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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95CF67 it is the complementary color #6A3098. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95CF67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95CF67 shade: #9ACF62, #ABE175, #BCF388, #CDFF9B and #DEFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95CF67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95CF67 shade: #95CF67, #84BD54, #73AB41, #62992E and #51871B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95CF67 shade: #95CF67, #B1CF67, #CDCF67, #CFB567 and #CF9967

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95CF67 shade: #95CF67, #79CF67, #67CF71, #67CF8D and #67CFA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95CF67 shade matches the following richer shades: #95CF67, #93DF57 and #91EF47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95CF67 shade: #95CF67, #97BF77, #99AF88, #9B9E98 and #9D8EA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95CF67 shade: #CDCF67, #B1CF67, #96CF67, #7ACF67 and #67CF70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95CF67 shade: #6BAD36, #7FC548, #95CF67, #ABD987 and #C1E3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95CF67 shade: #95CF67, #67CFB5 and #CF67BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95CF67 shade: #95CF67, #6796CF and #CF6796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95CF67 shade: #95CF67, #67CFB5, #A067CF and #CF6781

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95CF67 shade: #95CF67, #67CACF, #A067CF and #CF6D67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

Complementary color

CMYK 30 / 68 / 0 / 40

HEX #6A3098

RGB 106 48 152

HSL 273.46, 0.52%, 0.39%

LAB 32.8, 45.06, -46.69

 

CMYK 26 / 0 / 53 / 19

HEX #9ACF62

RGB 154 207 98

HSL 89.17, 0.53%, 0.6%

LAB 77.51, -35.21, 48.16

 

CMYK 24 / 0 / 48 / 12

HEX #ABE175

RGB 171 225 117

HSL 90, 0.64%, 0.67%

LAB 83.86, -35.23, 47.03

 

CMYK 23 / 0 / 44 / 5

HEX #BCF388

RGB 188 243 136

HSL 90.84, 0.82%, 0.74%

LAB 90.12, -35.21, 45.9

 

CMYK 20 / 0 / 39 / 0

HEX #CDFF9B

RGB 205 255 155

HSL 90, 1%, 0.8%

LAB 94.68, -32.41, 42.68

 

CMYK 13 / 0 / 32 / 0

HEX #DEFFAE

RGB 222 255 174

HSL 84.44, 1%, 0.84%

LAB 96.04, -23.95, 35.29

 

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

CMYK 30 / 0 / 56 / 26

HEX #84BD54

RGB 132 189 84

HSL 92.57, 0.44%, 0.54%

LAB 70.83, -36.45, 46.56

 

CMYK 33 / 0 / 62 / 33

HEX #73AB41

RGB 115 171 65

HSL 91.7, 0.45%, 0.46%

LAB 64.28, -36.35, 47.56

 

CMYK 36 / 0 / 70 / 40

HEX #62992E

RGB 98 153 46

HSL 90.84, 0.54%, 0.39%

LAB 57.63, -36.1, 48.27

 

CMYK 40 / 0 / 80 / 47

HEX #51871B

RGB 81 135 27

HSL 90, 0.67%, 0.32%

LAB 50.87, -35.63, 48.32

 

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 1 / 0 / 50 / 19

HEX #CDCF67

RGB 205 207 103

HSL 61.15, 0.52%, 0.61%

LAB 81.06, -14.91, 50.87

 

CMYK 0 / 13 / 50 / 19

HEX #CFB567

RGB 207 181 103

HSL 45, 0.52%, 0.61%

LAB 74.38, -0.71, 42.89

 

CMYK 0 / 26 / 50 / 19

HEX #CF9967

RGB 207 153 103

HSL 28.85, 0.52%, 0.61%

LAB 67.3, 14.31, 34.07

 

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

CMYK 42 / 0 / 50 / 19

HEX #79CF67

RGB 121 207 103

HSL 109.62, 0.52%, 0.61%

LAB 75.87, -45.81, 43.39

 

CMYK 50 / 0 / 45 / 19

HEX #67CF71

RGB 103 207 113

HSL 125.77, 0.52%, 0.61%

LAB 75.27, -49.63, 37.56

 

CMYK 50 / 0 / 32 / 19

HEX #67CF8D

RGB 103 207 141

HSL 141.92, 0.52%, 0.61%

LAB 75.72, -44.94, 23.77

 

CMYK 50 / 0 / 18 / 19

HEX #67CFA9

RGB 103 207 169

HSL 158.08, 0.52%, 0.61%

LAB 76.3, -39.22, 9.71

 

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

CMYK 34 / 0 / 61 / 13

HEX #93DF57

RGB 147 223 87

HSL 93.53, 0.68%, 0.61%

LAB 81.66, -45.8, 57.76

 

CMYK 39 / 0 / 70 / 6

HEX #91EF47

RGB 145 239 71

HSL 93.57, 0.84%, 0.61%

LAB 86.11, -54.28, 68.73

 

