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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BD59D it is the complementary color #642A62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BD59D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BD59D shade: #A0D598, #B1E7AB, #C2F9BE, #D3FFD1 and #E4FFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BD59D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BD59D shade: #9BD59D, #8AC38A, #79B177, #689F64 and #578D51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BD59D shade: #9AD49C, #A8D49A, #B7D49A, #C7D49A and #D4D29A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BD59D shade: #9AD49C, #9AD4AC, #9AD4BB, #9AD4CB and #9ACED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BD59D shade matches the following richer shades: #9AD49C, #8EE091, #83EB86 and #77F77C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BD59D shade: #9AD49C, #A5C9A7, #B1BDB1, #BCB2BC and #C8A6C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BD59D shade: #B7D49A, #A7D49A, #9AD49C, #9AD4AB and #9AD4BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BD59D shade: #60BC63, #7DC87F, #9AD49C, #B7E1B8 and #D4EDD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BD59D shade: #9BD59D, #9AC7D4 and #D49AAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BD59D shade: #9BD59D, #9C9AD4 and #D49C9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BD59D shade: #9BD59D, #9AC7D4, #D49AD2 and #D4A79A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BD59D shade: #9BD59D, #9AB5D4, #D49AD2 and #D4B99A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 26 / 16

HEX #9BD59D

RGB 155 213 157

HSL 122.07, 0.41%, 0.72%

LAB 80.17, -29.53, 21.85

 

Complementary color

CMYK 0 / 58 / 2 / 61

HEX #642A62

RGB 100 42 98

HSL 302.07, 0.41%, 0.28%

LAB 27.43, 34.53, -21.36

 

CMYK 25 / 0 / 29 / 16

HEX #A0D598

RGB 160 213 152

HSL 112.13, 0.42%, 0.72%

LAB 80.36, -28.69, 24.77

 

CMYK 23 / 0 / 26 / 9

HEX #B1E7AB

RGB 177 231 171

HSL 114, 0.56%, 0.79%

LAB 86.72, -28.5, 23.76

 

CMYK 22 / 0 / 24 / 2

HEX #C2F9BE

RGB 194 249 190

HSL 115.93, 0.83%, 0.86%

LAB 92.99, -28.32, 22.79

 

CMYK 17 / 0 / 18 / 0

HEX #D3FFD1

RGB 211 255 209

HSL 117.39, 1%, 0.91%

LAB 95.99, -22.45, 17.41

 

CMYK 11 / 0 / 11 / 0

HEX #E4FFE4

RGB 228 255 228

HSL 120, 1%, 0.95%

LAB 97.48, -13.6, 9.95

 

CMYK 27 / 0 / 26 / 16

HEX #9BD59D

RGB 155 213 157

HSL 122.07, 0.41%, 0.72%

LAB 80.17, -29.53, 21.85

 

CMYK 29 / 0 / 29 / 24

HEX #8AC38A

RGB 138 195 138

HSL 120, 0.32%, 0.65%

LAB 73.72, -29.77, 22.9

 

CMYK 32 / 0 / 33 / 31

HEX #79B177

RGB 121 177 119

HSL 117.93, 0.27%, 0.58%

LAB 67.16, -30.01, 24.02

 

CMYK 35 / 0 / 37 / 38

HEX #689F64

RGB 104 159 100

HSL 115.93, 0.24%, 0.51%

LAB 60.48, -30.25, 25.21

 

CMYK 38 / 0 / 43 / 45

HEX #578D51

RGB 87 141 81

HSL 114, 0.27%, 0.44%

LAB 53.68, -30.48, 26.48

 

CMYK 27 / 0 / 26 / 17

HEX #9AD49C

RGB 154 212 156

HSL 122.07, 0.4%, 0.72%

LAB 79.82, -29.55, 21.88

 

CMYK 21 / 0 / 27 / 17

HEX #A8D49A

RGB 168 212 154

HSL 105.52, 0.4%, 0.72%

LAB 80.6, -25.16, 24.12

 

CMYK 14 / 0 / 27 / 17

HEX #B7D49A

RGB 183 212 154

HSL 90, 0.4%, 0.72%

LAB 81.56, -19.85, 25.59

 

