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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67AD46 it is the complementary color #9852B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67AD46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67AD46 shade: #6CAD41, #7DBF54, #8ED167, #9FE37A and #B0F58D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67AD46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67AD46 shade: #67AD46, #569B33, #458920, #34770D and #236500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67AD46 shade: #67AD46, #83AD46, #9FAD46, #ADA046 and #AD8446

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67AD46 shade: #67AD46, #4CAD46, #46AD5D, #46AD79 and #46AD94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67AD46 shade matches the following richer shades: #67AD46, #60C133, #59D51F and #52E90B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67AD46 shade: #67AD46, #6F9A5A, #76866E, #7D7282 and #845E96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67AD46 shade: #A0AD46, #84AD46, #69AD46, #4DAD46 and #46AD5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67AD46 shade: #44732F, #56903B, #67AD46, #7EBE60 and #95CA7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67AD46 shade: #67AD46, #46ADA0 and #AD4692

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67AD46 shade: #67AD46, #4669AD and #AD4669

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67AD46 shade: #67AD46, #46ADA0, #8B46AD and #AD4654

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67AD46 shade: #67AD46, #469CAD, #8B46AD and #AD5846

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

Complementary color

CMYK 18 / 56 / 0 / 27

HEX #9852B9

RGB 152 82 185

HSL 280.78, 0.42%, 0.52%

LAB 47.25, 46.53, -42.87

 

CMYK 38 / 0 / 62 / 32

HEX #6CAD41

RGB 108 173 65

HSL 96.11, 0.45%, 0.47%

LAB 64.53, -39.73, 47.73

 

CMYK 35 / 0 / 56 / 25

HEX #7DBF54

RGB 125 191 84

HSL 97.01, 0.46%, 0.54%

LAB 71.05, -39.82, 46.72

 

CMYK 32 / 0 / 51 / 18

HEX #8ED167

RGB 142 209 103

HSL 97.92, 0.54%, 0.61%

LAB 77.48, -39.81, 45.59

 

CMYK 30 / 0 / 46 / 11

HEX #9FE37A

RGB 159 227 122

HSL 98.86, 0.65%, 0.68%

LAB 83.82, -39.74, 44.43

 

CMYK 28 / 0 / 42 / 4

HEX #B0F58D

RGB 176 245 141

HSL 99.81, 0.84%, 0.76%

LAB 90.07, -39.63, 43.27

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 45 / 0 / 67 / 39

HEX #569B33

RGB 86 155 51

HSL 99.81, 0.5%, 0.4%

LAB 57.71, -40.75, 46.09

 

CMYK 50 / 0 / 77 / 46

HEX #458920

RGB 69 137 32

HSL 98.86, 0.62%, 0.33%

LAB 50.99, -40.31, 46.51

 

CMYK 56 / 0 / 89 / 53

HEX #34770D

RGB 52 119 13

HSL 97.92, 0.8%, 0.26%

LAB 44.17, -39.43, 45.79

 

CMYK 65 / 0 / 100 / 60

HEX #236500

RGB 35 101 0

HSL 99.21, 1%, 0.2%

LAB 37.23, -37.87, 42.96

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 24 / 0 / 60 / 32

HEX #83AD46

RGB 131 173 70

HSL 84.47, 0.42%, 0.48%

LAB 65.87, -30.79, 47.33

 

CMYK 8 / 0 / 60 / 32

HEX #9FAD46

RGB 159 173 70

HSL 68.16, 0.42%, 0.48%

LAB 67.8, -19.46, 50.02

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 0 / 24 / 60 / 32

HEX #AD8446

RGB 173 132 70

HSL 36.12, 0.42%, 0.48%

LAB 57.87, 8.59, 39.04

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 56 / 0 / 60 / 32

HEX #4CAD46

RGB 76 173 70

HSL 116.5, 0.42%, 0.48%

LAB 63.23, -49.01, 43.62

 

CMYK 60 / 0 / 46 / 32

HEX #46AD5D

RGB 70 173 93

HSL 133.4, 0.42%, 0.48%

LAB 63.33, -47.3, 32.33

 

CMYK 60 / 0 / 30 / 32

HEX #46AD79

RGB 70 173 121

HSL 149.71, 0.42%, 0.48%

LAB 63.81, -42.12, 18.02

 

CMYK 60 / 0 / 14 / 32

HEX #46AD94

RGB 70 173 148

HSL 165.44, 0.42%, 0.48%

LAB 64.43, -35.92, 3.99

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 50 / 0 / 74 / 24

HEX #60C133

RGB 96 193 51

HSL 100.99, 0.58%, 0.48%

LAB 70.08, -52.87, 59

 

CMYK 58 / 0 / 85 / 16

HEX #59D51F

RGB 89 213 31

HSL 100.88, 0.75%, 0.48%

LAB 75.95, -63.02, 70.06

 

