAB 40.15, 50.09, -26.05

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 0 / 63 / 35 / 40

HEX #983863

RGB 152 56 99

HSL 333.13, 0.46%, 0.41%

LAB 38.56, 44.4, -4.26

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 63 / 0 / 16 / 40

HEX #389880

RGB 56 152 128

HSL 165, 0.46%, 0.41%

LAB 56.93, -34.02, 4.37

 

CMYK 28 / 63 / 0 / 40

HEX #6D3898

RGB 109 56 152

HSL 273.13, 0.46%, 0.41%

LAB 34.69, 41.64, -43.62

 

CMYK 0 / 63 / 47 / 40

HEX #983850

RGB 152 56 80

HSL 345, 0.46%, 0.41%

LAB 37.99, 42.27, 6.94

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 63 / 3 / 0 / 40

HEX #389398

RGB 56 147 152

HSL 183.13, 0.46%, 0.41%

LAB 56.06, -24.92, -10.64

 

CMYK 28 / 63 / 0 / 40

HEX #6D3898

RGB 109 56 152

HSL 273.13, 0.46%, 0.41%

LAB 34.69, 41.64, -43.62

 

CMYK 0 / 60 / 63 / 40

HEX #983D38

RGB 152 61 56

HSL 3.13, 0.46%, 0.41%

LAB 38.37, 37.81, 22.5

 

Description

Color code: HEX #639838 | qconv.com Color code: HEX #639838 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 152 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 152 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 63 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 63% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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