CMYK 6 / 0 / 27 / 17

HEX #C7D49A

RGB 199 212 154

HSL 73.45, 0.4%, 0.72%

LAB 82.68, -13.98, 27.3

 

CMYK 0 / 1 / 27 / 17

HEX #D4D29A

RGB 212 210 154

HSL 57.93, 0.4%, 0.72%

LAB 83.14, -8.08, 28.09

 

CMYK 27 / 0 / 26 / 17

HEX #9AD49C

RGB 154 212 156

HSL 122.07, 0.4%, 0.72%

LAB 79.82, -29.55, 21.88

 

CMYK 27 / 0 / 19 / 17

HEX #9AD4AC

RGB 154 212 172

HSL 138.62, 0.4%, 0.72%

LAB 80.14, -26.7, 13.88

 

CMYK 27 / 0 / 12 / 17

HEX #9AD4BB

RGB 154 212 187

HSL 154.14, 0.4%, 0.72%

LAB 80.49, -23.78, 6.39

 

CMYK 27 / 0 / 4 / 17

HEX #9AD4CB

RGB 154 212 203

HSL 170.69, 0.4%, 0.72%

LAB 80.89, -20.42, -1.56

 

CMYK 27 / 3 / 0 / 17

HEX #9ACED4

RGB 154 206 212

HSL 186.21, 0.4%, 0.72%

LAB 79.48, -15.38, -8.45

 

CMYK 27 / 0 / 26 / 17

HEX #9AD49C

RGB 154 212 156

HSL 122.07, 0.4%, 0.72%

LAB 79.82, -29.55, 21.88

 

CMYK 37 / 0 / 35 / 12

HEX #8EE091

RGB 142 224 145

HSL 122.2, 0.57%, 0.72%

LAB 82.44, -40.69, 31.01

 

CMYK 44 / 0 / 43 / 8

HEX #83EB86

RGB 131 235 134

HSL 121.73, 0.72%, 0.72%

LAB 84.98, -50.31, 39.76

 

CMYK 52 / 0 / 50 / 3

HEX #77F77C

RGB 119 247 124

HSL 122.34, 0.89%, 0.72%

LAB 87.92, -59.66, 48.17

 

CMYK 27 / 0 / 26 / 17

HEX #9AD49C

RGB 154 212 156

HSL 122.07, 0.4%, 0.72%

LAB 79.82, -29.55, 21.88

 

CMYK 18 / 0 / 17 / 21

HEX #A5C9A7

RGB 165 201 167

HSL 123.33, 0.25%, 0.72%

LAB 77.62, -18.56, 13.08

 

CMYK 6 / 0 / 6 / 26

HEX #B1BDB1

RGB 177 189 177

HSL 120, 0.08%, 0.72%

LAB 75.4, -6.4, 4.63

 

CMYK 0 / 5 / 0 / 26

HEX #BCB2BC

RGB 188 178 188

HSL 300, 0.07%, 0.72%

LAB 73.65, 5.39, -3.81

 

CMYK 0 / 17 / 0 / 22

HEX #C8A6C7

RGB 200 166 199

HSL 301.76, 0.24%, 0.72%

LAB 72.01, 18.16, -12.18

 

CMYK 14 / 0 / 27 / 17

HEX #B7D49A

RGB 183 212 154

HSL 90, 0.4%, 0.72%

LAB 81.56, -19.85, 25.59

 

CMYK 21 / 0 / 27 / 17

HEX #A7D49A

RGB 167 212 154

HSL 106.55, 0.4%, 0.72%

LAB 80.54, -25.5, 24.03

 

CMYK 27 / 0 / 26 / 17

HEX #9AD49C

RGB 154 212 156

HSL 122.07, 0.4%, 0.72%

LAB 79.82, -29.55, 21.88

 

CMYK 27 / 0 / 19 / 17

HEX #9AD4AB

RGB 154 212 171

HSL 137.59, 0.4%, 0.72%

LAB 80.12, -26.88, 14.38

 

