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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #386398 it is the complementary color #C79C67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #386398. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #386398 shade: #3D6393, #4E75A6, #5F87B9, #7099CC and #81ABDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #386398. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #386398 shade: #386398, #275185, #163F72, #052D5F and #001B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #386398 shade: #386398, #384998, #413898, #5B3898 and #753898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #386398 shade: #386398, #384998 and #383898

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #386398 shade matches the following richer shades: #386398, #2761A9, #1660BA and #055ECB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #386398 shade: #386398, #496587, #5A6776, #6B6865 and #7C6A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #386398 shade: #389798, #387D98, #386398, #384A98 and #403898

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #386398 shade: #223C5C, #2D4F7A, #386398, #4377B6 and #5F8CC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #386398 shade: #386398, #803898 and #8A9838

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #386398 shade: #386398, #983863 and #639838

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #386398 shade: #386398, #803898, #986D38 and #509838

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #386398 shade: #386398, #983893, #986D38 and #38983D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

Complementary color

CMYK 0 / 22 / 48 / 22

HEX #C79C67

RGB 199 156 103

HSL 33.13, 0.46%, 0.59%

LAB 67.2, 9.36, 33.77

 

CMYK 59 / 33 / 0 / 42

HEX #3D6393

RGB 61 99 147

HSL 213.49, 0.41%, 0.41%

LAB 41.25, 1.62, -30.43

 

CMYK 53 / 30 / 0 / 35

HEX #4E75A6

RGB 78 117 166

HSL 213.41, 0.36%, 0.48%

LAB 48.38, 0.78, -30.44

 

CMYK 49 / 27 / 0 / 27

HEX #5F87B9

RGB 95 135 185

HSL 213.33, 0.39%, 0.55%

LAB 55.34, 0.13, -30.49

 

CMYK 45 / 25 / 0 / 20

HEX #7099CC

RGB 112 153 204

HSL 213.26, 0.47%, 0.62%

LAB 62.16, -0.38, -30.57

 

CMYK 42 / 23 / 0 / 13

HEX #81ABDF

RGB 129 171 223

HSL 213.19, 0.59%, 0.69%

LAB 68.84, -0.81, -30.68

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 71 / 39 / 0 / 48

HEX #275185

RGB 39 81 133

HSL 213.19, 0.55%, 0.34%

LAB 34, 3.71, -33.44

 

CMYK 81 / 45 / 0 / 55

HEX #163F72

RGB 22 63 114

HSL 213.26, 0.68%, 0.27%

LAB 26.56, 5.68, -33.46

 

CMYK 95 / 53 / 0 / 63

HEX #052D5F

RGB 5 45 95

HSL 213.33, 0.9%, 0.2%

LAB 18.95, 8.52, -33.43

 

CMYK 100 / 64 / 0 / 70

HEX #001B4C

RGB 0 27 76

HSL 218.68, 1%, 0.15%

LAB 11.32, 12.93, -33.03

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 63 / 52 / 0 / 40

HEX #384998

RGB 56 73 152

HSL 229.38, 0.46%, 0.41%

LAB 33.72, 19.21, -45.45

 

CMYK 57 / 63 / 0 / 40

HEX #413898

RGB 65 56 152

HSL 245.63, 0.46%, 0.41%

LAB 29.96, 31.99, -51.5

 

CMYK 40 / 63 / 0 / 40

HEX #5B3898

RGB 91 56 152

HSL 261.88, 0.46%, 0.41%

LAB 32.52, 37.4, -47.23

 

CMYK 23 / 63 / 0 / 40

HEX #753898

RGB 117 56 152

HSL 278.13, 0.46%, 0.41%

LAB 35.75, 43.61, -41.87

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 63 / 52 / 0 / 40

HEX #384998

RGB 56 73 152

HSL 229.38, 0.46%, 0.41%

LAB 33.72, 19.21, -45.45

 

CMYK 63 / 63 / 0 / 40

HEX #383898

RGB 56 56 152

HSL 240, 0.46%, 0.41%

LAB 29.25, 30.4, -52.69

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 77 / 43 / 0 / 34

HEX #2761A9

RGB 39 97 169

HSL 213.23, 0.63%, 0.41%

LAB 40.97, 7.16, -44.03

 

CMYK 88 / 48 / 0 / 27

HEX #1660BA

RGB 22 96 186

HSL 212.93, 0.79%, 0.41%

LAB 41.35, 12.9, -53.43

 

