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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #639CBA it is the complementary color #9C6345. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #639CBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #639CBA shade: #689CB5, #79AEC8, #8AC0DB, #9BD2EE and #ACE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #639CBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #639CBA shade: #639CBA, #528AA7, #417894, #306681 and #1F546E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #639CBA shade: #639CBA, #6384BA, #636DBA, #7063BA and #8863BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #639CBA shade: #639CBA, #6384BA, #636DBA and #6363BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #639CBA shade matches the following richer shades: #639CBA, #50A2CC, #3EA7DE and #2CADF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #639CBA shade: #639CBA, #7596A8, #879196, #998B84 and #AB8571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #639CBA shade: #63BAA9, #63B4BA, #639DBA, #6386BA and #636EBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #639CBA shade: #3D718D, #4A88A9, #639CBA, #7FAEC7 and #9CC0D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #639CBA shade: #639CBA, #9163BA and #BAB463

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #639CBA shade: #639CBA, #BA639D and #9DBA63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #639CBA shade: #639CBA, #9163BA, #BA8063 and #8BBA63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #639CBA shade: #639CBA, #AB63BA, #BA8063 and #71BA63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 16 / 0 / 27

HEX #639CBA

RGB 99 156 186

HSL 200.69, 0.39%, 0.56%

LAB 61.63, -10.48, -21.35

 

Complementary color

CMYK 0 / 37 / 56 / 39

HEX #9C6345

RGB 156 99 69

HSL 20.69, 0.39%, 0.44%

LAB 47.52, 19.81, 26.51

 

CMYK 43 / 14 / 0 / 29

HEX #689CB5

RGB 104 156 181

HSL 199.48, 0.34%, 0.56%

LAB 61.7, -10.61, -18.4

 

CMYK 40 / 13 / 0 / 22

HEX #79AEC8

RGB 121 174 200

HSL 199.75, 0.42%, 0.63%

LAB 68.39, -10.76, -18.75

 

CMYK 37 / 12 / 0 / 14

HEX #8AC0DB

RGB 138 192 219

HSL 200, 0.53%, 0.7%

LAB 74.96, -10.88, -19.09

 

CMYK 35 / 12 / 0 / 7

HEX #9BD2EE

RGB 155 210 238

HSL 200.24, 0.71%, 0.77%

LAB 81.42, -10.99, -19.44

 

CMYK 33 / 11 / 0 / 0

HEX #ACE4FF

RGB 172 228 255

HSL 199.52, 1%, 0.84%

LAB 87.72, -11.55, -18.83

 

CMYK 47 / 16 / 0 / 27

HEX #639CBA

RGB 99 156 186

HSL 200.69, 0.39%, 0.56%

LAB 61.63, -10.48, -21.35

 

CMYK 51 / 17 / 0 / 35

HEX #528AA7

RGB 82 138 167

HSL 200.47, 0.34%, 0.49%

LAB 54.83, -10.17, -21.03

 

CMYK 56 / 19 / 0 / 42

HEX #417894

RGB 65 120 148

HSL 200.24, 0.39%, 0.42%

LAB 47.87, -9.75, -20.72

 

CMYK 63 / 21 / 0 / 49

HEX #306681

RGB 48 102 129

HSL 200, 0.46%, 0.35%

LAB 40.76, -9.15, -20.39

 

CMYK 72 / 24 / 0 / 57

HEX #1F546E

RGB 31 84 110

HSL 199.75, 0.56%, 0.28%

LAB 33.47, -8.26, -20.03

 

CMYK 47 / 16 / 0 / 27

HEX #639CBA

RGB 99 156 186

HSL 200.69, 0.39%, 0.56%

LAB 61.63, -10.48, -21.35

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 47 / 41 / 0 / 27

HEX #636DBA

RGB 99 109 186

HSL 233.1, 0.39%, 0.56%

LAB 48.43, 17.07, -41.9

 

CMYK 40 / 47 / 0 / 27

HEX #7063BA

RGB 112 99 186

HSL 248.97, 0.39%, 0.56%

LAB 46.86, 26.48, -44.33

 

CMYK 27 / 47 / 0 / 27

HEX #8863BA

RGB 136 99 186

HSL 265.52, 0.39%, 0.56%

LAB 49.13, 32.97, -40.58

 

CMYK 47 / 16 / 0 / 27

HEX #639CBA

RGB 99 156 186

HSL 200.69, 0.39%, 0.56%

LAB 61.63, -10.48, -21.35

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 47 / 41 / 0 / 27

HEX #636DBA

RGB 99 109 186

HSL 233.1, 0.39%, 0.56%

LAB 48.43, 17.07, -41.9

 

CMYK 47 / 47 / 0 / 27

HEX #6363BA

RGB 99 99 186

HSL 240, 0.39%, 0.56%

LAB 45.8, 23.23, -46.08

 

CMYK 47 / 16 / 0 / 27

HEX #639CBA

RGB 99 156 186

HSL 200.69, 0.39%, 0.56%

LAB 61.63, -10.48, -21.35

 

CMYK 61 / 21 / 0 / 20

HEX #50A2CC

RGB 80 162 204

HSL 200.32, 0.55%, 0.56%

LAB 63.26, -12.46, -28.98

 

CMYK 72 / 25 / 0 / 13

HEX #3EA7DE

RGB 62 167 222

HSL 200.63, 0.71%, 0.56%

LAB 64.91, -12.19, -36.44

 

CMYK 82 / 28 / 0 / 5

HEX #2CADF1

RGB 44 173 241

HSL 200.71, 0.88%, 0.56%

LAB 67.11, -10.89, -43.46

 