CMYK 27 / 0 / 12 / 17

HEX #9AD4BB

RGB 154 212 187

HSL 154.14, 0.4%, 0.72%

LAB 80.49, -23.78, 6.39

 

CMYK 49 / 0 / 47 / 26

HEX #60BC63

RGB 96 188 99

HSL 121.96, 0.41%, 0.56%

LAB 69.01, -45.8, 36.64

 

CMYK 38 / 0 / 37 / 22

HEX #7DC87F

RGB 125 200 127

HSL 121.6, 0.41%, 0.64%

LAB 74.32, -38.08, 29.37

 

CMYK 27 / 0 / 26 / 17

HEX #9AD49C

RGB 154 212 156

HSL 122.07, 0.4%, 0.72%

LAB 79.82, -29.55, 21.88

 

CMYK 19 / 0 / 18 / 12

HEX #B7E1B8

RGB 183 225 184

HSL 121.43, 0.41%, 0.8%

LAB 85.69, -21.42, 15.62

 

CMYK 11 / 0 / 10 / 7

HEX #D4EDD5

RGB 212 237 213

HSL 122.4, 0.41%, 0.88%

LAB 91.4, -12.6, 8.85

 

CMYK 27 / 0 / 26 / 16

HEX #9BD59D

RGB 155 213 157

HSL 122.07, 0.41%, 0.72%

LAB 80.17, -29.53, 21.85

 

CMYK 27 / 6 / 0 / 17

HEX #9AC7D4

RGB 154 199 212

HSL 193.45, 0.4%, 0.72%

LAB 77.56, -11.76, -11.31

 

CMYK 0 / 27 / 17 / 17

HEX #D49AAF

RGB 212 154 175

HSL 338.28, 0.4%, 0.72%

LAB 69.61, 24.8, -2.32

 

CMYK 27 / 0 / 26 / 16

HEX #9BD59D

RGB 155 213 157

HSL 122.07, 0.41%, 0.72%

LAB 80.17, -29.53, 21.85

 

CMYK 26 / 27 / 0 / 17

HEX #9C9AD4

RGB 156 154 212

HSL 242.07, 0.4%, 0.72%

LAB 65.7, 13.44, -29.32

 

CMYK 0 / 26 / 27 / 17

HEX #D49C9A

RGB 212 156 154

HSL 2.07, 0.4%, 0.72%

LAB 69.55, 20.6, 9.26

 

CMYK 27 / 0 / 26 / 16

HEX #9BD59D

RGB 155 213 157

HSL 122.07, 0.41%, 0.72%

LAB 80.17, -29.53, 21.85

 

CMYK 27 / 6 / 0 / 17

HEX #9AC7D4

RGB 154 199 212

HSL 193.45, 0.4%, 0.72%

LAB 77.56, -11.76, -11.31

 

CMYK 0 / 27 / 1 / 17

HEX #D49AD2

RGB 212 154 210

HSL 302.07, 0.4%, 0.72%

LAB 70.71, 30.81, -20.09

 

CMYK 0 / 21 / 27 / 17

HEX #D4A79A

RGB 212 167 154

HSL 13.45, 0.4%, 0.72%

LAB 72.21, 14.63, 13.03

 

CMYK 27 / 0 / 26 / 16

HEX #9BD59D

RGB 155 213 157

HSL 122.07, 0.41%, 0.72%

LAB 80.17, -29.53, 21.85

 

CMYK 27 / 15 / 0 / 17

HEX #9AB5D4

RGB 154 181 212

HSL 212.07, 0.4%, 0.72%

LAB 72.67, -2.19, -18.66

 

CMYK 0 / 27 / 1 / 17

HEX #D49AD2

RGB 212 154 210

HSL 302.07, 0.4%, 0.72%

LAB 70.71, 30.81, -20.09

 

CMYK 0 / 13 / 27 / 17

HEX #D4B99A

RGB 212 185 154

HSL 32.07, 0.4%, 0.72%

LAB 76.7, 4.97, 19.3

 

Description

Color code: HEX #9BD59D | qconv.com Color code: HEX #9BD59D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 213 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 213 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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