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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67B1CF it is the complementary color #984E30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67B1CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67B1CF shade: #6CB1CA, #7DC3DD, #8ED5F0, #9FE7FF and #B0F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67B1CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67B1CF shade: #67B1CF, #569FBC, #458DA9, #347B96 and #236983

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67B1CF shade: #67B1CF, #6795CF, #6779CF, #7167CF and #8D67CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67B1CF shade: #67B1CF, #6795CF, #6779CF and #6767CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67B1CF shade matches the following richer shades: #67B1CF, #57B8DF and #47BFEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67B1CF shade: #67B1CF, #77AABF, #88A3AF, #989D9E and #A8968E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67B1CF shade: #67CFB5, #67CDCF, #67B1CF, #6796CF and #677ACF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67B1CF shade: #368BAD, #48A1C5, #67B1CF, #87C1D9 and #A6D1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67B1CF shade: #67B1CF, #9967CF and #CFC367

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67B1CF shade: #67B1CF, #CF67B1 and #B1CF67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67B1CF shade: #67B1CF, #9967CF, #CF8567 and #9DCF67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67B1CF shade: #67B1CF, #B867CF, #CF8567 and #7ECF67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

Complementary color

CMYK 0 / 49 / 68 / 40

HEX #984E30

RGB 152 78 48

HSL 17.31, 0.52%, 0.39%

LAB 41.75, 28.35, 31.33

 

CMYK 47 / 12 / 0 / 21

HEX #6CB1CA

RGB 108 177 202

HSL 195.96, 0.47%, 0.61%

LAB 68.68, -15.11, -19.48

 

CMYK 43 / 12 / 0 / 13

HEX #7DC3DD

RGB 125 195 221

HSL 196.25, 0.59%, 0.68%

LAB 75.21, -15.28, -19.86

 

CMYK 41 / 11 / 0 / 6

HEX #8ED5F0

RGB 142 213 240

HSL 196.53, 0.77%, 0.75%

LAB 81.64, -15.41, -20.24

 

CMYK 38 / 9 / 0 / 0

HEX #9FE7FF

RGB 159 231 255

HSL 195, 1%, 0.81%

LAB 87.84, -16.5, -18.7

 

CMYK 31 / 2 / 0 / 0

HEX #B0F9FF

RGB 176 249 255

HSL 184.56, 1%, 0.85%

LAB 93.54, -20.98, -10.09

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 54 / 15 / 0 / 26

HEX #569FBC

RGB 86 159 188

HSL 197.06, 0.43%, 0.54%

LAB 62, -14.53, -21.96

 

CMYK 59 / 17 / 0 / 34

HEX #458DA9

RGB 69 141 169

HSL 196.8, 0.42%, 0.47%

LAB 55.26, -14.07, -21.57

 

CMYK 65 / 18 / 0 / 41

HEX #347B96

RGB 52 123 150

HSL 196.53, 0.49%, 0.4%

LAB 48.38, -13.43, -21.15

 

CMYK 73 / 20 / 0 / 49

HEX #236983

RGB 35 105 131

HSL 196.25, 0.58%, 0.33%

LAB 41.37, -12.51, -20.69

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 50 / 28 / 0 / 19

HEX #6795CF

RGB 103 149 207

HSL 213.46, 0.52%, 0.61%

LAB 60.68, 0.6, -34.59

 

CMYK 50 / 42 / 0 / 19

HEX #6779CF

RGB 103 121 207

HSL 229.62, 0.52%, 0.61%

LAB 53.02, 17.18, -46.64

 

CMYK 45 / 50 / 0 / 19

HEX #7167CF

RGB 113 103 207

HSL 245.77, 0.52%, 0.61%

LAB 49.15, 30.41, -52.77

 

CMYK 32 / 50 / 0 / 19

HEX #8D67CF

RGB 141 103 207

HSL 261.92, 0.52%, 0.61%

LAB 51.69, 37.32, -48.57

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 50 / 28 / 0 / 19

HEX #6795CF

RGB 103 149 207

HSL 213.46, 0.52%, 0.61%

LAB 60.68, 0.6, -34.59

 

CMYK 50 / 42 / 0 / 19

HEX #6779CF

RGB 103 121 207

HSL 229.62, 0.52%, 0.61%

LAB 53.02, 17.18, -46.64

 

CMYK 50 / 50 / 0 / 19

HEX #6767CF

RGB 103 103 207

HSL 240, 0.52%, 0.61%

LAB 48.37, 28.16, -54.06

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 61 / 17 / 0 / 13

HEX #57B8DF

RGB 87 184 223

HSL 197.21, 0.68%, 0.61%

LAB 70.62, -17.07, -28.1

 

