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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6489BE it is the complementary color #9B7641. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6489BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6489BE shade: #6989B9, #7A9BCC, #8BADDF, #9CBFF2 and #ADD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6489BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6489BE shade: #6489BE, #5377AB, #426598, #315385 and #204172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6489BE shade: #6489BE, #6471BE, #6F64BE, #8864BE and #A064BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6489BE shade: #6489BE, #6471BE and #6464BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6489BE shade matches the following richer shades: #6489BE, #5286D0, #4083E1 and #2F7FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6489BE shade: #6489BE, #768CAC, #878F9A, #999289 and #AB9577

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6489BE shade: #64B9BE, #64A1BE, #6489BE, #6471BE and #6E64BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6489BE shade: #3D6092, #4973AF, #6489BE, #819FCA and #9EB5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6489BE shade: #6489BE, #AA64BE and #ADBE64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6489BE shade: #6489BE, #BE6489 and #89BE64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6489BE shade: #6489BE, #AA64BE, #BE9864 and #77BE64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6489BE shade: #6489BE, #BE64B6, #BE9864 and #64BE6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

Complementary color

CMYK 0 / 24 / 58 / 39

HEX #9B7641

RGB 155 118 65

HSL 35.33, 0.41%, 0.43%

LAB 52.18, 8.14, 34.43

 

CMYK 43 / 26 / 0 / 27

HEX #6989B9

RGB 105 137 185

HSL 216, 0.36%, 0.57%

LAB 56.48, 1.52, -28.68

 

CMYK 40 / 24 / 0 / 20

HEX #7A9BCC

RGB 122 155 204

HSL 215.85, 0.45%, 0.64%

LAB 63.29, 1.08, -28.77

 

CMYK 38 / 22 / 0 / 13

HEX #8BADDF

RGB 139 173 223

HSL 215.71, 0.57%, 0.71%

LAB 69.97, 0.71, -28.89

 

CMYK 36 / 21 / 0 / 5

HEX #9CBFF2

RGB 156 191 242

HSL 215.58, 0.77%, 0.78%

LAB 76.52, 0.39, -29.04

 

CMYK 32 / 18 / 0 / 0

HEX #ADD1FF

RGB 173 209 255

HSL 213.66, 1%, 0.84%

LAB 82.76, -1.37, -26.35

 

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

CMYK 51 / 30 / 0 / 33

HEX #5377AB

RGB 83 119 171

HSL 215.45, 0.35%, 0.5%

LAB 49.46, 2.36, -31.64

 

CMYK 57 / 34 / 0 / 40

HEX #426598

RGB 66 101 152

HSL 215.58, 0.39%, 0.43%

LAB 42.36, 3.19, -31.66

 

CMYK 63 / 38 / 0 / 48

HEX #315385

RGB 49 83 133

HSL 215.71, 0.46%, 0.36%

LAB 35.07, 4.29, -31.72

 

CMYK 72 / 43 / 0 / 55

HEX #204172

RGB 32 65 114

HSL 215.85, 0.56%, 0.29%

LAB 27.58, 5.82, -31.82

 

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

CMYK 47 / 41 / 0 / 25

HEX #6471BE

RGB 100 113 190

HSL 231.33, 0.41%, 0.57%

LAB 49.78, 16.09, -42.06

 

CMYK 42 / 47 / 0 / 25

HEX #6F64BE

RGB 111 100 190

HSL 247.33, 0.41%, 0.57%

LAB 47.25, 26.77, -46.03

 

CMYK 28 / 47 / 0 / 25

HEX #8864BE

RGB 136 100 190

HSL 264, 0.41%, 0.57%

LAB 49.58, 33.39, -42.2

 

CMYK 16 / 47 / 0 / 25

HEX #A064BE

RGB 160 100 190

HSL 280, 0.41%, 0.57%

LAB 52.18, 40.18, -37.91

 

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

CMYK 47 / 41 / 0 / 25

HEX #6471BE

RGB 100 113 190

HSL 231.33, 0.41%, 0.57%

LAB 49.78, 16.09, -42.06

 

CMYK 47 / 47 / 0 / 25

HEX #6464BE

RGB 100 100 190

HSL 240, 0.41%, 0.57%

LAB 46.37, 24.08, -47.5

 

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

CMYK 61 / 36 / 0 / 18

HEX #5286D0

RGB 82 134 208

HSL 215.24, 0.57%, 0.57%

LAB 55.48, 5.23, -43.38

 

CMYK 72 / 42 / 0 / 12

HEX #4083E1

RGB 64 131 225

HSL 215.03, 0.73%, 0.57%

LAB 54.82, 9.97, -54.03

 

