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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B1CF67 it is the complementary color #4E3098. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B1CF67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B1CF67 shade: #B6CF62, #C7E175, #D8F388, #E9FF9B and #FAFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B1CF67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B1CF67 shade: #B1CF67, #A0BD54, #8FAB41, #7E992E and #6D871B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B1CF67 shade: #B1CF67, #CDCF67, #CFB567, #CF9967 and #CF7D67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B1CF67 shade: #B1CF67, #95CF67, #79CF67, #67CF71 and #67CF8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B1CF67 shade matches the following richer shades: #B1CF67, #B8DF57 and #BFEF47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B1CF67 shade: #B1CF67, #AABF77, #A3AF88, #9D9E98 and #968EA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B1CF67 shade: #CFB567, #CDCF67, #B1CF67, #96CF67 and #7ACF67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B1CF67 shade: #8BAD36, #A1C548, #B1CF67, #C1D987 and #D1E3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B1CF67 shade: #B1CF67, #67CF99 and #C367CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B1CF67 shade: #B1CF67, #67B1CF and #CF67B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B1CF67 shade: #B1CF67, #67CF99, #8567CF and #CF679D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B1CF67 shade: #B1CF67, #67CFB8, #8567CF and #CF677E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

Complementary color

CMYK 49 / 68 / 0 / 40

HEX #4E3098

RGB 78 48 152

HSL 257.31, 0.52%, 0.39%

LAB 29.41, 39.24, -52.34

 

CMYK 12 / 0 / 53 / 19

HEX #B6CF62

RGB 182 207 98

HSL 73.76, 0.53%, 0.6%

LAB 79.3, -24.55, 50.72

 

CMYK 12 / 0 / 48 / 12

HEX #C7E175

RGB 199 225 117

HSL 74.44, 0.64%, 0.67%

LAB 85.64, -24.8, 49.62

 

CMYK 11 / 0 / 44 / 5

HEX #D8F388

RGB 216 243 136

HSL 75.14, 0.82%, 0.74%

LAB 91.9, -24.99, 48.5

 

CMYK 9 / 0 / 39 / 0

HEX #E9FF9B

RGB 233 255 155

HSL 73.2, 1%, 0.8%

LAB 96.5, -22.29, 45.37

 

CMYK 2 / 0 / 32 / 0

HEX #FAFFAE

RGB 250 255 174

HSL 63.7, 1%, 0.84%

LAB 97.99, -13.77, 38.23

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 15 / 0 / 56 / 26

HEX #A0BD54

RGB 160 189 84

HSL 76.57, 0.44%, 0.54%

LAB 72.57, -25.8, 49.02

 

CMYK 16 / 0 / 62 / 33

HEX #8FAB41

RGB 143 171 65

HSL 75.85, 0.45%, 0.46%

LAB 66.02, -25.47, 49.96

 

CMYK 18 / 0 / 70 / 40

HEX #7E992E

RGB 126 153 46

HSL 75.14, 0.54%, 0.39%

LAB 59.36, -25.02, 50.59

 

CMYK 19 / 0 / 80 / 47

HEX #6D871B

RGB 109 135 27

HSL 74.44, 0.67%, 0.32%

LAB 52.57, -24.37, 50.52

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 1 / 0 / 50 / 19

HEX #CDCF67

RGB 205 207 103

HSL 61.15, 0.52%, 0.61%

LAB 81.06, -14.91, 50.87

 

CMYK 0 / 13 / 50 / 19

HEX #CFB567

RGB 207 181 103

HSL 45, 0.52%, 0.61%

LAB 74.38, -0.71, 42.89

 

CMYK 0 / 26 / 50 / 19

HEX #CF9967

RGB 207 153 103

HSL 28.85, 0.52%, 0.61%

LAB 67.3, 14.31, 34.07

 

CMYK 0 / 40 / 50 / 19

HEX #CF7D67

RGB 207 125 103

HSL 12.69, 0.52%, 0.61%

LAB 60.7, 29.51, 25.53

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

CMYK 42 / 0 / 50 / 19

HEX #79CF67

RGB 121 207 103

HSL 109.62, 0.52%, 0.61%

LAB 75.87, -45.81, 43.39

 

CMYK 50 / 0 / 45 / 19

HEX #67CF71

RGB 103 207 113

HSL 125.77, 0.52%, 0.61%

LAB 75.27, -49.63, 37.56

 

CMYK 50 / 0 / 32 / 19

HEX #67CF8D

RGB 103 207 141

HSL 141.92, 0.52%, 0.61%

LAB 75.72, -44.94, 23.77

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 17 / 0 / 61 / 13

HEX #B8DF57

RGB 184 223 87

HSL 77.21, 0.68%, 0.61%

LAB 83.79, -32.28, 60.71

 

