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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #642A62 it is the complementary color #9BD59D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #642A62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #642A62 shade: #692A5D, #7A3C70, #8B4E83, #9C6096 and #AD72A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #642A62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #642A62 shade: #642A62, #53184F, #42063C, #310029 and #200016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #642A62 shade: #642A62, #642A52, #642A43, #642A33 and #642A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #642A62 shade: #642A62, #562A64, #472A64, #372A64 and #2A2A64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #642A62 shade matches the following richer shades: #642A62, #701E6D, #7B1378 and #870782

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #642A62 shade: #642A62, #593557, #4D414D, #424C42 and #365837

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #642A62 shade: #472A64, #572A64, #642A62, #642A53 and #642A43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #642A62 shade: #2A1129, #471D46, #642A62, #81367F and #9E429B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #642A62 shade: #642A62, #64372A and #2A644F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #642A62 shade: #642A62, #62642A and #2A6264

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #642A62 shade: #642A62, #64372A, #2A642C and #2A5764

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #642A62 shade: #642A62, #64492A, #2A642C and #2A4564

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

Complementary color

CMYK 27 / 0 / 26 / 16

HEX #9BD59D

RGB 155 213 157

HSL 122.07, 0.41%, 0.72%

LAB 80.17, -29.53, 21.85

 

CMYK 0 / 60 / 11 / 59

HEX #692A5D

RGB 105 42 93

HSL 311.43, 0.43%, 0.29%

LAB 27.98, 35.16, -17.19

 

CMYK 0 / 51 / 8 / 52

HEX #7A3C70

RGB 122 60 112

HSL 309.68, 0.34%, 0.36%

LAB 35.08, 34.54, -18.16

 

CMYK 0 / 44 / 6 / 45

HEX #8B4E83

RGB 139 78 131

HSL 307.87, 0.28%, 0.43%

LAB 42.12, 33.77, -18.87

 

CMYK 0 / 38 / 4 / 39

HEX #9C6096

RGB 156 96 150

HSL 306, 0.24%, 0.49%

LAB 49.05, 32.97, -19.45

 

CMYK 0 / 34 / 2 / 32

HEX #AD72A9

RGB 173 114 169

HSL 304.07, 0.26%, 0.56%

LAB 55.87, 32.2, -19.95

 

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 0 / 71 / 5 / 67

HEX #53184F

RGB 83 24 79

HSL 304.07, 0.55%, 0.21%

LAB 20.27, 34.75, -20.2

 

CMYK 0 / 91 / 9 / 74

HEX #42063C

RGB 66 6 60

HSL 306, 0.83%, 0.14%

LAB 13.32, 33.84, -18.19

 

CMYK 0 / 100 / 16 / 81

HEX #310029

RGB 49 0 41

HSL 309.8, 1%, 0.1%

LAB 7.34, 29.28, -13.95

 

CMYK 0 / 100 / 31 / 87

HEX #200016

RGB 32 0 22

HSL 318.75, 1%, 0.06%

LAB 3.3, 16.12, -5.62

 

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 0 / 58 / 18 / 61

HEX #642A52

RGB 100 42 82

HSL 318.62, 0.41%, 0.28%

LAB 26.66, 31.58, -12.06

 

CMYK 0 / 58 / 33 / 61

HEX #642A43

RGB 100 42 67

HSL 334.14, 0.41%, 0.28%

LAB 26.07, 29.2, -2.96

 

CMYK 0 / 58 / 49 / 61

HEX #642A33

RGB 100 42 51

HSL 350.69, 0.41%, 0.28%

LAB 25.58, 27.14, 7.09

 

CMYK 0 / 58 / 58 / 61

HEX #642A2A

RGB 100 42 42

HSL 0, 0.41%, 0.28%

LAB 25.36, 26.21, 12.82

 

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 14 / 58 / 0 / 61

HEX #562A64

RGB 86 42 100

HSL 285.52, 0.41%, 0.28%

LAB 25.43, 30.68, -25.96

 

CMYK 29 / 58 / 0 / 61

HEX #472A64

RGB 71 42 100

HSL 270, 0.41%, 0.28%

LAB 23.39, 26.23, -29.32

 

CMYK 45 / 58 / 0 / 61

HEX #372A64

RGB 55 42 100

HSL 253.45, 0.41%, 0.28%

LAB 21.54, 21.78, -32.39

 

CMYK 58 / 58 / 0 / 61

HEX #2A2A64

RGB 42 42 100

HSL 240, 0.41%, 0.28%

LAB 20.32, 18.58, -34.42

 

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 0 / 73 / 3 / 56

HEX #701E6D

RGB 112 30 109

HSL 302.2, 0.58%, 0.28%

LAB 28.05, 45.42, -27.35

 