CMYK 47 / 16 / 0 / 27

HEX #639CBA

RGB 99 156 186

HSL 200.69, 0.39%, 0.56%

LAB 61.63, -10.48, -21.35

 

CMYK 30 / 11 / 0 / 34

HEX #7596A8

RGB 117 150 168

HSL 201.18, 0.23%, 0.56%

LAB 60.27, -7.06, -13.16

 

CMYK 10 / 3 / 0 / 41

HEX #879196

RGB 135 145 150

HSL 200, 0.07%, 0.56%

LAB 59.53, -2.56, -3.89

 

CMYK 0 / 9 / 14 / 40

HEX #998B84

RGB 153 139 132

HSL 20, 0.09%, 0.56%

LAB 58.88, 4, 5.63

 

CMYK 0 / 22 / 34 / 33

HEX #AB8571

RGB 171 133 113

HSL 20.69, 0.26%, 0.56%

LAB 58.63, 11.67, 16.36

 

CMYK 47 / 0 / 9 / 27

HEX #63BAA9

RGB 99 186 169

HSL 168.28, 0.39%, 0.56%

LAB 69.92, -30.42, 0.49

 

CMYK 47 / 3 / 0 / 27

HEX #63B4BA

RGB 99 180 186

HSL 184.14, 0.39%, 0.56%

LAB 68.64, -23.13, -10.76

 

CMYK 47 / 16 / 0 / 27

HEX #639DBA

RGB 99 157 186

HSL 200, 0.39%, 0.56%

LAB 61.92, -11.02, -20.9

 

CMYK 47 / 28 / 0 / 27

HEX #6386BA

RGB 99 134 186

HSL 215.86, 0.39%, 0.56%

LAB 55.33, 2.01, -31.07

 

CMYK 47 / 41 / 0 / 27

HEX #636EBA

RGB 99 110 186

HSL 232.41, 0.39%, 0.56%

LAB 48.7, 16.45, -41.48

 

CMYK 57 / 20 / 0 / 45

HEX #3D718D

RGB 61 113 141

HSL 201, 0.4%, 0.4%

LAB 45.26, -8.84, -20.62

 

CMYK 56 / 20 / 0 / 34

HEX #4A88A9

RGB 74 136 169

HSL 200.84, 0.39%, 0.48%

LAB 53.95, -10.24, -23.56

 

CMYK 47 / 16 / 0 / 27

HEX #639CBA

RGB 99 156 186

HSL 200.69, 0.39%, 0.56%

LAB 61.63, -10.48, -21.35

 

CMYK 36 / 13 / 0 / 22

HEX #7FAEC7

RGB 127 174 199

HSL 200.83, 0.39%, 0.64%

LAB 68.68, -9.4, -17.72

 

CMYK 26 / 9 / 0 / 17

HEX #9CC0D3

RGB 156 192 211

HSL 200.73, 0.38%, 0.72%

LAB 75.74, -7.73, -13.48

 

CMYK 47 / 16 / 0 / 27

HEX #639CBA

RGB 99 156 186

HSL 200.69, 0.39%, 0.56%

LAB 61.63, -10.48, -21.35

 

CMYK 22 / 47 / 0 / 27

HEX #9163BA

RGB 145 99 186

HSL 271.72, 0.39%, 0.56%

LAB 50.08, 35.52, -39.02

 

CMYK 0 / 3 / 47 / 27

HEX #BAB463

RGB 186 180 99

HSL 55.86, 0.39%, 0.56%

LAB 72.22, -9.26, 41.83

 

CMYK 47 / 16 / 0 / 27

HEX #639CBA

RGB 99 156 186

HSL 200.69, 0.39%, 0.56%

LAB 61.63, -10.48, -21.35

 

CMYK 0 / 47 / 16 / 27

HEX #BA639D

RGB 186 99 157

HSL 320, 0.39%, 0.56%

LAB 53.81, 42.51, -15.96

 

CMYK 16 / 0 / 47 / 27

HEX #9DBA63

RGB 157 186 99

HSL 80, 0.39%, 0.56%

LAB 71.68, -23.99, 40.68

 

CMYK 47 / 16 / 0 / 27

HEX #639CBA

RGB 99 156 186

HSL 200.69, 0.39%, 0.56%

LAB 61.63, -10.48, -21.35

 

CMYK 22 / 47 / 0 / 27

HEX #9163BA

RGB 145 99 186

HSL 271.72, 0.39%, 0.56%

LAB 50.08, 35.52, -39.02

 

CMYK 0 / 31 / 47 / 27

HEX #BA8063

RGB 186 128 99

HSL 20, 0.39%, 0.56%

LAB 58.77, 18.99, 24.75

 

CMYK 25 / 0 / 47 / 27

HEX #8BBA63

RGB 139 186 99

HSL 92.41, 0.39%, 0.56%

LAB 70.53, -30.82, 39

 

CMYK 47 / 16 / 0 / 27

HEX #639CBA

RGB 99 156 186

HSL 200.69, 0.39%, 0.56%

LAB 61.63, -10.48, -21.35

 

CMYK 8 / 47 / 0 / 27

HEX #AB63BA

RGB 171 99 186

HSL 289.66, 0.39%, 0.56%

LAB 53.09, 43.09, -34.09

 

CMYK 0 / 31 / 47 / 27

HEX #BA8063

RGB 186 128 99

HSL 20, 0.39%, 0.56%

LAB 58.77, 18.99, 24.75

 

CMYK 39 / 0 / 47 / 27

HEX #71BA63

RGB 113 186 99

HSL 110.34, 0.39%, 0.56%

LAB 69.13, -39.81, 36.95

 

Description

Color code: HEX #639CBA | qconv.com Color code: HEX #639CBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 156 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 156 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 16 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 16% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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