CMYK 20 / 0 / 70 / 6

HEX #BFEF47

RGB 191 239 71

HSL 77.14, 0.84%, 0.61%

LAB 88.57, -37.94, 72.01

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 11 / 0 / 38 / 25

HEX #AABF77

RGB 170 191 119

HSL 77.5, 0.36%, 0.61%

LAB 74.28, -19.06, 33.97

 

CMYK 7 / 0 / 22 / 31

HEX #A3AF88

RGB 163 175 136

HSL 78.46, 0.2%, 0.61%

LAB 69.63, -11.12, 18.63

 

CMYK 1 / 0 / 4 / 38

HEX #9D9E98

RGB 157 158 152

HSL 70, 0.03%, 0.61%

LAB 64.87, -1.49, 3

 

CMYK 11 / 15 / 0 / 34

HEX #968EA8

RGB 150 142 168

HSL 258.46, 0.13%, 0.61%

LAB 60.48, 8.19, -12.6

 

CMYK 0 / 13 / 50 / 19

HEX #CFB567

RGB 207 181 103

HSL 45, 0.52%, 0.61%

LAB 74.38, -0.71, 42.89

 

CMYK 1 / 0 / 50 / 19

HEX #CDCF67

RGB 205 207 103

HSL 61.15, 0.52%, 0.61%

LAB 81.06, -14.91, 50.87

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 28 / 0 / 50 / 19

HEX #96CF67

RGB 150 207 103

HSL 92.88, 0.52%, 0.61%

LAB 77.33, -36.11, 45.52

 

CMYK 41 / 0 / 50 / 19

HEX #7ACF67

RGB 122 207 103

HSL 109.04, 0.52%, 0.61%

LAB 75.91, -45.5, 43.46

 

CMYK 20 / 0 / 69 / 32

HEX #8BAD36

RGB 139 173 54

HSL 77.14, 0.52%, 0.45%

LAB 66.25, -28.87, 54.73

 

CMYK 18 / 0 / 63 / 23

HEX #A1C548

RGB 161 197 72

HSL 77.28, 0.52%, 0.53%

LAB 74.81, -30.22, 56.83

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 11 / 0 / 38 / 15

HEX #C1D987

RGB 193 217 135

HSL 77.56, 0.52%, 0.69%

LAB 83.29, -21.2, 37.77

 

CMYK 8 / 0 / 27 / 11

HEX #D1E3A6

RGB 209 227 166

HSL 77.7, 0.52%, 0.77%

LAB 87.6, -16.12, 27.87

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 50 / 0 / 26 / 19

HEX #67CF99

RGB 103 207 153

HSL 148.85, 0.52%, 0.61%

LAB 75.95, -42.61, 17.75

 

CMYK 6 / 50 / 0 / 19

HEX #C367CF

RGB 195 103 207

HSL 293.08, 0.52%, 0.61%

LAB 57.85, 51.99, -38.42

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 50 / 14 / 0 / 19

HEX #67B1CF

RGB 103 177 207

HSL 197.31, 0.52%, 0.61%

LAB 68.63, -14.87, -22.32

 

CMYK 0 / 50 / 14 / 19

HEX #CF67B1

RGB 207 103 177

HSL 317.31, 0.52%, 0.61%

LAB 58.17, 50.31, -20.66

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 50 / 0 / 26 / 19

HEX #67CF99

RGB 103 207 153

HSL 148.85, 0.52%, 0.61%

LAB 75.95, -42.61, 17.75

 

CMYK 36 / 50 / 0 / 19

HEX #8567CF

RGB 133 103 207

HSL 257.31, 0.52%, 0.61%

LAB 50.91, 35.27, -49.85

 

CMYK 0 / 50 / 24 / 19

HEX #CF679D

RGB 207 103 157

HSL 328.85, 0.52%, 0.61%

LAB 57.46, 47.34, -10.17

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 50 / 0 / 11 / 19

HEX #67CFB8

RGB 103 207 184

HSL 166.73, 0.52%, 0.61%

LAB 76.66, -35.78, 2.18

 

CMYK 36 / 50 / 0 / 19

HEX #8567CF

RGB 133 103 207

HSL 257.31, 0.52%, 0.61%

LAB 50.91, 35.27, -49.85

 

CMYK 0 / 50 / 39 / 19

HEX #CF677E

RGB 207 103 126

HSL 346.73, 0.52%, 0.61%

LAB 56.56, 43.4, 6.59

 

Description

Color code: HEX #B1CF67 | qconv.com Color code: HEX #B1CF67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 207 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 207 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 50 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 50% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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