CMYK 0 / 85 / 2 / 52

HEX #7B1378

RGB 123 19 120

HSL 301.73, 0.73%, 0.28%

LAB 29.49, 53.27, -31.96

 

CMYK 0 / 95 / 4 / 47

HEX #870782

RGB 135 7 130

HSL 302.34, 0.9%, 0.28%

LAB 31.61, 59.44, -34.75

 

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 0 / 40 / 2 / 65

HEX #593557

RGB 89 53 87

HSL 303.33, 0.25%, 0.28%

LAB 27.73, 22.21, -13.85

 

CMYK 0 / 16 / 0 / 70

HEX #4D414D

RGB 77 65 77

HSL 300, 0.08%, 0.28%

LAB 29.14, 7.66, -5.33

 

CMYK 13 / 0 / 13 / 70

HEX #424C42

RGB 66 76 66

HSL 120, 0.07%, 0.28%

LAB 31.16, -6.27, 4.6

 

CMYK 39 / 0 / 38 / 65

HEX #365837

RGB 54 88 55

HSL 121.76, 0.24%, 0.28%

LAB 34.07, -20.08, 15.35

 

CMYK 29 / 58 / 0 / 61

HEX #472A64

RGB 71 42 100

HSL 270, 0.41%, 0.28%

LAB 23.39, 26.23, -29.32

 

CMYK 13 / 58 / 0 / 61

HEX #572A64

RGB 87 42 100

HSL 286.55, 0.41%, 0.28%

LAB 25.57, 30.99, -25.72

 

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 0 / 58 / 17 / 61

HEX #642A53

RGB 100 42 83

HSL 317.59, 0.41%, 0.28%

LAB 26.71, 31.75, -12.66

 

CMYK 0 / 58 / 33 / 61

HEX #642A43

RGB 100 42 67

HSL 334.14, 0.41%, 0.28%

LAB 26.07, 29.2, -2.96

 

CMYK 0 / 60 / 2 / 84

HEX #2A1129

RGB 42 17 41

HSL 302.4, 0.42%, 0.12%

LAB 9.43, 17.35, -10.79

 

CMYK 0 / 59 / 1 / 72

HEX #471D46

RGB 71 29 70

HSL 301.43, 0.42%, 0.2%

LAB 18.63, 26.71, -16.78

 

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 0 / 58 / 2 / 49

HEX #81367F

RGB 129 54 127

HSL 301.6, 0.41%, 0.36%

LAB 35.67, 42.61, -26.53

 

CMYK 0 / 58 / 2 / 38

HEX #9E429B

RGB 158 66 155

HSL 301.96, 0.41%, 0.44%

LAB 43.55, 50.13, -30.93

 

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 0 / 45 / 58 / 61

HEX #64372A

RGB 100 55 42

HSL 13.45, 0.41%, 0.28%

LAB 28.4, 18.58, 16.82

 

CMYK 58 / 0 / 21 / 61

HEX #2A644F

RGB 42 100 79

HSL 158.28, 0.41%, 0.28%

LAB 38.15, -24.58, 6.25

 

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 2 / 0 / 58 / 61

HEX #62642A

RGB 98 100 42

HSL 62.07, 0.41%, 0.28%

LAB 41.02, -9.65, 32.07

 

CMYK 58 / 2 / 0 / 61

HEX #2A6264

RGB 42 98 100

HSL 182.07, 0.41%, 0.28%

LAB 38.11, -17.59, -6.72

 

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 0 / 45 / 58 / 61

HEX #64372A

RGB 100 55 42

HSL 13.45, 0.41%, 0.28%

LAB 28.4, 18.58, 16.82

 

CMYK 58 / 0 / 56 / 61

HEX #2A642C

RGB 42 100 44

HSL 122.07, 0.41%, 0.28%

LAB 37.46, -31.71, 25.92

 

CMYK 58 / 13 / 0 / 61

HEX #2A5764

RGB 42 87 100

HSL 193.45, 0.41%, 0.28%

LAB 34.45, -11.31, -12.23

 

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 0 / 27 / 58 / 61

HEX #64492A

RGB 100 73 42

HSL 32.07, 0.41%, 0.28%

LAB 33.22, 7.46, 22.89

 

CMYK 58 / 0 / 56 / 61

HEX #2A642C

RGB 42 100 44

HSL 122.07, 0.41%, 0.28%

LAB 37.46, -31.71, 25.92

 

CMYK 58 / 31 / 0 / 61

HEX #2A4564

RGB 42 69 100

HSL 212.07, 0.41%, 0.28%

LAB 28.56, -0.05, -21.32

 

Description

Color code: HEX #642A62 | qconv.com Color code: HEX #642A62 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 42 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 42 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 2 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 2% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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