CMYK 98 / 54 / 0 / 20

HEX #055ECB

RGB 5 94 203

HSL 213.03, 0.95%, 0.41%

LAB 41.77, 20.27, -62.62

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 46 / 25 / 0 / 47

HEX #496587

RGB 73 101 135

HSL 212.9, 0.3%, 0.41%

LAB 41.96, -0.57, -22.06

 

CMYK 24 / 13 / 0 / 54

HEX #5A6776

RGB 90 103 118

HSL 212.14, 0.13%, 0.41%

LAB 43.04, -1.31, -10.04

 

CMYK 0 / 3 / 6 / 58

HEX #6B6865

RGB 107 104 101

HSL 30, 0.03%, 0.41%

LAB 44.18, 0.57, 2.1

 

CMYK 0 / 15 / 32 / 51

HEX #7C6A54

RGB 124 106 84

HSL 33, 0.19%, 0.41%

LAB 45.95, 3.57, 15

 

CMYK 63 / 1 / 0 / 40

HEX #389798

RGB 56 151 152

HSL 180.63, 0.46%, 0.41%

LAB 57.31, -26.93, -8.77

 

CMYK 63 / 18 / 0 / 40

HEX #387D98

RGB 56 125 152

HSL 196.88, 0.46%, 0.41%

LAB 49.22, -13.16, -21.02

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 63 / 51 / 0 / 40

HEX #384A98

RGB 56 74 152

HSL 228.75, 0.46%, 0.41%

LAB 33.99, 18.55, -45

 

CMYK 58 / 63 / 0 / 40

HEX #403898

RGB 64 56 152

HSL 245, 0.46%, 0.41%

LAB 29.88, 31.8, -51.64

 

CMYK 63 / 35 / 0 / 64

HEX #223C5C

RGB 34 60 92

HSL 213.1, 0.46%, 0.25%

LAB 24.78, 1.1, -22.11

 

CMYK 63 / 35 / 0 / 52

HEX #2D4F7A

RGB 45 79 122

HSL 213.51, 0.46%, 0.33%

LAB 33.04, 2.04, -28.15

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 63 / 35 / 0 / 29

HEX #4377B6

RGB 67 119 182

HSL 212.87, 0.46%, 0.49%

LAB 49.21, 2.59, -38.47

 

CMYK 52 / 29 / 0 / 23

HEX #5F8CC4

RGB 95 140 196

HSL 213.27, 0.46%, 0.57%

LAB 57.25, 0.59, -33.78

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 16 / 63 / 0 / 40

HEX #803898

RGB 128 56 152

HSL 285, 0.46%, 0.41%

LAB 37.27, 46.37, -39.35

 

CMYK 9 / 0 / 63 / 40

HEX #8A9838

RGB 138 152 56

HSL 68.75, 0.46%, 0.41%

LAB 60.02, -18.72, 47.33

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 0 / 63 / 35 / 40

HEX #983863

RGB 152 56 99

HSL 333.13, 0.46%, 0.41%

LAB 38.56, 44.4, -4.26

 

CMYK 35 / 0 / 63 / 40

HEX #639838

RGB 99 152 56

HSL 93.13, 0.46%, 0.41%

LAB 57.46, -34.43, 43.79

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 16 / 63 / 0 / 40

HEX #803898

RGB 128 56 152

HSL 285, 0.46%, 0.41%

LAB 37.27, 46.37, -39.35

 

CMYK 0 / 28 / 63 / 40

HEX #986D38

RGB 152 109 56

HSL 33.13, 0.46%, 0.41%

LAB 49.37, 11.25, 35.82

 

CMYK 47 / 0 / 63 / 40

HEX #509838

RGB 80 152 56

HSL 105, 0.46%, 0.41%

LAB 56.53, -40.95, 42.51

 

CMYK 63 / 35 / 0 / 40

HEX #386398

RGB 56 99 152

HSL 213.13, 0.46%, 0.41%

LAB 41.27, 2.31, -33.41

 

CMYK 0 / 63 / 3 / 40

HEX #983893

RGB 152 56 147

HSL 303.13, 0.46%, 0.41%

LAB 40.59, 51.63, -30.83

 

CMYK 0 / 28 / 63 / 40

HEX #986D38

RGB 152 109 56

HSL 33.13, 0.46%, 0.41%

LAB 49.37, 11.25, 35.82

 

CMYK 63 / 0 / 60 / 40

HEX #38983D

RGB 56 152 61

HSL 123.13, 0.46%, 0.41%

LAB 55.72, -46.97, 39.01

 

Description

Color code: HEX #386398 | qconv.com Color code: HEX #386398 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 99 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 99 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 35 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 35% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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