CMYK 81 / 48 / 0 / 5

HEX #2F7FF3

RGB 47 127 243

HSL 215.51, 0.89%, 0.57%

LAB 54.3, 17.1, -64.94

 

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

CMYK 31 / 19 / 0 / 33

HEX #768CAC

RGB 118 140 172

HSL 215.56, 0.25%, 0.57%

LAB 57.64, -0.1, -19.41

 

CMYK 12 / 7 / 0 / 40

HEX #878F9A

RGB 135 143 154

HSL 214.74, 0.09%, 0.57%

LAB 59.09, -0.58, -6.82

 

CMYK 0 / 5 / 10 / 40

HEX #999289

RGB 153 146 137

HSL 33.75, 0.07%, 0.57%

LAB 60.9, 0.95, 5.68

 

CMYK 0 / 13 / 30 / 33

HEX #AB9577

RGB 171 149 119

HSL 34.62, 0.24%, 0.57%

LAB 62.91, 3.55, 18.87

 

CMYK 47 / 3 / 0 / 25

HEX #64B9BE

RGB 100 185 190

HSL 183.33, 0.41%, 0.57%

LAB 70.26, -24.36, -10.52

 

CMYK 47 / 15 / 0 / 25

HEX #64A1BE

RGB 100 161 190

HSL 199.33, 0.41%, 0.57%

LAB 63.27, -11.82, -21.08

 

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

CMYK 47 / 41 / 0 / 25

HEX #6471BE

RGB 100 113 190

HSL 231.33, 0.41%, 0.57%

LAB 49.78, 16.09, -42.06

 

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

CMYK 58 / 34 / 0 / 43

HEX #3D6092

RGB 61 96 146

HSL 215.29, 0.41%, 0.41%

LAB 40.3, 3.15, -31.32

 

CMYK 58 / 34 / 0 / 31

HEX #4973AF

RGB 73 115 175

HSL 215.29, 0.41%, 0.49%

LAB 47.97, 3.83, -36.34

 

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

CMYK 36 / 21 / 0 / 21

HEX #819FCA

RGB 129 159 202

HSL 215.34, 0.41%, 0.65%

LAB 64.75, 0.2, -25.38

 

CMYK 26 / 15 / 0 / 16

HEX #9EB5D6

RGB 158 181 214

HSL 215.36, 0.41%, 0.73%

LAB 73, -0.51, -19.23

 

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

CMYK 11 / 47 / 0 / 25

HEX #AA64BE

RGB 170 100 190

HSL 286.67, 0.41%, 0.57%

LAB 53.36, 43.08, -35.98

 

CMYK 9 / 0 / 47 / 25

HEX #ADBE64

RGB 173 190 100

HSL 71.33, 0.41%, 0.57%

LAB 73.95, -19.56, 43.22

 

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

CMYK 0 / 47 / 28 / 25

HEX #BE6489

RGB 190 100 137

HSL 335.33, 0.41%, 0.57%

LAB 53.89, 40.36, -4.05

 

CMYK 28 / 0 / 47 / 25

HEX #89BE64

RGB 137 190 100

HSL 95.33, 0.41%, 0.57%

LAB 71.6, -33.3, 39.8

 

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

CMYK 11 / 47 / 0 / 25

HEX #AA64BE

RGB 170 100 190

HSL 286.67, 0.41%, 0.57%

LAB 53.36, 43.08, -35.98

 

CMYK 0 / 20 / 47 / 25

HEX #BE9864

RGB 190 152 100

HSL 34.67, 0.41%, 0.57%

LAB 65.22, 7.49, 32.66

 

CMYK 37 / 0 / 47 / 25

HEX #77BE64

RGB 119 190 100

HSL 107.33, 0.41%, 0.57%

LAB 70.64, -39.5, 38.4

 

CMYK 47 / 28 / 0 / 25

HEX #6489BE

RGB 100 137 190

HSL 215.33, 0.41%, 0.57%

LAB 56.41, 1.71, -31.67

 

CMYK 0 / 47 / 4 / 25

HEX #BE64B6

RGB 190 100 182

HSL 305.33, 0.41%, 0.57%

LAB 55.52, 47.47, -27.81

 

CMYK 0 / 20 / 47 / 25

HEX #BE9864

RGB 190 152 100

HSL 34.67, 0.41%, 0.57%

LAB 65.22, 7.49, 32.66

 

CMYK 47 / 0 / 44 / 25

HEX #64BE6B

RGB 100 190 107

HSL 124.67, 0.41%, 0.57%

LAB 69.89, -44.32, 33.73

 

Description

Color code: HEX #6489BE | qconv.com Color code: HEX #6489BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 137 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 137 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 28 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 28% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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