CMYK 70 / 20 / 0 / 6

HEX #47BFEF

RGB 71 191 239

HSL 197.14, 0.84%, 0.61%

LAB 72.78, -18.23, -33.49

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 38 / 11 / 0 / 25

HEX #77AABF

RGB 119 170 191

HSL 197.5, 0.36%, 0.61%

LAB 66.85, -11.51, -16.12

 

CMYK 22 / 7 / 0 / 31

HEX #88A3AF

RGB 136 163 175

HSL 198.46, 0.2%, 0.61%

LAB 65.38, -6.63, -9.32

 

CMYK 4 / 1 / 0 / 38

HEX #989D9E

RGB 152 157 158

HSL 190, 0.03%, 0.61%

LAB 64.37, -1.59, -1.15

 

CMYK 0 / 11 / 15 / 34

HEX #A8968E

RGB 168 150 142

HSL 18.46, 0.13%, 0.61%

LAB 63.42, 5.29, 6.64

 

CMYK 50 / 0 / 13 / 19

HEX #67CFB5

RGB 103 207 181

HSL 165, 0.52%, 0.61%

LAB 76.59, -36.49, 3.68

 

CMYK 50 / 1 / 0 / 19

HEX #67CDCF

RGB 103 205 207

HSL 181.15, 0.52%, 0.61%

LAB 76.71, -29.06, -10.14

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 50 / 28 / 0 / 19

HEX #6796CF

RGB 103 150 207

HSL 212.88, 0.52%, 0.61%

LAB 60.96, 0.03, -34.15

 

CMYK 50 / 41 / 0 / 19

HEX #677ACF

RGB 103 122 207

HSL 229.04, 0.52%, 0.61%

LAB 53.28, 16.58, -46.22

 

CMYK 69 / 20 / 0 / 32

HEX #368BAD

RGB 54 139 173

HSL 197.14, 0.52%, 0.45%

LAB 54.31, -14.35, -25.36

 

CMYK 63 / 18 / 0 / 23

HEX #48A1C5

RGB 72 161 197

HSL 197.28, 0.52%, 0.53%

LAB 62.42, -15.56, -26.4

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 38 / 11 / 0 / 15

HEX #87C1D9

RGB 135 193 217

HSL 197.56, 0.52%, 0.69%

LAB 75.01, -12.72, -17.95

 

CMYK 27 / 8 / 0 / 11

HEX #A6D1E3

RGB 166 209 227

HSL 197.7, 0.52%, 0.77%

LAB 81.43, -10, -13.49

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 26 / 50 / 0 / 19

HEX #9967CF

RGB 153 103 207

HSL 268.85, 0.52%, 0.61%

LAB 52.93, 40.48, -46.52

 

CMYK 0 / 6 / 50 / 19

HEX #CFC367

RGB 207 195 103

HSL 53.08, 0.52%, 0.61%

LAB 78.04, -8, 47.32

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 0 / 50 / 14 / 19

HEX #CF67B1

RGB 207 103 177

HSL 317.31, 0.52%, 0.61%

LAB 58.17, 50.31, -20.66

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 26 / 50 / 0 / 19

HEX #9967CF

RGB 153 103 207

HSL 268.85, 0.52%, 0.61%

LAB 52.93, 40.48, -46.52

 

CMYK 0 / 36 / 50 / 19

HEX #CF8567

RGB 207 133 103

HSL 17.31, 0.52%, 0.61%

LAB 62.52, 25.19, 27.92

 

CMYK 24 / 0 / 50 / 19

HEX #9DCF67

RGB 157 207 103

HSL 88.85, 0.52%, 0.61%

LAB 77.74, -33.57, 46.1

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 11 / 50 / 0 / 19

HEX #B867CF

RGB 184 103 207

HSL 286.73, 0.52%, 0.61%

LAB 56.48, 48.94, -40.67

 

CMYK 0 / 36 / 50 / 19

HEX #CF8567

RGB 207 133 103

HSL 17.31, 0.52%, 0.61%

LAB 62.52, 25.19, 27.92

 

CMYK 39 / 0 / 50 / 19

HEX #7ECF67

RGB 126 207 103

HSL 106.73, 0.52%, 0.61%

LAB 76.09, -44.24, 43.72

 

Description

Color code: HEX #67B1CF | qconv.com Color code: HEX #67B1CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 177 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 177 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 14 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 14% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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