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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADA046 it is the complementary color #525FB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADA046. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADA046 shade: #B2A041, #C3B254, #D4C467, #E5D67A and #F6E88D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADA046. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADA046 shade: #ADA046, #9C8E33, #8B7C20, #7A6A0D and #695800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADA046 shade: #ADA046, #AD8546, #AD6946, #AD4D46 and #AD4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADA046 shade: #ADA046, #9FAD46, #83AD46, #67AD46 and #4BAD46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADA046 shade matches the following richer shades: #ADA046, #C1AF33, #D5BE1F and #E9CD0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADA046 shade: #ADA046, #9A925A, #86836E, #727482 and #5E6596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADA046 shade: #AD6946, #AD8446, #ADA046, #A0AD46 and #84AD46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADA046 shade: #736A2F, #90853B, #ADA046, #BEB260 and #CAC07D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADA046 shade: #ADA046, #46AD4D and #7646AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADA046 shade: #ADA046, #46ADA0 and #A046AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADA046 shade: #ADA046, #46AD4D, #4654AD and #AD46A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADA046 shade: #ADA046, #46AD6C, #4654AD and #AD4688

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

Complementary color

CMYK 56 / 49 / 0 / 27

HEX #525FB9

RGB 82 95 185

HSL 232.43, 0.42%, 0.52%

LAB 43.48, 21.58, -49.28

 

CMYK 0 / 10 / 63 / 30

HEX #B2A041

RGB 178 160 65

HSL 50.44, 0.47%, 0.48%

LAB 65.74, -4.91, 50.47

 

CMYK 0 / 9 / 57 / 24

HEX #C3B254

RGB 195 178 84

HSL 50.81, 0.48%, 0.55%

LAB 72.28, -5.76, 49.41

 

CMYK 0 / 8 / 51 / 17

HEX #D4C467

RGB 212 196 103

HSL 51.19, 0.56%, 0.62%

LAB 78.73, -6.46, 48.24

 

CMYK 0 / 7 / 47 / 10

HEX #E5D67A

RGB 229 214 122

HSL 51.59, 0.67%, 0.69%

LAB 85.08, -7.06, 47.05

 

CMYK 0 / 6 / 43 / 4

HEX #F6E88D

RGB 246 232 141

HSL 52, 0.85%, 0.76%

LAB 91.34, -7.57, 45.86

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 0 / 9 / 67 / 39

HEX #9C8E33

RGB 156 142 51

HSL 52, 0.51%, 0.41%

LAB 58.65, -5.83, 48.54

 

CMYK 0 / 11 / 77 / 45

HEX #8B7C20

RGB 139 124 32

HSL 51.59, 0.63%, 0.34%

LAB 51.85, -4.7, 49.01

 

CMYK 0 / 13 / 89 / 52

HEX #7A6A0D

RGB 122 106 13

HSL 51.19, 0.81%, 0.26%

LAB 44.91, -3.25, 48.35

 

CMYK 0 / 16 / 100 / 59

HEX #695800

RGB 105 88 0

HSL 50.29, 1%, 0.21%

LAB 37.81, -1.42, 45.53

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 0 / 23 / 60 / 32

HEX #AD8546

RGB 173 133 70

HSL 36.7, 0.42%, 0.48%

LAB 58.13, 8.03, 39.35

 

CMYK 0 / 39 / 60 / 32

HEX #AD6946

RGB 173 105 70

HSL 20.39, 0.42%, 0.48%

LAB 51.19, 23.74, 31

 

CMYK 0 / 55 / 60 / 32

HEX #AD4D46

RGB 173 77 70

HSL 4.08, 0.42%, 0.48%

LAB 45.13, 38.75, 23.36

 

CMYK 0 / 60 / 60 / 32

HEX #AD4646

RGB 173 70 70

HSL 0, 0.42%, 0.48%

LAB 43.81, 42.2, 21.66

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 8 / 0 / 60 / 32

HEX #9FAD46

RGB 159 173 70

HSL 68.16, 0.42%, 0.48%

LAB 67.8, -19.46, 50.02

 

CMYK 24 / 0 / 60 / 32

HEX #83AD46

RGB 131 173 70

HSL 84.47, 0.42%, 0.48%

LAB 65.87, -30.79, 47.33

 

CMYK 40 / 0 / 60 / 32

HEX #67AD46

RGB 103 173 70

HSL 100.78, 0.42%, 0.48%

LAB 64.33, -40.94, 45.18

 

CMYK 57 / 0 / 60 / 32

HEX #4BAD46

RGB 75 173 70

HSL 117.09, 0.42%, 0.48%

LAB 63.2, -49.27, 43.57

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 0 / 9 / 74 / 24

HEX #C1AF33

RGB 193 175 51

HSL 52.39, 0.58%, 0.48%

LAB 71.03, -7.06, 62.02

 

