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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E64BE it is the complementary color #919B41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E64BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E64BE shade: #7364B9, #8476CC, #9588DF, #A69AF2 and #B7ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E64BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E64BE shade: #6E64BE, #5D52AB, #4C4098, #3B2E85 and #2A1C72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E64BE shade: #6E64BE, #8664BE, #9E64BE, #B764BE and #BE64AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E64BE shade: #6E64BE and #6464BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E64BE shade matches the following richer shades: #6E64BE, #6052D0, #5240E1 and #442FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E64BE shade: #6E64BE, #7C76AC, #89879A, #979989 and #A5AB77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E64BE shade: #648BBE, #6473BE, #6D64BE, #8564BE and #9D64BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E64BE shade: #463D92, #5449AF, #6E64BE, #8981CA and #A49ED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E64BE shade: #6E64BE, #BE64A3 and #7FBE64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E64BE shade: #6E64BE, #BE6D64 and #64BE6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E64BE shade: #6E64BE, #BE64A3, #B5BE64 and #64BE7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E64BE shade: #6E64BE, #BE6488, #B5BE64 and #64BE9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

Complementary color

CMYK 6 / 0 / 58 / 39

HEX #919B41

RGB 145 155 65

HSL 66.67, 0.41%, 0.43%

LAB 61.52, -16.57, 45.02

 

CMYK 38 / 46 / 0 / 27

HEX #7364B9

RGB 115 100 185

HSL 250.59, 0.38%, 0.56%

LAB 47.32, 26.37, -43.01

 

CMYK 35 / 42 / 0 / 20

HEX #8476CC

RGB 132 118 204

HSL 249.77, 0.46%, 0.63%

LAB 54.26, 25.4, -42.83

 

CMYK 33 / 39 / 0 / 13

HEX #9588DF

RGB 149 136 223

HSL 248.97, 0.58%, 0.7%

LAB 61.07, 24.54, -42.69

 

CMYK 31 / 36 / 0 / 5

HEX #A69AF2

RGB 166 154 242

HSL 248.18, 0.77%, 0.78%

LAB 67.75, 23.78, -42.6

 

CMYK 28 / 33 / 0 / 0

HEX #B7ACFF

RGB 183 172 255

HSL 247.95, 1%, 0.84%

LAB 74.06, 21.63, -39.71

 

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

CMYK 46 / 52 / 0 / 33

HEX #5D52AB

RGB 93 82 171

HSL 247.42, 0.35%, 0.5%

LAB 40.08, 27.75, -46.45

 

CMYK 50 / 58 / 0 / 40

HEX #4C4098

RGB 76 64 152

HSL 248.18, 0.41%, 0.42%

LAB 32.85, 29.19, -46.77

 

CMYK 56 / 65 / 0 / 48

HEX #3B2E85

RGB 59 46 133

HSL 248.97, 0.49%, 0.35%

LAB 25.49, 30.87, -47.06

 

CMYK 63 / 75 / 0 / 55

HEX #2A1C72

RGB 42 28 114

HSL 249.77, 0.61%, 0.28%

LAB 18.09, 32.7, -47.16

 

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

CMYK 29 / 47 / 0 / 25

HEX #8664BE

RGB 134 100 190

HSL 262.67, 0.41%, 0.57%

LAB 49.38, 32.84, -42.53

 

CMYK 17 / 47 / 0 / 25

HEX #9E64BE

RGB 158 100 190

HSL 278.67, 0.41%, 0.57%

LAB 51.95, 39.61, -38.29

 

CMYK 4 / 47 / 0 / 25

HEX #B764BE

RGB 183 100 190

HSL 295.33, 0.41%, 0.57%

LAB 54.97, 46.87, -33.34

 

CMYK 0 / 47 / 9 / 25

HEX #BE64AD

RGB 190 100 173

HSL 311.33, 0.41%, 0.57%

LAB 55.15, 45.91, -23.18

 

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

CMYK 47 / 47 / 0 / 25

HEX #6464BE

RGB 100 100 190

HSL 240, 0.41%, 0.57%

LAB 46.37, 24.08, -47.5

 

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

CMYK 54 / 61 / 0 / 18

HEX #6052D0

RGB 96 82 208

HSL 246.67, 0.57%, 0.57%

LAB 42.88, 39.73, -63.53

 

CMYK 64 / 72 / 0 / 12

HEX #5240E1

RGB 82 64 225

HSL 246.71, 0.73%, 0.57%

LAB 39.41, 53.04, -78.99

 

CMYK 72 / 81 / 0 / 5

HEX #442FF3

RGB 68 47 243

HSL 246.43, 0.89%, 0.57%

LAB 37.36, 65.29, -92.62

 

