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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67DA76 it is the complementary color #982589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67DA76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67DA76 shade: #6CDA71, #7DEC84, #8EFE97, #9FFFAA and #B0FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67DA76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67DA76 shade: #67DA76, #56C863, #45B650, #34A43D and #23922A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67DA76 shade: #67DA76, #77DA67, #96DA67, #B5DA67 and #D4DA67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67DA76 shade: #67DA76, #67DA95, #67DAB4, #67DAD3 and #67C2DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67DA76 shade matches the following richer shades: #67DA76, #57E96A and #48F85F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67DA76 shade: #67DA76, #76CA81, #85BB8C, #94AC97 and #A49DA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67DA76 shade: #97DA67, #78DA67, #67DA74, #67DA93 and #67DAB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67DA76 shade: #2EC041, #45D258, #67DA76, #88E294 and #A9EAB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67DA76 shade: #67DA76, #67B5DA and #DA6787

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67DA76 shade: #67DA76, #7467DA and #DA7467

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67DA76 shade: #67DA76, #67B5DA, #DA67CC and #DA8B67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67DA76 shade: #67DA76, #6793DA, #DA67CC and #DAAE67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

Complementary color

CMYK 0 / 76 / 10 / 40

HEX #982589

RGB 152 37 137

HSL 307.83, 0.61%, 0.37%

LAB 37.49, 57.24, -29.59

 

CMYK 50 / 0 / 48 / 15

HEX #6CDA71

RGB 108 218 113

HSL 122.73, 0.6%, 0.64%

LAB 78.77, -52.72, 42

 

CMYK 47 / 0 / 44 / 7

HEX #7DEC84

RGB 125 236 132

HSL 123.78, 0.74%, 0.71%

LAB 85, -52.67, 40.72

 

CMYK 44 / 0 / 41 / 0

HEX #8EFE97

RGB 142 254 151

HSL 124.82, 0.98%, 0.78%

LAB 91.17, -52.54, 39.48

 

CMYK 38 / 0 / 33 / 0

HEX #9FFFAA

RGB 159 255 170

HSL 126.88, 1%, 0.81%

LAB 92.48, -45.18, 31.92

 

CMYK 31 / 0 / 26 / 0

HEX #B0FFBD

RGB 176 255 189

HSL 129.87, 1%, 0.85%

LAB 93.63, -36.96, 24.04

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 57 / 0 / 51 / 22

HEX #56C863

RGB 86 200 99

HSL 126.84, 0.51%, 0.56%

LAB 72.35, -53.19, 40.72

 

CMYK 62 / 0 / 56 / 29

HEX #45B650

RGB 69 182 80

HSL 125.84, 0.45%, 0.49%

LAB 65.98, -52.88, 42.07

 

CMYK 68 / 0 / 63 / 36

HEX #34A43D

RGB 52 164 61

HSL 124.82, 0.52%, 0.42%

LAB 59.54, -52.24, 43.36

 

CMYK 76 / 0 / 71 / 43

HEX #23922A

RGB 35 146 42

HSL 123.78, 0.61%, 0.35%

LAB 53.04, -51.08, 44.39

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 45 / 0 / 53 / 15

HEX #77DA67

RGB 119 218 103

HSL 111.65, 0.61%, 0.63%

LAB 79.07, -50.95, 47.26

 

CMYK 31 / 0 / 53 / 15

HEX #96DA67

RGB 150 218 103

HSL 95.48, 0.61%, 0.63%

LAB 80.52, -41.03, 49.34

 

CMYK 17 / 0 / 53 / 15

HEX #B5DA67

RGB 181 218 103

HSL 79.3, 0.61%, 0.63%

LAB 82.35, -29.73, 51.96

 

CMYK 3 / 0 / 53 / 15

HEX #D4DA67

RGB 212 218 103

HSL 63.13, 0.61%, 0.63%

LAB 84.55, -17.56, 55.08

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 53 / 0 / 32 / 15

HEX #67DA95

RGB 103 218 149

HSL 144, 0.61%, 0.63%

LAB 79.15, -48.08, 24.26

 

CMYK 53 / 0 / 17 / 15

HEX #67DAB4

RGB 103 218 180

HSL 160.17, 0.61%, 0.63%

LAB 79.8, -41.68, 8.83

 

CMYK 53 / 0 / 3 / 15

HEX #67DAD3

RGB 103 218 211

HSL 176.35, 0.61%, 0.63%

LAB 80.59, -34.22, -6.52

 

CMYK 53 / 11 / 0 / 15

HEX #67C2DA

RGB 103 194 218

HSL 192.52, 0.61%, 0.63%

LAB 73.89, -20.6, -20.33

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 63 / 0 / 55 / 9

HEX #57E96A

RGB 87 233 106

HSL 127.81, 0.77%, 0.63%

LAB 82.56, -64.19, 49.81

 