CMYK 0 / 11 / 85 / 16

HEX #D5BE1F

RGB 213 190 31

HSL 52.42, 0.75%, 0.48%

LAB 76.72, -6.81, 73.64

 

CMYK 0 / 12 / 95 / 9

HEX #E9CD0B

RGB 233 205 11

HSL 52.43, 0.91%, 0.48%

LAB 82.38, -6.17, 81.97

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 0 / 5 / 42 / 40

HEX #9A925A

RGB 154 146 90

HSL 52.5, 0.26%, 0.48%

LAB 60.04, -5.48, 30.72

 

CMYK 0 / 2 / 18 / 47

HEX #86836E

RGB 134 131 110

HSL 52.5, 0.1%, 0.48%

LAB 54.48, -2.65, 11.77

 

CMYK 12 / 11 / 0 / 49

HEX #727482

RGB 114 116 130

HSL 232.5, 0.07%, 0.48%

LAB 49.11, 2.26, -7.93

 

CMYK 37 / 33 / 0 / 41

HEX #5E6596

RGB 94 101 150

HSL 232.5, 0.23%, 0.48%

LAB 44.07, 9.91, -27.65

 

CMYK 0 / 39 / 60 / 32

HEX #AD6946

RGB 173 105 70

HSL 20.39, 0.42%, 0.48%

LAB 51.19, 23.74, 31

 

CMYK 0 / 24 / 60 / 32

HEX #AD8446

RGB 173 132 70

HSL 36.12, 0.42%, 0.48%

LAB 57.87, 8.59, 39.04

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 8 / 0 / 60 / 32

HEX #A0AD46

RGB 160 173 70

HSL 67.57, 0.42%, 0.48%

LAB 67.88, -19.04, 50.13

 

CMYK 24 / 0 / 60 / 32

HEX #84AD46

RGB 132 173 70

HSL 83.88, 0.42%, 0.48%

LAB 65.93, -30.4, 47.42

 

CMYK 0 / 8 / 59 / 55

HEX #736A2F

RGB 115 106 47

HSL 52.06, 0.42%, 0.32%

LAB 44.46, -4.73, 33.83

 

CMYK 0 / 8 / 59 / 44

HEX #90853B

RGB 144 133 59

HSL 52.24, 0.42%, 0.4%

LAB 55.09, -5.71, 40.62

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 0 / 6 / 49 / 25

HEX #BEB260

RGB 190 178 96

HSL 52.34, 0.42%, 0.56%

LAB 71.98, -6.84, 43.12

 

CMYK 0 / 5 / 38 / 21

HEX #CAC07D

RGB 202 192 125

HSL 52.21, 0.42%, 0.64%

LAB 77.12, -6.26, 35.04

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 60 / 0 / 55 / 32

HEX #46AD4D

RGB 70 173 77

HSL 124.08, 0.42%, 0.48%

LAB 63.11, -49.64, 40.11

 

CMYK 32 / 60 / 0 / 32

HEX #7646AD

RGB 118 70 173

HSL 267.96, 0.42%, 0.48%

LAB 40, 41.47, -47.64

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 60 / 0 / 8 / 32

HEX #46ADA0

RGB 70 173 160

HSL 172.43, 0.42%, 0.48%

LAB 64.75, -32.83, -2.23

 

CMYK 8 / 60 / 0 / 32

HEX #A046AD

RGB 160 70 173

HSL 292.43, 0.42%, 0.48%

LAB 45.46, 52.14, -38.61

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 60 / 0 / 55 / 32

HEX #46AD4D

RGB 70 173 77

HSL 124.08, 0.42%, 0.48%

LAB 63.11, -49.64, 40.11

 

CMYK 60 / 51 / 0 / 32

HEX #4654AD

RGB 70 84 173

HSL 231.84, 0.42%, 0.48%

LAB 39, 22.11, -49.47

 

CMYK 0 / 60 / 4 / 32

HEX #AD46A6

RGB 173 70 166

HSL 304.08, 0.42%, 0.48%

LAB 47, 54.3, -31.92

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 60 / 0 / 38 / 32

HEX #46AD6C

RGB 70 173 108

HSL 142.14, 0.42%, 0.48%

LAB 63.57, -44.7, 24.73

 

CMYK 60 / 51 / 0 / 32

HEX #4654AD

RGB 70 84 173

HSL 231.84, 0.42%, 0.48%

LAB 39, 22.11, -49.47

 

CMYK 0 / 60 / 21 / 32

HEX #AD4688

RGB 173 70 136

HSL 321.55, 0.42%, 0.48%

LAB 45.69, 49.53, -16

 

Description

Color code: HEX #ADA046 | qconv.com Color code: HEX #ADA046 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 160 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 160 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 60 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 60% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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