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

CMYK 28 / 31 / 0 / 33

HEX #7C76AC

RGB 124 118 172

HSL 246.67, 0.25%, 0.57%

LAB 52.09, 14.62, -27.92

 

CMYK 11 / 12 / 0 / 40

HEX #89879A

RGB 137 135 154

HSL 246.32, 0.09%, 0.57%

LAB 57.06, 4.67, -9.84

 

CMYK 1 / 0 / 10 / 40

HEX #979989

RGB 151 153 137

HSL 67.5, 0.07%, 0.57%

LAB 62.65, -3.68, 8.16

 

CMYK 4 / 0 / 30 / 33

HEX #A5AB77

RGB 165 171 119

HSL 66.92, 0.24%, 0.57%

LAB 68.36, -10.73, 26.13

 

CMYK 47 / 27 / 0 / 25

HEX #648BBE

RGB 100 139 190

HSL 214, 0.41%, 0.57%

LAB 56.97, 0.54, -30.79

 

CMYK 47 / 39 / 0 / 25

HEX #6473BE

RGB 100 115 190

HSL 230, 0.41%, 0.57%

LAB 50.32, 14.87, -41.21

 

CMYK 43 / 47 / 0 / 25

HEX #6D64BE

RGB 109 100 190

HSL 246, 0.41%, 0.57%

LAB 47.08, 26.26, -46.31

 

CMYK 30 / 47 / 0 / 25

HEX #8564BE

RGB 133 100 190

HSL 262, 0.41%, 0.57%

LAB 49.28, 32.57, -42.69

 

CMYK 17 / 47 / 0 / 25

HEX #9D64BE

RGB 157 100 190

HSL 278, 0.41%, 0.57%

LAB 51.84, 39.32, -38.48

 

CMYK 52 / 58 / 0 / 43

HEX #463D92

RGB 70 61 146

HSL 246.35, 0.41%, 0.41%

LAB 31.15, 27.86, -45.89

 

CMYK 52 / 58 / 0 / 31

HEX #5449AF

RGB 84 73 175

HSL 246.47, 0.41%, 0.49%

LAB 37.38, 32.56, -53.22

 

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

CMYK 32 / 36 / 0 / 21

HEX #8981CA

RGB 137 129 202

HSL 246.58, 0.41%, 0.65%

LAB 57.35, 19.77, -36.81

 

CMYK 23 / 26 / 0 / 16

HEX #A49ED6

RGB 164 158 214

HSL 246.43, 0.41%, 0.73%

LAB 67.43, 14.07, -27.7

 

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

CMYK 0 / 47 / 14 / 25

HEX #BE64A3

RGB 190 100 163

HSL 318, 0.41%, 0.57%

LAB 54.77, 44.26, -17.96

 

CMYK 33 / 0 / 47 / 25

HEX #7FBE64

RGB 127 190 100

HSL 102, 0.41%, 0.57%

LAB 71.05, -36.81, 38.99

 

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

CMYK 0 / 43 / 47 / 25

HEX #BE6D64

RGB 190 109 100

HSL 6, 0.41%, 0.57%

LAB 54.87, 31.15, 19.06

 

CMYK 47 / 0 / 43 / 25

HEX #64BE6D

RGB 100 190 109

HSL 126, 0.41%, 0.57%

LAB 69.92, -44.01, 32.74

 

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

CMYK 0 / 47 / 14 / 25

HEX #BE64A3

RGB 190 100 163

HSL 318, 0.41%, 0.57%

LAB 54.77, 44.26, -17.96

 

CMYK 5 / 0 / 47 / 25

HEX #B5BE64

RGB 181 190 100

HSL 66, 0.41%, 0.57%

LAB 74.55, -16.34, 44.09

 

CMYK 47 / 0 / 33 / 25

HEX #64BE7F

RGB 100 190 127

HSL 138, 0.41%, 0.57%

LAB 70.22, -40.96, 23.7

 

CMYK 42 / 47 / 0 / 25

HEX #6E64BE

RGB 110 100 190

HSL 246.67, 0.41%, 0.57%

LAB 47.17, 26.51, -46.17

 

CMYK 0 / 47 / 28 / 25

HEX #BE6488

RGB 190 100 136

HSL 336, 0.41%, 0.57%

LAB 53.86, 40.22, -3.5

 

CMYK 5 / 0 / 47 / 25

HEX #B5BE64

RGB 181 190 100

HSL 66, 0.41%, 0.57%

LAB 74.55, -16.34, 44.09

 

CMYK 47 / 0 / 19 / 25

HEX #64BE9A

RGB 100 190 154

HSL 156, 0.41%, 0.57%

LAB 70.78, -35.52, 9.93

 

Description

Color code: HEX #6E64BE | qconv.com Color code: HEX #6E64BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 100 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 100 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 47 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 47% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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