CMYK 65 / 0 / 95 / 9

HEX #52E90B

RGB 82 233 11

HSL 100.81, 0.91%, 0.48%

LAB 81.89, -71.66, 77.96

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 28 / 0 / 42 / 40

HEX #6F9A5A

RGB 111 154 90

HSL 100.31, 0.26%, 0.48%

LAB 59.19, -26.9, 28.98

 

CMYK 12 / 0 / 18 / 47

HEX #76866E

RGB 118 134 110

HSL 100, 0.1%, 0.48%

LAB 54.06, -10.59, 11

 

CMYK 4 / 12 / 0 / 49

HEX #7D7282

RGB 125 114 130

HSL 281.25, 0.07%, 0.48%

LAB 49.5, 7.44, -7.23

 

CMYK 12 / 37 / 0 / 41

HEX #845E96

RGB 132 94 150

HSL 280.71, 0.23%, 0.48%

LAB 45.79, 26.14, -24.71

 

CMYK 8 / 0 / 60 / 32

HEX #A0AD46

RGB 160 173 70

HSL 67.57, 0.42%, 0.48%

LAB 67.88, -19.04, 50.13

 

CMYK 24 / 0 / 60 / 32

HEX #84AD46

RGB 132 173 70

HSL 83.88, 0.42%, 0.48%

LAB 65.93, -30.4, 47.42

 

CMYK 39 / 0 / 60 / 32

HEX #69AD46

RGB 105 173 70

HSL 99.61, 0.42%, 0.48%

LAB 64.43, -40.27, 45.31

 

CMYK 55 / 0 / 60 / 32

HEX #4DAD46

RGB 77 173 70

HSL 115.92, 0.42%, 0.48%

LAB 63.27, -48.75, 43.67

 

CMYK 60 / 0 / 47 / 32

HEX #46AD5B

RGB 70 173 91

HSL 132.23, 0.42%, 0.48%

LAB 63.3, -47.62, 33.33

 

CMYK 41 / 0 / 59 / 55

HEX #44732F

RGB 68 115 47

HSL 101.47, 0.42%, 0.32%

LAB 43.79, -29.6, 32.16

 

CMYK 40 / 0 / 59 / 44

HEX #56903B

RGB 86 144 59

HSL 100.94, 0.42%, 0.4%

LAB 54.28, -35.16, 38.61

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 34 / 0 / 49 / 25

HEX #7EBE60

RGB 126 190 96

HSL 100.85, 0.42%, 0.56%

LAB 70.94, -37.66, 40.84

 

CMYK 26 / 0 / 38 / 21

HEX #95CA7D

RGB 149 202 125

HSL 101.3, 0.42%, 0.64%

LAB 76.14, -31.35, 33.03

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 60 / 0 / 8 / 32

HEX #46ADA0

RGB 70 173 160

HSL 172.43, 0.42%, 0.48%

LAB 64.75, -32.83, -2.23

 

CMYK 0 / 60 / 16 / 32

HEX #AD4692

RGB 173 70 146

HSL 315.73, 0.42%, 0.48%

LAB 46.1, 51.04, -21.41

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 60 / 39 / 0 / 32

HEX #4669AD

RGB 70 105 173

HSL 219.61, 0.42%, 0.48%

LAB 44.83, 8.71, -40.15

 

CMYK 0 / 60 / 39 / 32

HEX #AD4669

RGB 173 70 105

HSL 339.61, 0.42%, 0.48%

LAB 44.64, 45.5, 1.34

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 60 / 0 / 8 / 32

HEX #46ADA0

RGB 70 173 160

HSL 172.43, 0.42%, 0.48%

LAB 64.75, -32.83, -2.23

 

CMYK 20 / 60 / 0 / 32

HEX #8B46AD

RGB 139 70 173

HSL 280.19, 0.42%, 0.48%

LAB 42.59, 46.72, -43.34

 

CMYK 0 / 60 / 51 / 32

HEX #AD4654

RGB 173 70 84

HSL 351.84, 0.42%, 0.48%

LAB 44.1, 43.35, 13.49

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 60 / 10 / 0 / 32

HEX #469CAD

RGB 70 156 173

HSL 189.9, 0.42%, 0.48%

LAB 59.98, -20.69, -16.65

 

CMYK 20 / 60 / 0 / 32

HEX #8B46AD

RGB 139 70 173

HSL 280.19, 0.42%, 0.48%

LAB 42.59, 46.72, -43.34

 

CMYK 0 / 49 / 60 / 32

HEX #AD5846

RGB 173 88 70

HSL 10.49, 0.42%, 0.48%

LAB 47.37, 33.04, 26.23

 

Description

Color code: HEX #67AD46 | qconv.com Color code: HEX #67AD46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 173 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 173 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 60 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 60% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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