CMYK 71 / 0 / 62 / 3

HEX #48F85F

RGB 72 248 95

HSL 127.84, 0.93%, 0.63%

LAB 86.67, -73.22, 59.32

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 42 / 0 / 36 / 21

HEX #76CA81

RGB 118 202 129

HSL 127.86, 0.44%, 0.63%

LAB 74.62, -40.78, 28.67

 

CMYK 29 / 0 / 25 / 27

HEX #85BB8C

RGB 133 187 140

HSL 127.78, 0.28%, 0.63%

LAB 71.16, -27.21, 18.28

 

CMYK 14 / 0 / 12 / 33

HEX #94AC97

RGB 148 172 151

HSL 127.5, 0.13%, 0.63%

LAB 68.05, -12.45, 8.03

 

CMYK 0 / 4 / 1 / 36

HEX #A49DA3

RGB 164 157 163

HSL 308.57, 0.04%, 0.63%

LAB 65.48, 3.67, -2.22

 

CMYK 31 / 0 / 53 / 15

HEX #97DA67

RGB 151 218 103

HSL 94.96, 0.61%, 0.63%

LAB 80.57, -40.69, 49.42

 

CMYK 45 / 0 / 53 / 15

HEX #78DA67

RGB 120 218 103

HSL 111.13, 0.61%, 0.63%

LAB 79.11, -50.66, 47.31

 

CMYK 53 / 0 / 47 / 15

HEX #67DA74

RGB 103 218 116

HSL 126.78, 0.61%, 0.63%

LAB 78.63, -53.58, 40.33

 

CMYK 53 / 0 / 33 / 15

HEX #67DA93

RGB 103 218 147

HSL 142.96, 0.61%, 0.63%

LAB 79.12, -48.46, 25.25

 

CMYK 53 / 0 / 19 / 15

HEX #67DAB1

RGB 103 218 177

HSL 158.61, 0.61%, 0.63%

LAB 79.73, -42.35, 10.33

 

CMYK 76 / 0 / 66 / 25

HEX #2EC041

RGB 46 192 65

HSL 127.81, 0.61%, 0.47%

LAB 68.51, -62.31, 51.54

 

CMYK 67 / 0 / 58 / 18

HEX #45D258

RGB 69 210 88

HSL 128.09, 0.61%, 0.55%

LAB 74.86, -61.91, 48.82

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 40 / 0 / 35 / 11

HEX #88E294

RGB 136 226 148

HSL 128, 0.61%, 0.71%

LAB 82.79, -42.88, 29.9

 

CMYK 28 / 0 / 24 / 8

HEX #A9EAB1

RGB 169 234 177

HSL 127.38, 0.61%, 0.79%

LAB 87.22, -31.51, 21.27

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 53 / 17 / 0 / 15

HEX #67B5DA

RGB 103 181 218

HSL 199.3, 0.61%, 0.63%

LAB 70.17, -13.82, -26

 

CMYK 0 / 53 / 38 / 15

HEX #DA6787

RGB 218 103 135

HSL 343.3, 0.61%, 0.63%

LAB 58.37, 48.21, 4.15

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 47 / 53 / 0 / 15

HEX #7467DA

RGB 116 103 218

HSL 246.78, 0.61%, 0.63%

LAB 50.07, 34.33, -57.54

 

CMYK 0 / 47 / 53 / 15

HEX #DA7467

RGB 218 116 103

HSL 6.78, 0.61%, 0.63%

LAB 60.23, 38.51, 25.17

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 53 / 17 / 0 / 15

HEX #67B5DA

RGB 103 181 218

HSL 199.3, 0.61%, 0.63%

LAB 70.17, -13.82, -26

 

CMYK 0 / 53 / 6 / 15

HEX #DA67CC

RGB 218 103 204

HSL 307.3, 0.61%, 0.63%

LAB 60.75, 57.9, -31.97

 

CMYK 0 / 36 / 53 / 15

HEX #DA8B67

RGB 218 139 103

HSL 18.78, 0.61%, 0.63%

LAB 65.24, 26.37, 31.7

 

CMYK 53 / 0 / 46 / 15

HEX #67DA76

RGB 103 218 118

HSL 127.83, 0.61%, 0.63%

LAB 78.66, -53.29, 39.38

 

CMYK 53 / 33 / 0 / 15

HEX #6793DA

RGB 103 147 218

HSL 217.04, 0.61%, 0.63%

LAB 60.62, 5.13, -40.83

 

CMYK 0 / 53 / 6 / 15

HEX #DA67CC

RGB 218 103 204

HSL 307.3, 0.61%, 0.63%

LAB 60.75, 57.9, -31.97

 

CMYK 0 / 20 / 53 / 15

HEX #DAAE67

RGB 218 174 103

HSL 37.04, 0.61%, 0.63%

LAB 73.65, 7.56, 42.24

 

Description

Color code: HEX #67DA76 | qconv.com Color code: HEX #67DA76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 218 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 218 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 46 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 46% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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