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

CMYK 21 / 0 / 38 / 25

HEX #97BF77

RGB 151 191 119

HSL 93.33, 0.36%, 0.61%

LAB 73.01, -26.21, 32.07

 

CMYK 13 / 0 / 22 / 31

HEX #99AF88

RGB 153 175 136

HSL 93.85, 0.2%, 0.61%

LAB 68.9, -14.86, 17.52

 

CMYK 2 / 0 / 4 / 38

HEX #9B9E98

RGB 155 158 152

HSL 90, 0.03%, 0.61%

LAB 64.72, -2.22, 2.75

 

CMYK 7 / 15 / 0 / 34

HEX #9D8EA8

RGB 157 142 168

HSL 274.62, 0.13%, 0.61%

LAB 61.08, 10.61, -11.63

 

CMYK 1 / 0 / 50 / 19

HEX #CDCF67

RGB 205 207 103

HSL 61.15, 0.52%, 0.61%

LAB 81.06, -14.91, 50.87

 

CMYK 14 / 0 / 50 / 19

HEX #B1CF67

RGB 177 207 103

HSL 77.31, 0.52%, 0.61%

LAB 79.01, -26.02, 47.94

 

CMYK 28 / 0 / 50 / 19

HEX #96CF67

RGB 150 207 103

HSL 92.88, 0.52%, 0.61%

LAB 77.33, -36.11, 45.52

 

CMYK 41 / 0 / 50 / 19

HEX #7ACF67

RGB 122 207 103

HSL 109.04, 0.52%, 0.61%

LAB 75.91, -45.5, 43.46

 

CMYK 50 / 0 / 46 / 19

HEX #67CF70

RGB 103 207 112

HSL 125.19, 0.52%, 0.61%

LAB 75.25, -49.78, 38.05

 

CMYK 38 / 0 / 69 / 32

HEX #6BAD36

RGB 107 173 54

HSL 93.28, 0.52%, 0.45%

LAB 64.39, -41.03, 52.22

 

CMYK 36 / 0 / 63 / 23

HEX #7FC548

RGB 127 197 72

HSL 93.6, 0.52%, 0.53%

LAB 72.83, -42.9, 54.12

 

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

CMYK 21 / 0 / 38 / 15

HEX #ABD987

RGB 171 217 135

HSL 93.66, 0.52%, 0.69%

LAB 81.86, -29.29, 35.63

 

CMYK 15 / 0 / 27 / 11

HEX #C1E3A6

RGB 193 227 166

HSL 93.44, 0.52%, 0.77%

LAB 86.52, -21.87, 26.22

 

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

CMYK 50 / 0 / 13 / 19

HEX #67CFB5

RGB 103 207 181

HSL 165, 0.52%, 0.61%

LAB 76.59, -36.49, 3.68

 

CMYK 0 / 50 / 8 / 19

HEX #CF67BF

RGB 207 103 191

HSL 309.23, 0.52%, 0.61%

LAB 58.72, 52.58, -27.84

 

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

CMYK 50 / 28 / 0 / 19

HEX #6796CF

RGB 103 150 207

HSL 212.88, 0.52%, 0.61%

LAB 60.96, 0.03, -34.15

 

CMYK 0 / 50 / 28 / 19

HEX #CF6796

RGB 207 103 150

HSL 332.88, 0.52%, 0.61%

LAB 57.24, 46.37, -6.43

 

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

CMYK 50 / 0 / 13 / 19

HEX #67CFB5

RGB 103 207 181

HSL 165, 0.52%, 0.61%

LAB 76.59, -36.49, 3.68

 

CMYK 23 / 50 / 0 / 19

HEX #A067CF

RGB 160 103 207

HSL 272.88, 0.52%, 0.61%

LAB 53.68, 42.36, -45.27

 

CMYK 0 / 50 / 38 / 19

HEX #CF6781

RGB 207 103 129

HSL 345, 0.52%, 0.61%

LAB 56.64, 43.74, 4.95

 

CMYK 28 / 0 / 50 / 19

HEX #95CF67

RGB 149 207 103

HSL 93.46, 0.52%, 0.61%

LAB 77.28, -36.47, 45.44

 

CMYK 50 / 2 / 0 / 19

HEX #67CACF

RGB 103 202 207

HSL 182.88, 0.52%, 0.61%

LAB 75.84, -27.6, -11.43

 

CMYK 23 / 50 / 0 / 19

HEX #A067CF

RGB 160 103 207

HSL 272.88, 0.52%, 0.61%

LAB 53.68, 42.36, -45.27

 

CMYK 0 / 47 / 50 / 19

HEX #CF6D67

RGB 207 109 103

HSL 3.46, 0.52%, 0.61%

LAB 57.25, 37.97, 20.94

 

Description

Color code: HEX #95CF67 | qconv.com Color code: HEX #95CF67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 207 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 207 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 50 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 50% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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